{"id":20936,"date":"2015-11-23T11:00:57","date_gmt":"2015-11-23T10:00:57","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=20936"},"modified":"2018-05-05T20:45:49","modified_gmt":"2018-05-05T18:45:49","slug":"sidemen-del-estilo-new-orleans-buster-bailey-johnny-st-cyr-jimmy-harrison-kid-ory-bellman-brown-la-odisea-de-la-musica-afroamericana-024-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/sidemen-del-estilo-new-orleans-buster-bailey-johnny-st-cyr-jimmy-harrison-kid-ory-bellman-brown-la-odisea-de-la-musica-afroamericana-024-podcast\/","title":{"rendered":"Sidemen del estilo New Orleans: Buster Bailey, Johnny St. Cyr, Jimmy Harrison, Kid Ory, Lonnie Johnson. La Odisea de la M\u00fasica Afroamericana (025) [Podcast]"},"content":{"rendered":"<p style=\"text-align: justify;\"><em>La Odisea de la M\u00fasica Afroamericana<\/em>. Programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro <a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1428418630&amp;sr=1-1&amp;keywords=y+se+hace+musica+al+andar+con+swing\" target=\"_blank\" rel=\"noopener\"><em>Y se hace m\u00fasica al andar con swing<\/em><\/a>.<\/p>\n<p style=\"text-align: justify;\">La entrega n\u00famero 25 de La Odisea de la M\u00fasica Afroamericana se centra en algunos de los <em>sideman<\/em> m\u00e1s destacados del estilo New Orleans: Buster Bailey, Kid Ory, Johnny St. Cyr, Jimmy Harrison y Lonnie Johnson. Son nombre an\u00f3nimos que suenan en las grabaciones de las grandes figuras, aunque sin su participaci\u00f3n las obras de m\u00fasicos como Fletcher Henderson, Billie Holiday, Mildred Bailey, Maxine Sullivan, Louis Armstrong, Fletcher Henderson, Duke Ellington\u00a0o Alberta Hunter no hubieran sido lo que son.\u00a0Adem\u00e1s suena la m\u00fasica de Sarah Vaughan con Take 6, Harry Connick Jr. y Ren\u00e9 Thomas.<\/p>\n<p><iframe loading=\"lazy\" id=\"audio_9470157\" style=\"border: 1px solid #EEE; box-sizing: border-box; width: 100%;\" src=\"http:\/\/www.ivoox.com\/player_ej_9470157_4_1.html?c1=bfbbb9\" width=\"300\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><center><figure id=\"attachment_20940\" aria-describedby=\"caption-attachment-20940\" style=\"width: 363px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-20940\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/LonnieJohnsonByRussellLee1941Crop-363x600.jpg\" alt=\"Lonnie Johnson playing in Chicago, 1941. Foto de Russell Lee\" width=\"363\" height=\"600\" title=\"\"><figcaption id=\"caption-attachment-20940\" class=\"wp-caption-text\">Lonnie Johnson playing in Chicago, 1941. Foto por Russell Lee<\/figcaption><\/figure><\/center><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: left;\">En el cap\u00edtulo 25 suena:<\/p>\n<ul style=\"text-align: center;\">\n<li style=\"text-align: left;\">\u201cSetembro\u201d Sarah Vaughan &amp; Take 6<\/li>\n<li style=\"text-align: left;\">\u201cCorn Fed\u201d Fletcher Henderson<\/li>\n<li style=\"text-align: left;\">\u201cI\u00b4ll Get By\u201d Billie Holiday<\/li>\n<li style=\"text-align: left;\">\u201cTain\u00b4t What You Do\u201d Mildred Bailey<\/li>\n<li style=\"text-align: left;\">\u201cWraggle Tiggle Gypsies\u201d Maxine Sullivan<\/li>\n<li style=\"text-align: left;\">\u201cWillie The Weeper\u201d Louis Armstrong<\/li>\n<li style=\"text-align: left;\">\u201cOry\u00b4S Creole Trombone\u201d Louis Armstrong<\/li>\n<li style=\"text-align: left;\">\u201cMuskrat Ramble\u201d Harry Connick Jr.<\/li>\n<li style=\"text-align: left;\">\u201cFidgety Feet\u201d Fletcher Henderson<\/li>\n<li style=\"text-align: left;\">\u201cHot And Bothered\u201d Lonnie Johnson<\/li>\n<li style=\"text-align: left;\">\u201cFine And Mellow\u201d Alberta Hunter<\/li>\n<li style=\"text-align: left;\">\u201cSpontaneous Effort\u201d Ren\u00e9 Thomas<\/li>\n<\/ul>\n<p><center><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-18254\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/Luis-Escalante_Y-se-hace-musica-al-andar...