{"id":2085,"date":"2013-01-14T19:21:01","date_gmt":"2013-01-14T17:21:01","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=2085"},"modified":"2016-11-13T20:10:17","modified_gmt":"2016-11-13T19:10:17","slug":"tomajazz-recomienda-un-tema-we-love-to-boogie-dizzy-gillespie-1951","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-we-love-to-boogie-dizzy-gillespie-1951\/","title":{"rendered":"Tomajazz recomienda&#8230; un tema: \u00abWe Love To Boogie\u00bb (Dizzy Gillespie, 1951)"},"content":{"rendered":"<p>&nbsp;<\/p>\n<figure id=\"attachment_2087\" aria-describedby=\"caption-attachment-2087\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"http:\/\/torec.tomajazz.com\/?attachment_id=2087\" rel=\"attachment wp-att-2087\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-2087  \" alt=\"Dizzy Gillespie \/ Milt Jackson \/ Joe Carroll - School Days \" src=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2013\/01\/school.jpg\" width=\"150\" height=\"150\" title=\"\"><\/a><figcaption id=\"caption-attachment-2087\" class=\"wp-caption-text\">Dizzy Gillespie \/ Milt Jackson \/ Joe Carroll &#8211; School Days<\/figcaption><\/figure>\n<p style=\"text-align: justify;\">No, no es el tema en el que se bas\u00f3 <strong>Marc Bolan<\/strong> para su bailable hit de 1977 incluido en \u00ab<em>Dandy In The Underworld<\/em>\u00ab, sino una canci\u00f3n de autor desconocido que <strong>Dizzy Gillespie<\/strong> grab\u00f3 para <em>Savoy<\/em> en marzo de 1951.<\/p>\n<p style=\"text-align: justify;\">La pieza cerraba el disco \u00ab<em><strong>School Days<\/strong><\/em>\u00ab, en el que el trompetista compart\u00eda cabecera con <strong>Milt Jackson<\/strong> y el vocalista <strong>Joe Carroll<\/strong>, aunque s\u00f3lo <strong>Gillespie<\/strong> est\u00e1 presente en todos los temas del \u00e1lbum.<\/p>\n<p style=\"text-align: justify;\">El disco est\u00e1 repleto de m\u00fasicos estelares de la \u00e9poca, pero en \u00abWe Love To Boogie\u00bb la formaci\u00f3n es, ni m\u00e1s ni menos: <strong>Gillespie, Jackson<\/strong> (al piano), <strong>Kenny Burrell, Percy Heath, Kansas Fields<\/strong>, el vocalista <strong>Freddy Strong<\/strong> y un joven saxofonista, que ya llevaba un tiempo en la orquesta de Gillespie, llamado <strong>John Coltrane<\/strong>.<\/p>\n<p style=\"text-align: justify;\">\u00abWe Love To Boogie\u00bb contiene el primer solo grabado de este saxofonista. Al saxo alto, por cierto.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; No, no es el tema en el que se bas\u00f3 Marc Bolan para su bailable hit de 1977 incluido en \u00abDandy In The Underworld\u00ab, sino una canci\u00f3n de autor desconocido que Dizzy Gillespie grab\u00f3 para Savoy en marzo de 1951. La pieza cerraba el disco \u00abSchool Days\u00ab, en el<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-we-love-to-boogie-dizzy-gillespie-1951\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":2113,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1277,5,1038,1273],"tags":[1315,1525,1540,12651,1586,1702,1732,12696,1794,1846,13,12415,15295,2184,2249,16099,77,16100],"class_list":["entry","author-adolphus-van-tenzing","post-2085","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-cancion","category-grabaciones","category-contenidos","category-tomajazz-recomienda","tag-1315","tag-burrell-kenny","tag-carroll-joe","tag-cd","tag-coltrane-john","tag-fields-kansas","tag-gillespie-dizzy","tag-grabaciones","tag-heath-percy","tag-jackson-milt","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-savoy","tag-stron-freddy","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/01\/school.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":28871,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-recopilatorio-el-blues-en-el-jazz-moderno-26\/","url_meta":{"origin":2085,"position":0},"title":"365 razones para amar el jazz: un recopilatorio. El blues en el jazz moderno [26]","author":"Tomajazz","date":"26 enero, 2017","format":false,"excerpt":"Un recopilatorio. El blues en el jazz moderno\u00a0(Atlantic - Hispavox -edici\u00f3n espa\u00f1ola-). Una fant\u00e1stica introducci\u00f3n al jazz m\u00e1s avanzado de los a\u00f1os 50. Con temas de Dizzy Gillespie, Art Blakey & Jazz Messengers con Thelonious Monk, Lennie Tristano, Charles Mingus, Milt Jackson, Ray Charles, Jimmy Giuffre 3 y The Modern\u2026","rel":"","context":"En \u00ab*_Jack Torrance\u00bb","block_context":{"text":"*_Jack Torrance","link":"https:\/\/tomajazz.com\/web\/category\/jack-torrance\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Varios-autores_El-blues-en-el-jazz-moderno-200x209.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":40258,"url":"https:\/\/tomajazz.com\/web\/dizzy-gillespie-iii-la-odisea-de-la-musica-afroamericana-171-podcast\/","url_meta":{"origin":2085,"position":1},"title":"Dizzy Gillespie (III). La Odisea de la M\u00fasica Afroamericana (171) [Podcast]","author":"Tomajazz","date":"3 diciembre, 2018","format":false,"excerpt":"Por Luis Escalante Ozalla. La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. El cap\u00edtulo 171 de\u00a0La Odisea de la\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/dizzy-gillespie-dizzy-gillespies-orchestra.