{"id":2061,"date":"2012-06-04T15:54:15","date_gmt":"2012-06-04T13:54:15","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1927"},"modified":"2016-11-13T20:10:29","modified_gmt":"2016-11-13T19:10:29","slug":"tomajazz-recomienda-una-portada-46th-and-8th-waymon-reed-1977","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-una-portada-46th-and-8th-waymon-reed-1977\/","title":{"rendered":"Tomajazz recomienda&#8230; una portada: 46th And 8th (Waymon Reed, 1977)"},"content":{"rendered":"<figure id=\"attachment_1928\" aria-describedby=\"caption-attachment-1928\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2012\/06\/waymon-reed.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-1928\" alt=\"\" src=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2012\/06\/waymon-reed-150x150.jpg\" width=\"150\" height=\"150\" title=\"\"><\/a><figcaption id=\"caption-attachment-1928\" class=\"wp-caption-text\">Waymon Reed &#8211; 46th and 8th (1977)<\/figcaption><\/figure>\n<p style=\"text-align: justify;\">Si no les suena, es normal.<\/p>\n<p style=\"text-align: justify;\"><strong>Waymon Reed<\/strong> s\u00f3lo grab\u00f3 un disco como l\u00edder, \u00e9ste, aunque su trompeta se curti\u00f3 en diferentes batallas y estilos gracias su trabajo con los grupos de <strong>James Brown<\/strong> y <strong>B.B. King<\/strong> o las orquestas de <strong>Count Basie<\/strong> y de <strong>Thad<\/strong> <strong>Jones-Mel Lewis<\/strong>.<\/p>\n<p style=\"text-align: justify;\">En esta \u00faltima coincidi\u00f3 con algunos de sus acompa\u00f1antes en <em>46th And 8th<\/em> (Artists House, 1977), <strong>Jimmy Forrest<\/strong>, <strong>Tommy Flanagan<\/strong>, <strong>Keeter Betts<\/strong> y <strong>Bobby Durham<\/strong>. El resultado es un disco que, sin ser extraordinario, s\u00ed es muy disfrutable; adem\u00e1s, sirve para recordar a esta oscura y peque\u00f1a figura del jazz.<\/p>\n<p>Y, lo m\u00e1s curioso de todo, es que una de las mejores cosas que tiene es su portada: tan di\u00e1fana como llamativa, con cierto car\u00e1cter pop y, al mismo tiempo, un toque atemporal.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Si no les suena, es normal. Waymon Reed s\u00f3lo grab\u00f3 un disco como l\u00edder, \u00e9ste, aunque su trompeta se curti\u00f3 en diferentes batallas y estilos gracias su trabajo con los grupos de James Brown y B.B. King o las orquestas de Count Basie y de Thad Jones-Mel Lewis. En esta<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-una-portada-46th-and-8th-waymon-reed-1977\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":4074,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1038,1273],"tags":[1338,2126,16099,16100,2336],"class_list":["entry","author-adolphus-van-tenzing","post-2061","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-contenidos","category-tomajazz-recomienda","tag-1338","tag-reed-waymon","tag-toma-jazz","tag-tomajazz-toma-jazz","tag-waymon-reed-artists-house"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/06\/waymon-reed.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":29863,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-body-talk-george-benson-84-a-new-perspective-01\/","url_meta":{"origin":2061,"position":0},"title":"365 razones para amar el jazz: una portada. Body Talk (George Benson) [84] [A New Perspective 03]","author":"Tomajazz","date":"25 marzo, 2017","format":false,"excerpt":"Una portada.\u00a0Body Talk\u00a0(George Benson. CTI, 1976). Fotograf\u00eda de Pete Turner Seleccionado por Jos\u00e9 Luis Luna Rocafort.\u00a0Tercera entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central. Con\u00a0George Benson, Earl Klugh, Harold Mabern, Ron Carter, Gary King, Jack DeJohnette, Mobutu,\u2026","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/george-benson_body-talk_CTI_1976.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/george-benson_body-talk_CTI_1976.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/george-benson_body-talk_CTI_1976.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/george-benson_body-talk_CTI_1976.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1168,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-c-m-e-julius-hemphill-1977\/","url_meta":{"origin":2061,"position":1},"title":"Tomajazz recomienda&#8230; un tema: \u00abC.M.E.