-con-swing-397x600.jpg\" alt=\"Luis Escalante_Y se hace musica al andar... con swing\" width=\"300\" height=\"453\" title=\"\"><\/a><\/center><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-18255 alignnone\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/comprar-en-amazon.gif\" alt=\"comprar en amazon\" width=\"90\" height=\"28\" title=\"\"><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La entrega n\u00famero 25 de La Odisea de la M\u00fasica Afroamericana se centra en algunos de los sideman m\u00e1s destacados del estilo New Orleans: Buster Bailey, Kid Ory, Johnny St. Cyr, Jimmy Harrison y Bellman Brown. Son nombre an\u00f3nimos que suenan en las grabaciones de las grandes figuras, aunque sin su participaci\u00f3n las obras de m\u00fasicos como Fletcher Henderson, Billie Holiday, Mildred Bailey, Maxine Sullivan, Louis Armstrong, Fletcher Henderson, Lonnie Johnson, o Alberta Hunter no hubieran sido lo que son. Adem\u00e1s suena la m\u00fasica de Sarah Vaughan con Take 6, Harry Connick Jr. y Ren\u00e9 Thomas. La Odisea de la M\u00fasica Afroamericana. Programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing.<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/sidemen-del-estilo-new-orleans-buster-bailey-johnny-st-cyr-jimmy-harrison-kid-ory-bellman-brown-la-odisea-de-la-musica-afroamericana-024-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":20940,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"audio","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17834,13297,12814,15518,1038],"tags":[13962,14347,4784,14321,6637,10442,14346,12957,13547,12817,15277,8161,12816,14345,1437,16099,16100],"class_list":["entry","author-pachi","has-excerpt","post-20936","post","type-post","status-publish","format-audio","has-post-thumbnail","category-luis-escalante-ozalla","category-la-odisea-de-la-musica-afroamericana","category-podcast","category-sonidos","category-contenidos","tag-alberta-hunter","tag-bellman-brown","tag-billie-holiday","tag-buster-bailey","tag-duke-ellington","tag-fletcher-henderson","tag-jimmy-harrison","tag-johnny-st-cyr","tag-kid-ory","tag-la-odisea-de-la-musica-afroamericana","tag-lady-day","tag-louis-armstrong","tag-luis-escalante-ozalla","tag-maxine-sullivan","tag-bailey-mildred","tag-toma-jazz","tag-tomajazz-toma-jazz","post_format-audio"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/LonnieJohnsonByRussellLee1941Crop-e1448214772618.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":20226,"url":"https:\/\/tomajazz.com\/web\/louis-armstrong-ii-jazz-viii-la-odisea-de-la-musica-afroamericana-019-podcast\/","url_meta":{"origin":20936,"position":0},"title":"Louis Armstrong II. Jazz VIII. La Odisea de la M\u00fasica Afroamericana (019) [Podcast]","author":"Tomajazz","date":"12 octubre, 2015","format":"audio","excerpt":"La Odisea de la M\u00fasica Afroamericana. Programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. En\u00a0La Odisea de la M\u00fasica Afroamericana (LODLMA) el protagonista contin\u00faa siendo Louis Armstrong.\u00a0Por este motivo es inevitable dedicar un programa al completo,\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/orig_Louis_Armstrong_s_Hot_Five_02-e1444597160247.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/orig_Louis_Armstrong_s_Hot_Five_02-e1444597160247.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/orig_Louis_Armstrong_s_Hot_Five_02-e1444597160247.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/orig_Louis_Armstrong_s_Hot_Five_02-e1444597160247.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/orig_Louis_Armstrong_s_Hot_Five_02-e1444597160247.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":20829,"url":"https:\/\/tomajazz.com\/web\/earl-hines-james-p-johnson-lil-hardin-johnny-dodds-buster-bailey-la-odisea-de-la-musica-afroamericana-024-podcast\/","url_meta":{"origin":20936,"position":1},"title":"Earl Hines, James P. Johnson, Lil Hardin, Johnny Dodds, Buster Bailey. La Odisea de la M\u00fasica Afroamericana (024) [Podcast]","author":"Tomajazz","date":"16 noviembre, 2015","format":"audio","excerpt":"La Odisea de la M\u00fasica Afroamericana. Programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. En el jazz no son \u00fanicamente importantes las grandes figuras, sino otros muchos m\u00fasicos que no por menos conocidos no son merecedores\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/Earl_Hines_New_York_ca._Mar._1947_William_P._Gottlieb_04141-e1447608251718.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/Earl_Hines_New_York_ca._Mar._1947_William_P._Gottlieb_04141-e1447608251718.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/Earl_Hines_New_York_ca._Mar._1947_William_P._Gottlieb_04141-e1447608251718.