{"id":2051,"date":"2012-03-26T00:00:52","date_gmt":"2012-03-25T22:00:52","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1843"},"modified":"2016-11-13T20:10:34","modified_gmt":"2016-11-13T19:10:34","slug":"tomajazz-recomienda-un-grupo-last-exit","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-grupo-last-exit\/","title":{"rendered":"Tomajazz recomienda\u2026 un grupo: Last Exit"},"content":{"rendered":"<p style=\"text-align: justify;\"><a href=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2012\/03\/c47951o472p2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-11638\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/03\/Last-Exit-The-Noise-Of-Trouble-Live-In-Tokyo-200x197.jpg\" alt=\"Last Exit The Noise Of Trouble Live In Tokyo\" width=\"200\" height=\"197\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/03\/Last-Exit-The-Noise-Of-Trouble-Live-In-Tokyo-200x197.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/03\/Last-Exit-The-Noise-Of-Trouble-Live-In-Tokyo-150x147.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/03\/Last-Exit-The-Noise-Of-Trouble-Live-In-Tokyo-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/03\/Last-Exit-The-Noise-Of-Trouble-Live-In-Tokyo.jpg 400w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><strong>Last Exit<\/strong> fue uno de esos supergrupos tan al uso en los a\u00f1os ochenta. Lo que resulta m\u00e1s inusual es que se moviera por los territorios del <em>free<\/em> y otras vanguardias del jazz. Estaba formado por cuatro fuertes personalidades at\u00edpicas pero complementarias. <strong>Bill Laswell<\/strong>, productor y (fenomenal) bajista con un curr\u00edculum interminable y un conocimiento musical enciclop\u00e9dico, actuaba como aglutinador \u2013dentro y fuera del escenario-. A la bater\u00eda, <strong>Ronald Shannon Jackson<\/strong>, impulsaba al grupo con sus polirritmos, pasando del <em>free<\/em> al <em>funk<\/em> o al <em>blues<\/em>. <strong>Sonny Sharrock<\/strong>, ofrec\u00eda con su guitarra un <em>blues<\/em> atonal lleno de distorsi\u00f3n. Y por encima de toda esa masa sonora, <strong>Peter Br\u00f6tzmann<\/strong> aullaba con su saxo, como siempre desatado.<\/p>\n<p style=\"text-align: justify;\">Al ser un grupo orientado principalmente hacia el directo, recomendaremos sobre todo una grabaci\u00f3n de un concierto en Tokio,<strong><em> The Noise of Trouble<\/em><\/strong> (publicado por Enemy, con la colaboraci\u00f3n en algunos temas de Akira Sakata al saxo alto y Herbie Hancock al piano). Los restantes discos de su breve discograf\u00eda tambi\u00e9n son recomendables, y al parecer numerosas grabaciones en directo esperan ser publicadas cualquier d\u00eda de estos.<\/p>\n<p style=\"text-align: right;\">\u00a9 Adolphus van Tenzing<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Last Exit fue uno de esos supergrupos tan al uso en los a\u00f1os ochenta. Lo que resulta m\u00e1s inusual es que se moviera por los territorios del free y otras vanguardias del jazz. Estaba formado por cuatro fuertes personalidades at\u00edpicas pero complementarias. Bill Laswell, productor y (fenomenal) bajista con un<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-grupo-last-exit\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":11638,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[17860,1281,1038,1273],"tags":[8981,5474,253,1924,5470,8979,2196,8980,16099,16100],"class_list":["entry","author-adolphus-van-tenzing","post-2051","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-grupo","category-contenidos","category-tomajazz-recomienda","tag-akira-sakata","tag-bill-laswell","tag-herbie-hancock","tag-last-exit","tag-peter-brotzmann","tag-ronald-shannon-jackson","tag-sharrock-sonny","tag-sonny-sharrock","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/03\/Last-Exit-The-Noise-Of-Trouble-Live-In-Tokyo.jpg","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2051","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2051"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2051\/revisions"}],"predecessor-version":[{"id":11639,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2051\/revisions\/11639"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/11638"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2051"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2051"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2051"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}