{"id":21538,"date":"2015-12-29T11:00:55","date_gmt":"2015-12-29T10:00:55","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=21538"},"modified":"2016-11-13T16:30:00","modified_gmt":"2016-11-13T15:30:00","slug":"festival-les-nits-deus-13-se-septiembre-de-2015-eus-francia","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/festival-les-nits-deus-13-se-septiembre-de-2015-eus-francia\/","title":{"rendered":"Festival \u201cLes Nits d\u2019Eus\u201d. (Eus, Francia. 2015-09-13)"},"content":{"rendered":"<ul>\n<li>Fecha: domingo, 13 de setiembre de 2015<\/li>\n<li>Lugar: Maison du Temps Libre, Eus, Francia<\/li>\n<li>Grupos:<br \/>\n<strong>NantoSuelta<br \/>\n<\/strong>Friedericke Schulz, voz, viol\u00edn y f\u00eddula<br \/>\nBernard Revel, guitarra<br \/>\n<strong>Steady Rollin\u2019Man<\/strong><br \/>\nPhilippe Mouratoglou, voz y guitarras<br \/>\nJean-Marc Foltz, clarinet y clarinet bajo<br \/>\nBruno Chevillon, contrabajo<\/li>\n<\/ul>\n<p>Comentario:<\/p>\n<p style=\"text-align: justify;\">El pasado 13 de setiembre nos desplazamos hasta la \u201cMaison du Temps Libre\u201d, de la peque\u00f1a y bella poblaci\u00f3n de Eus (situada en la comarca francesa del Conflent), desde donde se puede disfrutar de una remarcable perspectiva de la monta\u00f1a del Canig\u00f3, desde su cima (2784m), hasta su base, repleta de \u00e1rboles frutales.<\/p>\n<p style=\"text-align: justify;\">Previamente hab\u00edamos utilizado las dos jornadas precedentes para visitar la 27\u00aa edici\u00f3n de \u201cVisa pour l\u2019Image\u201d (festival Internacional de fotoperiodismo), que se celebraba en la vecina ciudad de Perpi\u00f1\u00e1n.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21539\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/01_Vs-pr-lmg-\u00a9Joan-Cort\u00e8s_gls-ds-Dmnicns_Prpignn-600x401.jpg\" alt=\"01_Vs pr l&#039;mg (\u00a9Joan Cort\u00e8s)_gls ds Dmnicns_Prpignn\" width=\"600\" height=\"401\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/01_Vs-pr-lmg-\u00a9Joan-Cort\u00e8s_gls-ds-Dmnicns_Prpignn.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/01_Vs-pr-lmg-\u00a9Joan-Cort\u00e8s_gls-ds-Dmnicns_Prpignn-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/01_Vs-pr-lmg-\u00a9Joan-Cort\u00e8s_gls-ds-Dmnicns_Prpignn-200x134.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/01_Vs-pr-lmg-\u00a9Joan-Cort\u00e8s_gls-ds-Dmnicns_Prpignn-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/01_Vs-pr-lmg-\u00a9Joan-Cort\u00e8s_gls-ds-Dmnicns_Prpignn-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/01_Vs-pr-lmg-\u00a9Joan-Cort\u00e8s_gls-ds-Dmnicns_Prpignn-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">En esta edici\u00f3n el festival fotogr\u00e1fico no cont\u00f3 con la habitual y emblem\u00e1tica presencia de \u201cWorld Press Photo\u201d, hecho que no desmereci\u00f3 para nada el global de las 26 exposiciones, m\u00e1s bien al contrario, al darle una configuraci\u00f3n m\u00e1s propia y homog\u00e9nea. Las diferentes exposiciones, como viene siendo habitual, se repartieron entre diferentes espacios de la poblaci\u00f3n, aunque mayoritariamente estaban ubicadas en el recinto del \u201cCouvent des Minimes\u201d.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21540\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/02_Vs-pr-lmg-\u00a9Joan-Cort\u00e8s_gls-ds-Dmnicns_Prpignn-600x401.jpg\" alt=\"02_Vs pr l&#039;mg (\u00a9Joan Cort\u00e8s)_gls ds Dmnicns_Prpignn\" width=\"600\" height=\"401\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/02_Vs-pr-lmg-\u00a9Joan-Cort\u00e8s_gls-ds-Dmnicns_Prpignn.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/02_Vs-pr-lmg-\u00a9Joan-Cort\u00e8s_gls-ds-Dmnicns_Prpignn-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/02_Vs-pr-lmg-\u00a9Joan-Cort\u00e8s_gls-ds-Dmnicns_Prpignn-200x134.