{"id":21439,"date":"2015-12-24T11:00:14","date_gmt":"2015-12-24T10:00:14","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=21439"},"modified":"2016-11-13T16:30:00","modified_gmt":"2016-11-13T15:30:00","slug":"22eme-jazz-a-junas-y-iii-julio-de-2015-junas-francia","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/22eme-jazz-a-junas-y-iii-julio-de-2015-junas-francia\/","title":{"rendered":"22\u00e8me Jazz \u00c0 Junas (y III) (Junas, Francia. 2015-07)"},"content":{"rendered":"<ul>\n<li><span style=\"color: #333333;\"><span style=\"font-size: medium;\"><span lang=\"es-ES\">Fecha:<\/span><\/span><\/span><span style=\"color: #333333;\"><span style=\"font-size: medium;\"><span lang=\"es-ES\">\u00a0<\/span><\/span><\/span><span style=\"color: #333333;\"><span style=\"font-size: medium;\"><span lang=\"es-ES\">24 y 25 de julio de 2015<\/span><\/span><\/span><\/li>\n<li><span style=\"color: #333333;\"><span style=\"font-size: medium;\"><span lang=\"es-ES\">Grupos:<br \/>\n<\/span><\/span><\/span><b><span lang=\"es-ES\">Lars Danielson &amp; Mathias Eick Duo<br \/>\n<\/span><\/b>Fecha: Viernes, 24 de julio de 2015<br \/>\nLugar: Temple<br \/>\nComponentes:<br \/>\nLars Danielson, contrabajo y violoncelo<br \/>\nMathias Eick, trompeta y contrabajo<\/p>\n<p><b><span lang=\"es-ES\">Tigran Hamasyan Trio Invite Mathias Eick<br \/>\n<\/span><\/b>Fecha: Viernes, 24 de julio de 2015<br \/>\nLugar: Carri\u00e8res<br \/>\nComponentes:<br \/>\nTigran Hamasyan, piano<br \/>\nSam Minae, bajo<br \/>\nArthur Hnatek, bater\u00eda<br \/>\nMathias Eick, trompeta<\/p>\n<p><b><span lang=\"es-ES\">Magnus \u00d6str\u00f6m Quartet<br \/>\n<\/span><\/b>Fecha: Viernes, 24 de julio de 2015<br \/>\nLugar: Carri\u00e8res<br \/>\nComponentes:<br \/>\nMagnus \u00d6str\u00f6m, bater\u00eda<br \/>\nThobias Gabrielson, bajo<br \/>\nAndreas Hourdakis, guitarra<br \/>\nDaniel Karlsson, piano y teclados<\/p>\n<p><b><span lang=\"es-ES\">Imp\u00e9rial Orph\u00e9on<br \/>\n<\/span><\/b>Fecha: S\u00e1bado, 25 de julio de 2015<br \/>\nLugar: Exteriores de Junas y place de l\u2019Avenir<br \/>\nComponentes:<br \/>\nR\u00e9my Poulakys, acorde\u00f3n y voz<br \/>\nG\u00e9rald Chevillon, saxos<br \/>\nDamien Sabatier, saxo<\/p>\n<p><b><span lang=\"fr-FR\">\u00d3l\u00f6f Arnalds<br \/>\n<\/span><\/b>Fecha: S\u00e1bado, 25 de julio de 2015<br \/>\nLugar: Temple<br \/>\nComponentes:<br \/>\n\u00d3l\u00f6f Arnalds, voz y guitarra<br \/>\nSk\u00fali Sverrisson, guitarra<\/p>\n<p><b><span lang=\"fr-FR\">Bugge Wesseltoft n\u2019Friends With Erik Truffaz<br \/>\n<\/span><\/b>Fecha: S\u00e1bado, 25 de julio de 2015<br \/>\nLugar: Carri\u00e8res<br \/>\nComponentes:<br \/>\nBugge Wesseltoft, piano, teclados y percusi\u00f3n menor<br \/>\nErik Truffaz, trompeta y electr\u00f3nica<br \/>\nDan Berglund, contrabajo y electr\u00f3nica<br \/>\nIlhan Ersahin, saxo tenor<br \/>\nAndreas Bye, bater\u00eda<\/p>\n<p><b><span lang=\"es-ES\">Mathias Eick Quintet<br \/>\n<\/span><\/b>Fecha: Domingo, 25 de julio de 2015<br \/>\nLugar: Carri\u00e8res<br \/>\nComponentes:<br \/>\nMathias Eick, trompeta<br \/>\nAndreas Ulvo, piano<br \/>\nErlen Viken, viol\u00edn<br \/>\nAudun Erlien, contrabajo<br \/>\nTorstein Lofthus, bater\u00eda<\/li>\n<\/ul>\n<p><span lang=\"es-ES\">Comentario:<\/span><\/p>\n<p style=\"text-align: justify;\"><span lang=\"es-ES\">Pen\u00faltimo d\u00eda del festival de Jazz de Junas. El \u201cTemple\u201d, de confesi\u00f3n protestante, alberg\u00f3 la primera actuaci\u00f3n de la jornada, la del dueto escandinavo formado por el compositor, contrabajista y violoncelista Lars Danielson con el tambi\u00e9n compositor y trompetista Mathias Eick.<\/span><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21440\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/01_Lrs-Dnlssn-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Tmpl_Jzz-Jns-600x401.jpg\" alt=\"01_Lrs Dnlssn &amp; Mth ck (\u00a9Joan Cort\u00e8s)_24jul15_Tmpl_Jzz Jns\" width=\"600\" height=\"401\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/01_Lrs-Dnlssn-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Tmpl_Jzz-Jns.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/01_Lrs-Dnlssn-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Tmpl_Jzz-Jns-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/01_Lrs-Dnlssn-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Tmpl_Jzz-Jns-200x134.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/01_Lrs-Dnlssn-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Tmpl_Jzz-Jns-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/01_Lrs-Dnlssn-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Tmpl_Jzz-Jns-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/01_Lrs-Dnlssn-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Tmpl_Jzz-Jns-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\"><span lang=\"es-ES\">Sin duda la propuesta m\u00e1s redonda de las cuatro en las que particip\u00f3 el trompetista.<\/span><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21441\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/02_Lrs-Dnlssn-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Tmpl_Jzz-Jns-600x401.jpg\" alt=\"02_Lrs Dnlssn &amp; Mth ck (\u00a9Joan Cort\u00e8s)_24jul15_Tmpl_Jzz Jns\" width=\"600\" height=\"401\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/02_Lrs-Dnlssn-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Tmpl_Jzz-Jns.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/02_Lrs-Dnlssn-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Tmpl_Jzz-Jns-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/02_Lrs-Dnlssn-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Tmpl_Jzz-Jns-200x134.