{"id":21778,"date":"2016-01-11T10:45:43","date_gmt":"2016-01-11T09:45:43","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=21778"},"modified":"2016-11-13T16:29:57","modified_gmt":"2016-11-13T15:29:57","slug":"27e-festival-jazzebre-i-11-27-de-setiembre-de-2015-francia","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/27e-festival-jazzebre-i-11-27-de-setiembre-de-2015-francia\/","title":{"rendered":"27e Festival Jazz\u00e8bre -I- (11-27 de setiembre de 2015. Francia)"},"content":{"rendered":"<p>27e Festival Jazz\u00e8bre<\/p>\n<ul>\n<li><strong>D\u00e8capotable Sur La Corniche<\/strong>\n<ul>\n<li>Fecha: Viernes, 11 de setiembre de 2015<\/li>\n<li>Lugar: La Casa Musicale (Perpignan)<\/li>\n<li>Componentes:<br \/>\nArthur Daygue, guitarra, teclados, sampler y composiciones<br \/>\nVladimir Vilar-Mercader, saxos<br \/>\nMarc Maffiolo, saxos<br \/>\nFabien Rimbaud, bater\u00eda, guitarra percutida y textos<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li><strong>Brass Mask<\/strong>\n<ul>\n<li>Fecha: Viernes, 25 de setiembre de 2015<\/li>\n<li>Lugar: La Casa Musicale (Perpignan)<\/li>\n<li>Componentes:<br \/>\nTomas Challenger, saxo tenor y clarinete<br \/>\nGeorges Crowley, saxo tenor y clarinete<br \/>\nRory Simmons, trompeta<br \/>\nNick Malcolm, trompeta<br \/>\nNathaniel Cross, tromb\u00f3n<br \/>\nTheon Cross, tuba<br \/>\nJon Scott, bater\u00eda<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li><strong>Samuel Blaser &amp; Gerry Hemingway<\/strong>\n<ul>\n<li>Fecha: S\u00e1bado, 26 de setiembre de 2015<\/li>\n<li>Lugar: Mus\u00e9e d\u2019Art Moderne (C\u00e9ret)<\/li>\n<li>Componentes:<br \/>\nSamuel Blaser, tromb\u00f3n<br \/>\nGerry Hemingway, bacteria y arm\u00f3nica<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li><strong>Ray Lema \u201cNzimbu\u201d<\/strong>\n<ul>\n<li>Fecha: S\u00e1bado, 26 de setiembre de 2015<\/li>\n<li>Lugar: Salle de l\u2019Union (C\u00e9ret)<\/li>\n<li>Componentes:<br \/>\nRay Lema, voz, guitarra ac\u00fastica y piano<br \/>\nBallou Canta, voz y guitarra<br \/>\nFredy Massamba, voz<br \/>\nRodrigo Viana, guitarra ac\u00fastica<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li><strong>Fanfare du Festival <\/strong>(direction: Daniel Malavergne)\n<ul>\n<li>Fecha: Domingo, 27 de setiembre de 2015<\/li>\n<li>Lugar: Ermitage de St-F\u00e9rreol (C\u00e9ret)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li><strong>La Guiguinche<\/strong>\n<ul>\n<li>Fecha: Domingo, 27 de setiembre de 2015<\/li>\n<li>Lugar: Ermitage de St-F\u00e9rreol (C\u00e9ret)<\/li>\n<li>Componentes:<br \/>\nGuilhem Verger, acorde\u00f3n y voz<br \/>\nGuillaume Gardey de Soos, trompeta<br \/>\nBruno Ducret, violonchelo<br \/>\nHerv\u00e9 Duret, guitarra<br \/>\nMaxime Rouayroux, bater\u00eda<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>Comentario:<\/p>\n<p style=\"text-align: justify;\">En el mismo fin de semana en qu\u00e9 se clausuraba, en Perpi\u00f1\u00e1n, el 27\u00ba festival de fotoperiodismo \u201cVisa pour l\u2019image\u201d, se present\u00f3 en \u201cLa Casa Musicale\u201d de la misma localidad, el festival Jazz\u00e8bre, tambi\u00e9n en su 27\u00aa edici\u00f3n. Un festival que se declara como el encuentro del jazz con las m\u00fasicas del mundo en el Rosell\u00f3n.<\/p>\n<p style=\"text-align: justify;\">Como acto final de la presentaci\u00f3n cont\u00f3 con la actuaci\u00f3n del grupo D\u00e8capotable sur la corniche, un cuarteto que intercala lecturas de textos de diversa y dispar procedencia (Grimm, revistas juveniles, fanzines de publicidad o escritos propios), en su particular contexto musical.