{"id":2047,"date":"2012-03-12T00:00:59","date_gmt":"2012-03-11T22:00:59","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1819"},"modified":"2016-11-13T20:10:35","modified_gmt":"2016-11-13T19:10:35","slug":"tomajazz-recomienda-un-homenaje-amina-claudine-myers-salutes-bessie-smith-1980","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-homenaje-amina-claudine-myers-salutes-bessie-smith-1980\/","title":{"rendered":"Tomajazz recomienda&#8230; un homenaje: Amina Claudine Myers Salutes Bessie Smith (1980)"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-11632\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/03\/Amina-Claudine-Myers-Salutes-Bessie-Smith-200x199.jpg\" alt=\"Amina Claudine Myers Salutes Bessie Smith\" width=\"200\" height=\"199\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/03\/Amina-Claudine-Myers-Salutes-Bessie-Smith-200x199.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/03\/Amina-Claudine-Myers-Salutes-Bessie-Smith-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/03\/Amina-Claudine-Myers-Salutes-Bessie-Smith-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/03\/Amina-Claudine-Myers-Salutes-Bessie-Smith.jpg 500w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>En 1980 <strong>Amina Claudine Myers<\/strong> grababa en Leo Records su segundo disco titulado <em>Amina Claudine Myers Salutes Bessie Smith<\/em>. La pianista y cantante estaba acompa\u00f1ada por <strong>Cecil McBee<\/strong> y <strong>Jimmy Lovelace<\/strong> con los que compon\u00eda un disco que estaba lleno de sonidos que homenajeaban a la emperatriz del blues en temas como \u201cWasted Life Blues\u201d, \u201cDirty No-Gooder\u2019s Blues\u201d, \u201cJailhouse Blues\u201d (\u00abGood morning blues, how do you do?\u00bb canta en un tema en el que <strong>Cecil McBee<\/strong> est\u00e1 especialmente brillante), e incluso se atrev\u00eda a incorporar alguna composici\u00f3n suya como el emocionante \u201cAfrican Blues\u201d.<\/p>\n<p style=\"text-align: right;\">\u00a9Adolphus van Tenzing<\/p>\n<p style=\"text-align: justify;\">Amina Claudine Myers. <em>Salutes Bessie Smith<\/em> (Leo Records, 1980)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>En 1980 Amina Claudine Myers grababa en Leo Records su segundo disco titulado Amina Claudine Myers Salutes Bessie Smith. La pianista y cantante estaba acompa\u00f1ada por Cecil McBee y Jimmy Lovelace con los que compon\u00eda un disco que estaba lleno de sonidos que homenajeaban a la emperatriz del blues en<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-homenaje-amina-claudine-myers-salutes-bessie-smith-1980\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":11632,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,5,1282,1038,1273],"tags":[1341,5366,8977,7496,12651,7948,12696,13,12415,15295,8976,1931,1952,1981,2039,2212,16099,77,16100],"class_list":["entry","author-adolphus-van-tenzing","post-2047","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-grabaciones","category-homenaje","category-contenidos","category-tomajazz-recomienda","tag-1341","tag-adolphus-van-tenzing","tag-amina-claudine-myers","tag-bessie-smith","tag-cd","tag-cecil-mcbee","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jimmy-lovelace","tag-leo-records","tag-lovelace-jimmy","tag-mcbee-cecil","tag-myers-amina-claudine","tag-smith-bessie","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/03\/Amina-Claudine-Myers-Salutes-Bessie-Smith.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":65988,"url":"https:\/\/tomajazz.com\/web\/amina-claudine-myers-57-jazzaldia\/","url_meta":{"origin":2047,"position":0},"title":"Amina Claudine Myers: Generations 4 [57 Jazzaldia 2022 XV] Por Jos\u00e9 Luis Luna Rocafort [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","author":"Tomajazz","date":"26 agosto, 2022","format":false,"excerpt":"Amina Claudine Myers es la protagonista del INSTANTZZ de Jos\u00e9 Luis Luna Rocafort, en la d\u00e9cimo quinta entrega del especial dedicado al 57 Jazzaldia 2022.","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"Amina Claudine Myers [57 Jazzaldia 2022 XV] Por Jos\u00e9 Luis Luna Rocafort [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/08\/001-21.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/08\/001-21.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/08\/001-21.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":2462,"url":"https:\/\/tomajazz.com\/web\/en-la-casa-del-mundo-xxv-the-reverse-do-you-want-to-be-saved-archie-shepp-2007\/","url_meta":{"origin":2047,"position":1},"title":"En La casa del Mundo(XXV): The Reverse \/ Do you want to be saved (Archie Shepp, 2007)","author":"Tomajazz","date":"15 diciembre, 2011","format":false,"excerpt":"Doble entrega en la secci\u00f3n de jazz en el programa La Casa del Mundo con Archie Shepp y su forma de entender el jazz como protagonista. En la parte inicial del programa \"The Reverse\", tema compuesto e interpretado junto a Chuck D de Public Enemy, grabado en estudio. Para finalizar\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2011\/12\/archie-shepp_gemini-200x179.