{"id":2061,"date":"2012-06-04T15:54:15","date_gmt":"2012-06-04T13:54:15","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1927"},"modified":"2016-11-13T20:10:29","modified_gmt":"2016-11-13T19:10:29","slug":"tomajazz-recomienda-una-portada-46th-and-8th-waymon-reed-1977","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-una-portada-46th-and-8th-waymon-reed-1977\/","title":{"rendered":"Tomajazz recomienda&#8230; una portada: 46th And 8th (Waymon Reed, 1977)"},"content":{"rendered":"<figure id=\"attachment_1928\" aria-describedby=\"caption-attachment-1928\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2012\/06\/waymon-reed.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-1928\" alt=\"\" src=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2012\/06\/waymon-reed-150x150.jpg\" width=\"150\" height=\"150\" title=\"\"><\/a><figcaption id=\"caption-attachment-1928\" class=\"wp-caption-text\">Waymon Reed &#8211; 46th and 8th (1977)<\/figcaption><\/figure>\n<p style=\"text-align: justify;\">Si no les suena, es normal.<\/p>\n<p style=\"text-align: justify;\"><strong>Waymon Reed<\/strong> s\u00f3lo grab\u00f3 un disco como l\u00edder, \u00e9ste, aunque su trompeta se curti\u00f3 en diferentes batallas y estilos gracias su trabajo con los grupos de <strong>James Brown<\/strong> y <strong>B.B. King<\/strong> o las orquestas de <strong>Count Basie<\/strong> y de <strong>Thad<\/strong> <strong>Jones-Mel Lewis<\/strong>.<\/p>\n<p style=\"text-align: justify;\">En esta \u00faltima coincidi\u00f3 con algunos de sus acompa\u00f1antes en <em>46th And 8th<\/em> (Artists House, 1977), <strong>Jimmy Forrest<\/strong>, <strong>Tommy Flanagan<\/strong>, <strong>Keeter Betts<\/strong> y <strong>Bobby Durham<\/strong>. El resultado es un disco que, sin ser extraordinario, s\u00ed es muy disfrutable; adem\u00e1s, sirve para recordar a esta oscura y peque\u00f1a figura del jazz.<\/p>\n<p>Y, lo m\u00e1s curioso de todo, es que una de las mejores cosas que tiene es su portada: tan di\u00e1fana como llamativa, con cierto car\u00e1cter pop y, al mismo tiempo, un toque atemporal.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Si no les suena, es normal. Waymon Reed s\u00f3lo grab\u00f3 un disco como l\u00edder, \u00e9ste, aunque su trompeta se curti\u00f3 en diferentes batallas y estilos gracias su trabajo con los grupos de James Brown y B.B. King o las orquestas de Count Basie y de Thad Jones-Mel Lewis. En esta<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-una-portada-46th-and-8th-waymon-reed-1977\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":4074,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[17860,1038,1273],"tags":[1338,2126,16099,16100,2336],"class_list":["entry","author-adolphus-van-tenzing","post-2061","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-contenidos","category-tomajazz-recomienda","tag-1338","tag-reed-waymon","tag-toma-jazz","tag-tomajazz-toma-jazz","tag-waymon-reed-artists-house"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/06\/waymon-reed.jpg","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2061","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2061"}],"version-history":[{"count":5,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2061\/revisions"}],"predecessor-version":[{"id":24389,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2061\/revisions\/24389"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/4074"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2061"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2061"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2061"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}