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21779\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/01_Dcptbl-sr-l-Crnch_11set15_LCsMscl_27Jzzbr_Prpgnn-600x399.jpg\" alt=\"01_Dcptbl sr l Crnch_11set15_LCsMscl_27Jzzbr_Prpgnn\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/01_Dcptbl-sr-l-Crnch_11set15_LCsMscl_27Jzzbr_Prpgnn.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/01_Dcptbl-sr-l-Crnch_11set15_LCsMscl_27Jzzbr_Prpgnn-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/01_Dcptbl-sr-l-Crnch_11set15_LCsMscl_27Jzzbr_Prpgnn-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/01_Dcptbl-sr-l-Crnch_11set15_LCsMscl_27Jzzbr_Prpgnn-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/01_Dcptbl-sr-l-Crnch_11set15_LCsMscl_27Jzzbr_Prpgnn-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/01_Dcptbl-sr-l-Crnch_11set15_LCsMscl_27Jzzbr_Prpgnn-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">Una concepci\u00f3n musical angulosa, con una din\u00e1mica en quiebros constantes, cambios de direcci\u00f3n, estridencias palpables y unas buenas dosis de testosterona, muy especialmente por parte del bater\u00eda y percusionista.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21780\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/02_Dcptbl-sr-l-Crnch_11set15_LCsMscl_27Jzzbr_Prpgnn-600x399.jpg\" alt=\"02_Dcptbl sr l Crnch_11set15_LCsMscl_27Jzzbr_Prpgnn\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/02_Dcptbl-sr-l-Crnch_11set15_LCsMscl_27Jzzbr_Prpgnn.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/02_Dcptbl-sr-l-Crnch_11set15_LCsMscl_27Jzzbr_Prpgnn-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/02_Dcptbl-sr-l-Crnch_11set15_LCsMscl_27Jzzbr_Prpgnn-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/02_Dcptbl-sr-l-Crnch_11set15_LCsMscl_27Jzzbr_Prpgnn-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/02_Dcptbl-sr-l-Crnch_11set15_LCsMscl_27Jzzbr_Prpgnn-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/02_Dcptbl-sr-l-Crnch_11set15_LCsMscl_27Jzzbr_Prpgnn-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">Dos semanas despu\u00e9s, el viernes 25 de septiembre, en otro espaci\u00f3 de la misma \u201cLa Casa Musicale\u201d, se inaugur\u00f3 el festival con el grupo brit\u00e1nico Brass Mask, liderada por el saxofonista y clarinestista Tomas Challenger.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21781\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/03_Brss-Msk_25oct15_LCsMscl_27Jzzbr_Prpgnn-600x399.jpg\" alt=\"03_Brss Msk_25oct15_LCsMscl_27Jzzbr_Prpgnn\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/03_Brss-Msk_25oct15_LCsMscl_27Jzzbr_Prpgnn.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/03_Brss-Msk_25oct15_LCsMscl_27Jzzbr_Prpgnn-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/03_Brss-Msk_25oct15_LCsMscl_27Jzzbr_Prpgnn-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/03_Brss-Msk_25oct15_LCsMscl_27Jzzbr_Prpgnn-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/03_Brss-Msk_25oct15_LCsMscl_27Jzzbr_Prpgnn-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/03_Brss-Msk_25oct15_LCsMscl_27Jzzbr_Prpgnn-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">Un septeto, formado por dos saxofonistas, dos trompetas, un tromb\u00f3n, un tuba y un baterista, que muy posiblemente, como banda, su h\u00e1bitat m\u00e1s propicio y din\u00e1mico se encuentre desplaz\u00e1ndose por calles y callejuelas m\u00e1s que en un escenario, como fue el caso.