{"id":2070,"date":"2012-09-17T09:00:00","date_gmt":"2012-09-17T07:00:00","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=2006"},"modified":"2016-11-13T20:10:23","modified_gmt":"2016-11-13T19:10:23","slug":"tomajazz-recomienda-un-cd-cool-struttin-sonny-clark-1958","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-cool-struttin-sonny-clark-1958\/","title":{"rendered":"Tomajazz recomienda&#8230; un CD: Cool Struttin&#8217; (Sonny Clark, 1958)"},"content":{"rendered":"<figure id=\"attachment_2009\" aria-describedby=\"caption-attachment-2009\" style=\"width: 150px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-2009\" alt=\"\" src=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2012\/09\/recomienda.jpg\" width=\"150\" height=\"150\" title=\"\"><figcaption id=\"caption-attachment-2009\" class=\"wp-caption-text\">Sonny Clark &#8211; Cool Struttin&#8217;<\/figcaption><\/figure>\n<p style=\"text-align: justify;\">Una de tantas joyas del cat\u00e1logo de Blue Note, una de tantas grabadas en el estudio de Rudy Van Gelder (el original de Hackensack, Nueva Jersey), este <em>Cool Struttin&#8217;<\/em> emergi\u00f3 de una sesi\u00f3n fresca y descarada, llena de <em>swing<\/em>, lenguaje y expresi\u00f3n personal. El pianista Sonny Clark ejerci\u00f3 de l\u00edder, aportando dos de los temas de la producci\u00f3n original (uno m\u00e1s apareci\u00f3 como <em>bonus track<\/em> en subsiguientes ediciones), pero dej\u00f3 hacer a sus compa\u00f1eros de viaje. Sabia decisi\u00f3n.<\/p>\n<p style=\"text-align: justify;\">Art Farmer a la trompeta y Jackie McLean al saxo alto ejercieron de solistas m\u00e1s que satisfactoriamente, pero la clave del \u00e9xito correspondi\u00f3 a una excelente secci\u00f3n r\u00edtmica, la del primer gran quinteto de Miles Davis: Paul Chambers al contrabajo y Philly Joe Jones a la bater\u00eda. El primero nos regala uno de sus solos con arco en el <em>blues<\/em> inicial que da t\u00edtulo al disco; el segundo dirige al quinteto desde su plato de <em>ride<\/em> incansable mientras recalca las evoluciones de sus compa\u00f1eros con inteligentes adornos en la caja. Clark se explaya, disfruta y nos regala momentos inolvidables.<\/p>\n<p><em>Cool Struttin&#8217;<\/em> (Sonny Clark). Blue Note 7243 4 95327 2 4 (The Rudy Van Gelder Edition)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Una de tantas joyas del cat\u00e1logo de Blue Note, una de tantas grabadas en el estudio de Rudy Van Gelder (el original de Hackensack, Nueva Jersey), este Cool Struttin&#8217; emergi\u00f3 de una sesi\u00f3n fresca y descarada, llena de swing, lenguaje y expresi\u00f3n personal. El pianista Sonny Clark ejerci\u00f3 de l\u00edder,<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-cool-struttin-sonny-clark-1958\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":4048,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1038,1273],"tags":[1417,1598,1845,2004,2083,2097,2169,2224,16099,16100],"class_list":["entry","author-adolphus-van-tenzing","post-2070","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-contenidos","category-tomajazz-recomienda","tag-art-farmer","tag-cool-struttin","tag-jackie-mclean","tag-miles-davis","tag-paul-chambers","tag-philly-joe-jones","tag-rudy-van-gelder","tag-sonny-clark","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/09\/recomienda.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":30131,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-cool-struttin-sonny-clark-105-a-new-perspective-05\/","url_meta":{"origin":2070,"position":0},"title":"365 razones para amar el jazz: una portada. Cool Struttin&#8217; (Sonny Clark) [105] [A New Perspective 05]","author":"Tomajazz","date":"15 abril, 2017","format":false,"excerpt":"Una portada. Cool Struttin' (Sonny Clark. Blue Note, 1958). Fotograf\u00eda de Francis Wolff. Dise\u00f1o de Reid Miles. Seleccionado por Jos\u00e9 Luis Luna Rocafort. Quinta entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central. Con Sonny Clark, Jackie McLean,\u2026","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Sonny-Clark_Cool_Struttin_Blue-Note-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2032,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-arreglo-someday-my-prince-will-come-grant-green-1962\/","url_meta":{"origin":2070,"position":1},"title":"Tomajazz recomienda&#8230; un arreglo: \u00abSomeday My Prince Will Come\u00bb (Grant Green, 1962)","author":"Adolphus van Tenzing","date":"14 noviembre, 2011","format":false,"excerpt":"En numerosas ocasiones diversos jazzmen acometen arreglos de standards basados en un cambio de m\u00e9trica. Swings binarios se convierten en valses, melod\u00edas de notas largas abrazan inusuales compases de cinco o siete tiempos, r\u00e1pidos grupos de tres o seis notas dan paso a versiones a lo afro. En este caso\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2011\/11\/The-Complete-Blue-Note-Recordings-of-Grant-Green-with-Sonny-Clark.