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/02_Lrs-Dnlssn-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Tmpl_Jzz-Jns-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/02_Lrs-Dnlssn-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Tmpl_Jzz-Jns-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/02_Lrs-Dnlssn-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Tmpl_Jzz-Jns-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\"><span lang=\"es-ES\">Una propuesta a base de temas l\u00edricos, bien alejados de cualquier estridencia, con todos los \u00e1ngulos bien pulidos, de l\u00edneas serpenteantes y pausadas, con sonoridades pl\u00e1cidas y agradecidas, con trazos tradicionales, cant\u00e1biles y en algunos pasajes con cierto regusto religioso.<\/span><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21442\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/03_Lrs-Dnlssn-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Tmpl_Jzz-Jns-600x401.jpg\" alt=\"03_Lrs Dnlssn &amp; Mth ck (\u00a9Joan Cort\u00e8s)_24jul15_Tmpl_Jzz Jns\" width=\"600\" height=\"401\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/03_Lrs-Dnlssn-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Tmpl_Jzz-Jns.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/03_Lrs-Dnlssn-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Tmpl_Jzz-Jns-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/03_Lrs-Dnlssn-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Tmpl_Jzz-Jns-200x134.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/03_Lrs-Dnlssn-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Tmpl_Jzz-Jns-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/03_Lrs-Dnlssn-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Tmpl_Jzz-Jns-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/03_Lrs-Dnlssn-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Tmpl_Jzz-Jns-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\"><span lang=\"es-ES\">Una formaci\u00f3n perfecta, sin acompa\u00f1amientos percusivos. Temas presentados en su simplicidad y desnudez.<\/span><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21443\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/04_Lrs-Dnlssn-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Tmpl_Jzz-Jns-600x401.jpg\" alt=\"04_Lrs Dnlssn &amp; Mth ck (\u00a9Joan Cort\u00e8s)_24jul15_Tmpl_Jzz Jns\" width=\"600\" height=\"401\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/04_Lrs-Dnlssn-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Tmpl_Jzz-Jns.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/04_Lrs-Dnlssn-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Tmpl_Jzz-Jns-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/04_Lrs-Dnlssn-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Tmpl_Jzz-Jns-200x134.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/04_Lrs-Dnlssn-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Tmpl_Jzz-Jns-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/04_Lrs-Dnlssn-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Tmpl_Jzz-Jns-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/04_Lrs-Dnlssn-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Tmpl_Jzz-Jns-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\"><span lang=\"es-ES\">Ofrecieron un temario donde sobresalieron especialmente tres composiciones, dos de Danielson, \u201cBl\u00e1\u201d y \u201cTima\u201d (conocida como \u201cWaiting\u201d, en la versi\u00f3n de la cantante Youn Sun Nah, que incluye en su tercer trabajo discogr\u00e1fico, <em>Lento<\/em>, en el cual, como en los dos anteriores, tambi\u00e9n interviene Danielson) y \u201cDakota\u201d de Eick, pertenecientes a sus \u00faltimos y respectivos trabajos discogr\u00e1ficos.<\/span><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21444\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/05_Tgrn-Hmsyn-tr-Mths-ck-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-600x399.jpg\" alt=\"05_Tgrn Hmsyn tr + Mths ck &amp; Mth ck (\u00a9Joan Cort\u00e8s)_24jul15_Crrrs_Jzz Jns\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/05_Tgrn-Hmsyn-tr-Mths-ck-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/05_Tgrn-Hmsyn-tr-Mths-ck-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/05_Tgrn-Hmsyn-tr-Mths-ck-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/05_Tgrn-Hmsyn-tr-Mths-ck-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/05_Tgrn-Hmsyn-tr-Mths-ck-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/05_Tgrn-Hmsyn-tr-Mths-ck-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\"><span lang=\"es-ES\">En las \u201cCarri\u00e8res\u201d Tigran Hamasyan al frente de su tr\u00edo ofreci\u00f3 una primera parte totalmente testoster\u00f3nica, acelerada, con constantes y trepidantes cambios.<\/span><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21445\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/06_Tgrn-Hmsyn-tr-Mths-ck-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-399x600.jpg\" alt=\"06_Tgrn Hmsyn tr + Mths ck &amp; Mth ck (\u00a9Joan Cort\u00e8s)_24jul15_Crrrs_Jzz Jns\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/06_Tgrn-Hmsyn-tr-Mths-ck-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/06_Tgrn-Hmsyn-tr-Mths-ck-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-100x150.jpg 100w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/06_Tgrn-Hmsyn-tr-Mths-ck-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/06_Tgrn-Hmsyn-tr-Mths-ck-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-37x55.jpg 37w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/p>\n<p style=\"text-align: justify;\"><span lang=\"es-ES\">Con un resultado lo m\u00e1s parecido a la superposici\u00f3n de varias l\u00edneas quebradas y recompuestas desde diferentes v\u00e9rtices, sin espacio para el respiro. Un tr\u00edo bien compactado, sin fisuras aparentes con un considerable nivel adrenal\u00ednico.