{"id":2040,"date":"2012-01-09T00:00:39","date_gmt":"2012-01-08T22:00:39","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1753"},"modified":"2016-11-13T20:10:40","modified_gmt":"2016-11-13T19:10:40","slug":"tomajazz-recomienda-un-tema-ice-breaker-fridrik-karlsson-mezzoforte-1985","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-ice-breaker-fridrik-karlsson-mezzoforte-1985\/","title":{"rendered":"Tomajazz recomienda&#8230; un tema: \u00abIce Breaker\u00bb (Fridrik Karlsson &#8211; Mezzoforte, 1985)"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-11688\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/01\/Mezzoforte-No-Limits-1986-FLAC-200x200.jpeg\" alt=\"Mezzoforte-No-Limits-1986-FLAC\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/01\/Mezzoforte-No-Limits-1986-FLAC-200x200.jpeg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/01\/Mezzoforte-No-Limits-1986-FLAC-150x150.jpeg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/01\/Mezzoforte-No-Limits-1986-FLAC-55x55.jpeg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/01\/Mezzoforte-No-Limits-1986-FLAC.jpeg 480w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>De entre los grupos que destacaron en esos a\u00f1os ochenta de fusiones y confusiones se encuentran los islandeses Mezzoforte. En su <em>No Limits<\/em> combinaron temas vocales de corte pop con instrumentales de altura. Cabe destacar el inicial \u00abIce Breaker\u00bb, composici\u00f3n del guitarrista Fridrik Karlsson que combina con imaginaci\u00f3n las voces de guitarra, saxo y teclados mientras bajo y bater\u00eda marcan el camino de forma contundente. No es de extra\u00f1ar que la banda siga en activo y cosechando triunfos.<\/p>\n<p style=\"text-align: right;\">\u00a9 Adolphus van Tenzing<\/p>\n<p>Mezzoforte:<em> No Limits<\/em> (RCA 71182)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>De entre los grupos que destacaron en esos a\u00f1os ochenta de fusiones y confusiones se encuentran los islandeses Mezzoforte. En su No Limits combinaron temas vocales de corte pop con instrumentales de altura. Cabe destacar el inicial \u00abIce Breaker\u00bb, composici\u00f3n del guitarrista Fridrik Karlsson que combina con imaginaci\u00f3n las voces<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-ice-breaker-fridrik-karlsson-mezzoforte-1985\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":11688,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1296,1038,1273],"tags":[1346,5366,1717,1838,8999,1999,2122,16099,77,16100],"class_list":["entry","author-adolphus-van-tenzing","post-2040","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-tema","category-contenidos","category-tomajazz-recomienda","tag-1346","tag-adolphus-van-tenzing","tag-fridrik-karlsson","tag-ice-breaker","tag-mezzoformte","tag-mezzoforte","tag-rca","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/01\/Mezzoforte-No-Limits-1986-FLAC.jpeg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":4395,"url":"https:\/\/tomajazz.com\/web\/mezzoforte-volcanic-islands-bhm-2012\/","url_meta":{"origin":2040,"position":0},"title":"Mezzoforte: Volcanic \/ Islands (BHM, 2012)","author":"Tomajazz","date":"15 septiembre, 2012","format":false,"excerpt":"Comentario:\u00a0En estos \u00faltimos a\u00f1os los islandeses Mezzoforte, abanderados del buen\u00a0jazz fusion\u00a0de los ochenta, han pasado por un reencuentro, una vuelta al trabajo y un per\u00edodo de transici\u00f3n. Espoleados por el bater\u00eda Wolfgang Haffner, en 2004 grabaron\u00a0Forward Motiontras casi una d\u00e9cada de silencio. Tres a\u00f1os despu\u00e9s aparecer\u00edan el doble album recopilatorio\u00a0Anniversary\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/01\/m_i.