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1937,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-una-reedicion-news-for-lulu-john-zorn-george-lewis-bill-frisell-1988-reed-2008\/","url_meta":{"origin":2070,"position":2},"title":"Tomajazz recomienda\u2026 una reedici\u00f3n: News For Lulu (John Zorn, George Lewis, Bill Frisell; 1988, Reed.2008)","author":"Adolphus van Tenzing","date":"7 enero, 2011","format":false,"excerpt":"Adem\u00e1s de trabajar sobre otras est\u00e9ticas, el saxofonista John Zorn tambi\u00e9n se intern\u00f3 a mediados de los a\u00f1os 80 por los terrenos del hard-bop. Acompa\u00f1ado del trombonista de la AACM George Lewis y del guitarrista Bill Frisell, en News For Lulu el tr\u00edo recreaba composiciones de Kenny Dorham, Hank Mobley,\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"News for lulu_alt","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/01\/News-for-lulu_alt-200x180.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2376,"url":"https:\/\/tomajazz.com\/web\/en-la-casa-del-mundo-alfies-theme-sonny-rollins-1966\/","url_meta":{"origin":2070,"position":3},"title":"En La casa del Mundo: &quot;Alfie&#8217;s Theme&quot; (Sonny Rollins, 1966)","author":"Tomajazz","date":"22 marzo, 2012","format":false,"excerpt":"En 1966 el sello Impulse! lanz\u00f3 Alfie, un disco publicado a nombre del saxofonista Sonny Rollins. La grabaci\u00f3n conten\u00eda m\u00fasica de la pel\u00edcula brit\u00e1nica de ese mismo a\u00f1o, que no su banda sonora. El saxofonista particip\u00f3 en el film, para el cual compuso la m\u00fasica y grab\u00f3 la banda sonora\u2026","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/2.bp.blogspot.com\/-AopYkU9h7O8\/T2pEMLWcKJI\/AAAAAAAAESY\/wZr0yF5pc9o\/s200\/Alfie_%28album%29.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":12665,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-after-hours-thad-jones-1957\/","url_meta":{"origin":2070,"position":4},"title":"Tomajazz recomienda&#8230; un CD: After Hours (Thad Jones, 1957)","author":"Adolphus van Tenzing","date":"16 junio, 2014","format":false,"excerpt":"Cuatro temas. Cuatro\u00a0blueses. Cuarenta y un minutos de sensaciones intensas,\u00a0subidones y bajones, solos encendidos y reflexiones profundas a cargo de un all star de la \u00e9poca. A priori el proyecto puede parecer un disparate, pero el resultado engancha, y mucho. El trompetista Thad Jones comparte protagonismo con un Frank Wess\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Thad Jones - After Hours","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/06\/recomienda.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":16368,"url":"https:\/\/tomajazz.com\/web\/thelonious-monk-sonny-rollins-complete-recordings-essential-jazz-classics-2014\/","url_meta":{"origin":2070,"position":5},"title":"Thelonious Monk &#038; Sonny Rollins: Complete Recordings (Essential Jazz Classics, 2014)","author":"Jes\u00fas Mateu Rossell\u00f3","date":"14 enero, 2015","format":false,"excerpt":"Much\u00edsimo se ha escrito en los libros de historia en relaci\u00f3n a los dos m\u00fasicos que hoy nos acompa\u00f1an. Y es que son dos de los grandes. Posiblemente haya alg\u00fan que otro detractor, pero creo que en un porcentaje muy elevado, pr\u00e1cticamente todas las personas a las que nos gusta\u2026","rel":"","context":"En \u00ab*_Jes\u00fas Mateu Rossell\u00f3\u00bb","block_context":{"text":"*_Jes\u00fas Mateu Rossell\u00f3","link":"https:\/\/tomajazz.com\/web\/category\/jesus-mateu-rossello\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/01\/Monk-Rollins_complete-recordings-e1421176101624.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2070","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2070"}],"version-history":[{"count":5,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2070\/revisions"}],"predecessor-version":[{"id":24360,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2070\/revisions\/24360"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/4048"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2070"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2070"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2070"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}