{"id":2045,"date":"2012-02-13T01:39:23","date_gmt":"2012-02-12T23:39:23","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1807"},"modified":"2016-11-13T20:10:38","modified_gmt":"2016-11-13T19:10:38","slug":"tomajazz-recomienda-un-genio-desaparecido-sam-rivers","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-genio-desaparecido-sam-rivers\/","title":{"rendered":"Tomajazz recomienda&#8230; un genio desaparecido: Sam Rivers"},"content":{"rendered":"<figure id=\"attachment_11615\" aria-describedby=\"caption-attachment-11615\" style=\"width: 200px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11615\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/02\/320px-Sam_Rivers__Joe_Daley-200x132.jpg\" alt=\"Sam Rivers (1923 - 2011) Studio Rivbea, 1976 Photo by Tom Marcello\" width=\"200\" height=\"132\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/02\/320px-Sam_Rivers__Joe_Daley-200x132.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/02\/320px-Sam_Rivers__Joe_Daley-150x99.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/02\/320px-Sam_Rivers__Joe_Daley-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/02\/320px-Sam_Rivers__Joe_Daley-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/02\/320px-Sam_Rivers__Joe_Daley-120x80.jpg 120w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/02\/320px-Sam_Rivers__Joe_Daley.jpg 320w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><figcaption id=\"caption-attachment-11615\" class=\"wp-caption-text\">Sam Rivers (1923 &#8211; 2011)<br \/>Studio Rivbea, 1976<br \/>Photo by Tom Marcello<\/figcaption><\/figure>\n<p style=\"text-align: justify;\">Cada a\u00f1o fallecen una serie de m\u00fasicos que representan cap\u00edtulo enteros de la historia del jazz, un jazz que sigue m\u00e1s vivo que nunca pero que, tal vez, ya no disfruta de las figuras cuasi mitol\u00f3gicas que produjeron otras \u00e9pocas.<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/www.tomajazz.com\/perfiles\/rivers_sam_rip.htm\" target=\"_blank\">Hace poco muri\u00f3 el gran Sam Rivers<\/a>, un m\u00fasico que no fue paradigma de nada m\u00e1s que de s\u00ed mismo. Toc\u00f3 muchos estilos y no se rindi\u00f3 nunca, produciendo m\u00fasica arriesgada hasta el final.<\/p>\n<p style=\"text-align: justify;\">Como suele ser tristemente habitual, la cantidad de espacio dedicado en la mayor parte de medios a <a href=\"http:\/\/blogs.elpais.com\/muro-de-sonido\/2011\/12\/adios-a-sam-rivers-el-vanguardista-tranquilo.html\" target=\"_blank\" rel=\"noopener\">la desaparici\u00f3n de Rivers<\/a> es inversamente proporcional a lo excelso de su obra, por eso lo m\u00e1s justo es recomendar la misma, en general. Porque la m\u00fasica de Sam Rivers contiene pocos altibajos y es muy recomendable, de principio a fin.<\/p>\n<p style=\"text-align: right;\">\u00a9 Adolphus van Tenzing, 2012<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cada a\u00f1o fallecen una serie de m\u00fasicos que representan cap\u00edtulo enteros de la historia del jazz, un jazz que sigue m\u00e1s vivo que nunca pero que, tal vez, ya no disfruta de las figuras cuasi mitol\u00f3gicas que produjeron otras \u00e9pocas. Hace poco muri\u00f3 el gran Sam Rivers, un m\u00fasico que<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-genio-desaparecido-sam-rivers\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":11615,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1284,1038,1273],"tags":[5366,2177,8640,16099,77,16100],"class_list":["entry","author-adolphus-van-tenzing","post-2045","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-musico","category-contenidos","category-tomajazz-recomienda","tag-adolphus-van-tenzing","tag-sam-rivers","tag-tom-marcello","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/02\/320px-Sam_Rivers__Joe_Daley.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1878,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-conference-of-the-birds-dave-holland-quartet-1972\/","url_meta":{"origin":2045,"position":0},"title":"Tomajazz recomienda&#8230; un tema: \u00abConference Of The Birds\u00bb (Dave Holland Quartet, 1972)","author":"Adolphus van Tenzing","date":"3 mayo, 2010","format":false,"excerpt":"Una de las cosas m\u00e1s divertidas que tiene el jazz es su capacidad de fagocitar sin piedad los prejuicios que los aficionados nos imponemos etiquetas mediante. Un buen ejemplo es el tema de David Holland que daba t\u00edtulo al disco publicado por ECM en el a\u00f1o 1973.","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Dave Holland - Conference of the Birds","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/discos\/2004_07\/holland_conference.