{"id":2055,"date":"2012-04-16T00:00:06","date_gmt":"2012-04-15T22:00:06","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1885"},"modified":"2016-11-13T20:10:32","modified_gmt":"2016-11-13T19:10:32","slug":"tomajazz-recomienda-un-cd-aylers-wings-giorgio-gaslini-1991","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-aylers-wings-giorgio-gaslini-1991\/","title":{"rendered":"Tomajazz recomienda&#8230; un CD: <i>Ayler&#8217;s Wings<\/i> (Giorgio Gaslini, 1991)"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-11655\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/04\/Giorgio-Gaslini-Ayler_s-Wings-200x200.jpg\" alt=\"Giorgio Gaslini Ayler_s Wings\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/04\/Giorgio-Gaslini-Ayler_s-Wings-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/04\/Giorgio-Gaslini-Ayler_s-Wings-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/04\/Giorgio-Gaslini-Ayler_s-Wings-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/04\/Giorgio-Gaslini-Ayler_s-Wings.jpg 400w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>\u00bfSe pueden hacer versiones de <strong>Albert Ayler<\/strong> a piano solo, que suenen muy mel\u00f3dicas y con reminiscencias de los compositores rom\u00e1nticos? <strong>Giorgio Gaslini<\/strong> lo demuestra en esta peque\u00f1a joya que es<em> Ayler&#8217;s Wings<\/em>.<\/p>\n<p style=\"text-align: right;\">\u00a9 Adolphus van Tenzing<\/p>\n<p style=\"text-align: justify;\">Giorgio Gaslini. <em>Ayler&#8217;s Wings<\/em> (Soul Note &#8211; CD 121270)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00bfSe pueden hacer versiones de Albert Ayler a piano solo, que suenen muy mel\u00f3dicas y con reminiscencias de los compositores rom\u00e1nticos? Giorgio Gaslini lo demuestra en esta peque\u00f1a joya que es Ayler&#8217;s Wings. \u00a9 Adolphus van Tenzing Giorgio Gaslini. Ayler&#8217;s Wings (Soul Note &#8211; CD 121270)<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-aylers-wings-giorgio-gaslini-1991\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":11655,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1278,5,1038,1273],"tags":[1351,5366,5322,12651,8984,12696,13,12415,15295,2230,16099,77,16100],"class_list":["entry","author-adolphus-van-tenzing","post-2055","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-disco","category-grabaciones","category-contenidos","category-tomajazz-recomienda","tag-1351","tag-adolphus-van-tenzing","tag-albert-ayler","tag-cd","tag-giorgio-gaslini","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-soul-note","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/04\/Giorgio-Gaslini-Ayler_s-Wings.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1994,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-truth-is-marchin-in-orange-then-blue-1992\/","url_meta":{"origin":2055,"position":0},"title":"Tomajazz recomienda\u2026 un tema \u201cTruth Is Marchin\u2019 In\u201d (Orange Then Blue, 1992)","author":"Adolphus van Tenzing","date":"23 mayo, 2011","format":false,"excerpt":"Una big band de, por aquel entonces, j\u00f3venes leones \u2013Dave Douglas, Matt Darriau, Cuong Vu\u2013\u2026 se atreve con uno de los himnos del cancionero de Albert Ayler. Y el resultado es m\u00e1s que satisfactorio: respetuoso con el original, pero sin pasarse y, sobre todo, con esa carga emotiva propia de\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/Orange-Then-Blue_While-You-Were-Out_1992.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1951,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-voices-gary-peacock-1971\/","url_meta":{"origin":2055,"position":1},"title":"Tomajazz recomienda\u2026 un disco: Voices (Gary Peacock, 1971)","author":"Adolphus van Tenzing","date":"4 febrero, 2011","format":false,"excerpt":"Voices es un disco asombroso. Asombroso por su m\u00fasica. Arte en estado puro que te agarra con las primeras notas de \u201cIshi\u201d y que no te suelta hasta el \u00faltimo instante de \u201cAe.Ay.\u201d Asombroso tambi\u00e9n por los m\u00fasicos que all\u00ed aparecen. Gary Peacock: un contrabajista que tiene un historial impresionante\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2011\/02\/Voices-_-Gary-Peacock.