{"id":2164,"date":"2012-12-06T14:25:00","date_gmt":"2012-12-06T13:25:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2164"},"modified":"2016-09-19T11:51:35","modified_gmt":"2016-09-19T09:51:35","slug":"en-la-casa-del-mundo-xxxviii-dukes-place-mccoy-tyner-1964","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/en-la-casa-del-mundo-xxxviii-dukes-place-mccoy-tyner-1964\/","title":{"rendered":"En &quot;La casa del Mundo&quot; (XXXVIII): &quot;Duke&#8217;s Place&quot; (McCoy Tyner, 1964)"},"content":{"rendered":"<div><a href=\"http:\/\/3.bp.blogspot.com\/-Ges_Uyi4Nfw\/UMCbir2EpdI\/AAAAAAAAGNw\/WWh_ySkJVU8\/s1600\/McCoy_Tyner_Plays_Ellington.jpg\" imageanchor=\"1\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"200\" src=\"http:\/\/3.bp.blogspot.com\/-Ges_Uyi4Nfw\/UMCbir2EpdI\/AAAAAAAAGNw\/WWh_ySkJVU8\/s200\/McCoy_Tyner_Plays_Ellington.jpg\" width=\"200\" alt=\"\" title=\"\"><\/a><\/div>\n<div>\u00bfA qu\u00e9 dedicaron su tiempo en diciembre del a\u00f1o 1964 el pianista <b>McCoy Tyner<\/b>, el contrabajista <b>Jimmy Garrison <\/b>y el baterista <b>Elvin Jones<\/b>? Una de las posibles respuestas, quiz\u00e1s la que primero acuda a la mente de los aficionados al jazz, es un cl\u00e1sico: la grabaci\u00f3n de <i>A Love Supreme<\/i>\u00a0de <b>John Coltrane<\/b>. Sin embargo, unos pocos d\u00edas antes de la grabaci\u00f3n de ese monumento, en concreto los d\u00edas 2, 7 y 8, estos tres m\u00fasicos m\u00e1s los percusionistas latinos <b>Willie Rodriguez <\/b>y <b>Johnny Pacheco <\/b>grababan <i>McCoy Tyner Plays Duke Ellington.<\/i>\u00a0Una grabaci\u00f3n, que ver\u00eda la luz en 1965, en la que el pianista rend\u00eda homenaje al l\u00edder de orquesta, pianista y compositor, reinterpretando algunos cl\u00e1sicos de su carrera: \u00abCaravan\u00bb, \u00abSolitude\u00bb, \u00abSatin Doll\u00bb, \u00abIt Don&#8217;t Mean a Thing (If It Ain&#8217;t Got That Swing\u00bb y \u00abDuke&#8217;s Place\u00bb, el tema elegido para sonar en la secci\u00f3n de jazz de <i>La Casa del Mund<\/i>o.<\/div>\n<p>\u00a9 Pachi Tapiz, 2012<\/p>\n<p>\u00abDuke&#8217;s Place\u00bb<br \/>McCoy Tyner<br \/><i>McCoy Tyner plays Ellington<\/i><br \/>Impulse! (1965)<\/p>\n<p><\/p>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u00bfA qu\u00e9 dedicaron su tiempo en diciembre del a\u00f1o 1964 el pianista McCoy Tyner, el contrabajista Jimmy Garrison y el baterista Elvin Jones? Una de las posibles respuestas, quiz\u00e1s la que primero acuda a la mente de los aficionados al jazz, es un cl\u00e1sico: la grabaci\u00f3n de A Love Supreme\u00a0de<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/en-la-casa-del-mundo-xxxviii-dukes-place-mccoy-tyner-1964\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4313,1038,4758],"tags":[6637,16099,16100],"class_list":["entry","author-pachi","post-2164","post","type-post","status-publish","format-standard","category-bun","category-contenidos","category-blogs","tag-duke-ellington","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":49581,"url":"https:\/\/tomajazz.com\/web\/mccoy-tyner-1938-2020-por-juan-f-trillo\/","url_meta":{"origin":2164,"position":0},"title":"McCoy Tyner. 1938-2020. Por Juan F. Trillo #YoMeQuedoEnCasa \/ #IStayAtHome","author":"Tomajazz","date":"10 marzo, 2020","format":false,"excerpt":"Juan F. Trillo recuerda la figura del pianista McCoy Tyner, fallecido el 6 de marzo de 2020.","rel":"","context":"En \u00abTextos\u00bb","block_context":{"text":"Textos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/03\/1084px-McCoy_Tyner_04.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/03\/1084px-McCoy_Tyner_04.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/03\/1084px-McCoy_Tyner_04.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/03\/1084px-McCoy_Tyner_04.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/03\/1084px-McCoy_Tyner_04.