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/02_Vs-pr-lmg-\u00a9Joan-Cort\u00e8s_gls-ds-Dmnicns_Prpignn-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/02_Vs-pr-lmg-\u00a9Joan-Cort\u00e8s_gls-ds-Dmnicns_Prpignn-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/02_Vs-pr-lmg-\u00a9Joan-Cort\u00e8s_gls-ds-Dmnicns_Prpignn-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">De esta edici\u00f3n destacar\u00edamos especialmente seis trabajos, \u201cSomalia hecha a\u00f1icos\u201d de Mohamed Abdiwahab; \u201cEpidemia de \u00c9bola\u201d de Daniel Berehulak; \u201cEl c\u00e1ncer, una historia de familia\u201d de Nancy Borowick; \u201cPer\u00fa, valle sagrado\u201d de Juan Manuel Castro Prieto; \u201cR\u00edo Congo, reportaje en el coraz\u00f3n de la leyenda\u201d de Pascal Maitre; y el premio PixPalace 2015, \u201cLa crisis de la vivienda en Espa\u00f1a y los desahucios\u201d de Andr\u00e9s Kudacki.<\/p>\n<p style=\"text-align: justify;\">En la web del festival se pueden ver seis im\u00e1genes de cada una de las exposiciones, im\u00e1genes que vienen a ser las mismas que las editadas en el cat\u00e1logo de papel. Cat\u00e1logo anual que se viene editando desde el a\u00f1o 2008, coincidiendo con su vig\u00e9sima edici\u00f3n.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21541\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/03_Vs-pr-lmg-\u00a9Joan-Cort\u00e8s_gls-ds-Dmnicns_Prpignn-600x401.jpg\" alt=\"03_Vs pr l&#039;mg (\u00a9Joan Cort\u00e8s)_gls ds Dmnicns_Prpignn\" width=\"600\" height=\"401\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/03_Vs-pr-lmg-\u00a9Joan-Cort\u00e8s_gls-ds-Dmnicns_Prpignn.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/03_Vs-pr-lmg-\u00a9Joan-Cort\u00e8s_gls-ds-Dmnicns_Prpignn-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/03_Vs-pr-lmg-\u00a9Joan-Cort\u00e8s_gls-ds-Dmnicns_Prpignn-200x134.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/03_Vs-pr-lmg-\u00a9Joan-Cort\u00e8s_gls-ds-Dmnicns_Prpignn-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/03_Vs-pr-lmg-\u00a9Joan-Cort\u00e8s_gls-ds-Dmnicns_Prpignn-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/03_Vs-pr-lmg-\u00a9Joan-Cort\u00e8s_gls-ds-Dmnicns_Prpignn-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">Nos resituamos en Eus, donde asistimos a la jornada de clausura del festival \u201cLes Nits d\u2019Eus\u201d, un festival de m\u00fasica ecl\u00e9ctica, que abarca desde la m\u00fasica cl\u00e1sica hasta el jazz, pasando por el blues, el rock, la tradicional o la \u201ccan\u00e7\u00f3\u201d (no olvidemos que Eus est\u00e1 ubicado en la denominada Catalunya Nord).<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21542\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/04_NntoSlt-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-600x399.jpg\" alt=\"04_NntoSlt (\u00a9Joan Cort\u00e8s)_13set15_Msn d Tmps Lbr_Ls Nts d&#039;s\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/04_NntoSlt-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/04_NntoSlt-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/04_NntoSlt-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/04_NntoSlt-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/04_NntoSlt-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/04_NntoSlt-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">A las 18:00 dio comienzo la primera parte de la velada, con el d\u00fao \u201cNantoSuelta\u201d formado por Friederike Schulz y Bernard Revel, con un temario procedente de diferentes latitudes europeas, de Irlanda y Escocia (\u201cThe first swallow\u201d, \u201cFarewell Nancy\u201d o \u201cThe old turf fire\u201d) enlazados con otros de C\u00f3rcega, Provenza y de Languedoc (\u201cOunt eres tu\u201d o \u201cDe matinet\u201d). Un trabajo a base de temas populares con un fuerte regusto de m\u00fasica tradicional antigua.