{"id":20509,"date":"2015-10-26T11:00:09","date_gmt":"2015-10-26T10:00:09","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=20509"},"modified":"2018-05-05T20:45:50","modified_gmt":"2018-05-05T18:45:50","slug":"louis-armstrong-iv-jazz-x-la-odisea-de-la-musica-afroamericana-021-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/louis-armstrong-iv-jazz-x-la-odisea-de-la-musica-afroamericana-021-podcast\/","title":{"rendered":"Louis Armstrong IV. Jazz X. La Odisea de la M\u00fasica Afroamericana (021) [Podcast]"},"content":{"rendered":"<p style=\"text-align: justify;\"><em>La Odisea de la M\u00fasica Afroamericana<\/em>. Programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro <a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1428418630&amp;sr=1-1&amp;keywords=y+se+hace+musica+al+andar+con+swing\" target=\"_blank\" rel=\"noopener\"><em>Y se hace m\u00fasica al andar con swing<\/em><\/a>.<\/p>\n<p style=\"text-align: justify;\">Cuarto\u00a0programa de\u00a0<em>La Odisea de la M\u00fasica Afroamericana<\/em> (LODLMA) dedicado a\u00a0<strong>Louis Armstrong<\/strong>.\u00a0Luis Escalante repasa la carrera del trompetista desde el final de la d\u00e9cada de los a\u00f1os 30, hasta finales de la d\u00e9cada de los 50 del pasado siglo XX. En esos momentos el trompetista ya era una primera figura del jazz.\u00a0En esos a\u00f1os tienen lugar las primeras giras por Jap\u00f3n, se publica su segunda biograf\u00eda, se traslada a vivir a Nueva York y se casa por cuarta vez. En el programa suenan grabaciones lideradas por Louis Armstrong, as\u00ed como colaboraciones con Billie Holiday, The Mills Brothers o Duke Ellington. Abren y cierran el programa Diane Schuur y Quincy Jones.<\/p>\n<p><iframe loading=\"lazy\" id=\"audio_9148366\" style=\"border: 1px solid #EEE; box-sizing: border-box; width: 100%;\" src=\"http:\/\/www.ivoox.com\/player_ej_9148366_4_1.html?c1=6e6560\" width=\"300\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-20425\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/Louis_Armstrong_restored-600x467.jpg\" alt=\"Louis_Armstrong_restored\" width=\"600\" height=\"467\" title=\"\"><\/p>\n<p style=\"text-align: left;\">En el cap\u00edtulo 21 suena:<\/p>\n<ul style=\"text-align: center;\">\n<li style=\"text-align: left;\">\u201cThat Ole Devil Called Love\u201d Diane Schuur<\/li>\n<li style=\"text-align: left;\">\u201cBaby Won\u00b4t You Please Go Home\u201d Louis Armstrong<\/li>\n<li style=\"text-align: left;\">\u201cJeepers Creepers\u201d Louis Armstrong<\/li>\n<li style=\"text-align: left;\">\u201cThe Flat Foot Floogie\u201d Louis Armstrong &amp; The Mills Brothers<\/li>\n<li style=\"text-align: left;\">\u201cThe Song Is Ended\u201d Louis Armstrong &amp; The Mills Brothers<\/li>\n<li style=\"text-align: left;\">\u201cMahogany Hall Stomp\u201d Louis Armstrong<\/li>\n<li style=\"text-align: left;\">\u201cLong Long Journey\u201d Louis Armstrong &amp; Duke Ellington<\/li>\n<li style=\"text-align: left;\">\u201cA Kiss to Build A Dream On\u201d Louis Armstrong<\/li>\n<li style=\"text-align: left;\">\u201cYou Can\u00b4t Lose a Broken Heart\u201d Louis Armstrong &amp; Billie Holiday<\/li>\n<li style=\"text-align: left;\">\u201cC\u00b4est si bon\u201d Louis Armstrong<\/li>\n<li style=\"text-align: left;\">\u201cMack the Knife\u201d Louis Armstrong<\/li>\n<li style=\"text-align: left;\">\u201cTake Five\u201d Quincy Jones<\/li>\n<\/ul>\n<p><center><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-18254\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/Luis-Escalante_Y-se-hace-musica-al-andar...-con-swing-397x600.jpg\" alt=\"Luis Escalante_Y se hace musica al andar... con swing\" width=\"300\" height=\"453\" title=\"\"><\/a><\/center><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-18255 alignnone\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/comprar-en-amazon.gif\" alt=\"comprar en amazon\" width=\"90\" height=\"28\" title=\"\"><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La Odisea de la M\u00fasica Afroamericana. Programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. Cuarto\u00a0programa de\u00a0La Odisea de la M\u00fasica Afroamericana (LODLMA) dedicado a\u00a0Louis Armstrong.\u00a0Luis Escalante repasa la carrera del trompetista desde el final de la<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/louis-armstrong-iv-jazz-x-la-odisea-de-la-musica-afroamericana-021-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":20425,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"audio","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17834,13297,12814,15518,1038],"tags":[4784,12855,6637,12817,15277,13072,8161,14171,13918,14170,12905,12816,8285,14172,16099,16100],"class_list":["entry","author-pachi","post-20509","post","type-post","status-publish","format-audio","has-post-thumbnail","category-luis-escalante-ozalla","category-la-odisea-de-la-musica-afroamericana","category-podcast","category-sonidos","category-contenidos","tag-billie-holiday","tag-diane-schuur","tag-duke-ellington","tag-la-odisea-de-la-musica-afroamericana","tag-lady-day","tag-lodlma","tag-louis-armstrong","tag-louis-armstrong-billie-holiday","tag-louis-armstrong-duke-ellington","tag-louis-armstrong-the-mills-brothers","tag-luis-escalante","tag-luis-escalante-ozalla","tag-quincy-jones","tag-the-mills-brothers","tag-toma-jazz","tag-tomajazz-toma-jazz","post_format-audio"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/Louis_Armstrong_restored-e1445805891876.