{"id":2058,"date":"2012-05-14T00:00:48","date_gmt":"2012-05-13T22:00:48","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1903"},"modified":"2016-11-13T20:10:30","modified_gmt":"2016-11-13T19:10:30","slug":"tomajazz-recomienda-un-solo-un-tema-picasso-coleman-hawkins-1948","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-solo-un-tema-picasso-coleman-hawkins-1948\/","title":{"rendered":"Tomajazz recomienda&#8230; un solo \/ un tema: \u00abPicasso\u00bb (Coleman Hawkins, 1948)"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-11667\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/05\/coleman-hawkins.jpg\" alt=\"coleman-hawkins\" width=\"200\" height=\"194\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/05\/coleman-hawkins.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/05\/coleman-hawkins-150x145.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/05\/coleman-hawkins-56x55.jpg 56w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>All\u00e1 por el final de la d\u00e9cada de los a\u00f1os cuarenta hubo un saxofonista al que se le ocurri\u00f3 una idea revolucionaria: grabar un tema consistente en un solo, interpretado en solitario, sin la intervenci\u00f3n de acompa\u00f1ante alguno. Este saxofonista era ni m\u00e1s ni menos que el enorme <strong>Coleman Hawkins<\/strong>\u00a0y el tema en particular se titul\u00f3 \u00abPicasso\u00bb, creado a partir de \u00abBody and Soul\u00bb, un cl\u00e1sico intemporal. Esta idea que ahora puede parecer en absoluto rompedora (acostumbrados como estamos a la grabaci\u00f3n de discos de saxofonistas en solitario) sin embargo fue todo un hito en la historia del jazz. Entre otros muchos sitios, se debiera encontrar en cualquier antolog\u00eda de saxof\u00f3n en el jazz que se precie.<\/p>\n<p style=\"text-align: right;\">\u00a9 Adolphus van Tenzing<\/p>\n<p>Coleman Hawkins. <em>1947-1950<\/em> (Classics)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>All\u00e1 por el final de la d\u00e9cada de los a\u00f1os cuarenta hubo un saxofonista al que se le ocurri\u00f3 una idea revolucionaria: grabar un tema consistente en un solo, interpretado en solitario, sin la intervenci\u00f3n de acompa\u00f1ante alguno. Este saxofonista era ni m\u00e1s ni menos que el enorme Coleman Hawkins\u00a0y<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-solo-un-tema-picasso-coleman-hawkins-1948\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":11667,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1295,1296,1038,1273],"tags":[1313,5366,1574,8169,16099,16100],"class_list":["entry","author-adolphus-van-tenzing","post-2058","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-solo","category-tema","category-contenidos","category-tomajazz-recomienda","tag-1313","tag-adolphus-van-tenzing","tag-classics","tag-coleman-hawkins","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/05\/coleman-hawkins.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1915,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-solo-all-the-things-you-are-paul-bley-1963\/","url_meta":{"origin":2058,"position":0},"title":"Tomajazz recomienda&#8230; un solo: \u201cAll The Things You Are\u201d (Paul Bley, 1963)","author":"Adolphus van Tenzing","date":"5 noviembre, 2010","format":false,"excerpt":"En 1963 RCA puso a Coleman Hawkins y a Sonny Rollins, dos de los saxofonistas m\u00e1s importantes de sus respectivas generaciones, frente a frente en una sesi\u00f3n de grabaci\u00f3n. Sin embargo el punto culminante del disco, que tuvo lugar en la versi\u00f3n de \u201cAll The Things You Are\u201d, no vino\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Sonny Rollins and Coleman Hawkins_Sonny Meets Hawk","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2010\/11\/Sonny-Rollins-and-Coleman-Hawkins_Sonny-Meets-Hawk-200x198.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1954,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-disorder-at-the-border-the-music-of-coleman-hawkins-bennie-wallace-2004\/","url_meta":{"origin":2058,"position":1},"title":"Tomajazz recomienda\u2026 un CD: Disorder At The Border. The Music Of Coleman Hawkins (Bennie Wallace, 2004)","author":"Adolphus van Tenzing","date":"16 febrero, 2011","format":false,"excerpt":"Bennie Wallace, a diferencia de la mayor parte de los saxofonistas tenores de su generaci\u00f3n, surgida a principios de los a\u00f1os 70, busc\u00f3 sus ra\u00edces m\u00e1s all\u00e1 de Coltrane, buceando en los tenores de la era del swing. Este disco, grabado en directo en el Festival de Jazz de Berl\u00edn\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Disorder At The Border. The Music Of Coleman Hawkins. Bennie Wallace, 2004","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2011\/01\/wallace.