{"id":20518,"date":"2015-10-27T10:30:45","date_gmt":"2015-10-27T09:30:45","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=20518"},"modified":"2018-05-04T11:41:41","modified_gmt":"2018-05-04T09:41:41","slug":"lo-nuevo-de-the-thing-y-made-to-break-vandermark-daisy-stadhouders-kurzmann-hdo-0025-audioblog","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/lo-nuevo-de-the-thing-y-made-to-break-vandermark-daisy-stadhouders-kurzmann-hdo-0025-audioblog\/","title":{"rendered":"Lo nuevo de The Thing y Made to Break (Vandermark, Daisy, Stadhouders, Kurzmann). HDO (0025) [Audioblog]"},"content":{"rendered":"<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-20520\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/WP_20151026_008-600x448.jpg\" alt=\"WP_20151026_008\" width=\"600\" height=\"448\" title=\"\"><\/p>\n<p style=\"text-align: justify;\">Espacio en HDO para escuchar en la entrega n\u00famero 25\u00a0<em>Shake<\/em> (The Thing Records, 2015) \u00a0y <em>Before the Code<\/em> (Trost Records, 2015), las nuevas grabaciones de <strong>The Thing<\/strong> (<strong>Mats Gustafsson<\/strong>, <strong>Ingebrigt Haker Flaten<\/strong> y <strong>Paal Nilssen-Love<\/strong>) y <strong>Made To Break<\/strong> (<strong>Ken Vandermark<\/strong>, <strong>Tim Daisy<\/strong>, <strong>Jasper Stadhouders<\/strong>, <strong>Christof Kurzmann<\/strong>) respectivamente.<\/p>\n<p><iframe loading=\"lazy\" id=\"audio_9170594\" style=\"border: 1px solid #EEE; box-sizing: border-box; width: 100%;\" src=\"http:\/\/www.ivoox.com\/player_ej_9170594_4_1.html?c1=ffa800\" width=\"300\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: justify;\">Lo nuevo de <strong>The Thing<\/strong> transita por esa senda del <em>free<\/em> habitual en una parte de las obras de este tr\u00edo, que consiste en visitar cl\u00e1sicos del g\u00e9nero (un \u00fanico elegido esta vez, que es el tema de <strong>Ornette Coleman<\/strong> \u00abPerfection\u00bb), \u00abcl\u00e1sicos\u00bb del rock (las osad\u00edas en esta ocasi\u00f3n consisten en revisitar \u00abThe Nail Will Burn\u00bb del cl\u00e1sico <em>A Gilded Eternity<\/em> del grupo <strong>Loop<\/strong>, y \u00abSigill\u00bb del grupo de un solo integrante <strong>Wyrd Visions<\/strong>), que complementan\u00a0por temas propios, que en esta ocasi\u00f3n est\u00e1n compuestos por cada uno de los tres integrantes del grupo. El disco arranca con la adictiva \u00abViking Disco\u00bb, que engancha con el tema ya mencionado de Ornette. Desde este mismo momento el tr\u00edo muestra su desparrame habitual de energ\u00eda, creando una propuesta intensa que\u00a0consigue que uno no deje de mover los pies marcando el ritmo en ning\u00fan momento.<\/p>\n<p style=\"text-align: justify;\">En la m\u00fasica de\u00a0<strong>Made to Break<\/strong>\u00a0est\u00e1n presentes gran parte de los elementos que caracterizan a la m\u00fasica de <strong>Ken Vandermark<\/strong> a lo largo de los distintos proyectos y formaciones que ha puesto en marcha a lo largo de su carrera. Est\u00e1 el free, por supuesto, pero tambi\u00e9n la libre improvisaci\u00f3n, el rock, el funk, la electr\u00f3nica&#8230; <strong>Tim Daisy<\/strong>, <strong>Jasper Stadhouders<\/strong> y<strong> Christof Kurzmann<\/strong> son los veh\u00edculos ideales para  tomar las composiciones de Vandermark y junto a este potente soplador, desarrollarlas incluyendo todos esos elementos estil\u00edsticos\u00a0con una naturalidad pasmosa en grabaciones tan adictivas como <em>Before the Code<\/em>.<\/p>\n<p style=\"text-align: right;\">\u00a9 Pachi Tapiz, 2015<\/p>\n<p><center><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-20522\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/Made-to-break_before-the-code_trost-records_2015-e1445898380718.jpg\" alt=\"BEFORE THE CODE - OUTLINE\" width=\"217\" height=\"200\" title=\"\"> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-20523\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/The-Thing_Shake_The-Thing-Records_2015-e1445898365471.jpg\" alt=\"The Thing_Shake_The Thing Records_2015\" width=\"200\" height=\"200\" title=\"\"><\/center><\/p>\n<p style=\"text-align: justify;\"><strong>HDO<\/strong> es un audioblog editado, producido y presentado por <strong>Pachi Tapiz<\/strong>.