<\/span><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21446\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/07_Tgrn-Hmsyn-tr-Mths-ck-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-600x399.jpg\" alt=\"07_Tgrn Hmsyn tr + Mths ck &amp; Mth ck (\u00a9Joan Cort\u00e8s)_24jul15_Crrrs_Jzz Jns\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/07_Tgrn-Hmsyn-tr-Mths-ck-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/07_Tgrn-Hmsyn-tr-Mths-ck-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/07_Tgrn-Hmsyn-tr-Mths-ck-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/07_Tgrn-Hmsyn-tr-Mths-ck-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/07_Tgrn-Hmsyn-tr-Mths-ck-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/07_Tgrn-Hmsyn-tr-Mths-ck-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\"><span lang=\"es-ES\">Mediada la actuaci\u00f3n se incorpor\u00f3 el trompetista Mathias Eick (en su tercera intervenci\u00f3n en el festival), el cual suavizo de forma considerable la propuesta. Entraron en un entramado que no era ni de uno ni de los otros. Desdibuj\u00e1ndose la derivada inicial y reubic\u00e1ndose en un espacio inconcreto.<\/span><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21447\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/08_Tgrn-Hmsyn-tr-Mths-ck-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-600x399.jpg\" alt=\"08_Tgrn Hmsyn tr + Mths ck &amp; Mth ck (\u00a9Joan Cort\u00e8s)_24jul15_Crrrs_Jzz Jns\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/08_Tgrn-Hmsyn-tr-Mths-ck-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/08_Tgrn-Hmsyn-tr-Mths-ck-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/08_Tgrn-Hmsyn-tr-Mths-ck-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/08_Tgrn-Hmsyn-tr-Mths-ck-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/08_Tgrn-Hmsyn-tr-Mths-ck-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/08_Tgrn-Hmsyn-tr-Mths-ck-Mth-ck-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\"><span lang=\"es-ES\">Cabe decir que Tigran es el pianista de <a href=\"http:\/\/www.tomajazz.com\/web\/?p=20094\" target=\"_blank\">las dos entregas de <em>Liberetto<\/em>\u00a0de Lars Danielson<\/a>. En la segunda tambi\u00e9n con la colaboraci\u00f3n del trompetista noruego.<\/span><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21448\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/09_Mgns-strm-qrtt-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-600x399.jpg\" alt=\"09_Mgns strm qrtt (\u00a9Joan Cort\u00e8s)_24jul15_Crrrs_Jzz Jns\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/09_Mgns-strm-qrtt-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/09_Mgns-strm-qrtt-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/09_Mgns-strm-qrtt-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/09_Mgns-strm-qrtt-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/09_Mgns-strm-qrtt-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/09_Mgns-strm-qrtt-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\"><span lang=\"es-ES\">La jornada la cerr\u00f3 el grupo del baterista Magnus \u00d6str\u00f6m (miembro del desaparecido EST), cuarteto que en la edici\u00f3n anterior tuvo que suspender su actuaci\u00f3n por las inclemencias meteorol\u00f3gicas.<\/span><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21449\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/10_Mgns-strm-qrtt-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-600x399.jpg\" alt=\"10_Mgns strm qrtt (\u00a9Joan Cort\u00e8s)_24jul15_Crrrs_Jzz Jns\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/10_Mgns-strm-qrtt-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/10_Mgns-strm-qrtt-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/10_Mgns-strm-qrtt-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/10_Mgns-strm-qrtt-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/10_Mgns-strm-qrtt-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/10_Mgns-strm-qrtt-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\"><span lang=\"es-ES\">Desgranaron buena parte de los temas de su \u00faltimo trabajo discogr\u00e1fico <em>Searching for Jupiter<\/em>\u00a0(2013), entre ellos, la atmosf\u00e9rica \u201cThe moon (and the air it moves), la balada \u201cMary Jane doesn\u2019t live here anymore\u201d, la din\u00e1mica y entrecortada \u201cThrough the sun\u201d. As\u00ed como la peculiar \u201cWeight of death\u201d correspondiente a su anterior trabajo <em>Thread of life<\/em>\u00a0(2011).<\/span><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21450\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/11_Mgns-strm-qrtt-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-600x399.jpg\" alt=\"11_Mgns strm qrtt (\u00a9Joan Cort\u00e8s)_24jul15_Crrrs_Jzz Jns\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/11_Mgns-strm-qrtt-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/11_Mgns-strm-qrtt-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/11_Mgns-strm-qrtt-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/11_Mgns-strm-qrtt-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/11_Mgns-strm-qrtt-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/11_Mgns-strm-qrtt-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\"><span lang=\"es-ES\">Al final interpretaron un tema todav\u00eda sin t\u00edtulo. Desde el p\u00fablico les sugirieron el nombre de la poblaci\u00f3n, Junas, propuesta que a \u00d6str\u00f6m no le pareci\u00f3 desacertada.<\/span><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21451\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/12_Mgns-strm-qrtt-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-600x399.jpg\" alt=\"12_Mgns strm qrtt (\u00a9Joan Cort\u00e8s)_24jul15_Crrrs_Jzz Jns\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/12_Mgns-strm-qrtt-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/12_Mgns-strm-qrtt-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/12_Mgns-strm-qrtt-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/12_Mgns-strm-qrtt-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/12_Mgns-strm-qrtt-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/12_Mgns-strm-qrtt-\u00a9Joan-Cort\u00e8s_24jul15_Crrrs_Jzz-Jns-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\"><span lang=\"es-ES\">Una mezcla de pop, rock, elementos repetitivos e improvisaciones, con ciertos ambientes melanc\u00f3licos y sensaciones algo inquietantes. En algunos pasajes podr\u00edan acercarse al entorno f\u00edlmico de David Lynch, por un lado, y por otro a una banda sonora para una \u201croad movie\u201d, de espacios abiertos contemplados a velocidades medias.