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21543\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/05_NntoSlt-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-399x600.jpg\" alt=\"05_NntoSlt (\u00a9Joan Cort\u00e8s)_13set15_Msn d Tmps Lbr_Ls Nts d&#039;s\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/05_NntoSlt-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/05_NntoSlt-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-100x150.jpg 100w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/05_NntoSlt-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/05_NntoSlt-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-37x55.jpg 37w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/p>\n<p style=\"text-align: justify;\">La segunda parte devino nuestro tercer encuentro, en tres a\u00f1os, con una propuesta del singular sello franc\u00e9s \u201cVision Fugitive\u201d. En el 2013 fue el proyecto \u201c<a href=\"http:\/\/www.tomajazz.com\/web\/?p=8183\" target=\"_blank\">Virochas<\/a>\u201d del cuarteto del clarinetista Jean-Marc Foltz; en el 2014 \u201c<a href=\"http:\/\/www.tomajazz.com\/web\/?p=15865\" target=\"_blank\">Visions Fugitives<\/a>\u201d del d\u00fao del citado clarinetista con el pianista Sthephan Oliva; y en esta ocasi\u00f3n \u201cSteady Rolin\u2019Man\u201d del guitarrista Philippe Mouratoglou con Bruno Chevillon y nuevamente con Jean-Marc.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21544\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/06_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-600x399.jpg\" alt=\"06_Phlpp Mrtgl (\u00a9Joan Cort\u00e8s)_13set15_Msn d Tmps Lbr_Ls Nts d&#039;s\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/06_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/06_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/06_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/06_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/06_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/06_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">De alguna forma el binomio \u201cVisa pour l\u2019image\/Vision Fugitive\u201d se nos est\u00e1 reconvirtiendo, gratamente, en sin\u00f3nimo.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21545\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/07_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-399x600.jpg\" alt=\"07_Phlpp Mrtgl (\u00a9Joan Cort\u00e8s)_13set15_Msn d Tmps Lbr_Ls Nts d&#039;s\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/07_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/07_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-100x150.jpg 100w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/07_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/07_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-37x55.jpg 37w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/p>\n<p style=\"text-align: justify;\">Vision Fugitive, es un sello discogr\u00e1fico formado por Foltz y Mouratoglou con el dise\u00f1ador y grafista Philippe Ghielmetti, quienes a su vez cuentan en todas sus portadas, diez hasta la fecha, con pinturas del dibujante y guionista de c\u00f3mics, Emmanuel Guibert. Cada proyecto deviene, por s\u00ed mismo, una obra conceptual. La \u00faltima corresponde al piano solo de Stanley Cowell, relacionada con la historia de los origines de la lucha de los afroamericanos para obtener el reconocimiento de sus derechos civiles.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21546\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/08_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-399x600.jpg\" alt=\"08_Phlpp Mrtgl (\u00a9Joan Cort\u00e8s)_13set15_Msn d Tmps Lbr_Ls Nts d&#039;s\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/08_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/08_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-100x150.jpg 100w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/08_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/08_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-37x55.jpg 37w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/p>\n<p style=\"text-align: justify;\"><em>Steady Rolin\u2019Man<\/em>, que data del 2012, recoge una selecci\u00f3n de once temas de uno de los bluesman m\u00e1s influyentes, Robert Johnson (1911-1938). Cuatro de estos temas tambi\u00e9n los grab\u00f3 Eric Clapton, en el 2004, en su disco <em>Me and Mr. Johnson<\/em>. Dos concepciones totalmente diferentes de encarar los temas originales del cantante y guitarrista estadounidense.