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":18513,"url":"https:\/\/tomajazz.com\/web\/coleman-hawkins-mister-bean-le-chant-du-monde-rec-2015-3cd\/","url_meta":{"origin":2058,"position":2},"title":"Coleman Hawkins: Mister Bean (Le Chant Du Monde; Rec.2015; 3CD)","author":"Tomajazz","date":"22 mayo, 2015","format":"image","excerpt":"El saxofonista Coleman Hawkins (1904-1969) vuelve a ser protagonista en una colecci\u00f3n de recopilatorios publicada por Le Chant Du Monde. Si en 2005 lo era con Bouncing with Bean, un doble CD publicado en la serie Jazz Characters por el sello franc\u00e9s, en 2015 es el turno del triple CD\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Coleman Hawkins_Mister Bean_Jazz Characters New Series","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/Coleman-Hawkins_Mister-Bean_Jazz-Characters-New-Series-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1891,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-we-insist-freedom-now-suite-max-roach-1960\/","url_meta":{"origin":2058,"position":3},"title":"Tomajazz recomienda&#8230; un disco: We Insist! Freedom Now Suite (Max Roach, 1960)","author":"Adolphus van Tenzing","date":"17 agosto, 2010","format":false,"excerpt":"El 31 de agosto y 6 de septiembre de 2010 se cumpli\u00f3 el 50\u00ba aniversario de las dos sesiones de grabaci\u00f3n de We Insist! Freedom Now Suite del bater\u00eda Max Roach. Adolphus van Tenzing realiz\u00f3 un repaso a esta obra imprescindible en la historia del jazz, un fabuloso canto a\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Max Roach We Insist! Freedom Now Suite","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/04\/we-insist-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/04\/we-insist-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/04\/we-insist-1.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":2057,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-2-3-4-shelly-manne-1994\/","url_meta":{"origin":2058,"position":4},"title":"Tomajazz recomienda&#8230; un CD: 2-3-4 (Shelly Manne, 1994)","author":"Adolphus van Tenzing","date":"7 mayo, 2012","format":false,"excerpt":"Casi 20 a\u00f1os despu\u00e9s de haber grabado un legendario \"The Man I Love\" (1943), Shelly Manne se re\u00fane con Coleman Hawkins de nuevo en formato de cuarteto. Hank Jones y George Duvivier completan un grupo que tuvo una noche m\u00e1gica delante de los micr\u00f3fonos. Todos est\u00e1n sobresalientes, y los momentos\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Shelly Manne 2-3-4","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/05\/Shelly-Manne-2-3-4.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1956,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-all-the-cats-join-in-buck-clayton-1956\/","url_meta":{"origin":2058,"position":5},"title":"Tomajazz Recomienda&#8230; un tema: \u00abAll The Cats Join In\u00bb (Buck Clayton, 1956)","author":"Adolphus van Tenzing","date":"23 febrero, 2011","format":false,"excerpt":"Los estudios de Columbia. Es el d\u00eda 5 de marzo de 1956, lunes. Los clubs est\u00e1n cerrados por descanso semanal. Seguramente es de noche. Once m\u00fasicos se lanzan sobre \"All The Cats Join In\", un tema antiguo, pensado para ser interpretado por Benny Goodman en la banda sonora de Make\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/Buck-Clayton_Jam-Sessions-From-The-Vault.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/Buck-Clayton_Jam-Sessions-From-The-Vault.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/Buck-Clayton_Jam-Sessions-From-The-Vault.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/Buck-Clayton_Jam-Sessions-From-The-Vault.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2058","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2058"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2058\/revisions"}],"predecessor-version":[{"id":11668,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2058\/revisions\/11668"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/11667"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2058"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2058"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2058"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}