<\/span><\/p>\n<p style=\"text-align: justify;\"><span lang=\"es-ES\">La jornada del s\u00e1bado, \u00faltimo d\u00eda del festival, se inici\u00f3 a las 11 de la ma\u00f1ana, con un peque\u00f1o recorrido por los alrededores boscosos de la poblaci\u00f3n, con un par de paradas musicales de unos veinte minutos cada una.<\/span><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21452\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/13_mprl-rphn-\u00a9Joan-Cort\u00e8s_25jul15_Bld_Jzz-Jns-600x399.jpg\" alt=\"13_mprl rphn (\u00a9Joan Cort\u00e8s)_25jul15_Bld_Jzz Jns\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/13_mprl-rphn-\u00a9Joan-Cort\u00e8s_25jul15_Bld_Jzz-Jns.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/13_mprl-rphn-\u00a9Joan-Cort\u00e8s_25jul15_Bld_Jzz-Jns-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/13_mprl-rphn-\u00a9Joan-Cort\u00e8s_25jul15_Bld_Jzz-Jns-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/13_mprl-rphn-\u00a9Joan-Cort\u00e8s_25jul15_Bld_Jzz-Jns-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/13_mprl-rphn-\u00a9Joan-Cort\u00e8s_25jul15_Bld_Jzz-Jns-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/13_mprl-rphn-\u00a9Joan-Cort\u00e8s_25jul15_Bld_Jzz-Jns-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\"><span lang=\"es-ES\">La primera con el excelente R\u00e9my Poulakys, acorde\u00f3n y voz l\u00edrica, extravertido de vitalidad encomiable. Poulakys es un m\u00fasico vers\u00e1til, con una remarcable capacidad y facilidad de navegar por distintos estilos musicales, jazz, m\u00fasica tradicional y el canto l\u00edrico. Nos ofreci\u00f3 una notable muestra de ello, con un tema que hab\u00edamos escuchado al excelente d\u00fao Peirani-Parisien, interpretando al primero con el instrumento com\u00fan y emulando el saxo soprano del segundo con su voz. Remat\u00f3 la breve actuaci\u00f3n con uno de sus temas bandera \u201cUna furtiva l\u00e1grima\u201d de Donezetti.<\/span><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21453\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/14_mprl-rphn-\u00a9Joan-Cort\u00e8s_25jul15_Bld_Jzz-Jns-600x399.jpg\" alt=\"14_mprl rphn (\u00a9Joan Cort\u00e8s)_25jul15_Bld_Jzz Jns\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/14_mprl-rphn-\u00a9Joan-Cort\u00e8s_25jul15_Bld_Jzz-Jns.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/14_mprl-rphn-\u00a9Joan-Cort\u00e8s_25jul15_Bld_Jzz-Jns-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/14_mprl-rphn-\u00a9Joan-Cort\u00e8s_25jul15_Bld_Jzz-Jns-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/14_mprl-rphn-\u00a9Joan-Cort\u00e8s_25jul15_Bld_Jzz-Jns-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/14_mprl-rphn-\u00a9Joan-Cort\u00e8s_25jul15_Bld_Jzz-Jns-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/14_mprl-rphn-\u00a9Joan-Cort\u00e8s_25jul15_Bld_Jzz-Jns-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\" align=\"JUSTIFY\"><span lang=\"es-ES\">Pocos metros despu\u00e9s nos encontramos con los saxofonistas G\u00e9rald Chevillon y Damien Sabatier, ambos con Poulakys, miembros del <a href=\"http:\/\/www.tomajazz.com\/web\/?p=9356\" target=\"_blank\">cuarteto Imp\u00e9rial Orph\u00e9on<\/a> (en Junas en versi\u00f3n de tr\u00edo), con una propuesta mucho m\u00e1s cercana a los terrenos de la libre improvisaci\u00f3n.<\/span><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21454\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/15_mprl-rphn-\u00a9Joan-Cort\u00e8s_25jul15_Plc-d-lvnr_Jzz-Jns-600x399.jpg\" alt=\"15_mprl rphn (\u00a9Joan Cort\u00e8s)_25jul15_Plc d l&#039;vnr_Jzz Jns\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/15_mprl-rphn-\u00a9Joan-Cort\u00e8s_25jul15_Plc-d-lvnr_Jzz-Jns.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/15_mprl-rphn-\u00a9Joan-Cort\u00e8s_25jul15_Plc-d-lvnr_Jzz-Jns-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/15_mprl-rphn-\u00a9Joan-Cort\u00e8s_25jul15_Plc-d-lvnr_Jzz-Jns-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/15_mprl-rphn-\u00a9Joan-Cort\u00e8s_25jul15_Plc-d-lvnr_Jzz-Jns-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/15_mprl-rphn-\u00a9Joan-Cort\u00e8s_25jul15_Plc-d-lvnr_Jzz-Jns-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/15_mprl-rphn-\u00a9Joan-Cort\u00e8s_25jul15_Plc-d-lvnr_Jzz-Jns-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><span lang=\"es-ES\">Un par de horas despu\u00e9s y en plena digesti\u00f3n de la \u201cpa\u00eblla\u201d comunitaria, los tres m\u00fasicos ofrecieron un concierto ecl\u00e9ctico, des de la m\u00fasica popular, hasta la l\u00edrica, pasando por la m\u00fasica brasilera y el jazz, con alguna que otra deriva hacia el <em>free<\/em>.<\/span><\/span><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21455\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/16_mprl-rphn-\u00a9Joan-Cort\u00e8s_25jul15_Plc-d-lvnr_Jzz-Jns-600x399.jpg\" alt=\"16_mprl rphn (\u00a9Joan Cort\u00e8s)_25jul15_Plc d l&#039;vnr_Jzz Jns\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/16_mprl-rphn-\u00a9Joan-Cort\u00e8s_25jul15_Plc-d-lvnr_Jzz-Jns.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/16_mprl-rphn-\u00a9Joan-Cort\u00e8s_25jul15_Plc-d-lvnr_Jzz-Jns-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/16_mprl-rphn-\u00a9Joan-Cort\u00e8s_25jul15_Plc-d-lvnr_Jzz-Jns-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/16_mprl-rphn-\u00a9Joan-Cort\u00e8s_25jul15_Plc-d-lvnr_Jzz-Jns-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/16_mprl-rphn-\u00a9Joan-Cort\u00e8s_25jul15_Plc-d-lvnr_Jzz-Jns-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/16_mprl-rphn-\u00a9Joan-Cort\u00e8s_25jul15_Plc-d-lvnr_Jzz-Jns-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><span lang=\"es-ES\">Vitalidad, frescura y calidad plenamente contrastada.