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21547\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/09_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-399x600.jpg\" alt=\"09_Phlpp Mrtgl (\u00a9Joan Cort\u00e8s)_13set15_Msn d Tmps Lbr_Ls Nts d&#039;s\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/09_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/09_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-100x150.jpg 100w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/09_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/09_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-37x55.jpg 37w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/p>\n<p style=\"text-align: justify;\">La concepci\u00f3n de guitarrista y cantante, Philippe Mouratoglou -en Eus utiliz\u00f3 hasta tres guitarras diferentes- consiste en hacer confluir, conjugar, a lo largo del todo el proyecto, diferentes concepciones musicales, blues, folk, jazz e improvisaci\u00f3n, conform\u00e1ndolas desde una perspectiva plenamente contempor\u00e1nea, e incluso, en ocasiones con cierto regusto sonoro de entorno teatral, sin por ello perder, ni desvirtuar, la concepci\u00f3n original de los temas.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21548\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/10_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-399x600.jpg\" alt=\"10_Phlpp Mrtgl (\u00a9Joan Cort\u00e8s)_13set15_Msn d Tmps Lbr_Ls Nts d&#039;s\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/10_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/10_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-100x150.jpg 100w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/10_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/10_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-37x55.jpg 37w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/p>\n<p style=\"text-align: justify;\">Cuenta con dos m\u00fasicos de primer nivel de la escena jazz\u00edstica e improvisadora hexagonal y europea, amantes, ambos, de jugar en escenas bien diferentes.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21549\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/11_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-600x399.jpg\" alt=\"11_Phlpp Mrtgl (\u00a9Joan Cort\u00e8s)_13set15_Msn d Tmps Lbr_Ls Nts d&#039;s\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/11_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/11_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/11_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/11_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/11_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/11_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">El contrabajista Bruno Chevillon (Marc Ducret Trio, <a href=\"http:\/\/www.tomajazz.com\/web\/?p=14772\" target=\"_blank\">Caravaggio <\/a>e inicial director art\u00edstico y contrabajista de l<a href=\"http:\/\/www.tomajazz.com\/web\/?p=13681\" target=\"_blank\">\u2019Orchestre National de Jazz de Olivier Benoit<\/a>, <a href=\"http:\/\/www.tomajazz.com\/web\/?p=19618\" target=\"_blank\">entre otros<\/a>), extrae de su instrumento un sonido n\u00edtido, redondo y robusto, que tanto puede obtener al pulsar, fregar o percutir sus cuatro cuerdas con los dedos, una p\u00faa o el arco, u otros elementos afines, para extraer en cada momento el mejor resultado, seg\u00fan requiera cada situaci\u00f3n.