<\/p>\n<p style=\"text-align: justify;\"><strong>La m\u00fasica, las grabaciones, los m\u00fasicos<\/strong><\/p>\n<ul>\n<li style=\"text-align: justify;\">\u00abViking Disco \/ Perfection\u00bb, \u00abThe Nail Will Burn\u00bb, \u00abBoga Fogo\u00bb<br \/>\n<strong>The Thing<\/strong>. <em>Shake<\/em> (The Thing Records, 2015)<br \/>\nMats Gustafsson, Ingebrigt Haker Flaten y Paal Nilssen-Love, con la colaboraci\u00f3n de Anna Hogberg y Goran Kaijfes<\/li>\n<li style=\"text-align: justify;\">\u00abOff-Picture No.119\u00bb (for Joshua Oppenheimer)<br \/>\n<strong>Made to Break<\/strong>. <em>Before the Code<\/em> (Trost Records, 2015)<br \/>\nKen Vandermark, Tim Daisy, Jasper Stadhouders, Christof Kurzmann<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Espacio en HDO para escuchar en la entrega n\u00famero 25\u00a0Shake (The Thing Records, 2015) \u00a0y Before the Code (Trost Records, 2015), las nuevas grabaciones de The Thing (Mats Gustafsson, Ingebrigt Haker Flaten y Paal Nilssen-Love) y Made To Break (Ken Vandermark, Tim Daisy, Jasper Stadhouders, Christof Kurzmann) respectivamente. Lo nuevo<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/lo-nuevo-de-the-thing-y-made-to-break-vandermark-daisy-stadhouders-kurzmann-hdo-0025-audioblog\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":20521,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"audio","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,13298,17149,13061,12814,15518,1038],"tags":[13370,5662,13300,13299,15712,15713,15714,4919,6047,13,12415,15295,15278,960,446,15710,14178,7684,5136,1200,5138,31,12818,15310,15709,15711,7221,14177,453,16099,77,16100,7520,14179],"class_list":["entry","author-pachi","post-20518","post","type-post","status-publish","format-audio","has-post-thumbnail","category-pachi-tapiz","category-hablando-de-oidas-hdo","category-t02-2015-16","category-ornette-coleman-gracias-maestro","category-podcast","category-sonidos","category-contenidos","tag-audioblog","tag-christof-kurzmann","tag-hablando-de-oidas","tag-hdo","tag-hdo-el-podcast-de-jazz-de-pachi-tapiz","tag-hdo-el-podcast-de-pachi-tapiz","tag-hdo-hablando-de-oidas","tag-ingebrigt-haker-flaten","tag-jasper-stadhouders","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz-podcast","tag-jose-francisco-tapiz","tag-ken-vandermark","tag-la-actualidad-del-jazz-en-espana","tag-loop","tag-made-to-break","tag-mats-gustafsson","tag-ornette-coleman","tag-paal-nilssen-love","tag-pachi-tapiz","tag-podcast","tag-podcast-de-jazz","tag-podcast-de-jazz-en-espana","tag-podcast-de-jazz-en-espanol","tag-the-thing","tag-the-thing-records","tag-tim-daisy","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-trost-records","tag-wyrd-visions","post_format-audio"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/WP_20151026_007.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":29097,"url":"https:\/\/tomajazz.com\/web\/hdo-231-conexion-chicago-h-drake-s-kassap-ballister-dek-trio-podcast\/","url_meta":{"origin":20518,"position":0},"title":"HDO 231. Conexi\u00f3n Chicago: H.Drake &#8211; S.Kassap, Ballister, DEK Trio [Podcast]","author":"Tomajazz","date":"2 febrero, 2017","format":false,"excerpt":"En HDO 231 el leitmotiv\u00a0es la conexi\u00f3n con Chicago. Tres\u00a0grabaciones, con centro creativo en la improvisaci\u00f3n, suenan en el programa del d\u00eda 2 de febrero de 2017: \"Fauchard\" de\u00a0Slag (Aerophonic Records, 2017), que es la sexta grabaci\u00f3n de\u00a0Ballister (tr\u00edo en el que participan\u00a0Dave Rempis,\u00a0Fred Lonberg-Holm,\u00a0Paal Nilssen-Love), que se publicar\u00e1 oficialmente\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Ballister_Slag_Aerophonic-Records_2017-e1485988454958.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Ballister_Slag_Aerophonic-Records_2017-e1485988454958.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Ballister_Slag_Aerophonic-Records_2017-e1485988454958.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":19658,"url":"https:\/\/tomajazz.com\/web\/ken-vandermarks-make-to-break-before-the-code-en-rock-palace-madrid-8-de-octubre-de-2015-noticias\/","url_meta":{"origin":20518,"position":1},"title":"Ken Vandermark&#8217;s Made To Break \u00abBefore The Code\u00bb en Rock Palace (Madrid, 8 de octubre de 2015) [Noticias]","author":"Tomajazz","date":"14 septiembre, 2015","format":"image","excerpt":"El pr\u00f3ximo jueves 8 de octubre de 2015 a las 21:30 tendr\u00e1 lugar la actuaci\u00f3n en la Sala Rock Palace (Madrid) del grupo Made To Break con Ken Vandermark (saxo tenor y clarinete), Jasper Stadhouders (bajo el\u00e9ctrico), Tim Daisy (percusi\u00f3n) y Christof Kurzmann (electr\u00f3nica). El grupo presentar\u00e1 su\u00a0pr\u00f3xima\u00a0grabaci\u00f3n Before The\u2026","rel":"","context":"En \u00ab*_Redacci\u00f3n\u00bb","block_context":{"text":"*_Redacci\u00f3n","link":"https:\/\/tomajazz.com\/web\/category\/redaccion\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/MADE-TO-BREAK-OCT-2015_OK-e1442142092466.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/MADE-TO-BREAK-OCT-2015_OK-e1442142092466.