<\/span><\/span><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21456\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/17_mprl-rphn-\u00a9Joan-Cort\u00e8s_25jul15_Plc-d-lvnr_Jzz-Jns-600x399.jpg\" alt=\"17_mprl rphn (\u00a9Joan Cort\u00e8s)_25jul15_Plc d l&#039;vnr_Jzz Jns\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/17_mprl-rphn-\u00a9Joan-Cort\u00e8s_25jul15_Plc-d-lvnr_Jzz-Jns.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/17_mprl-rphn-\u00a9Joan-Cort\u00e8s_25jul15_Plc-d-lvnr_Jzz-Jns-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/17_mprl-rphn-\u00a9Joan-Cort\u00e8s_25jul15_Plc-d-lvnr_Jzz-Jns-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/17_mprl-rphn-\u00a9Joan-Cort\u00e8s_25jul15_Plc-d-lvnr_Jzz-Jns-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/17_mprl-rphn-\u00a9Joan-Cort\u00e8s_25jul15_Plc-d-lvnr_Jzz-Jns-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/17_mprl-rphn-\u00a9Joan-Cort\u00e8s_25jul15_Plc-d-lvnr_Jzz-Jns-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><span lang=\"es-ES\">La \u00faltima actuaci\u00f3n en el Temple corri\u00f3 a cargo de la cantante islandesa \u00d3l\u00f6f Arnalds \u2013violinista de formaci\u00f3n cl\u00e1sica y autodidacta de la guitarra-, que ofreci\u00f3 un repertorio totalmente folk, bien alejado de los territorios jazz\u00edsticos.<\/span><\/span><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21457\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/18_lf-rnlds-\u00a9Joan-Cort\u00e8s_25jul15_Tmpl_Jzz-Jns-600x399.jpg\" alt=\"18_lf rnlds (\u00a9Joan Cort\u00e8s)_25jul15_Tmpl_Jzz Jns\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/18_lf-rnlds-\u00a9Joan-Cort\u00e8s_25jul15_Tmpl_Jzz-Jns.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/18_lf-rnlds-\u00a9Joan-Cort\u00e8s_25jul15_Tmpl_Jzz-Jns-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/18_lf-rnlds-\u00a9Joan-Cort\u00e8s_25jul15_Tmpl_Jzz-Jns-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/18_lf-rnlds-\u00a9Joan-Cort\u00e8s_25jul15_Tmpl_Jzz-Jns-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/18_lf-rnlds-\u00a9Joan-Cort\u00e8s_25jul15_Tmpl_Jzz-Jns-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/18_lf-rnlds-\u00a9Joan-Cort\u00e8s_25jul15_Tmpl_Jzz-Jns-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><span lang=\"es-ES\">Una selecci\u00f3n de temas tradicionales notablemente acompa\u00f1ados por el guitarrista Shuli Sverrisson.<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><span lang=\"es-ES\">Apenas un par de horas despu\u00e9s, en las canteras, dio comienzo la actuaci\u00f3n, para el que suscribe, m\u00e1s suculenta y remarcable de todo el festival.<\/span><\/span><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21458\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/19_Bgg-Wssltft-nFrnds-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-399x600.jpg\" alt=\"19_Bgg Wssltft n&#039;Frnds (\u00a9Joan Cort\u00e8s)_25jul15_Crrrs_Jzz Jns\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/19_Bgg-Wssltft-nFrnds-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/19_Bgg-Wssltft-nFrnds-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-100x150.jpg 100w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/19_Bgg-Wssltft-nFrnds-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/19_Bgg-Wssltft-nFrnds-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-37x55.jpg 37w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><span lang=\"es-ES\">N\u2019Friends de Bugge Weseltoft con Erik Truffaz, desarrollaron un entramado din\u00e1mico, musculado y cambiante, que bien podr\u00eda inscribirse entre un cruce de las \u00faltimas formaciones ac\u00fasticas y las primeras el\u00e9ctricas del t\u00f3tem Miles Davis.<\/span><\/span><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21459\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/20_Bgg-Wssltft-nFrnds-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-600x399.jpg\" alt=\"20_Bgg Wssltft n&#039;Frnds (\u00a9Joan Cort\u00e8s)_25jul15_Crrrs_Jzz Jns\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/20_Bgg-Wssltft-nFrnds-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/20_Bgg-Wssltft-nFrnds-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/20_Bgg-Wssltft-nFrnds-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/20_Bgg-Wssltft-nFrnds-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/20_Bgg-Wssltft-nFrnds-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/20_Bgg-Wssltft-nFrnds-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><span lang=\"es-ES\">Un quinteto perfectamente conjuntado, a pesar de alguna que otra jugarreta de ni\u00f1o travieso protagonizada por el cabeza de banda.<\/span><\/span><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21460\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/21_Bgg-Wssltft-nFrnds-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-399x600.jpg\" alt=\"21_Bgg Wssltft n&#039;Frnds (\u00a9Joan Cort\u00e8s)_25jul15_Crrrs_Jzz Jns\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/21_Bgg-Wssltft-nFrnds-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/21_Bgg-Wssltft-nFrnds-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-100x150.jpg 100w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/21_Bgg-Wssltft-nFrnds-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/21_Bgg-Wssltft-nFrnds-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-37x55.jpg 37w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><span lang=\"es-ES\">Un ensamblaje configurado por la redondez y potencia del sonido del saxo tenor del sueco-turco Ilhan Ersahin, la solidez del contrabajo, con y sin pedales, de Dan Berglund (en la edici\u00f3n anterior se present\u00f3 con su grupo, <a href=\"http:\/\/www.tomajazz.com\/web\/?p=14357\" target=\"_blank\">Tonbruket<\/a>), con los contrapuntos de la trompeta, pasada por diferentes artilugios electr\u00f3nicos, de Erik Truffaz, as\u00ed como la seguridad del baterista Andreas Bye, que en algunos pasajes qued\u00f3 desdibujado o tapado por las figuras r\u00edtmicas grabadas, in situ, por Bugge. Un Bugge, que tanto en el piano ac\u00fastico como en el <em>Fender<\/em> estuvo esplendido, a la vez que un incansable jaleador a lo largo de todo el concierto.