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21782\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/04_Brss-Msk_25oct15_LCsMscl_27Jzzbr_Prpgnn-600x399.jpg\" alt=\"04_Brss Msk_25oct15_LCsMscl_27Jzzbr_Prpgnn\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/04_Brss-Msk_25oct15_LCsMscl_27Jzzbr_Prpgnn.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/04_Brss-Msk_25oct15_LCsMscl_27Jzzbr_Prpgnn-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/04_Brss-Msk_25oct15_LCsMscl_27Jzzbr_Prpgnn-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/04_Brss-Msk_25oct15_LCsMscl_27Jzzbr_Prpgnn-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/04_Brss-Msk_25oct15_LCsMscl_27Jzzbr_Prpgnn-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/04_Brss-Msk_25oct15_LCsMscl_27Jzzbr_Prpgnn-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">A las cinco de la tarde del d\u00eda siguiente, en el Muss\u00e9e d\u2019Art Moderne de C\u00e9ret, asistimos al encuentro del trombonista suizo Samuel Blaser y el baterista estadounidense Gerry Hemingway.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21783\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/05_Sml-Blsr-Grry-Hmngwy_26oct15_MAMC_27Jzzbr_Crt-600x399.jpg\" alt=\"05_Sml Blsr &amp; Grry Hmngwy_26oct15_MAMC_27Jzzbr_Crt\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/05_Sml-Blsr-Grry-Hmngwy_26oct15_MAMC_27Jzzbr_Crt.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/05_Sml-Blsr-Grry-Hmngwy_26oct15_MAMC_27Jzzbr_Crt-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/05_Sml-Blsr-Grry-Hmngwy_26oct15_MAMC_27Jzzbr_Crt-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/05_Sml-Blsr-Grry-Hmngwy_26oct15_MAMC_27Jzzbr_Crt-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/05_Sml-Blsr-Grry-Hmngwy_26oct15_MAMC_27Jzzbr_Crt-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/05_Sml-Blsr-Grry-Hmngwy_26oct15_MAMC_27Jzzbr_Crt-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">Que un centro de arte moderno d\u00e9 cabida a una muestra de m\u00fasica hom\u00f3loga, deber\u00eda de ser un binomio de lo m\u00e1s normal, pero desgraciadamente, al menos en el estado espa\u00f1ol, no lo es. Cierto que los elementos pl\u00e1sticos contempor\u00e1neos son mucho m\u00e1s asimilables y digeribles que los sonoros.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21784\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/06_Sml-Blsr-Grry-Hmngwy_26oct15_MAMC_27Jzzbr_Crt-399x600.jpg\" alt=\"06_Sml Blsr &amp; Grry Hmngwy_26oct15_MAMC_27Jzzbr_Crt\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/06_Sml-Blsr-Grry-Hmngwy_26oct15_MAMC_27Jzzbr_Crt.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/06_Sml-Blsr-Grry-Hmngwy_26oct15_MAMC_27Jzzbr_Crt-100x150.jpg 100w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/06_Sml-Blsr-Grry-Hmngwy_26oct15_MAMC_27Jzzbr_Crt-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/06_Sml-Blsr-Grry-Hmngwy_26oct15_MAMC_27Jzzbr_Crt-37x55.jpg 37w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/p>\n<p style=\"text-align: justify;\">La actuaci\u00f3n del dueto en el museo cont\u00f3 con un pr\u00f3logo, con dos peque\u00f1os temas improvisados entre las esculturas de Jaume Plensa. La primera entre las 19 formas nebulosas configuradas por letras plateadas de distintos tama\u00f1os y alfabetos, unidas por puntos de soldadura, titulada \u201cTalking Continents\u201d (2014) y la segunda alrededor de \u201cAir, Water, Void\u201d (2014), conjunto formado por tres esculturas, de gran formato, realizadas con resina epoxi, de tres hombres sentados en el suelo, en el interior de un c\u00edrculo de cerezas rojas e iluminadas con colores cambiantes.