{"id":2149,"date":"2012-12-25T18:00:00","date_gmt":"2012-12-25T17:00:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2149"},"modified":"2016-05-21T20:29:05","modified_gmt":"2016-05-21T18:29:05","slug":"ahmed-abdullah-sobre-wynton-marsalis","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/ahmed-abdullah-sobre-wynton-marsalis\/","title":{"rendered":"Ahmed Abdullah sobre Wynton Marsalis"},"content":{"rendered":"<div><a href=\"http:\/\/4.bp.blogspot.com\/-8WcmPbWv2es\/UNgz0jVvlAI\/AAAAAAAAGUk\/j9pHTawADO4\/s1600\/abdullah.jpeg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" src=\"http:\/\/4.bp.blogspot.com\/-8WcmPbWv2es\/UNgz0jVvlAI\/AAAAAAAAGUk\/j9pHTawADO4\/s200\/abdullah.jpeg\" width=\"200\" height=\"196\" border=\"0\" title=\"\"><\/a><\/div>\n<blockquote><p>Along with Ronald Reagan&#8217;s ascent came the advent of Wynton Marsalis, who offered up not the corresponding spiritual aspects of the music of the &#8217;60s and &#8217;70s, but the more egoistical version of the era -\u00abMe\u00bb as opposed to \u00abWe\u00bb.<\/p><\/blockquote>\n<p>Ahmed Abdullah en las notas de <a href=\"http:\/\/torec.tomajazz.com\/?p=2070\" target=\"_blank\"><i>Live <\/i>(The Group, NoBusiness Records, 2012)<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Along with Ronald Reagan&#8217;s ascent came the advent of Wynton Marsalis, who offered up not the corresponding spiritual aspects of the music of the &#8217;60s and &#8217;70s, but the more egoistical version of the era -\u00abMe\u00bb as opposed to \u00abWe\u00bb. Ahmed Abdullah en las notas de Live (The Group, NoBusiness<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/ahmed-abdullah-sobre-wynton-marsalis\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4313,1038,4758],"tags":[16099,16100],"class_list":["entry","author-pachi","post-2149","post","type-post","status-publish","format-standard","category-bun","category-contenidos","category-blogs","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":19093,"url":"https:\/\/tomajazz.com\/web\/la-odisea-de-la-musica-afroamericana-capitulo-011-podcast\/","url_meta":{"origin":2149,"position":0},"title":"Irving Berlin. La Odisea de la M\u00fasica Afroamericana (Cap\u00edtulo 011) [Podcast]","author":"Tomajazz","date":"20 julio, 2015","format":"imagen","excerpt":"Jerome Kern dijo de \u00e9l: \u201cNo hay lugar para Irving Berlin en la m\u00fasica norteamericana, \u00e9l es la m\u00fasica norteamericana\u201d. Luis Escalante dedica el und\u00e9cimo cap\u00edtulo de La Odisea de la M\u00fasica Afroamericana al compositor Irving Berlin.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/07\/BerlinPortrait1.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":45602,"url":"https:\/\/tomajazz.com\/web\/wynton-marsalis-bolden-blue-engine-records-2019-grabacion\/","url_meta":{"origin":2149,"position":1},"title":"Wynton Marsalis: Bolden (Blue Engine Records, 2019) [Grabaci\u00f3n de jazz] Por\u00a0Juli\u00e1n Ruesga Bono","author":"Tomajazz","date":"13 septiembre, 2019","format":false,"excerpt":"Buddy Bolden es una figura legendaria en el mundo del jazz. Se sabe muy poco de \u00e9l y de su m\u00fasica a\u00fan menos. No existe ninguna grabaci\u00f3n de su m\u00fasica y solo se conserva una fotograf\u00eda suya. Todo es informaci\u00f3n oral transmitida de quienes lo conocieron o de quienes oyeron\u2026","rel":"","context":"En \u00ab*_Juli\u00e1n Ruesga Bono\u00bb","block_context":{"text":"*_Juli\u00e1n Ruesga Bono","link":"https:\/\/tomajazz.com\/web\/category\/julian-ruesga-bono\/"},"img":{"alt_text":"Wynton Marsalis: Bolden (Blue Engine Records, 2019)","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/09\/Bolden-BSO.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/09\/Bolden-BSO.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/09\/Bolden-BSO.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":11078,"url":"https:\/\/tomajazz.com\/web\/wynton-marsalis-sobre-miles-davis\/","url_meta":{"origin":2149,"position":2},"title":"Wynton Marsalis sobre Miles Davis","author":"Tomajazz","date":"19 marzo, 2014","format":false,"excerpt":"Miles cometi\u00f3 el error de considerarse a s\u00ed mismo un vanguardista, alguien que, obligatoriamente, tuviera que estar creando m\u00fasica nueva sin tener en consideraci\u00f3n sus logros anteriores. Esta actitud le hizo meterse en una rueda como las de los h\u00e1msteres, que dan vueltas y vueltas pero no llevan a ning\u00fan\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/Wynton_Marsalis_free.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":13377,"url":"https:\/\/tomajazz.com\/web\/sun-ra-arkestra-live-in-ulm-1992-leo-records-2014-2cd\/","url_meta":{"origin":2149,"position":3},"title":"Sun Ra Arkestra: Live In Ulm 1992 (Leo Records, 2014; 2CD)","author":"Tomajazz","date":"10 septiembre, 2014","format":false,"excerpt":"En 2014, coincidiendo con el primer centenario del nacimiento terrestre del pianista y visionario musical conocido como Sun Ra, la discogr\u00e1fica brit\u00e1nica Leo Records pone en circulaci\u00f3n el doble CD Live In Ulm 1992 grabado en la ciudad de Alemania, y publicado a nombre de la Sun Ra Arkestra. 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El cap\u00edtulo 71 de La Odisea de la M\u00fasica Afroamericana de Luis Escalante llega a la octava parada dedicada al\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Ellington-poses-with-his-piano-at-the-KFG-Radio-Studio-November-3-1954-e1478467126922.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Ellington-poses-with-his-piano-at-the-KFG-Radio-Studio-November-3-1954-e1478467126922.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Ellington-poses-with-his-piano-at-the-KFG-Radio-Studio-November-3-1954-e1478467126922.jpeg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Ellington-poses-with-his-piano-at-the-KFG-Radio-Studio-November-3-1954-e1478467126922.jpeg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2149","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2149"}],"version-history":[{"count":4,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2149\/revisions"}],"predecessor-version":[{"id":24336,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2149\/revisions\/24336"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2149"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2149"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2149"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}