{"id":2042,"date":"2012-01-23T00:00:46","date_gmt":"2012-01-22T22:00:46","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1782"},"modified":"2016-11-13T20:10:39","modified_gmt":"2016-11-13T19:10:39","slug":"tomajazz-recomienda-un-disco-nefertiti-the-beautiful-one-has-come-cecil-taylor-1962","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-nefertiti-the-beautiful-one-has-come-cecil-taylor-1962\/","title":{"rendered":"Tomajazz recomienda… un disco: Nefertiti, The Beautiful One Has Come<\/i> (Cecil Taylor, 1962)"},"content":{"rendered":"

\"CecilGrabado en directo en noviembre de 1962 en el Cafe Montmartre de Copenhague en compa\u00f1\u00eda de sus inseparables Jimmy Lyons (saxo alto) y Sunny Murray (bater\u00eda), el doble CD Nefertiti, The Beautiful One Has Come<\/em> es un magn\u00edfico punto intermedio en la carrera de Cecil Taylor<\/strong>. Situado a medio camino de sus grabaciones de finales de los a\u00f1os 50 con sus visitas a las m\u00fasicas de Duke Ellington<\/strong>, Thelonious Monk<\/strong> o Cole Porter<\/strong> (Jazz Advance<\/em>, Jumpin\u2019 Punkins<\/em>, The World Of Cecil Taylor<\/em>), y las que dejar\u00eda en Blue Note de mediados de los 60 (Conquistador!<\/em>, Unit Structures<\/em>), muestra al pianista con su estilo incisivo, aunque conectado con la tradici\u00f3n merced a Lyons<\/strong>.<\/p>\n

\u00a9 Adolphus van Tenzing<\/p>\n

Publicado originalmente en Arista \/ Freedom. Cecil Taylor. Nefertiti, The Beautiful One Has Come<\/em>. Revenant 202. Editado en 1997.<\/p>\n","protected":false},"excerpt":{"rendered":"