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2427,"url":"https:\/\/tomajazz.com\/web\/en-la-casa-del-mundo-xxvii-xxviii-all-the-things-you-are-chet-baker-so-what-miles-davis-quintet-feat-sam-rivers-1964\/","url_meta":{"origin":2045,"position":1},"title":"En &quot;La casa del Mundo&quot; (XXVII \/ XXVIII): &quot;All The Things You Are&quot; (Chet Baker) \/ &quot;So What&quot; (Miles Davis Quintet feat. Sam Rivers, 1964)","author":"Tomajazz","date":"25 enero, 2012","format":false,"excerpt":"Aunque tarde, la participaci\u00f3n en el a\u00f1o 2012 en la secci\u00f3n de jazz de \"La casa del Mundo\" ha comenzado con una doble raci\u00f3n.\u00a0 En primer lugar la participaci\u00f3n que en el programa anterior no pudo ser. Dos de mis versiones favoritas del cl\u00e1sico \"All The Things You Are\" por\u2026","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/4.bp.blogspot.com\/-kxgazdKJgvA\/TyB8Y8UJTCI\/AAAAAAAAEAI\/63Zfb38JzD0\/s200\/baker_young%2Bman.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":28431,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-dave-holland-quartet-conference-of-the-birds-ecm-1973\/","url_meta":{"origin":2045,"position":2},"title":"365 razones para amar el jazz: un disco. Dave Holland Quartet: Conference of the Birds (ECM, 1973) [4]","author":"Tomajazz","date":"4 enero, 2017","format":false,"excerpt":"Un disco.\u00a0Dave Holland Quartet: Conference of the Birds (ECM, 1973) Seleccionado por Juan Antonio Serrano Cervantes y Pachi Tapiz. 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Tras publicar en 2011 Alone At The Vanguard, y en 2012 Alive At The Vanguard en tr\u00edo, en 2013 el pianista publica Free Flying en compa\u00f1\u00eda del guitarrista Julian Lage: tres grabaciones, tres formatos diferentes. Grabado\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/Fred-Hersch-Julian-Lage-Free-Flying.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2775,"url":"https:\/\/tomajazz.com\/web\/la-libertad-para-sam-rivers\/","url_meta":{"origin":2045,"position":4},"title":"La libertad para Sam Rivers","author":"Tomajazz","date":"28 octubre, 2010","format":false,"excerpt":"\"Freedom does not mean unconditional renunciation of melody and rhythm, but the freedom of being able to choose what I want to play. Free, to me, means beyond categories.\"Sam Rivers","rel":"","context":"Con 1 comentario","block_context":{"text":"Con 1 comentario","link":"https:\/\/tomajazz.com\/web\/la-libertad-para-sam-rivers\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":22731,"url":"https:\/\/tomajazz.com\/web\/no-te-gusta-el-jazz-pues-toma-get-the-blessing-snowpoet-keita-bronnimann-niggli-carate-urio-orchestra-giulia-valle-jazz-y-algo-mas-hdo-0090-podcast\/","url_meta":{"origin":2045,"position":5},"title":"\u00bfNo te gusta el jazz?: pues toma&#8230; Get The Blessing \/ Snowpoet \/ Ke\u00efta \u2013 Br\u00f6nnimann \u2013 Niggli \/ Carate Urio Orchestra \/ Giulia Valle&#8230; jazz y algo m\u00e1s. HDO 0090 [Podcast]","author":"Tomajazz","date":"23 marzo, 2016","format":false,"excerpt":"\u00bfNo te gusta el jazz? le pregunto\u2026 Quiz\u00e1s tomando elementos del rock (Astronautilus de Get The Blessing), del pop (Snowpoet con su estreno hom\u00f3nimo), de la m\u00fasica africana (Kano \u2013 Yele de Aly Ke\u00efta, Jan Galega Br\u00f6nnimann, Lucas Niggli), del noise (Carate Urio Orchestra con Lover) o incluso de algo\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/Get-The-Blessing_Austronautilus_naim-jazz_2015-e1458681767832.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/Get-The-Blessing_Austronautilus_naim-jazz_2015-e1458681767832.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/Get-The-Blessing_Austronautilus_naim-jazz_2015-e1458681767832.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2045","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2045"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2045\/revisions"}],"predecessor-version":[{"id":11616,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2045\/revisions\/11616"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/11615"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2045"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2045"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2045"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}