<\/span><\/span><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21461\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/22_Bgg-Wssltft-nFrnds-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-600x399.jpg\" alt=\"22_Bgg Wssltft n&#039;Frnds (\u00a9Joan Cort\u00e8s)_25jul15_Crrrs_Jzz Jns\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/22_Bgg-Wssltft-nFrnds-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/22_Bgg-Wssltft-nFrnds-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/22_Bgg-Wssltft-nFrnds-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/22_Bgg-Wssltft-nFrnds-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/22_Bgg-Wssltft-nFrnds-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/22_Bgg-Wssltft-nFrnds-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><span lang=\"es-ES\">Una actuaci\u00f3n a la altura de la recreaci\u00f3n, tambi\u00e9n con Berglund, de <a href=\"http:\/\/www.tomajazz.com\/web\/?p=12762\" target=\"_blank\">\u201cA Love Supreme\u201d<\/a>, en el cincuenta aniversario de la composici\u00f3n de uno de los grandes maestros del jazz, John Coltrane. Proyecto que pudimos disfrutar en su d\u00eda en el 16\u00ba Festival de Jazz de Vic.<\/span><\/span><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21462\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/23_Bgg-Wssltft-nFrnds-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-600x399.jpg\" alt=\"23_Bgg Wssltft n&#039;Frnds (\u00a9Joan Cort\u00e8s)_25jul15_Crrrs_Jzz Jns\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/23_Bgg-Wssltft-nFrnds-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/23_Bgg-Wssltft-nFrnds-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/23_Bgg-Wssltft-nFrnds-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/23_Bgg-Wssltft-nFrnds-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/23_Bgg-Wssltft-nFrnds-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/23_Bgg-Wssltft-nFrnds-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><span lang=\"es-ES\">Tanto en aquella ocasi\u00f3n como en esta, con unos bises por debajo de lo desarrollado en los respectivos conciertos, que poco o nada aportaron pero que tampoco llegaron a deslucirlos.<\/span><\/span><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21463\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/24_Bgg-Wssltft-nFrnds-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-600x399.jpg\" alt=\"24_Bgg Wssltft n&#039;Frnds (\u00a9Joan Cort\u00e8s)_25jul15_Crrrs_Jzz Jns\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/24_Bgg-Wssltft-nFrnds-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/24_Bgg-Wssltft-nFrnds-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/24_Bgg-Wssltft-nFrnds-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/24_Bgg-Wssltft-nFrnds-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/24_Bgg-Wssltft-nFrnds-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/24_Bgg-Wssltft-nFrnds-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\"><span lang=\"es-ES\">El \u00faltimo concierto de la jornada y a su vez del festival correspondi\u00f3 al quinteto de Mathias Eick. La cuarta actuaci\u00f3n con la presencia del trompetista noruego en tan s\u00f3lo tres jornadas.<\/span><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21464\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/25_Mths-ck-Qntt-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-600x399.jpg\" alt=\"25_Mths ck Qntt (\u00a9Joan Cort\u00e8s)_25jul15_Crrrs_Jzz Jns\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/25_Mths-ck-Qntt-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/25_Mths-ck-Qntt-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/25_Mths-ck-Qntt-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/25_Mths-ck-Qntt-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/25_Mths-ck-Qntt-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/25_Mths-ck-Qntt-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\"><span lang=\"es-ES\">Una presencia que lleg\u00f3 a empa\u00f1ar, por reiterativa, buena parte de su concepci\u00f3n musical, pausada y l\u00edrica, en algunos momentos incluso en exceso. Todo de aparente simplicidad y fragilidad, con pocas notas, constantemente buscando atributos mel\u00f3dicos, con retazos almibarados y de banda sonora de <\/span><span lang=\"es-ES\"><i>qualit\u00e9<\/i><\/span><span lang=\"es-ES\">. <\/span><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21465\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/26_Mths-ck-Qntt-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-399x600.jpg\" alt=\"26_Mths ck Qntt (\u00a9Joan Cort\u00e8s)_25jul15_Crrrs_Jzz Jns\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/26_Mths-ck-Qntt-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/26_Mths-ck-Qntt-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-100x150.jpg 100w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/26_Mths-ck-Qntt-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/26_Mths-ck-Qntt-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-37x55.jpg 37w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/p>\n<p><span lang=\"es-ES\">Eick, hasta la fecha, tiene tres trabajos publicados por el sello ECM. El \u00faltimo <em>Midwest<\/em>\u00a0(2015), recoge sus impresiones a lo largo de un viaje por los Estados Unidos y Canad\u00e1.