{"id":2044,"date":"2012-02-06T00:00:39","date_gmt":"2012-02-05T22:00:39","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1790"},"modified":"2016-11-13T20:10:38","modified_gmt":"2016-11-13T19:10:38","slug":"tomajazz-recomienda-un-solo-fats-navarro-en-wail-bud-powell-1949","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-solo-fats-navarro-en-wail-bud-powell-1949\/","title":{"rendered":"Tomajazz recomienda&#8230; un solo: Fats Navarro en \u00abWail\u00bb (Bud Powell), 1949"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-11670\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/02\/albumcoverAmazingBudPowellVolume1-200x200.jpg\" alt=\"albumcoverAmazingBudPowellVolume1\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/02\/albumcoverAmazingBudPowellVolume1-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/02\/albumcoverAmazingBudPowellVolume1-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/02\/albumcoverAmazingBudPowellVolume1-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/02\/albumcoverAmazingBudPowellVolume1.jpg 450w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Un solo coro. Veintiocho segundos. No se necesita m\u00e1s si se sabe qu\u00e9 decir y c\u00f3mo decirlo. \u00abWail\u00bb es un r\u00e1pido <em>rhythm changes<\/em> (tema de estructura arm\u00f3nica similar al \u00abI Got Rhythm\u00bb de George Gershwin) en mi bemol, todo un quebradero de cabeza para muchos improvisadores. En esta sesi\u00f3n a nombre de su compositor, Bud Powell, el trompetista Fats Navarro aborda un solo impecable con un discurso conciso, rebosante de poder\u00edo y de silencios. Incluye citas y se deja querer por la secci\u00f3n r\u00edtmica, que le apoya con precisi\u00f3n (especialmente el baterista Roy Haynes). Cada frase es m\u00e1s larga que la anterior, la pen\u00faltima abarca todo el puente. La \u00faltima, tras una pausa mesurada, arrancar\u00eda aplausos a un muerto. Ser\u00e1 quiz\u00e1s por ese solo que dieron la toma por buena, a pesar del caos r\u00edtmico en la vuelta a la exposici\u00f3n de la melod\u00eda tras el solo de bater\u00eda (digno de rese\u00f1ar, tambi\u00e9n, c\u00f3mo salen airosamente del atolladero).<\/p>\n<p style=\"text-align: right;\">\u00a9 Adolphus van Tenzing<\/p>\n<p style=\"text-align: justify;\">Bud Powell:<em> The Amazing Bud Powell, vol. 1<\/em>\u00a0(Blue Note 7 81503 2)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un solo coro. Veintiocho segundos. No se necesita m\u00e1s si se sabe qu\u00e9 decir y c\u00f3mo decirlo. \u00abWail\u00bb es un r\u00e1pido rhythm changes (tema de estructura arm\u00f3nica similar al \u00abI Got Rhythm\u00bb de George Gershwin) en mi bemol, todo un quebradero de cabeza para muchos improvisadores. En esta sesi\u00f3n a<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-solo-fats-navarro-en-wail-bud-powell-1949\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":11670,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1295,1038,1273],"tags":[8987,5366,1487,1522,1696,2166,16099,77,16100,2325],"class_list":["entry","author-adolphus-van-tenzing","post-2044","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-solo","category-contenidos","category-tomajazz-recomienda","tag-8987","tag-adolphus-van-tenzing","tag-blue-note","tag-bud-powell","tag-fats-navarro","tag-roy-haynes","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-wail"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/02\/albumcoverAmazingBudPowellVolume1.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":13561,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-wailing-wail-andrew-hill-1963\/","url_meta":{"origin":2044,"position":0},"title":"Tomajazz recomienda\u2026 un tema: \u00abWailing Wail\u00bb (Andrew Hill, 1963)","author":"Adolphus van Tenzing","date":"1 septiembre, 2014","format":false,"excerpt":"Siempre un paso por delante, la emergencia de Andrew Hill en la escena jazz\u00edstica de los a\u00f1os sesenta aport\u00f3 un aire de novedad, frescura e investigaci\u00f3n para nada re\u00f1ido con el disfrute del oyente. 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Posiblemente haya alg\u00fan que otro detractor, pero creo que en un porcentaje muy elevado, pr\u00e1cticamente todas las personas a las que nos gusta\u2026","rel":"","context":"En \u00ab*_Jes\u00fas Mateu Rossell\u00f3\u00bb","block_context":{"text":"*_Jes\u00fas Mateu Rossell\u00f3","link":"https:\/\/tomajazz.com\/web\/category\/jesus-mateu-rossello\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/01\/Monk-Rollins_complete-recordings-e1421176101624.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":31645,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-mitico-bird-fats-live-at-birdland-1950-209\/","url_meta":{"origin":2044,"position":2},"title":"365 razones para amar el jazz: un disco m\u00edtico. 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UU. a Europa los releg\u00f3 al olvido, pero si hay un caso especialmente injusto por su papel en la historia del jazz moderno, \u00e9se es el de Kenny Clarke. En su Par\u00eds adoptivo, Clarke se re\u00fane con Bud Powell m\u00e1s el bajista Pierre\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2011\/08\/BP_Portrait_fr.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":12725,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-i-know-that-you-know-bud-powell-trio-1958\/","url_meta":{"origin":2044,"position":5},"title":"Tomajazz recomienda&#8230; un tema: \u00abI Know That You Know\u00bb (Bud Powell Trio, 1958)","author":"Adolphus van Tenzing","date":"23 junio, 2014","format":false,"excerpt":"M\u00e1s all\u00e1 de la jerga italiana utilizada para indicar el tempo de una pieza en m\u00fasica cl\u00e1sica, la terminolog\u00eda jazz\u00edstica\u00a0se basa en los bpm (beats per minute), o n\u00famero de notas negras (las que toca el contrabajo cuando camina en\u00a0walking bass)\u00a0por minuto. El segundero de un reloj se mueve a\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Bud Powell Trio - Blues In The Closet","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/06\/recomienda1.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2044","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2044"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2044\/revisions"}],"predecessor-version":[{"id":11671,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2044\/revisions\/11671"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/11670"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2044"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2044"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2044"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}