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21550\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/12_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-399x600.jpg\" alt=\"12_Phlpp Mrtgl (\u00a9Joan Cort\u00e8s)_13set15_Msn d Tmps Lbr_Ls Nts d&#039;s\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/12_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/12_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-100x150.jpg 100w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/12_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/12_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-37x55.jpg 37w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/p>\n<p style=\"text-align: justify;\">Jean-Marc Foltz, clarinete y clarinete bajo, es el tercer v\u00e9rtice perfecto de este proyecto. Amante de la m\u00fasica sin fronteras estil\u00edsticas y c\u00f3mplice del juego con el silencio, de construir en y con \u00e9l, adem\u00e1s de dejar clara muestra del dominio de sus dos clarinetes.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21551\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/13_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-600x399.jpg\" alt=\"13_Phlpp Mrtgl (\u00a9Joan Cort\u00e8s)_13set15_Msn d Tmps Lbr_Ls Nts d&#039;s\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/13_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/13_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/13_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/13_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/13_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/13_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">Cabe decir que el disco compacto de este proyecto incluye un libreto con 18 fotograf\u00edas, en blanco y negro, del polivalente y fot\u00f3grafo social, Ben Shahn (1898-1969), realizadas entre 1935 y 1941, para la \u201cFarm Security Administration\u201d, per\u00edodo en el que colabor\u00f3 con otros dos grandes fot\u00f3grafos, Dorothea Lange y Walker Evans.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21552\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/14_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-600x399.jpg\" alt=\"14_Phlpp Mrtgl (\u00a9Joan Cort\u00e8s)_13set15_Msn d Tmps Lbr_Ls Nts d&#039;s\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/14_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/14_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/14_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/14_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/14_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/14_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: right;\">Texto y fotograf\u00edas: \u00a9 Joan Cort\u00e8s, 2015<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Fecha: domingo, 13 de setiembre de 2015 Lugar: Maison du Temps Libre, Eus, Francia Grupos: NantoSuelta Friedericke Schulz, voz, viol\u00edn y f\u00eddula Bernard Revel, guitarra Steady Rollin\u2019Man Philippe Mouratoglou, voz y guitarras Jean-Marc Foltz, clarinet y clarinet bajo Bruno Chevillon, contrabajo Comentario: El pasado 13 de setiembre nos desplazamos hasta<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/festival-les-nits-deus-13-se-septiembre-de-2015-eus-francia\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":21545,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17853,4,1038],"tags":[14613,5128,7332,5268,14612,7336,1041,7331,14611,7339,14614,16099,16100,11534],"class_list":["entry","author-pachi","post-21538","post","type-post","status-publish","format-standard","has-post-thumbnail","category-joan-cortes","category-conciertos","category-contenidos","tag-bernard-revel","tag-bruno-chevillon","tag-eus","tag-francia","tag-friedericke-schulz","tag-jean-marc-foltz","tag-joan-cortes","tag-maison-du-temps-libre","tag-nantosuelta","tag-philippe-mouratoglou","tag-steady-rollinman","tag-toma-jazz","tag-tomajazz-toma-jazz","tag-vision-fugitive"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/07_Phlpp-Mrtgl-\u00a9Joan-Cort\u00e8s_13set15_Msn-d-Tmps-Lbr_Ls-Nts-ds.