<\/span><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21466\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/27_Mths-ck-Qntt-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-399x600.jpg\" alt=\"27_Mths ck Qntt (\u00a9Joan Cort\u00e8s)_25jul15_Crrrs_Jzz Jns\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/27_Mths-ck-Qntt-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/27_Mths-ck-Qntt-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-100x150.jpg 100w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/27_Mths-ck-Qntt-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/27_Mths-ck-Qntt-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-37x55.jpg 37w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/p>\n<p style=\"text-align: justify;\"><span lang=\"es-ES\">Los pasajes m\u00e1s an\u00edmicos y din\u00e1micos de la actuaci\u00f3n correspondieron a los m\u00fasicos de su banda, en sus respectivos solos, que explosionaron la tranquilidad tem\u00e1tica, haci\u00e9ndola crecer de forma exponencial, dejando marca de la solidez instrumental de cada uno de ellos.<\/span><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21467\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/28_Mths-ck-Qntt-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-600x399.jpg\" alt=\"28_Mths ck Qntt (\u00a9Joan Cort\u00e8s)_25jul15_Crrrs_Jzz Jns\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/28_Mths-ck-Qntt-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/28_Mths-ck-Qntt-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/28_Mths-ck-Qntt-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/28_Mths-ck-Qntt-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/28_Mths-ck-Qntt-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/28_Mths-ck-Qntt-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\"><span lang=\"es-ES\">En el bis, Eick, se libr\u00f3 de las ataduras y cors\u00e9s caracter\u00edsticos de su \u201cmarca musical\u201d para mostrarnos otra faceta, mucho m\u00e1s a juego con las partes libres desarrolladas por sus acompa\u00f1antes.<\/span><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21468\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/29_Mths-ck-Qntt-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-600x399.jpg\" alt=\"29_Mths ck Qntt (\u00a9Joan Cort\u00e8s)_25jul15_Crrrs_Jzz Jns\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/29_Mths-ck-Qntt-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/29_Mths-ck-Qntt-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/29_Mths-ck-Qntt-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/29_Mths-ck-Qntt-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/29_Mths-ck-Qntt-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/29_Mths-ck-Qntt-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\"><span lang=\"es-ES\">A modo de resumen, de todo el festival, seleccionar\u00edamos las partes m\u00e1s escandinavas de \u201cSly &amp; Robbie meet Nils Petter Molvaer\u201d, el trabajo sin \u00ednfulas aparentes de \u201cPalomar Trio\u201d, la din\u00e1mica festiva, free y multifac\u00e9tica de \u201cImp\u00e9rial Orph\u00e9on\u201d \u2013en sus dos vertientes, la del recorrido y la del concierto- y toda la, sin el bis, de \u201cBugge Wesseltoft N\u2019Friends\u201d.<\/span><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21469\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/30_Mths-ck-Qntt-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-600x399.jpg\" alt=\"30_Mths ck Qntt (\u00a9Joan Cort\u00e8s)_25jul15_Crrrs_Jzz Jns\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/30_Mths-ck-Qntt-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/30_Mths-ck-Qntt-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/30_Mths-ck-Qntt-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/30_Mths-ck-Qntt-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/30_Mths-ck-Qntt-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/30_Mths-ck-Qntt-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: right;\">Texto y fotograf\u00edas: \u00a9 Joan Cort\u00e8s, 2015<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Fecha:\u00a024 y 25 de julio de 2015 Grupos: Lars Danielson &amp; Mathias Eick Duo Fecha: Viernes, 24 de julio de 2015 Lugar: Temple Componentes: Lars Danielson, contrabajo y violoncelo Mathias Eick, trompeta y contrabajo Tigran Hamasyan Trio Invite Mathias Eick Fecha: Viernes, 24 de julio de 2015 Lugar: Carri\u00e8res Componentes:<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/22eme-jazz-a-junas-y-iii-julio-de-2015-junas-francia\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":21469,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17853,4,1038],"tags":[13926,14578,6676,14580,14571,14582,9613,14575,7812,335,14572,14576,14581,5268,7811,14577,7809,7119,1041,10068,14568,14567,6675,10856,11187,14579,14574,14573,14570,6202,6678,11185,14569,16099,16100,14583],"class_list":["entry","author-pachi","post-21439","post","type-post","status-publish","format-standard","has-post-thumbnail","category-joan-cortes","category-conciertos","category-contenidos","tag-22eme-jazz-a-junas","tag-andreas-bye","tag-andreas-hourdakis","tag-andreas-ulvo","tag-arthur-hnatek","tag-audun-erlien","tag-bugge-wesseltoft","tag-bugge-wesseltoft-nfriends-with-erik-truffaz","tag-damien-sabatier","tag-dan-berglund","tag-daniel-karlsson","tag-erik-truffaz","tag-erlen-viken","tag-francia","tag-gerald-chevillon","tag-ilhan-ersahin","tag-imperial-orpheon","tag-jazz-a-junas","tag-joan-cortes","tag-junas","tag-lars-danielson","tag-lars-danielson-mathias-eick-duo","tag-magnus-ostrom","tag-magnus-ostrom-quartet","tag-mathias-eick","tag-mathias-eick-quintet","tag-olof-arnalds","tag-remy-poulakys","tag-sam-minae","tag-skuli-sverrisson","tag-thobias-gabrielson","tag-tigran-hamasyan","tag-tigran-hamasyan-trio-invite-mathias-eick","tag-toma-jazz","tag-tomajazz-toma-jazz","tag-torstein-lofthus"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/30_Mths-ck-Qntt-\u00a9Joan-Cort\u00e8s_25jul15_Crrrs_Jzz-Jns.