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":1993,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-solo-mccoy-tyner-central-park-west-john-coltrane-1960\/","url_meta":{"origin":2164,"position":1},"title":"Tomajazz recomienda&#8230; un solo: McCoy Tyner. \u00abCentral Park West\u00bb (John Coltrane, 1960)","author":"Adolphus van Tenzing","date":"27 mayo, 2011","format":false,"excerpt":"Los Coltrane changes, la sucesi\u00f3n de acordes que popularizara el saxofonista John Coltrane en composiciones como \"Giant Steps\", \"Countdown\" o \"26-2\" no s\u00f3lo funcionaban sobre tiempos r\u00e1pidos, como demostr\u00f3 en 1960 en su original \"Central Park West\", cuya melod\u00eda caminaba con delicadeza y brillantez. La prueba definitiva la aport\u00f3 el\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"McCoy Tyner en \"Central Park West\". Coltrane's Sound. John Coltrane. ","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2011\/05\/johncoltranecoltranesound.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":29566,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-crescent-john-coltrane-67\/","url_meta":{"origin":2164,"position":2},"title":"365 razones para amar el jazz: un disco. Crescent (John Coltrane) [67]","author":"Tomajazz","date":"8 marzo, 2017","format":false,"excerpt":"Un disco.\u00a0John Coltrane:\u00a0Crescent (Impulse!, 1964) Seleccionado por\u00a0Arturo Mora Rioja. Con John Coltrane, McCoy Tyner, Jimmy Garrison, Elvin Jones.","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/John_Coltrane_-_Crescent_Impulse_1964-200x177.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":49527,"url":"https:\/\/tomajazz.com\/web\/mccoy-tyner-in-memoriam\/","url_meta":{"origin":2164,"position":3},"title":"McCoy Tyner In Memoriam","author":"Tomajazz","date":"8 marzo, 2020","format":false,"excerpt":"El pasado 6 de marzo fallec\u00eda McCoy Tyner. Publicamos un In Memoriam con una fotograf\u00eda de Sergio Cabanillas y una reflexi\u00f3n del pianista. D.E.P.","rel":"","context":"En \u00abTextos\u00bb","block_context":{"text":"Textos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/conciertos\/2007\/07\/mccoy_tyner.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":13555,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-extensions-mccoy-tyner-1970\/","url_meta":{"origin":2164,"position":4},"title":"Tomajazz recomienda\u2026 un CD: Extensions (McCoy Tyner, 1970)","author":"Adolphus van Tenzing","date":"3 noviembre, 2014","format":false,"excerpt":"Rodeado de un intenso halo de misticismo, McCoy Tyner hizo suya la sonoridad del cuarteto de John Coltrane al que \u00e9l mismo hab\u00eda pertenecido tres a\u00f1os despu\u00e9s de la muerte de su l\u00edder. Con Alice, esposa del maestro del saxof\u00f3n, al harpa, y rodeado de los saxos de Wayne Shorter\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"extensions","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/08\/extensions.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3107,"url":"https:\/\/tomajazz.com\/web\/the-blue-note-7-mosaic-las-comparaciones-son-odiosas-ii\/","url_meta":{"origin":2164,"position":5},"title":"The Blue Note 7 Mosaic (las comparaciones son odiosas II)","author":"Tomajazz","date":"16 marzo, 2009","format":false,"excerpt":"Para conmemorar el 70\u00ba aniversario de su fundaci\u00f3n all\u00e1 por 1939 por parte de Alfred Lion y Francis Wolff, Blue Note ha planeado para 2009 diversas celebraciones. Una de ellas ha sido el lanzamiento de Mosaic por parte del grupo The Blue Note 7. Este grupo es un all-stars integrado\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2164","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2164"}],"version-history":[{"count":5,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2164\/revisions"}],"predecessor-version":[{"id":4419,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2164\/revisions\/4419"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2164"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2164"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2164"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}