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":38643,"url":"https:\/\/tomajazz.com\/web\/hdo-453-especial-henry-threadgill-ix-x-75-podcast\/","url_meta":{"origin":2047,"position":2},"title":"HDO 453. Especial Henry Threadgill (IX): X-75 [Podcast]","author":"Tomajazz","date":"14 septiembre, 2018","format":false,"excerpt":"Por Pachi Tapiz. \u00a0 Si hay algo que caracteriza a\u00a0Henry Threadgill a lo largo de su carrera es el trabajar con formaciones in\u00e9ditas, o como m\u00ednimo infrecuentes. Es el caso de\u00a0X-75\u00a0(1979), una grabaci\u00f3n en formato de noneto (la primera publicada a su nombre cuando Threadgill mediaba la treintena), que inclu\u00eda\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Henry-Threadgill_X-75-Vol.1.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":63351,"url":"https:\/\/tomajazz.com\/web\/57-donostiako-jazzaldia-2022-san-sebastian-20-al-25-de-julio-de-2022-noticias-de-jazz\/","url_meta":{"origin":2047,"position":3},"title":"57 Donostiako Jazzaldia 2022 (San Sebasti\u00e1n. 20 al 25 de julio de 2022) [Noticias de jazz]","author":"Tomajazz","date":"10 mayo, 2022","format":false,"excerpt":"Entre el 20 y el 25 de julio tendr\u00e1 lugar el 57 Donostiako Jazzaldia 2022. Craig Taborn, Amina Claudine Myers, Marco Mezquida o Steve Coleman ser\u00e1n algunos de los actistas que actuar\u00e1n en la cita cl\u00e1sica del verano de San Sebasti\u00e1n.","rel":"","context":"En \u00abEspecial Jazzaldia 2022\u00bb","block_context":{"text":"Especial Jazzaldia 2022","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/especial-contenidos\/especial-jazzaldia-2022\/"},"img":{"alt_text":"57 Donostiako Jazzaldia 2022 (San Sebasti\u00e1n. 20 al 25 de julio de 2022) [Noticias de jazz]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/05\/57-Donostiako-jazzaldia-2022.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/05\/57-Donostiako-jazzaldia-2022.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/05\/57-Donostiako-jazzaldia-2022.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":60639,"url":"https:\/\/tomajazz.com\/web\/dos-joyas-de-wadada-leo-smith-sacred-ceremonies-trumpet-tum-records-2021-grabacion-de-jazz-por-carlos-lara\/","url_meta":{"origin":2047,"position":4},"title":"Dos joyas de Wadada Leo Smith: Sacred Ceremonies &#8211; Trumpet (TUM Records, 2021) [Grabaci\u00f3n de jazz] Por Carlos Lara","author":"Tomajazz","date":"27 enero, 2022","format":false,"excerpt":"Carlos Lara repasa dos joyas en la discograf\u00eda de Wadada Leo Smith publicadas en el pasado 2021 por el sello TUM Records: Sacred Ceremonies y Trumpet.","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"Wadada Leo Smith Trumpet","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/Wadada-Leo-Smith_Trumpet.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/Wadada-Leo-Smith_Trumpet.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/Wadada-Leo-Smith_Trumpet.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/Wadada-Leo-Smith_Trumpet.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/Wadada-Leo-Smith_Trumpet.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/Wadada-Leo-Smith_Trumpet.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":8356,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-blues-honky-tonk-mack-avenue-superband-2013\/","url_meta":{"origin":2047,"position":5},"title":"Tomajazz recomienda&#8230; un blues: \u00abHonky Tonk\u00bb (Mack Avenue Superband, 2013)","author":"Tomajazz","date":"7 octubre, 2013","format":false,"excerpt":"La versi\u00f3n de \"Honky Tonk\" de Wild Bill Doggett, interpretada por la Mack Avenue Superband, es el excelente colof\u00f3n al CD Live At The Detroit Jazz Festival 2012. Esto no quiere decir que el resto del CD resulte carente de inter\u00e9s. En absoluto. Hasta llegar a este punto se pasa\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/Mack-Avenue-SuperBand-Live-From-The-Detroit-Jazz-Festival-2012.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2047","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2047"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2047\/revisions"}],"predecessor-version":[{"id":11633,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2047\/revisions\/11633"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/11632"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2047"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2047"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2047"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}