\u00bb (Julius Hemphill, 1977)","author":"Adolphus van Tenzing","date":"7 febrero, 2011","format":false,"excerpt":"En el a\u00f1o 1988 el saxofonista Tim Berne reeditaba en su discogr\u00e1fica Screwgun Records el doble LP Blue Boy\u00e9 que su mentor, el gran Julius Hemphill, public\u00f3 en 1977. En una de sus mejores grabaciones Hemphill se enfrentaba en solitario a la tarea de interpretar sus composiciones utilizando los saxos\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"\"C.M.E\". Julius Hemphill. Blue Boy\u00e9. 1977 reed. 1988","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2011\/02\/blue_boye_i.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4814,"url":"https:\/\/tomajazz.com\/web\/mike-reeds-people-places-things-clean-on-the-corner-482-music-2012\/","url_meta":{"origin":2061,"position":2},"title":"Mike Reed\u00b4s People, Places &#038; Things &#8211; Clean on the Corner (482 Music, 2012)","author":"Tomajazz","date":"15 junio, 2012","format":false,"excerpt":"Comentario:\u00a0El baterista y compositor Mike Reed cre\u00f3 hace cuatro a\u00f1os el proyecto \u201cPeople, Places & Things\u201d para rendir su particular homenaje a la escena del jazz improvisado de Chicago de mediados de los a\u00f1os 50. \u201cClean on the Corner\u201d es su cuarta producci\u00f3n de una serie que se inici\u00f3 con\u2026","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/discos\/2012_06\/mrppt_cotc.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":58194,"url":"https:\/\/tomajazz.com\/web\/jazzx5317-artifacts-pleasure-palace-%e2%80%8b-%e2%80%8b-%e2%80%8band-then-theres-this-astral-spirits-2021-minipodcast-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":2061,"position":3},"title":"JazzX5#317. Artifacts: \u00abPleasure Palace\u00bb [.\u200b.\u200b.\u200band then there&#8217;s this (Astral Spirits, 2021)] [Minipodcast de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"29 octubre, 2021","format":false,"excerpt":"En JazzX5 estrenamos ...and then there's this (Astral Spirits, 2021), la nueva grabaci\u00f3n del tr\u00edo Artifacts, formaci\u00f3n en la que participan la flautista Nicole Mitchell, la chelista Tomeka Reid y el baterista Mike Reed. La grabaci\u00f3n se publica el 29 de octubre de 2021.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/JazzX5_317_ok.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/JazzX5_317_ok.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/JazzX5_317_ok.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/JazzX5_317_ok.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":9612,"url":"https:\/\/tomajazz.com\/web\/xiu-xiu-nina-graveface-records-2013\/","url_meta":{"origin":2061,"position":4},"title":"Xiu Xiu: Nina (Graveface Records, 2013)","author":"Tomajazz","date":"11 diciembre, 2013","format":false,"excerpt":"El cantante Jamie Stewart, alma m\u00e1ter del colectivo Xiu Xiu, , realiza en\u00a0Nina\u00a0un recorrido por once temas popularizados por Nina Simone\u00a0acompa\u00f1ado por una magn\u00edfica representaci\u00f3n multi-generacional de m\u00fasicos de jazz de primera l\u00ednea. Una alineaci\u00f3n de primeras figuras: Tim Berne, Mary Halvorson, Andrea Parkins y Tony Malaby, m\u00e1s el componente\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"xiu_xiu_nina","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/12\/xiu_xiu_nina.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":6260,"url":"https:\/\/tomajazz.com\/web\/who-the-fuck-dirty-blvd-lou-reed-1989-0201-06052013\/","url_meta":{"origin":2061,"position":5},"title":"Who the Fuck?: \u00abDirty Blvd.\u00bb (Lou Reed, 1989) [0201, 06\/05\/2013]","author":"Tomajazz","date":"6 mayo, 2013","format":false,"excerpt":"\"Dirty Blvd.\" Lou Reed New York Sire (1989)","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/05\/reed-lou-1989-new-york.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2061","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2061"}],"version-history":[{"count":5,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2061\/revisions"}],"predecessor-version":[{"id":24389,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2061\/revisions\/24389"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/4074"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2061"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2061"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2061"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}