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/MADE-TO-BREAK-OCT-2015_OK-e1442142092466.png?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":20267,"url":"https:\/\/tomajazz.com\/web\/made-to-break-rock-palace-madrid-2015-01-08\/","url_meta":{"origin":20518,"position":2},"title":"Made To Break (Rock Palace, Madrid. 2015-01-08)","author":"Sergio Cabanillas","date":"15 octubre, 2015","format":"image","excerpt":"Fecha: 08 de octubre de 2015. Lugar: Rock Palace (Madrid). Grupo: Made To Break Ken Vandermark: saxo tenor, saxo bar\u00edtono y clarinete Christof Kurzmann: electr\u00f3nica Jasper Stadhouders: bajo el\u00e9ctrico Tim Daisy: bater\u00eda Con unos 40 minutos de demora y la correspondiente presentaci\u00f3n de los m\u00fasicos a cargo de Ken Vandermark\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"Tim Daisy \u00a9 Sergio Cabanillas, 2015","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/TIM_DAISY_6938_CABANIJAZZ.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/TIM_DAISY_6938_CABANIJAZZ.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/TIM_DAISY_6938_CABANIJAZZ.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":19604,"url":"https:\/\/tomajazz.com\/web\/song-x-homenaje-a-ornette-coleman-redux-hdo-entrega-0008-audioblog\/","url_meta":{"origin":20518,"position":3},"title":"Song X. Homenaje a Ornette Coleman Redux. HDO (entrega 0008) [Audioblog]","author":"Tomajazz","date":"10 septiembre, 2015","format":"audio","excerpt":"Edici\u00f3n condensada del homenaje a Ornette Coleman\u00a0(con una duraci\u00f3n de tres horas, cincuenta y un minutos y tres segundos) en 140 segundos, ni uno m\u00e1s, ni uno menos: \u00a1es la \u00e9poca en que nos toca vivir! Toda la informaci\u00f3n de m\u00fasicas y m\u00fasicos en\u00a0Song X. Homenaje a Ornette Coleman. HDO\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/Song-X-Redux_modificado.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/Song-X-Redux_modificado.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/Song-X-Redux_modificado.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":21375,"url":"https:\/\/tomajazz.com\/web\/mas-homenajes-ornette-duke-y-clasicos-del-jazz-mas-libre-hdo-0052-audioblog\/","url_meta":{"origin":20518,"position":4},"title":"M\u00e1s homenajes: Ornette, Duke y cl\u00e1sicos del jazz m\u00e1s libre. HDO (0052). [Audioblog]","author":"Tomajazz","date":"23 diciembre, 2015","format":"audio","excerpt":"M\u00e1s homenajes a cl\u00e1sicos del jazz, tanto en el fondo como en la forma. Matthew Shipp Trio (con Shipp, el baterista Whit Dickey y el bajista Michael Bisio) se lo pasan (y nos lo hacen pasar a los oyentes) muy bien -al menos esa es la sensaci\u00f3n que se se\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Matthew-Shipp-Trio_To-Duke_RogueArt_2015.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":19074,"url":"https:\/\/tomajazz.com\/web\/hdo-presentacion-con-the-rempis-percussion-quartet-entrega-0001-podcast\/","url_meta":{"origin":20518,"position":5},"title":"The Rempis Percussion Quartet. HDO: presentaci\u00f3n (entrega 0001) [Podcast]","author":"Tomajazz","date":"16 julio, 2015","format":"audio","excerpt":"Primera entrega de HDO. A lo largo casi una hora, hay espacio para dos bloques bien diferenciados. En primer lugar la presentaci\u00f3n de este nuevo audioblog: qu\u00e9, d\u00f3nde, cu\u00e1ndo, por qu\u00e9, qui\u00e9n y c\u00f3mo (no necesariamente en este orden) surge esta nueva propuesta. Preguntas, envidias, tristezas, hartazgos, comparaciones, compromisos (\u00e9ticos\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/07\/The-Rempis-Percussion-Quartet_Cash-And-Carry_big.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/07\/The-Rempis-Percussion-Quartet_Cash-And-Carry_big.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/07\/The-Rempis-Percussion-Quartet_Cash-And-Carry_big.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/07\/The-Rempis-Percussion-Quartet_Cash-And-Carry_big.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/20518","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=20518"}],"version-history":[{"count":5,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/20518\/revisions"}],"predecessor-version":[{"id":20527,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/20518\/revisions\/20527"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/20521"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=20518"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=20518"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=20518"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}