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":20566,"url":"https:\/\/tomajazz.com\/web\/louis-armstrong-v-jazz-xi-la-odisea-de-la-musica-afroamericana-022-podcast\/","url_meta":{"origin":20509,"position":0},"title":"Louis Armstrong V. Jazz XI. La Odisea de la M\u00fasica Afroamericana (022) [Podcast]","author":"Tomajazz","date":"2 noviembre, 2015","format":"audio","excerpt":"La Odisea de la M\u00fasica Afroamericana. Programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. Quinto\u00a0programa de\u00a0La Odisea de la M\u00fasica Afroamericana (LODLMA) dedicado a\u00a0Louis Armstrong.\u00a0Luis Escalante repasa la carrera del trompetista\u00a0durante el final de la d\u00e9cada\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/Louis-Armstronb-by-Gottlieb-e1446378934135.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/Louis-Armstronb-by-Gottlieb-e1446378934135.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/Louis-Armstronb-by-Gottlieb-e1446378934135.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/Louis-Armstronb-by-Gottlieb-e1446378934135.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":30710,"url":"https:\/\/tomajazz.com\/web\/especial-la-odisea-de-la-musica-afroamericana-numero-100-podcast\/","url_meta":{"origin":20509,"position":1},"title":"Especial La Odisea de la M\u00fasica Afroamericana n\u00famero 100 [Podcast]","author":"Tomajazz","date":"29 mayo, 2017","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. La Odisea de la M\u00fasica Afroamericana\u00a0de\u00a0Luis Escalante Ozalla realiza un par\u00f3n\u2026","rel":"","context":"En \u00ab*_Don Kuto\u00bb","block_context":{"text":"*_Don Kuto","link":"https:\/\/tomajazz.com\/web\/category\/don-kuto\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":37091,"url":"https:\/\/tomajazz.com\/web\/el-jazz-en-los-anos-40-i-prologo-o-de-las-decadas-anteriores-la-odisea-de-la-musica-afroamericana-149-podcast\/","url_meta":{"origin":20509,"position":2},"title":"El jazz en los a\u00f1os 40 (I): pr\u00f3logo (o de las d\u00e9cadas anteriores). La Odisea de la M\u00fasica Afroamericana (149) [Podcast]","author":"Tomajazz","date":"4 junio, 2018","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. 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La Odisea de la M\u00fasica Afroamericana (Cap\u00edtulo 004) [Podcast]","author":"Tomajazz","date":"25 mayo, 2015","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana. Programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. En el cuarto cap\u00edtulo de La Odisea de la M\u00fasica Afroamericana, Luis Escalante indaga en la evoluci\u00f3n que transform\u00f3 a la m\u00fasica\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/johnny-st.cyr_.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":19093,"url":"https:\/\/tomajazz.com\/web\/la-odisea-de-la-musica-afroamericana-capitulo-011-podcast\/","url_meta":{"origin":20509,"position":4},"title":"Irving Berlin. La Odisea de la M\u00fasica Afroamericana (Cap\u00edtulo 011) [Podcast]","author":"Tomajazz","date":"20 julio, 2015","format":"imagen","excerpt":"Jerome Kern dijo de \u00e9l: \u201cNo hay lugar para Irving Berlin en la m\u00fasica norteamericana, \u00e9l es la m\u00fasica norteamericana\u201d. Luis Escalante dedica el und\u00e9cimo cap\u00edtulo de La Odisea de la M\u00fasica Afroamericana al compositor Irving Berlin.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/07\/BerlinPortrait1.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":20936,"url":"https:\/\/tomajazz.com\/web\/sidemen-del-estilo-new-orleans-buster-bailey-johnny-st-cyr-jimmy-harrison-kid-ory-bellman-brown-la-odisea-de-la-musica-afroamericana-024-podcast\/","url_meta":{"origin":20509,"position":5},"title":"Sidemen del estilo New Orleans: Buster Bailey, Johnny St. Cyr, Jimmy Harrison, Kid Ory, Lonnie Johnson. La Odisea de la M\u00fasica Afroamericana (025) [Podcast]","author":"Tomajazz","date":"23 noviembre, 2015","format":"audio","excerpt":"La entrega n\u00famero 25 de La Odisea de la M\u00fasica Afroamericana se centra en algunos de los sideman m\u00e1s destacados del estilo New Orleans: Buster Bailey, Kid Ory, Johnny St. Cyr, Jimmy Harrison y Bellman Brown. Son nombre an\u00f3nimos que suenan en las grabaciones de las grandes figuras, aunque sin\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/LonnieJohnsonByRussellLee1941Crop-e1448214772618.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/LonnieJohnsonByRussellLee1941Crop-e1448214772618.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/LonnieJohnsonByRussellLee1941Crop-e1448214772618.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/20509","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=20509"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/20509\/revisions"}],"predecessor-version":[{"id":20512,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/20509\/revisions\/20512"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/20425"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=20509"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=20509"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=20509"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}