-vol.-1-1947-1949-1-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/dizzy-gillespie-dizzy-gillespies-orchestra.-vol.-1-1947-1949-1-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/dizzy-gillespie-dizzy-gillespies-orchestra.-vol.-1-1947-1949-1-1.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/dizzy-gillespie-dizzy-gillespies-orchestra.-vol.-1-1947-1949-1-1.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":40421,"url":"https:\/\/tomajazz.com\/web\/dizzy-gillespie-iv-la-odisea-de-la-musica-afroamericana-172-podcast\/","url_meta":{"origin":2085,"position":2},"title":"Dizzy Gillespie (IV). La Odisea de la M\u00fasica Afroamericana (172) [Podcast]","author":"Tomajazz","date":"10 diciembre, 2018","format":false,"excerpt":"Por Luis Escalante Ozalla. La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. El cap\u00edtulo 172 de\u00a0La Odisea de la\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dizzy-Gillespie_Gillespiana.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dizzy-Gillespie_Gillespiana.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dizzy-Gillespie_Gillespiana.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dizzy-Gillespie_Gillespiana.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dizzy-Gillespie_Gillespiana.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dizzy-Gillespie_Gillespiana.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":12644,"url":"https:\/\/tomajazz.com\/web\/gary-burton-learning-to-listen-the-jazz-journey-of-gary-burton-berklee-press-2013-libro\/","url_meta":{"origin":2085,"position":3},"title":"Gary Burton: Learning To Listen. The Jazz Journey Of Gary Burton (Berklee Press, 2013; libro)","author":"Arturo Mora","date":"10 junio, 2014","format":false,"excerpt":"La autobiograf\u00eda de Gary Burton es justo lo que muchos estaban esperando: un divertido compendio de an\u00e9cdotas y trapos sucios de los grandes del jazz en tiempos recientes. Sus elogios a Duke Ellington, Keith Jarrett, Pat Metheny, Chick Corea y Astor Piazzolla se ven compensados con \u00e1speras\u00a0caricaturas de Astrud Gilberto,\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Learning To Listen The Jazz Journey Of Gary Burton","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/06\/Learning-To-Listen-The-Jazz-Journey-Of-Gary-Burton-195x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":21608,"url":"https:\/\/tomajazz.com\/web\/seattle-1956-jazz-at-the-philarmonic-hdo-0055-audioblog\/","url_meta":{"origin":2085,"position":4},"title":"Seattle 1956. Jazz At The Philharmonic. HDO (0055) [Audioblog]","author":"Tomajazz","date":"30 diciembre, 2015","format":"audio","excerpt":"El jazz como una fiesta. La fiesta de las giras y conciertos de los espect\u00e1culos Jazz At The Philharmonic promovidos por el empresario Norman Granz que tuvieron lugar entre mediados de los a\u00f1os 40 y el inicio de la d\u00e9cada de los a\u00f1os 80 del pasado siglo. En el caso\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Jazz-at-the-philarmonic-Seattle-1956.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Jazz-at-the-philarmonic-Seattle-1956.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Jazz-at-the-philarmonic-Seattle-1956.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Jazz-at-the-philarmonic-Seattle-1956.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Jazz-at-the-philarmonic-Seattle-1956.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Jazz-at-the-philarmonic-Seattle-1956.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":7560,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-siboney-ernesto-lecuona-por-dizzy-gillespie-y-stan-getz-1953\/","url_meta":{"origin":2085,"position":5},"title":"Tomajazz recomienda&#8230; un tema: \u00abSiboney\u00bb (Ernesto Lecuona), por Dizzy Gillespie y Stan Getz (1953)","author":"Adolphus van Tenzing","date":"9 septiembre, 2013","format":false,"excerpt":"Ernesto Lecuona fue un compositor cubano de padre canario que cre\u00f3 innumerables zarzuelas y bandas sonoras para pel\u00edculas. Autor de \"Malague\u00f1a\" y \"La comparsa\", lleg\u00f3 a escribir una \u00f3pera. Uno de sus temas m\u00e1s conocidos es \"Siboney\". Dizzy Gillespie y Stan Getz lo interpretaron magistralmente en su Diz And Getz\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Dizzy Gillespie & Stan Getz - Diz And Getz","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/07\/recomienda2.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2085","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2085"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2085\/revisions"}],"predecessor-version":[{"id":3685,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2085\/revisions\/3685"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/2113"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2085"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2085"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2085"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}