{"id":2078,"date":"2013-01-07T00:00:00","date_gmt":"2013-01-06T22:00:00","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=2077"},"modified":"2016-11-13T20:10:18","modified_gmt":"2016-11-13T19:10:18","slug":"tomajazz-recomienda-un-tema-nardis-miles-davis","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-nardis-miles-davis\/","title":{"rendered":"Tomajazz recomienda&#8230; un tema: \u00abNardis\u00bb (Miles Davis)"},"content":{"rendered":"<figure id=\"attachment_2079\" aria-describedby=\"caption-attachment-2079\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"http:\/\/torec.tomajazz.com\/?attachment_id=2079\" rel=\"attachment wp-att-2079\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-2079\" style=\"border: 1px solid black;\" alt=\"recomienda\" src=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2013\/01\/recomienda.jpg\" width=\"150\" height=\"150\" title=\"\"><\/a><figcaption id=\"caption-attachment-2079\" class=\"wp-caption-text\">Miles Davis<\/figcaption><\/figure>\n<p style=\"text-align: justify;\">Escrito por Miles Davis y popularizado por Bill Evans, \u00abNardis\u00bb es una composici\u00f3n inusual donde el trompetista saca el m\u00e1ximo partido al modo frigio de Mi, obteniendo sonoridades orientales (\u00abaflamencadas\u00bb, dicen por aqu\u00ed) y realzando la melod\u00eda gracias a unos obligados r\u00edtmicos muy bien situados. No recomendaremos hoy una versi\u00f3n concreta. Nos quedaremos con la belleza de una pieza destacada cuyo puente nos transporta brevemente al <em>swing<\/em> para volver de inmediato al mundo de la Improvisaci\u00f3n con may\u00fasculas. Resulta parad\u00f3jico, cuando menos, que el propio Miles no encontrara hueco en su producci\u00f3n discogr\u00e1fica para semejante obra. Todo un regalo.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Escrito por Miles Davis y popularizado por Bill Evans, \u00abNardis\u00bb es una composici\u00f3n inusual donde el trompetista saca el m\u00e1ximo partido al modo frigio de Mi, obteniendo sonoridades orientales (\u00abaflamencadas\u00bb, dicen por aqu\u00ed) y realzando la melod\u00eda gracias a unos obligados r\u00edtmicos muy bien situados. No recomendaremos hoy una versi\u00f3n<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-nardis-miles-davis\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":2116,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1038,1273],"tags":[427,2004,2041,16099,16100],"class_list":["entry","author-adolphus-van-tenzing","post-2078","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-contenidos","category-tomajazz-recomienda","tag-bill-evans","tag-miles-davis","tag-nardis","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/01\/recomienda.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":38473,"url":"https:\/\/tomajazz.com\/web\/sergi-sirvent-smooth-trio-beige-selffish-records-2017-grabacion\/","url_meta":{"origin":2078,"position":0},"title":"Sergi Sirvent Smooth Trio: Beige (Selffish Records 2017) [Grabaci\u00f3n]","author":"Tomajazz","date":"5 septiembre, 2018","format":false,"excerpt":"Por\u00a0Carlos Lara. El pianista barcelon\u00e9s Sergi Sirvent, que mantiene distintos grupos, ha formado junto a Manel Forti\u00e1 y Oscar Dom\u00e9nech (Nom Trio) el Smooth Trio. Sirvent, que tambi\u00e9n toca otros instrumentos como la trompeta y la guitarra, adem\u00e1s de componer, presenta en este disco diez temas, de los cuales ocho\u2026","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Sergi-Sirvent-Smooth-Trio_Beige.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Sergi-Sirvent-Smooth-Trio_Beige.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Sergi-Sirvent-Smooth-Trio_Beige.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":29579,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-kind-of-blue-miles-davis-1959-70\/","url_meta":{"origin":2078,"position":1},"title":"365 razones para amar el jazz: un disco. Kind Of Blue (Miles Davis, 1959) [71]","author":"Tomajazz","date":"12 marzo, 2017","format":false,"excerpt":"Un disco.\u00a0Miles Davis:\u00a0Kind Of Blue\u00a0(Columbia, 1959) Seleccionado por\u00a0Pachi Tapiz. Con\u00a0Miles Davis, Julian \"Cannonball\" Adderley, John Coltrane, Bill Evans, Wynton Kelly, Paul Chambers, Jimmy Cobb.","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Miles-Davis_Kind-Of-Blue_Columbia_1959.