{"id":2069,"date":"2012-09-03T00:00:08","date_gmt":"2012-09-02T22:00:08","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1994"},"modified":"2016-11-13T20:10:23","modified_gmt":"2016-11-13T19:10:23","slug":"tomajazz-recomienda-un-tema-saint-louis-blues-bessie-smith-louis-armstrong-1925","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-saint-louis-blues-bessie-smith-louis-armstrong-1925\/","title":{"rendered":"Tomajazz recomienda&#8230; un tema: \u201cSaint-Louis Blues\u201d (Bessie Smith, Louis Armstrong, 1925)"},"content":{"rendered":"<p style=\"text-align: justify;\"><a href=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2012\/08\/bessie-smith.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-1995\" title=\"Bessie Smith, la emperatriz del blues\" alt=\"\" src=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2012\/08\/bessie-smith-150x150.jpg\" width=\"150\" height=\"150\"><\/a>Una formaci\u00f3n de corneta, voz y armonio, en 2012, puede hacer pensar en una propuesta m\u00e1s propia de la libre improvisaci\u00f3n que del jazz. Sin embargo, en esta ocasi\u00f3n estamos ante un cl\u00e1sico con m\u00e1s de 85 a\u00f1os. El 14 de enero de 1925 <strong>Bessie<\/strong> <strong>Smith<\/strong> cantaba acompa\u00f1ada por <strong>Louis<\/strong> <strong>Armstrong<\/strong> y <strong>Fred<\/strong> <strong>Longshaw<\/strong> el tema de <strong>W.C. Handy<\/strong>, que posteriormente inmortalizar\u00eda en <a href=\"http:\/\/www.tomajazz.com\/web\/?p=1978\">la pel\u00edcula hom\u00f3nima de 1929<\/a>.<\/p>\n<p style=\"text-align: justify;\">En esos momentos, en los que, aunque ya se hab\u00eda avanzado bastante, pr\u00e1cticamente todo estaba por inventarse, no resulta extra\u00f1o encontrarse con formaciones tan poco habituales y que sin embargo pueden llegar a parecer contempor\u00e1neas y avanzadas.<\/p>\n<p style=\"text-align: justify;\">Esta interpretaci\u00f3n, una obra maestra, se puede encontrar en distintas recopilaciones, tanto de <strong>Bessie<\/strong> <strong>Smith<\/strong> como de <strong>Louis<\/strong> <strong>Armstrong<\/strong>, as\u00ed como en las que abarcan los primeros a\u00f1os de la historia del jazz. Todas ellas son m\u00e1s que recomendables, aunque para ilustrar esta recomendaci\u00f3n vamos a utilizar la imagen de la emperatriz del <em>blues<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Una formaci\u00f3n de corneta, voz y armonio, en 2012, puede hacer pensar en una propuesta m\u00e1s propia de la libre improvisaci\u00f3n que del jazz. Sin embargo, en esta ocasi\u00f3n estamos ante un cl\u00e1sico con m\u00e1s de 85 a\u00f1os. El 14 de enero de 1925 Bessie Smith cantaba acompa\u00f1ada por Louis<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-saint-louis-blues-bessie-smith-louis-armstrong-1925\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":4050,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1296,1038,1273],"tags":[1415,1777,1948,2212,16099,16100],"class_list":["entry","author-adolphus-van-tenzing","post-2069","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-tema","category-contenidos","category-tomajazz-recomienda","tag-armstrong-lous","tag-handy-w-c","tag-longshaw-fred","tag-smith-bessie","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/09\/bessie-smith.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1978,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-saint-louis-blues-bessie-smith-1929\/","url_meta":{"origin":2069,"position":0},"title":"Tomajazz recomienda un tema\u2026 \u201cSaint Louis Blues\u201d (Bessie Smith, 1929)","author":"Adolphus van Tenzing","date":"15 abril, 2011","format":false,"excerpt":"En 1925 Bessie Smith grab\u00f3 por primera vez el tema de W.C. Handy en una formaci\u00f3n ciertamente inusual: corneta (interpretada por Louis Armstrong), armonio (por Fred Longshaw) y ella misma a la voz. Cuatro a\u00f1os m\u00e1s tarde lo interpret\u00f3 de nuevo en la pel\u00edcula hom\u00f3nima dirigida por Dudley Murphy. Tirada\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"\u201cSaint Louis Blues\u201d. Bessie Smith. 1929","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2011\/04\/bessiesmith_theblues.