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":5514,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-dueto-historic-concerts-max-roach-cecil-taylor-soul-note-1984\/","url_meta":{"origin":2055,"position":2},"title":"Tomajazz recomienda&#8230; un dueto: Historic Concerts (Max Roach, Cecil Taylor; Soul Note, 1984)","author":"Tomajazz","date":"18 marzo, 2013","format":false,"excerpt":"A finales de la d\u00e9cada de los a\u00f1os 70 el baterista Max Roach grab\u00f3 en d\u00fao con m\u00fasicos como el pianista Abdullah Ibrahim, los saxofonistas\u00a0Anthony Braxton y Archie Shepp,\u00a0 y el pianista Cecil Taylor. El 15 de diciembre de 1979 grababa con este \u00faltimo \u00a0en el McMillin Theatre de la\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Max Roach, Cecil Taylor: Historic Concerts (Soul Note, 1984)","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/03\/roach_taylor_historic-concerts.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":5884,"url":"https:\/\/tomajazz.com\/web\/live-at-the-vision-festival-jemeel-moondoc-tentet-2003\/","url_meta":{"origin":2055,"position":3},"title":"Tomajazz Recomienda&#8230; un CD: Live at the Vision Festival (Jemeel Moondoc Tentet, 2003)","author":"Tomajazz","date":"15 abril, 2013","format":false,"excerpt":"Nueva York. 1 de junio de 2001. Sexta edici\u00f3n del Vision Festival. Jemeel Moondoc al frente de la reencarnaci\u00f3n de la Jus Grew Orchestra.\u00a0En esta ocasi\u00f3n esta formaci\u00f3n que no pudo llegar a grabar en su momento, en plena efervescencia de la neoyorkina escena de los loft, es un tenteto.\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Tomajazz Recomienda... un CD: Live at the Vision Festival (Jemeel Moondoc Tentet, 2003)","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/Jemeel-Moondoc-Tentet_live-at-the-vision-festival.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/Jemeel-Moondoc-Tentet_live-at-the-vision-festival.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/Jemeel-Moondoc-Tentet_live-at-the-vision-festival.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/Jemeel-Moondoc-Tentet_live-at-the-vision-festival.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/Jemeel-Moondoc-Tentet_live-at-the-vision-festival.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":1930,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-ghosts-second-variation-albert-ayler-trio-1964\/","url_meta":{"origin":2055,"position":4},"title":"Tomajazz recomienda&#8230; un tema \u00abGhosts: Second Variation\u00bb (Albert Ayler Trio, 1964)","author":"Adolphus van Tenzing","date":"29 noviembre, 2010","format":false,"excerpt":"En estos d\u00edas en que se cumple el 40\u00ba aniversario del enigm\u00e1tico fallecimiento de Albert Ayler (el 25 de noviembre de 1970 su cuerpo aparec\u00eda flotando en las aguas del East River neoyorkino), no me puedo resistir a recomendar encarecidamente \"Gosts: Second Variation\", el tema que cerraba la cara B\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2010\/11\/Albert-Ayler-Trio_Spiritual-Unity_esp_1964.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":13535,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-soul-junction-the-red-garland-quintet-1957\/","url_meta":{"origin":2055,"position":5},"title":"Tomajazz recomienda\u2026 un CD: Soul Junction (The Red Garland Quintet, 1957)","author":"Adolphus van Tenzing","date":"29 septiembre, 2014","format":false,"excerpt":"Red Garland, el pianista boxeador, fue miembro destacado (qui\u00e9n no lo fue) del primer gran quinteto de Miles Davis. En este Soul Junction organiza una especie de spin-off del grupo del trompetista, del que conserva al contrabajista Paul Chambers y a un John Coltrane en plena ebullici\u00f3n, exactamente dos meses\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"soul_junction","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/08\/soul_junction.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2055","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2055"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2055\/revisions"}],"predecessor-version":[{"id":11656,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2055\/revisions\/11656"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/11655"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2055"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2055"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2055"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}