{"id":2049,"date":"2012-03-05T00:00:28","date_gmt":"2012-03-04T22:00:28","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1826"},"modified":"2016-11-13T20:10:36","modified_gmt":"2016-11-13T19:10:36","slug":"tomajazz-recomienda-un-cd-nefertiti-miles-davis-1967","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-nefertiti-miles-davis-1967\/","title":{"rendered":"Tomajazz recomienda… un CD: Nefertiti<\/i> (Miles Davis, 1967)"},"content":{"rendered":"

\"Miles_Davis_-_Nefertiti\"El segundo gran quinteto de Miles Davis, el de los a\u00f1os sesenta, marc\u00f3 un punto de inflexi\u00f3n crucial en la m\u00fasica del trompetista y en la historia del jazz: los enfoques basados en el swing<\/em>, be-bop<\/em>, hard-bop<\/em> y jazz modal dieron paso al crossover<\/em> el\u00e9ctrico de In A Silent Way<\/em> y Bitches Brew<\/em>, y este a las sucesivas fusiones de jazz y rock<\/em>.<\/p>\n

En el cenit de dicho punto de inflexi\u00f3n, en Nefertiti<\/em> encontramos al quinteto en formato ac\u00fastico y afiliado al swing<\/em> que dibuja con maestr\u00eda\u00a0Tony Williams, pero en plena faena exploradora, ampliando el concepto modal, difuminando los l\u00edmites de la armon\u00eda y otorgando m\u00e1s peso al grupo (a veces, incluso, a la secci\u00f3n r\u00edtmica) que al solista.<\/p>\n

Merece especial menci\u00f3n la insolencia de \u00abNefertiti\u00bb (acierta Bob Belden defini\u00e9ndolo como un \u00abconcierto para bater\u00eda\u00bb), \u00abHand Jive\u00bb (obligatorio escuchar con atenci\u00f3n la l\u00ednea de bajo de Ron Carter), \u00abMadness\u00bb (Herbie Hancock borda un acompa\u00f1amiento imposible) y \u00abPinocchio\u00bb (todo un standard<\/em> moderno a cargo de Wayne Shorter). El l\u00edder no compone ninguno de los temas e improvisa con discreci\u00f3n. Su papel es el de cerebro de la sesi\u00f3n.<\/p>\n

\u00a9 Adolphus Van Tenzing, 2012<\/p>\n

Miles Davis:\u00a0Nefertiti<\/em> (Columbia 65681)<\/p>\n","protected":false},"excerpt":{"rendered":"

El segundo gran quinteto de Miles Davis, el de los a\u00f1os sesenta, marc\u00f3 un punto de inflexi\u00f3n crucial en la m\u00fasica del trompetista y en la historia del jazz: los enfoques basados en el swing, be-bop, hard-bop y jazz modal dieron paso al crossover el\u00e9ctrico de In A Silent WayContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":11628,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1278,5,1038,1273],"tags":[6979,1493,12651,1587,12696,253,13,12415,15295,2004,2043,2158,16099,77,16100,2292,2337],"class_list":["entry","author-adolphus-van-tenzing","post-2049","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-disco","category-grabaciones","category-contenidos","category-tomajazz-recomienda","tag-6979","tag-bob-belden","tag-cd","tag-columbia","tag-grabaciones","tag-herbie-hancock","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-miles-davis","tag-nefertiti","tag-ron-carter","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-tony-williams","tag-wayne-shorter"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/03\/Miles_Davis_-_Nefertiti.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":31076,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-nefertiti-miles-davis-172\/","url_meta":{"origin":2049,"position":0},"title":"365 razones para amar el jazz: un disco. Nefertiti (Miles Davis) [172]","author":"Tomajazz","date":"21 junio, 2017","format":false,"excerpt":"Un disco.\u00a0Miles Davis:\u00a0Nefertiti\u00a0(Columbia, 1968) Seleccionado por Mart\u00ed Farr\u00e9 Con Miles Davis, Wayne Shorter, Herbie Hancock, Ron Carter, Tony Williams","rel":"","context":"En \u00ab*_Mart\u00ed Farr\u00e9\u00bb","block_context":{"text":"*_Mart\u00ed Farr\u00e9","link":"https:\/\/tomajazz.com\/web\/category\/marti-farre\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Nefertiti_Columbia_1968.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Nefertiti_Columbia_1968.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Nefertiti_Columbia_1968.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Nefertiti_Columbia_1968.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2345,"url":"https:\/\/tomajazz.com\/web\/en-la-casa-del-mundo-footprints-miles-davis-quintet-1967\/","url_meta":{"origin":2049,"position":1},"title":"En "La casa del Mundo": "Footprints" (Miles Davis Quintet, 1967)","author":"Tomajazz","date":"25 abril, 2012","format":false,"excerpt":"\"Footprints\", composici\u00f3n de Wayne Shorter, cerraba la cara A del LP Miles Smiles de Miles Davis. Cuenta la leyenda que el saxofonista lo compuso pensando en los primeros pasos del hombre en la luna. En 1966 Miles Davis lo grab\u00f3 junto con su gran quinteto de los 60, que completaban\u2026","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/1.bp.blogspot.com\/-T5UJ_Co9n_Q\/T5hwOL4L8xI\/AAAAAAAAEiU\/oLsJgDxc9XA\/s200\/220px-Miles_Davis_-_Miles_Smiles.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":33214,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-nefertiti-miles-davis-313\/","url_meta":{"origin":2049,"position":2},"title":"365 razones para amar el jazz: un disco. 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