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2076,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-the-bridge-sonny-rollins-1962\/","url_meta":{"origin":2040,"position":1},"title":"Tomajazz recomienda&#8230; un tema: \u00abThe Bridge\u00bb (Sonny Rollins, 1962)","author":"Adolphus van Tenzing","date":"10 diciembre, 2012","format":false,"excerpt":"La historia es de sobra conocida: en plena crisis creativa Sonny Rollins se retir\u00f3 en 1959, practicando regularmente a solas en el neoyorquino puente de Williamsburg. Tres a\u00f1os despu\u00e9s volvi\u00f3 por todo lo alto con su disco The Bridge (\"el puente\"), lleno de fuerza e imaginaci\u00f3n, y con una formaci\u00f3n\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Sonny_Rollins-The_Bridge","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/12\/Sonny_Rollins-The_Bridge-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1922,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-the-jazz-piano-1965\/","url_meta":{"origin":2040,"position":2},"title":"Tomajazz recomienda\u2026 un disco: The Jazz Piano (1965)","author":"Adolphus van Tenzing","date":"23 noviembre, 2010","format":false,"excerpt":"En el marco del II Festival de Jazz de Pittsburgh en 1965, George Wein decidi\u00f3 continuar los Jazz Piano Workshops que tan buenos resultados hab\u00edan dado en el Festival de Newport y en el Hunter College en Nueva York. El CD editado en 2007 por el prestigioso sello Mosaic recoge\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Piano Players","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2010\/11\/Piano-Players.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2011,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-sans-tambour-ni-trompette-martial-solal\/","url_meta":{"origin":2040,"position":3},"title":"Tomajazz recomienda\u2026 un CD: Sans tambour ni trompette (Martial Solal)","author":"Adolphus van Tenzing","date":"27 junio, 2011","format":false,"excerpt":"\u201cSin tambor ni trompeta\u201d, como dice el t\u00edtulo, el piano Martial Solal se acompa\u00f1a en este disco de dos contrabajos, los de Gilbert Rov\u00e8re y Jean-Fran\u00e7ois Jenny Clark. Son cuatro composiciones del pianista franc\u00e9s que definen claramente su territorio estil\u00edstico, hecho de jazz y de referencias cl\u00e1sicas y donde el\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2011\/06\/Martial-Solal-Trio_Sans-Tambour-Ni-Trompette.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2054,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-characters-john-abercrombie-1977\/","url_meta":{"origin":2040,"position":4},"title":"Tomajazz recomienda&#8230; un CD: Characters (John Abercrombie, 1977)","author":"Adolphus van Tenzing","date":"9 abril, 2012","format":false,"excerpt":"Si publicar un disco a guitarra sola era poco habitual en los a\u00f1os setenta, utilizar la t\u00e9cnica de overdubbing (superponer varias pistas grabadas sucesivamente) lo era a\u00fan menos. En este Characters, compuesto de ocho originales, John Abercrombie aborda semejante tarea fusionando sonidos el\u00e9ctricos y ac\u00fasticos, combinando improvisaci\u00f3n jazz\u00edstica con una\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2012\/04\/Characters_John_Abercrombie_album.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":291,"url":"https:\/\/tomajazz.com\/web\/stefan-karlsson-smilin-eyes-bebyne-records-2011\/","url_meta":{"origin":2040,"position":5},"title":"Stefan Karlsson: Smilin\u2019 Eyes (BeByNe Records, 2011)","author":"Tomajazz","date":"13 marzo, 2011","format":false,"excerpt":"I\u00f1aki Sandoval ha apostado en la tercera referencia de su sello (Bebyne Records) por el pianista Stefan Karlsson, un m\u00fasico poco conocido pero con un buen pu\u00f1ado de credenciales. La mayor parte de estas son junto a Eddie G\u00f3mez (que ha grabado Miracielos junto a Sandoval), ya que Karlsson es\u2026","rel":"","context":"En \u00ab*_Yahv\u00e9 M. de la Cavada\u00bb","block_context":{"text":"*_Yahv\u00e9 M. de la Cavada","link":"https:\/\/tomajazz.com\/web\/category\/yahve-m-de-la-cavada\/"},"img":{"alt_text":"Stefan Karlsson: Smilin\u2019 Eyes (BeByNe Records, 2011)","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/04\/2011_03_sk_se.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2040","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2040"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2040\/revisions"}],"predecessor-version":[{"id":11690,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2040\/revisions\/11690"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/11688"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2040"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2040"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2040"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}