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":39963,"url":"https:\/\/tomajazz.com\/web\/instantzz-jean-marc-foltz-philipe-mouratoglou-ramons-lopez-legends-of-the-fall-les-nits-deus-2018-maison-du-temps-libre-eus-occitanie-france-2018-09-08-galer\/","url_meta":{"origin":21538,"position":0},"title":"INSTANTZZ: Jean-Marc Foltz, Philipe Mouratoglou &#038; Ram\u00f3ns L\u00f3pez \u00abLegends of the fall\u00bb (Les Nits d\u2019Eus 2018, Maison du Temps Libre, Eus \u2013Occitanie- \/ France. 2018-09-08) [Galer\u00eda fotogr\u00e1fica]","author":"Tomajazz","date":"22 noviembre, 2018","format":false,"excerpt":"Por\u00a0Joan Cort\u00e8s. Fecha: S\u00e1bado, 08 de setiembre de 2018 Lugar: Maison du Temps Libre ( Eus \u2013Occitanie- \/ France ) Grupo: Jean-Marc Foltz, Philipe Mouratoglou & Ram\u00f3n L\u00f3pez Jean-Marc Foltz, clarinetes Philipe Mouratoglou, guitarras ac\u00fasticas Ram\u00f3n L\u00f3pez, bater\u00eda y tabla Tomajazz:\u00a0\u00a9\u00a0Joan Cort\u00e8s, 2018","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/10_Fltz-Mrtgl-Lpz-%C2%A9Joan-Cort%C3%A8s_08set18_Msn-d-Tmps-Lbr_Ls-Nts-dus.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/10_Fltz-Mrtgl-Lpz-%C2%A9Joan-Cort%C3%A8s_08set18_Msn-d-Tmps-Lbr_Ls-Nts-dus.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/10_Fltz-Mrtgl-Lpz-%C2%A9Joan-Cort%C3%A8s_08set18_Msn-d-Tmps-Lbr_Ls-Nts-dus.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":46385,"url":"https:\/\/tomajazz.com\/web\/instantzz-blue-sahara-festival-les-nits-deus-maison-du-temps-libre-eus-2019-09-07-galeria-fotografica\/","url_meta":{"origin":21538,"position":1},"title":"INSTANTZZ: Blue Sahara (Festival Les Nits d\u2019Eus, Maison du Temps Libre, Eus. 2019-09-07) [Galer\u00eda fotogr\u00e1fica]","author":"Tomajazz","date":"15 octubre, 2019","format":false,"excerpt":"Por\u00a0Joan Cort\u00e8s. Fecha: S\u00e1bado, 07 de setiembre de 2019 Lugar: Maison du Temps Libre (Eus) Grupo: Blue Sahara Philippe Mouratoglou, guitarras ac\u00fasticas y composiciones Bruno Chevillon, contrabajo Ram\u00f3n L\u00f3pez, bater\u00eda y percusi\u00f3n Tomajazz: \u00a9\u00a0Joan Cort\u00e8s, 2019","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"INSTANTZZ: Blue Sahara (Festival Les Nits d\u2019Eus, Maison du Temps Libre, Eus. 2019-09-07) [Galer\u00eda fotogr\u00e1fica]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/11_Bl-Shr-%C2%A9Joan-Cort%C3%A8s_07set19_Msn-d-Tmps-Lbr_LNds.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/11_Bl-Shr-%C2%A9Joan-Cort%C3%A8s_07set19_Msn-d-Tmps-Lbr_LNds.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/11_Bl-Shr-%C2%A9Joan-Cort%C3%A8s_07set19_Msn-d-Tmps-Lbr_LNds.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":8183,"url":"https:\/\/tomajazz.com\/web\/romances-sans-paroles-jean-marc-foltz-trio-one-maison-du-temps-libre-eus-conflent-francia\/","url_meta":{"origin":21538,"position":2},"title":"Romances Sans Paroles &#8211; Jean-Marc Foltz Trio + One (Maison du temps libre, Eus, Conflent, Francia)","author":"Tomajazz","date":"16 septiembre, 2013","format":false,"excerpt":"Fecha: S\u00e1bado, 31 de agosto de 2013 Lugar: Maison du temps libre, Eus (Conflent\/Francia) Componentes: Romances Sans Paroles Anja Linder: arpa Jean-Marc Foltz: clarinetes Jean-Marc Foltz Trio + One Jean-Marc Foltz: composiciones y clarinete bajo S\u00e9bastien Boisseau: contrabajo Christophe Marguet: bater\u00eda Philippe Mouratoglou: guitarra ac\u00fastica Comentario\u00a0: En la ciudad francesa\u2026","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/10_130813_JEAN-MARC-FOLTZ-%C2%A9Joan-Cort%C3%A8s_Les-Nits-dEus_Fran%C3%A7a.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/10_130813_JEAN-MARC-FOLTZ-%C2%A9Joan-Cort%C3%A8s_Les-Nits-dEus_Fran%C3%A7a.