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":19974,"url":"https:\/\/tomajazz.com\/web\/louis-armstrong-i-jazz-vii-la-odisea-de-la-musica-afroamericana-018-podcast\/","url_meta":{"origin":2069,"position":1},"title":"Louis Armstrong I. Jazz VII. La Odisea de la M\u00fasica Afroamericana (018) [Podcast]","author":"Tomajazz","date":"5 octubre, 2015","format":"audio","excerpt":"La Odisea de la M\u00fasica Afroamericana. Programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. Como no pod\u00eda de ser de otro modo, en\u00a0La Odisea de la M\u00fasica Afroamericana (LODLMA) es el momento de comenzar a\u00a0tratar en\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/Louis-Armstrong1932_publicdomain-e1443861469734.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/Louis-Armstrong1932_publicdomain-e1443861469734.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/Louis-Armstrong1932_publicdomain-e1443861469734.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":1981,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-four-jazz-giants-earl-hines-1971\/","url_meta":{"origin":2069,"position":2},"title":"Tomajazz recomienda\u2026 un CD: Four Jazz Giants (Earl Hines, 1971)","author":"Adolphus van Tenzing","date":"27 abril, 2011","format":false,"excerpt":"Los d\u00edas 17 y 18 de julio de 1971, Earl Hines se encerr\u00f3 en los estudios de E.D. Nunn, propietario del sello Audiophile, en Saukville, Wisconsin. A piano solo, se enfrent\u00f3 a una cuidada selecci\u00f3n de los repertorios de W.C. Handy, Hoagy Carmichael y Louis Armstrong. El resultado son tres\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Earl Hines \u2013 Four Jazz Giants. Earl Hines. Solo Art. 1971","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2011\/04\/hines_jazzgiants.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":18743,"url":"https:\/\/tomajazz.com\/web\/la-odisea-de-la-musica-afroamericana-capitulo-007-podcast\/","url_meta":{"origin":2069,"position":3},"title":"Blues III. La Odisea de la M\u00fasica Afroamericana (Cap\u00edtulo 007) [Podcast]","author":"Tomajazz","date":"15 junio, 2015","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana. Programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. En el sexto cap\u00edtulo de La Odisea de la M\u00fasica Afroamericana, Luis Escalante realiz\u00f3 un perfil de los m\u00fasicos de blues masculinos.\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/06\/Bessie-Smith-by-Carl-Van-Vetchen_recorte.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":18520,"url":"https:\/\/tomajazz.com\/web\/la-odisea-de-la-musica-afroamericana-capitulo-004-podcast\/","url_meta":{"origin":2069,"position":4},"title":"Las primeras expresiones musicales. La Odisea de la M\u00fasica Afroamericana (Cap\u00edtulo 004) [Podcast]","author":"Tomajazz","date":"25 mayo, 2015","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana. Programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. En el cuarto cap\u00edtulo de La Odisea de la M\u00fasica Afroamericana, Luis Escalante indaga en la evoluci\u00f3n que transform\u00f3 a la m\u00fasica\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/johnny-st.cyr_.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":35462,"url":"https:\/\/tomajazz.com\/web\/hdo-376-diez-de-armstrong-i-podcast\/","url_meta":{"origin":2069,"position":5},"title":"HDO 376. Diez de Armstrong (I) [Podcast]","author":"Tomajazz","date":"3 marzo, 2018","format":false,"excerpt":"\u00a0 Al hilo de la revisi\u00f3n que \u00a1Zas! Tr\u00edo ha realizado de la obra de Satchmo en Round About Armstrong, en HDO 376 suena la primera entrega de Diez de Armstrong. En el programa se escuchan diez temas grabados por este gigante de la trompeta entre 1924 y 1928. Adem\u00e1s\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/Louis-Armstrong1932_publicdomain-e1443861469734.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/Louis-Armstrong1932_publicdomain-e1443861469734.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/Louis-Armstrong1932_publicdomain-e1443861469734.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2069","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2069"}],"version-history":[{"count":6,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2069\/revisions"}],"predecessor-version":[{"id":24365,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2069\/revisions\/24365"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/4050"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2069"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2069"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2069"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}