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":18520,"url":"https:\/\/tomajazz.com\/web\/la-odisea-de-la-musica-afroamericana-capitulo-004-podcast\/","url_meta":{"origin":20936,"position":2},"title":"Las primeras expresiones musicales. La Odisea de la M\u00fasica Afroamericana (Cap\u00edtulo 004) [Podcast]","author":"Tomajazz","date":"25 mayo, 2015","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana. Programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. En el cuarto cap\u00edtulo de La Odisea de la M\u00fasica Afroamericana, Luis Escalante indaga en la evoluci\u00f3n que transform\u00f3 a la m\u00fasica\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/johnny-st.cyr_.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":19419,"url":"https:\/\/tomajazz.com\/web\/jazz-ii-la-odisea-de-la-musica-afroamericana-capitulo-013-podcast\/","url_meta":{"origin":20936,"position":3},"title":"Jazz II. La Odisea de la M\u00fasica Afroamericana (Cap\u00edtulo 013) [Podcast]","author":"Tomajazz","date":"31 agosto, 2015","format":"audio","excerpt":"El cap\u00edtulo 13 de La Odisea de la M\u00fasica Afroamericana (LODLMA) es el segundo de los dedicados al jazz. Luis Escalante Ozalla se centra en los inicios y los pioneros. En el programa hay referencias a Buddy Bolden y a The Original Dixieland Jazz Band, entre otros muchos m\u00fasicos y\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/08\/719px-Buddy_Bolden_001.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/08\/719px-Buddy_Bolden_001.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/08\/719px-Buddy_Bolden_001.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/08\/719px-Buddy_Bolden_001.png?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":21066,"url":"https:\/\/tomajazz.com\/web\/w-c-handy-fats-waller-pops-foster-jc-higginbotham-albert-nicholas-la-odisea-de-la-musica-afroamericana-026-podcast\/","url_meta":{"origin":20936,"position":4},"title":"W.C. Handy, Fats Waller, Pops Foster, JC Higginbotham, Albert Nicholas: La Odisea de la M\u00fasica Afroamericana (026) [Podcast]","author":"Tomajazz","date":"30 noviembre, 2015","format":"audio","excerpt":"La Odisea de la M\u00fasica Afroamericana. Programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. En la\u00a0entrega n\u00famero 26 de La Odisea de la M\u00fasica Afroamericana hay espacio para continuar revisando la carrera de\u00a0algunos de los sidemen\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/800px-Albert_Nicholas_Gottlieb_06571.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/800px-Albert_Nicholas_Gottlieb_06571.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/800px-Albert_Nicholas_Gottlieb_06571.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/800px-Albert_Nicholas_Gottlieb_06571.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":50784,"url":"https:\/\/tomajazz.com\/web\/wes-montgomery-ii-donald-byrd-i-la-odisea-de-la-musica-afroamericana-241-podcast\/","url_meta":{"origin":20936,"position":5},"title":"Wes Montgomery (II) &#8211; Donald Byrd (I). La Odisea de la M\u00fasica Afroamericana (241) [Podcast]","author":"Tomajazz","date":"8 junio, 2020","format":false,"excerpt":"Wes Montgomery y Donald Byrd son los protagonistas principales del episodio 241 de La Odisea de la M\u00fasica Afroamericana de Luis Escalante Ozalla.","rel":"","context":"En \u00abSonidos\u00bb","block_context":{"text":"Sonidos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/06\/Wes-Montgomery-Echoes-of-Indiana-Avenue.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/06\/Wes-Montgomery-Echoes-of-Indiana-Avenue.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/06\/Wes-Montgomery-Echoes-of-Indiana-Avenue.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/20936","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=20936"}],"version-history":[{"count":7,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/20936\/revisions"}],"predecessor-version":[{"id":21077,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/20936\/revisions\/21077"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/20940"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=20936"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=20936"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=20936"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}