Grabado en directo en noviembre de 1962 en el Cafe Montmartre de Copenhague en compa\u00f1\u00eda de sus inseparables Jimmy Lyons (saxo alto) y Sunny Murray (bater\u00eda), el doble CD Nefertiti, The Beautiful One Has Come es un magn\u00edfico punto intermedio en la carrera de Cecil Taylor. Situado a medio caminoContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":11676,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1278,5,1038,1273],"tags":[1326,5366,1413,12651,1199,6637,12696,13,12415,15295,8990,2130,8991,16099,77,16100],"class_list":["entry","author-adolphus-van-tenzing","post-2042","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-disco","category-grabaciones","category-contenidos","category-tomajazz-recomienda","tag-1326","tag-adolphus-van-tenzing","tag-arista-freedom","tag-cd","tag-cecil-taylor","tag-duke-ellington","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jimmy-lyons","tag-revenant","tag-sunny-murray","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/01\/Cecil-Taylor-Nefertiti.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2001,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-free-fall-jimmy-giuffre-1962\/","url_meta":{"origin":2042,"position":0},"title":"Tomajazz recomienda\u2026 un disco: Free Fall (Jimmy Giuffre, 1962)","author":"Adolphus van Tenzing","date":"17 junio, 2011","format":false,"excerpt":"En la d\u00e9cada de los 60, al mismo tiempo que alguno de los grandes convulsionadores del mundo del jazz del jazz (Cecil Taylor, Ornette Coleman, John Coltrane) desarrollaban sus propuestas, otros m\u00fasicos eran protagonistas de lo que se podr\u00eda denominar una \u201crevoluci\u00f3n silenciosa\u201d. Una de esas figuras fue el clarinetista,\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Free_fall_(album)","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/06\/Free_fall_album.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":101631,"url":"https:\/\/tomajazz.com\/web\/cecil-taylor-flashing-spirits-2025\/","url_meta":{"origin":2042,"position":1},"title":"Cecil Taylor – Tony Oxley: Flashing Spirits (Burning Ambulance Music; 1988 publicado en 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"10 noviembre, 2025","format":false,"excerpt":"Flashing Spirits es una grabaci\u00f3n in\u00e9dita de Cecil Taylor - Tony Oxley publicada por Burning Ambulance Music en 2025. Pachi Tapiz repasa la grabaci\u00f3n","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Cecil Taylor - Tony Oxley: Flashing Spirits (Burning Ambulance Music; 1988 publicado en 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Flashing Spirits es una grabaci\u00f3n in\u00e9dita de Cecil Taylor - Tony Oxley publicada por Burning Ambulance Music en 2025. Pachi Tapiz repasa la grabaci\u00f3n","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Cecil-Taylor-Tony-Oxley-Flashing-Spirits-Burning-Ambulance-Music-1988-publicado-en-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Cecil-Taylor-Tony-Oxley-Flashing-Spirits-Burning-Ambulance-Music-1988-publicado-en-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Cecil-Taylor-Tony-Oxley-Flashing-Spirits-Burning-Ambulance-Music-1988-publicado-en-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Cecil-Taylor-Tony-Oxley-Flashing-Spirits-Burning-Ambulance-Music-1988-publicado-en-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":22130,"url":"https:\/\/tomajazz.com\/web\/cecil-taylor-fly-fly-fly-fly-fly-live-in-the-black-forest-mps-reed-digital-2016\/","url_meta":{"origin":2042,"position":2},"title":"Cecil Taylor: Fly! Fly! Fly! Fly! Fly! \/ Live In The Black Forest (MPS; reed.digital 2016)","author":"Tomajazz","date":"28 enero, 2016","format":false,"excerpt":"Cecil Taylor (1929) es un coloso del piano que lleva impartiendo su magisterio desde la d\u00e9cada de los a\u00f1os 50 del pasado siglo. El sello MPS, continuando con la\u00a0labor de reeditar su cat\u00e1logo desde hace algo m\u00e1s de un a\u00f1o con entregas quincenales, \u00a0pone en circulaci\u00f3n en formato digital, dos\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/Cecil_Taylor-Cecil_Taylor_Live_in_the_Black_Forest.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/Cecil_Taylor-Cecil_Taylor_Live_in_the_Black_Forest.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/Cecil_Taylor-Cecil_Taylor_Live_in_the_Black_Forest.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/Cecil_Taylor-Cecil_Taylor_Live_in_the_Black_Forest.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/Cecil_Taylor-Cecil_Taylor_Live_in_the_Black_Forest.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/Cecil_Taylor-Cecil_Taylor_Live_in_the_Black_Forest.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":22131,"url":"https:\/\/tomajazz.com\/web\/cecil-taylor-un-coloso-del-piano-en-mps-hdo-0066-audioblog\/","url_meta":{"origin":2042,"position":3},"title":"Cecil Taylor: un coloso del piano en MPS. HDO 0066 [Audioblog]","author":"Tomajazz","date":"28 enero, 2016","format":"audio","excerpt":"Cecil Taylor (1929) es un coloso del piano que lleva impartiendo su magisterio desde la d\u00e9cada de los a\u00f1os 50 del pasado siglo. El sello MPS, continuando con la labor de reeditar su cat\u00e1logo desde hace algo m\u00e1s de un a\u00f1o con entregas quincenales, pone en circulaci\u00f3n en formato digital,\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/Cecil_Taylor-Fly_Fly_Fly_Fly_Fly_MPS.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/Cecil_Taylor-Fly_Fly_Fly_Fly_Fly_MPS.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/Cecil_Taylor-Fly_Fly_Fly_Fly_Fly_MPS.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/Cecil_Taylor-Fly_Fly_Fly_Fly_Fly_MPS.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/Cecil_Taylor-Fly_Fly_Fly_Fly_Fly_MPS.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/Cecil_Taylor-Fly_Fly_Fly_Fly_Fly_MPS.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":5514,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-dueto-historic-concerts-max-roach-cecil-taylor-soul-note-1984\/","url_meta":{"origin":2042,"position":4},"title":"Tomajazz recomienda… un dueto: Historic Concerts (Max Roach, Cecil Taylor; Soul Note, 1984)","author":"Tomajazz","date":"18 marzo, 2013","format":false,"excerpt":"A finales de la d\u00e9cada de los a\u00f1os 70 el baterista Max Roach grab\u00f3 en d\u00fao con m\u00fasicos como el pianista Abdullah Ibrahim, los saxofonistas\u00a0Anthony Braxton y Archie Shepp,\u00a0 y el pianista Cecil Taylor. El 15 de diciembre de 1979 grababa con este \u00faltimo \u00a0en el McMillin Theatre de la\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Max Roach, Cecil Taylor: Historic Concerts (Soul Note, 1984)","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/03\/roach_taylor_historic-concerts.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2962,"url":"https:\/\/tomajazz.com\/web\/cecil-taylor-live-at-town-hall-1971\/","url_meta":{"origin":2042,"position":5},"title":"Cecil Taylor: Live at Town Hall 1971","author":"Tomajazz","date":"23 diciembre, 2009","format":false,"excerpt":"Hablar de Cecil Taylor no es hablar de cualquiera en esto del jazz. A pesar de ello, o precisamente por eso, hay quienes siguen parados d\u00e1ndole vueltas a si lo que este pianista lleva tocando d\u00e9cadas es o no es jazz, aunque a veces d\u00e9 la impresi\u00f3n de que lo\u2026","rel":"","context":"Con 3 comentarios","block_context":{"text":"Con 3 comentarios","link":"https:\/\/tomajazz.com\/web\/cecil-taylor-live-at-town-hall-1971\/#comments"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/bun\/uploaded_images\/cecil-taylor_town-hall-1971-713678.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2042","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2042"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2042\/revisions"}],"predecessor-version":[{"id":11677,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2042\/revisions\/11677"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/11676"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2042"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2042"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2042"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}