{"id":2072,"date":"2012-10-15T00:00:05","date_gmt":"2012-10-14T22:00:05","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=2029"},"modified":"2016-11-13T20:10:21","modified_gmt":"2016-11-13T19:10:21","slug":"tomajazz-recomienda-un-tema-amen-john-coltrane-1965","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-amen-john-coltrane-1965\/","title":{"rendered":"Tomajazz recomienda&#8230; un tema: \u00abAmen\u00bb (John Coltrane, 1965)"},"content":{"rendered":"<figure id=\"attachment_2032\" aria-describedby=\"caption-attachment-2032\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2012\/10\/recomienda.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-2032\" alt=\"\" src=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2012\/10\/recomienda.jpg\" width=\"150\" height=\"150\" title=\"\"><\/a><figcaption id=\"caption-attachment-2032\" class=\"wp-caption-text\">John Coltrane &#8211; Sun Ship<\/figcaption><\/figure>\n<p style=\"text-align: justify;\">1965 marc\u00f3 el \u00faltimo punto de inflexi\u00f3n en la carrera de John Coltrane. Tras sus \u00absheets of sound\u00bb, sus \u00abColtrane changes\u00bb, las sonoridades \u00e9tnicas al soprano y la \u00e9poca m\u00edstica de <em>Crescent<\/em> y <em>A Love Supreme<\/em>, el saxofonista de Carolina del Norte preparaba su inmersi\u00f3n final en el concepto libre que marcar\u00eda \u00a0sus dos \u00faltimos a\u00f1os de vida.<\/p>\n<p style=\"text-align: justify;\">A pesar de lo expeditivo de su contenido, <em>Sun Ship<\/em> a\u00fan se encuentra a medio camino entre el Coltrane asequible y el ininteligible. \u00abAmen\u00bb es un despliegue de expresi\u00f3n sin apenas l\u00edmites, pero todav\u00eda encuadrado en el seno de su cuarteto m\u00edtico (McCoy Tyner al piano, Jimmy Garrison al contrabajo y Elvin Jones a los tambores). Si se escucha detenidamente y sin prejuicios uno encontrar\u00e1 ecos de <em>A Love Supreme<\/em>, armon\u00edas pian\u00edsticas l\u00f3gicas, polirritmia controlada y un discurso saxofon\u00edstico que marca un contorno reconocible. Si se escucha detenidamente y sin prejuicios uno puede encontrar elementos en que apoyarse para apreciar la \u00e9poca posterior, y apreciar la \u00e9poca posterior merece la pena. Am\u00e9n.<\/p>\n<p style=\"text-align: justify;\"><em>Sun Ship<\/em> (John Coltrane), Impulse! 167<\/p>\n","protected":false},"excerpt":{"rendered":"<p>1965 marc\u00f3 el \u00faltimo punto de inflexi\u00f3n en la carrera de John Coltrane. Tras sus \u00absheets of sound\u00bb, sus \u00abColtrane changes\u00bb, las sonoridades \u00e9tnicas al soprano y la \u00e9poca m\u00edstica de Crescent y A Love Supreme, el saxofonista de Carolina del Norte preparaba su inmersi\u00f3n final en el concepto libre<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-amen-john-coltrane-1965\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":2130,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[17860,1038,1273],"tags":[1371,1397,1585,1607,1674,1860,1870,1983,2200,2256,16099,16100],"class_list":["entry","author-adolphus-van-tenzing","post-2072","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-contenidos","category-tomajazz-recomienda","tag-a-love-supreme","tag-amen","tag-coltrane-changes","tag-crescent","tag-elvin-jones","tag-jimmy-garrison","tag-john-coltrane","tag-mccoy-tyner","tag-sheets-of-sound","tag-sun-ship","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":107662,"url":"https:\/\/tomajazz.com\/web\/azar-lawrence-quartet-jazzaldia-2026\/","url_meta":{"origin":2072,"position":0},"title":"Azar Lawrence Quartet: John Coltrane, The Impulse Era! 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En diciembre de 1964 su cuarteto cl\u00e1sico grababa A Love Supreme. A finales de junio de 1965\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"\u201cCosmos\u201d. John Coltrane, Live In Seattle. 1965","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2011\/01\/coltrane_liveinseattle.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":29566,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-crescent-john-coltrane-67\/","url_meta":{"origin":2072,"position":4},"title":"365 razones para amar el jazz: un disco. Crescent (John Coltrane) [67]","author":"Tomajazz","date":"8 marzo, 2017","format":false,"excerpt":"Un disco.\u00a0John Coltrane:\u00a0Crescent (Impulse!, 1964) Seleccionado por\u00a0Arturo Mora Rioja. 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