{"id":2053,"date":"2012-04-30T07:29:47","date_gmt":"2012-04-30T05:29:47","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1870"},"modified":"2016-11-13T20:10:31","modified_gmt":"2016-11-13T19:10:31","slug":"tomajazz-recomienda-un-cd-charlie-haden-quartet-west-1986","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-charlie-haden-quartet-west-1986\/","title":{"rendered":"Tomajazz recomienda&#8230; un CD: Charlie Haden Quartet West (1986)"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-11661\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/04\/Charlie-Haden-Quartet-West-200x195.jpg\" alt=\"Charlie Haden Quartet West\" width=\"200\" height=\"195\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/04\/Charlie-Haden-Quartet-West-200x195.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/04\/Charlie-Haden-Quartet-West-150x146.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/04\/Charlie-Haden-Quartet-West-56x55.jpg 56w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/04\/Charlie-Haden-Quartet-West.jpg 344w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Escuchando detenidamente, veinticinco a\u00f1os despu\u00e9s, el disco debut del <strong>Quartet West<\/strong> de <strong>Charlie Haden<\/strong>, no cabe extra\u00f1arse ante la continuidad del grupo. Supieron imprimir de un sonido propio a todo material que cayese en sus manos, ya fuera propio, ajeno o antiguo. El cuarteto aporta cohesi\u00f3n a temas tan variados como \u00abTaney County\u00bb, de aire <em>folk<\/em>, \u00abThe Good Life\u00bb y su ritmo caribe\u00f1o, el <em>parkeriano<\/em> \u00abPassport\u00bb, el libre \u00abIn The Moment\u00bb o los <em>standards<\/em> \u00abBody And Soul\u00bb y \u00abThese Foolish Things\u00bb. A la sobrehumana capacidad mel\u00f3dica del l\u00edder se suman el sonido meloso del tenor de <strong>Ernie Watts<\/strong>, el acompa\u00f1amiento medido del piano de <strong>Alan Broadbent<\/strong> y los tambores de un <strong>Billy Higgins<\/strong> sabio como pocos. Que sea por muchos a\u00f1os m\u00e1s.<\/p>\n<p style=\"text-align: right;\">\u00a9 Adolphus van Tenzing<\/p>\n<p style=\"text-align: justify;\"><em>Charlie Haden Quartet West<\/em>, PolyGram 831 673-2<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Escuchando detenidamente, veinticinco a\u00f1os despu\u00e9s, el disco debut del Quartet West de Charlie Haden, no cabe extra\u00f1arse ante la continuidad del grupo. Supieron imprimir de un sonido propio a todo material que cayese en sus manos, ya fuera propio, ajeno o antiguo. El cuarteto aporta cohesi\u00f3n a temas tan variados<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-charlie-haden-quartet-west-1986\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":11661,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1278,5,1038,1273],"tags":[5366,1388,1472,1497,12651,1557,8985,242,12696,13,12415,15295,2037,2111,2279,16099,77,16100],"class_list":["entry","author-adolphus-van-tenzing","post-2053","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-disco","category-grabaciones","category-contenidos","category-tomajazz-recomienda","tag-adolphus-van-tenzing","tag-alan-broadbent","tag-billy-higgins","tag-body-and-soul","tag-cd","tag-charlie-haden","tag-charlie-haden-quartet-west","tag-ernie-watts","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-my-foolish-heart","tag-quartet-west","tag-the-good-life","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/04\/Charlie-Haden-Quartet-West.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":33664,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-grabacion-charlie-haden-quartet-west-331\/","url_meta":{"origin":2053,"position":0},"title":"365 razones para amar el jazz: una grabaci\u00f3n. Charlie Haden Quartet West [332]","author":"Tomajazz","date":"28 noviembre, 2017","format":false,"excerpt":"Una grabaci\u00f3n.\u00a0Charlie Haden Quartet West:\u00a0Charlie Haden Quartet West\u00a0(Verve, 1987) Seleccionado por\u00a0Pachi Tapiz Con Charlie Haden, Ernie Watts, Alan Broadbent, Billy Higgins","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Charlie-Haden-Quartet-West.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":35660,"url":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-charlie-haden-quartet-west-398\/","url_meta":{"origin":2053,"position":1},"title":"Razones para el jazz: Charlie Haden Quartet West [398]","author":"Tomajazz","date":"17 marzo, 2018","format":false,"excerpt":"Un grupo: Charlie Haden Quartet West Un cuarteto creado en el 1977 por el contrabajista Charlie Haden que cont\u00f3 desde sus inicios con el saxofonista Ernie Watts y el pianista Alan Broadbent. A lo largo de su dilatada trayectoria en la\u00a0 bater\u00eda estuvieron Billy Higins, Larance Marable y Rodney Green.