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":15124,"url":"https:\/\/tomajazz.com\/web\/lars-danielsson-liberetto-ii-act-2014-aka-en-la-casa-del-mundo-lxxxvii-passacaglia\/","url_meta":{"origin":21439,"position":0},"title":"Lars Danielsson: Liberetto II (ACT, 2014) aka En La casa del Mundo LXXXVII: \u201cPassacaglia\u201d","author":"Tomajazz","date":"31 octubre, 2014","format":false,"excerpt":"Grabaciones como Liberetto II del contrabajista, chelista y compositor\u00a0Lars Danielsson pueden llevar a muchas y muy sesudas discusiones\u00a0acerca de cuestiones\u00a0como la propia esencia del jazz como m\u00fasica de fusi\u00f3n en sentido amplio, la existencia de un jazz europeo o a la europea, o el concepto de la\u00a0glocalizaci\u00f3n (utilizando el t\u00e9rmino\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/Lars-Danielsson_Liberetto-II_ACT_2014-e1414707788790.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":20094,"url":"https:\/\/tomajazz.com\/web\/22eme-jazz-a-junas-ii-julio-de-2015-arles-junas-francia\/","url_meta":{"origin":21439,"position":1},"title":"22\u00e8me Jazz \u00c0 Junas (II) (Julio de 2015. Arles, Junas, Francia)","author":"Tomajazz","date":"9 octubre, 2015","format":"image","excerpt":"Para esta nueva edici\u00f3n, la vig\u00e9simo segunda, Junas se herman\u00f3 con la poblaci\u00f3n de Vauvert, de la que est\u00e1 separada unos veinte kil\u00f3metros por la transitada A9. Como resultado ampli\u00f3 el n\u00famero de d\u00edas, con el consiguiente incremento de conciertos. Del 17 al 18 de julio en Vauvert y del\u2026","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/21_Tngvll-Tr-%C2%A9Joan-Cort%C3%A8s_23jul15_Crrrs_JzzJns.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/21_Tngvll-Tr-%C2%A9Joan-Cort%C3%A8s_23jul15_Crrrs_JzzJns.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/21_Tngvll-Tr-%C2%A9Joan-Cort%C3%A8s_23jul15_Crrrs_JzzJns.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":39149,"url":"https:\/\/tomajazz.com\/web\/instantzz-lars-danielsson-liberetto-iii-carrieres-de-junas-junas-occitanie-france-2018-07-19-galeria-fotografica\/","url_meta":{"origin":21439,"position":2},"title":"INSTANTZZ: Lars Danielsson \u00abLiberetto III\u00bb (25\u00e8me Festival Jazz \u00e0 Junas, Carri\u00e8res de Junas, Junas \u2013Occitanie- \/ France. 2018-07-19) [Galer\u00eda fotogr\u00e1fica]","author":"Tomajazz","date":"9 octubre, 2018","format":false,"excerpt":"Por\u00a0Joan Cort\u00e8s. Fecha: Jueves, 19 de julio de 2018 Lugar: Carri\u00e8res de Junas ( Junas \u2013Occitanie- \/ France ) Grupo: Lars Danielsson \u201cLiberetto III\u201d Lars Danielsson, contrabajo Magnus Ostr\u00f6m, bater\u00eda John Paricelli, guitarra Gr\u00e9gory Privat, piano Tomajazz:\u00a0\u00a9\u00a0Joan Cort\u00e8s, 2018","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/06_Lrs-Dnlssn-Lbrtt3-%C2%A9Joan-Cort%C3%A8s_19jul18_Crrrs_25JzzJns_Jns.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":14357,"url":"https:\/\/tomajazz.com\/web\/22eme-festival-jazz-a-junas-i-little-res-suitcase-ulf-wakenius-trio-tonbruket-quartet-satu-niiranen-junas-francia-2014-07-23\/","url_meta":{"origin":21439,"position":3},"title":"21\u00e8me Festival Jazz \u00c0 Junas (II): Little Res Suitcase \/ Ulf Wakenius Trio \/ Tonbruket Quartet \/ Satu Niiranen (Junas, Francia. 2014-07-24)","author":"Tomajazz","date":"3 octubre, 2014","format":false,"excerpt":"21\u00e8me Festival Jazz \u00c0 Junas (II) Little Red Suitcase Fecha: Jueves, 24 de julio de 2014 Lugar: Temple Componentes: Elena Seti\u00e9n, viol\u00edn y voz Johanna Borchert, teclados y voz Ulf Wakenius Trio Fecha: Jueves, 24 de julio de 2014, 21:00 Lugar: Carri\u00e8res Componentes: Ulf Wakenius, guitarras ac\u00fasticas Vincent Peirani, acorde\u00f3n\u2026","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F05_ULF-WAKENIUS-%C2%A9Joan-Cort%C3%A8s_24jul14_Jazz-%C3%A0-Junas.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F05_ULF-WAKENIUS-%C2%A9Joan-Cort%C3%A8s_24jul14_Jazz-%C3%A0-Junas.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F05_ULF-WAKENIUS-%C2%A9Joan-Cort%C3%A8s_24jul14_Jazz-%C3%A0-Junas.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":10560,"url":"https:\/\/tomajazz.com\/web\/varios-autores-duo-art-creating-magic-act-2014\/","url_meta":{"origin":21439,"position":4},"title":"Varios autores: Duo Art. Creating Magic (ACT, 2014)","author":"Tomajazz","date":"21 febrero, 2014","format":false,"excerpt":"No es demasiado el m\u00e9rito de Siggi Loch. Lo cierto es que cualquiera podr\u00eda haber hecho un recopilatorio de d\u00faos del sello ACT como Duo Art. Creating Magic. Otra cosa muy distinta es, como responsable de este sello, tener la posibilidad de poder elegir semejante pu\u00f1ado de joyas. Es obvio\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Duo Art Creating Magic","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/Duo-Art-Creating-Magic-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":78609,"url":"https:\/\/tomajazz.com\/web\/basile-rahola-lars-danielsson-nils-petter-molvaer-junas-2023\/","url_meta":{"origin":21439,"position":5},"title":"Basile Rahola 4t \/ Lars Danielsson \u201cLiberetto\u201d\u00a0\/ Nils Petter Molvaer \u201cKhmer\u201d (30\u00e8 Jazz \u00e0 Junas 2023 \/ Temple et Carri\u00e8res, 2023-07-21. Junas, Occitanie -France-) [V\/VI] Por Joan Cort\u00e8s [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","author":"Tomajazz","date":"21 septiembre, 2023","format":false,"excerpt":"Basile Rahola 4t \/ Lars Danielsson \/ Nils Petter Molvaer actuaron en el 30\u00e8 Jazz \u00e0 Junas 2023, el 21 de julio de 2023. Joan Cort\u00e8s retrata a los grupos en INSTANTZZ.","rel":"","context":"En \u00abEspecial 30 Jazz \u00e0 Junas 2023\u00bb","block_context":{"text":"Especial 30 Jazz \u00e0 Junas 2023","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/especial-contenidos\/30-jazz-a-junas-2023\/"},"img":{"alt_text":"Basile Rahola 4t \/ Lars Danielsson \u201cLiberetto\u201d\u00a0\/ Nils Petter Molvaer \u201cKhmer\u201d (30\u00e8 Jazz \u00e0 Junas 2023 \/ Temple et Carri\u00e8res, 2023-07-21. Junas, Occitanie -France-) [V\/VI] Por Joan Cort\u00e8s [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] - Tomajazz 9.0 - Basile Rahola 4t \/ Lars Danielsson \/ Nils Petter Molvaer actuaron en el 30\u00e8 Jazz \u00e0 Junas 2023, el 21 de julio de 2023. 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