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":27824,"url":"https:\/\/tomajazz.com\/web\/marc-copland-john-abercrombie-festival-internacional-de-jazz-de-madrid-auditorio-conde-duque-madrid-2016-11-23-concierto\/","url_meta":{"origin":2078,"position":2},"title":"Marc Copland &#038; John Abercrombie (Festival Internacional de Jazz de Madrid, Auditorio Conde Duque, Madrid. 2016-11-23) [Concierto]","author":"Tomajazz","date":"28 noviembre, 2016","format":false,"excerpt":"Enrique Farelo repasa la actuaci\u00f3n de Marc Copland y John Abercrombie en el Festival Internacional de Jazz de Madrid.","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Marc-Copland-John-Abercrombie-II.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Marc-Copland-John-Abercrombie-II.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Marc-Copland-John-Abercrombie-II.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Marc-Copland-John-Abercrombie-II.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":48239,"url":"https:\/\/tomajazz.com\/web\/bill-evans-ii-la-odisea-de-la-musica-afroamericana-220-podcast\/","url_meta":{"origin":2078,"position":3},"title":"Bill Evans (II). La Odisea de la M\u00fasica Afroamericana (220) [Podcast]","author":"Tomajazz","date":"6 enero, 2020","format":false,"excerpt":"Bill Evans es el protagonista del cap\u00edtulo 220 de la Odisea de la M\u00fasica Afroamericana de Luis Escalante Ozalla. Se le puede escuchar junto a gigantes del jazz como Miles Davis, Charles Mingus o Cannonball Adderley... entre otros.","rel":"","context":"En \u00abPodcast\u00bb","block_context":{"text":"Podcast","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Bill-Evans_Evans-In-England.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Bill-Evans_Evans-In-England.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Bill-Evans_Evans-In-England.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Bill-Evans_Evans-In-England.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Bill-Evans_Evans-In-England.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Bill-Evans_Evans-In-England.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":104313,"url":"https:\/\/tomajazz.com\/web\/duos-with-myself-trevor-coleman-2026-news\/","url_meta":{"origin":2078,"position":4},"title":"Duos with Myself nueva grabaci\u00f3n de Trevor Coleman [Noticias de jazz]","author":"Tomajazz","date":"6 marzo, 2026","format":false,"excerpt":"Duos with myself es el t\u00edtulo de la nueva grabaci\u00f3n - proyecto del trompetista residente en Sevilla, Trevor Coleman #Noticiasdejazz","rel":"","context":"En \u00abNoticias\u00bb","block_context":{"text":"Noticias","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/noticias-2\/"},"img":{"alt_text":"Duos with Myself nueva grabaci\u00f3n de Trevor Coleman [Noticias de jazz] - Tomajazz","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/03\/Trevor-Coleman-Duos-With-Myself-Tomajazz-noticias.webp?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":58264,"url":"https:\/\/tomajazz.com\/web\/jazzx5319-miles-davis-so-what-kind-of-blue-columbia-1959-minipodcast-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":2078,"position":5},"title":"JazzX5#319. Miles Davis: \u00abSo What\u00bb [Kind Of Blue (Columbia, 1959)] [Minipodcast de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"31 octubre, 2021","format":false,"excerpt":"En el JazzX5 dominical del 31 de octubre, el cl\u00e1sico \"So What\" que aparec\u00eda en Kind Of Blue (Columbia, 1959), el tema que abr\u00eda el que se dice que es el disco de jazz m\u00e1s vendido de toda la historia. Su autor fue el enorme Miles Davis.","rel":"","context":"En \u00abTomajazz (la revista) al completo\u00bb","block_context":{"text":"Tomajazz (la revista) al completo","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/JazzX5_319.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/JazzX5_319.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/JazzX5_319.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/JazzX5_319.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2078","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2078"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2078\/revisions"}],"predecessor-version":[{"id":3686,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2078\/revisions\/3686"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/2116"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2078"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2078"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2078"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}