\u2026","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Joan-Cortes_17_Chrl-Hdn-Qrtt-Wst-.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Joan-Cortes_17_Chrl-Hdn-Qrtt-Wst-.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Joan-Cortes_17_Chrl-Hdn-Qrtt-Wst-.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":2052,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-song-for-the-whales-charlie-haden\/","url_meta":{"origin":2053,"position":2},"title":"Tomajazz Recomienda&#8230; un tema: \u00abSong For The Whales\u00bb (Charlie Haden) (y un CD: Old and New Dreams)","author":"Adolphus van Tenzing","date":"2 abril, 2012","format":false,"excerpt":"Old And New Dreams fue un grupo integrado por Dewey Redman, Don Cherry, Charlie Haden y Ed Blackwell, componentes de distintas formaciones de Ornette Coleman. A lo largo de sus cuatro grabaciones, adem\u00e1s de reinterpretar el legado de Ornette, los integrantes del grupo aportaron composiciones propias. Es el caso de\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2012\/04\/Old-and-new-dreams_old-and-new-dreams-CD.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1982,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-michael-brecker-michael-brecker-1987\/","url_meta":{"origin":2053,"position":3},"title":"Tomajazz recomienda&#8230; un CD: Michael Brecker (Michael Brecker, 1987)","author":"Adolphus van Tenzing","date":"18 abril, 2011","format":false,"excerpt":"\u00a0El fallecimiento del saxofonista Michael Brecker en 2007 nos dej\u00f3 hu\u00e9rfanos de uno de los m\u00e1ximos exponentes del jazz contempor\u00e1neo. Su disco de debut, hom\u00f3nimo, inclu\u00eda la colaboraci\u00f3n de otro fallecido, el pianista Kenny Kirkland, junto a Pat Metheny (guitarra), Charlie Haden (contrabajo) y Jack DeJohnette (bater\u00eda). Un disco tan\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Michael_Brecker_Cover","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/04\/Michael_Brecker_Cover-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":12976,"url":"https:\/\/tomajazz.com\/web\/charlie-haden-el-resto-es-silencio\/","url_meta":{"origin":2053,"position":4},"title":"Charlie Haden: El resto es silencio","author":"Arturo Mora","date":"13 julio, 2014","format":false,"excerpt":"Se ve\u00eda a s\u00ed mismo como un m\u00fasico de folk. Cimentado en la humildad dio forma al jazz que estaba por venir de la mano de Ornette Coleman, nos hizo disfrutar con su Quartet West, agit\u00f3 nuestra conciencia pol\u00edtica gracias a su Liberation Orchestra, nos asom\u00f3 a los cielos de\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Festival de Jazz de Vitoria, 14 de julio de 2005 \u00a9 Sergio Cabanillas","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/06\/charlie_haden_4198.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":6812,"url":"https:\/\/tomajazz.com\/web\/charlie-haden-entrevista-por-jorge-lopez-de-guerenu\/","url_meta":{"origin":2053,"position":5},"title":"Charlie Haden. Entrevista por Jorge L\u00f3pez de Guere\u00f1u.","author":"Sergio Cabanillas","date":"1 abril, 2010","format":false,"excerpt":"De todas las entrevistas que he hecho en mi vida, esta es la m\u00e1s agradable sin duda alguna, que me ha tocado hacer. Nunca me he encontrado a alguien tan cercano, amable y encantador como este gran m\u00fasico, que adem\u00e1s, es una gran persona. JORGE L\u00d3PEZ DE GUERE\u00d1U: Buenos d\u00edas\u2026","rel":"","context":"En \u00ab*_Jorge L\u00f3pez de Guere\u00f1u\u00bb","block_context":{"text":"*_Jorge L\u00f3pez de Guere\u00f1u","link":"https:\/\/tomajazz.com\/web\/category\/jorge-lopez-de-guerenu\/"},"img":{"alt_text":"Charlie Haden \u00a9 2010, Jorge L\u00f3pez de Guere\u00f1u","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/06\/haden_paint.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2053","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2053"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2053\/revisions"}],"predecessor-version":[{"id":11660,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2053\/revisions\/11660"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/11661"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2053"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2053"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2053"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}