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/10_130813_JEAN-MARC-FOLTZ-%C2%A9Joan-Cort%C3%A8s_Les-Nits-dEus_Fran%C3%A7a.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":15865,"url":"https:\/\/tomajazz.com\/web\/festival-les-nits-deus-2014-mouratoglou-tovstukha-oliva-foltz-conflent-francia-2014-09-20\/","url_meta":{"origin":21538,"position":3},"title":"Festival Les Nits D\u2019eus 2014 (Mouratoglou \u2013 Tovstukha \/ Oliva \u2013 Foltz. Conflent, Francia. 2014-09-20)","author":"Tomajazz","date":"15 diciembre, 2014","format":false,"excerpt":"Festival Les Nits D\u2019eus 2014 Fecha: S\u00e1bado, 20 de setiembre de 2014 Lugar: Maison du temps libre, Eus (Conflent \/ Francia) Componentes: Primera parte Philippe Mouratoglou, guitarra Svetlana Tovstukha, violoncheloSegunda parte Stephan Oliva, piano Jean-Marc Foltz, clarinete y clarinete bajo \u00a0 Comentario: El pasado 14 de setiembre se clausur\u00f3 el\u2026","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/12\/10_NdE-u00A9Joan-Cortu00E8s_20set14_EF.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/12\/10_NdE-u00A9Joan-Cortu00E8s_20set14_EF.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/12\/10_NdE-u00A9Joan-Cortu00E8s_20set14_EF.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":98547,"url":"https:\/\/tomajazz.com\/web\/geraldine-laurent-looking-for-mingus-eus-2025\/","url_meta":{"origin":21538,"position":4},"title":"G\u00e9raldine Laurent \u201cLooking for Mingus\u201d (M\u00e9s de Jazz #10 \/ Maison du Temps Libre, 2025-08-14. Eus -France-) Por Joan Cort\u00e8s [Concierto de jazz]","author":"Tomajazz","date":"1 septiembre, 2025","format":false,"excerpt":"G\u00e9raldine Laurent \u201cLooking for Mingus\u201d actu\u00f3 en M\u00e9s de Jazz #10 en Maison du Temps Libre, Eus -France-, el 14 de agosto de 2025. Joan Cort\u00e8s rel(tr)ata el concierto. Actuaron G\u00e9raldine Laurent, Jean-Charles Richard, Manu Codjia, Christophe Marguet","rel":"","context":"En \u00abConciertos...\u00bb","block_context":{"text":"Conciertos...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/conciertos\/"},"img":{"alt_text":"G\u00e9raldine Laurent \u201cLooking for Mingus\u201d (M\u00e9s de Jazz #10 \/ Maison du Temps Libre, 2025-08-14. Eus -France-) Por Joan Cort\u00e8s [Concierto de jazz] - Tomajazz - G\u00e9raldine Laurent \u201cLooking for Mingus\u201d actu\u00f3 en M\u00e9s de Jazz #10 en Maison du Temps Libre, Eus -France-, el 14 de agosto de 2025. Joan Cort\u00e8s rel(tr)ata el concierto. 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Este recoge trece im\u00e1genes tomadas entre 2013 y 2019, en glorioso blanco y negro del baterista, pintor y artista gr\u00e1fico en distintas formaciones, proyectos y propuestas art\u00edsticas.","rel":"","context":"En \u00abFotoblog - Galer\u00eda fotogr\u00e1fica\u00bb","block_context":{"text":"Fotoblog - Galer\u00eda fotogr\u00e1fica","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/imagenes\/photoblogs\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/06\/12_Bl-Shr-%C2%A9Joan-Cort%C3%A8s_07set19_Msn-d-Tmps-Lbr_LNds.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/06\/12_Bl-Shr-%C2%A9Joan-Cort%C3%A8s_07set19_Msn-d-Tmps-Lbr_LNds.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/06\/12_Bl-Shr-%C2%A9Joan-Cort%C3%A8s_07set19_Msn-d-Tmps-Lbr_LNds.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/21538","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=21538"}],"version-history":[{"count":7,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/21538\/revisions"}],"predecessor-version":[{"id":21693,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/21538\/revisions\/21693"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/21545"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=21538"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=21538"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=21538"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}