{"id":2074,"date":"2012-11-12T00:00:50","date_gmt":"2012-11-11T22:00:50","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=2044"},"modified":"2016-11-13T20:10:20","modified_gmt":"2016-11-13T19:10:20","slug":"tomajazz-recomienda-un-cd-sonny-side-up-dizzy-gillespie-1957","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-sonny-side-up-dizzy-gillespie-1957\/","title":{"rendered":"Tomajazz recomienda&#8230; un CD: Sonny Side Up (Dizzy Gillespie, 1957)"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-13805\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/11\/Sonny-Side-Up-200x199.jpg\" alt=\"Sonny Side Up\" width=\"200\" height=\"199\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/11\/Sonny-Side-Up-200x199.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/11\/Sonny-Side-Up-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/11\/Sonny-Side-Up-600x598.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/11\/Sonny-Side-Up-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/11\/Sonny-Side-Up.jpg 1600w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>El mero hecho de reunir en una sesi\u00f3n de grabaci\u00f3n a Dizzy Gillespie con Sonny Stitt \u2013otro abanderado del <em>be-bop<\/em>\u2013 y Sonny Rollins \u2013saxofonista de moda en la \u00e9poca\u2013 ya es suficiente para hacer de <em>Sonny Side Up<\/em> un disco imprescindible. En esta ocasi\u00f3n lo que nos llama la atenci\u00f3n es la enorme variedad de subg\u00e9neros presente en los tan solo cuatro temas que conforman el CD: un <em>standard<\/em> (\u00abI Know That You Know\u00bb, de Vincent Youmans), un <em>blues<\/em> arrastrado (\u00abAfter Hours\u00bb), un <em>rhythm changes<\/em> <sup>[1]<\/sup> original de Stitt (\u00abThe Eternal Triangle\u00bb) y otro <em>standard<\/em>, pero este versionado habitualmente con sonoridades de Nueva Orle\u00e1ns (\u00abOn The Sunny Side Of The Street\u00bb).<\/p>\n<p style=\"text-align: justify;\">Ray Bryant (piano), Tommy Bryant (contrabajo) y Charlie Persip (bater\u00eda) fueron testigos de excepci\u00f3n de una obra ecl\u00e9ctica que, adem\u00e1s de juntar a tres estrellas, sirve como peque\u00f1o compendio estil\u00edstico.<\/p>\n<p style=\"text-align: right;\">\u00a9 Adolphus van Tenzing, 2012<\/p>\n<p style=\"text-align: justify;\"><em>Sonny Side Up<\/em> (Dizzy Gillespie, Sonny Stitt &amp; Sonny Rollins), Verve 8262<\/p>\n<p style=\"text-align: justify;\"><sup>[1]<\/sup> Tema basado en la armon\u00eda del \u00abI Got Rhythm\u00bb de George Gershwin. En el caso de \u00abThe Eternal Triangle\u00bb hay variaciones de acordes en el puente.<\/p>\n<p style=\"text-align: justify;\"><em>\u00a0<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>El mero hecho de reunir en una sesi\u00f3n de grabaci\u00f3n a Dizzy Gillespie con Sonny Stitt \u2013otro abanderado del be-bop\u2013 y Sonny Rollins \u2013saxofonista de moda en la \u00e9poca\u2013 ya es suficiente para hacer de Sonny Side Up un disco imprescindible. En esta ocasi\u00f3n lo que nos llama la atenci\u00f3n<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-sonny-side-up-dizzy-gillespie-1957\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":2126,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[17860,1278,5,1038,1273],"tags":[12651,1558,1639,9162,12696,13,12415,15295,2119,2132,2225,2227,16099,77,16100,2291,2316,10343],"class_list":["entry","author-adolphus-van-tenzing","post-2074","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-disco","category-grabaciones","category-contenidos","category-tomajazz-recomienda","tag-cd","tag-charlie-persip","tag-dizzy-gillespie","tag-george-gershwin","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-ray-bryant","tag-rhythm-changes","tag-sonny-rollins","tag-sonny-stitt","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-tommy-bryant","tag-verve","tag-vincent-youmans"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/11\/recomienda.jpg","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2074","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2074"}],"version-history":[{"count":5,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2074\/revisions"}],"predecessor-version":[{"id":13806,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2074\/revisions\/13806"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/2126"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2074"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2074"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2074"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}