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21785\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/07_Sml-Blsr-Grry-Hmngwy_26oct15_MAMC_27Jzzbr_Crt-600x399.jpg\" alt=\"07_Sml Blsr &amp; Grry Hmngwy_26oct15_MAMC_27Jzzbr_Crt\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/07_Sml-Blsr-Grry-Hmngwy_26oct15_MAMC_27Jzzbr_Crt.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/07_Sml-Blsr-Grry-Hmngwy_26oct15_MAMC_27Jzzbr_Crt-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/07_Sml-Blsr-Grry-Hmngwy_26oct15_MAMC_27Jzzbr_Crt-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/07_Sml-Blsr-Grry-Hmngwy_26oct15_MAMC_27Jzzbr_Crt-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/07_Sml-Blsr-Grry-Hmngwy_26oct15_MAMC_27Jzzbr_Crt-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/07_Sml-Blsr-Grry-Hmngwy_26oct15_MAMC_27Jzzbr_Crt-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/>Foto-07_Blaser&amp;Hemingway<\/p>\n<p style=\"text-align: justify;\">Posteriormente, en <a href=\"http:\/\/www.tomajazz.com\/web\/?p=16417\" target=\"_blank\">el vest\u00edbulo del MAMC<\/a> y junto a otra pieza del escultor, \u201cLou\u201d (2015), desarrollaron m\u00e1s ampliamente su propuesta de improvisaciones, de concepci\u00f3n \u00e1rida con pocas o m\u00ednimas derivadas hacia sonoridades de \u00e1mbito m\u00e1s complaciente, a excepci\u00f3n de las dos piezas finales, especialmente la pen\u00faltima, en la que deambularon por senderos bien pr\u00f3ximos al blues donde Hemingway jug\u00f3 con una peque\u00f1a arm\u00f3nica.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21786\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/08_Sml-Blsr-Grry-Hmngwy_26oct15_MAMC_27Jzzbr_Crt-399x600.jpg\" alt=\"08_Sml Blsr &amp; Grry Hmngwy_26oct15_MAMC_27Jzzbr_Crt\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/08_Sml-Blsr-Grry-Hmngwy_26oct15_MAMC_27Jzzbr_Crt.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/08_Sml-Blsr-Grry-Hmngwy_26oct15_MAMC_27Jzzbr_Crt-100x150.jpg 100w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/08_Sml-Blsr-Grry-Hmngwy_26oct15_MAMC_27Jzzbr_Crt-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/08_Sml-Blsr-Grry-Hmngwy_26oct15_MAMC_27Jzzbr_Crt-37x55.jpg 37w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/p>\n<p style=\"text-align: justify;\">La propuesta del directo estuvo mucho m\u00e1s cercana a la concepci\u00f3n de <em>Fourth landscape<\/em>, que al de <em>A mirror to Machaut<\/em>, por mencionar dos trabajos discogr\u00e1ficos recientes, ambos del 2013, del trombonista y en los que tambi\u00e9n participa el baterista.<\/p>\n<p style=\"text-align: justify;\">Unas horas despu\u00e9s en la sala de la \u201cUnion\u201d, llena a rebosar, se present\u00f3 la \u00faltima propuesta del congole\u00f1o Ray Lema, cantante, guitarrista y pianista, titulada <em>Nzimbu<\/em>, con las voces de sus compatriotas Ballou Canta y Fredy Massamba y la n\u00edtida guitarra del brasile\u00f1o Rodrigo Viana.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21787\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/09_Ry-Lm-Nzmb_\u00a9Joan-Cort\u00e8s_26set15_SllUnn_Crt-600x399.jpg\" alt=\"09_Ry Lm Nzmb_(\u00a9Joan Cort\u00e8s)_26set15_SllUnn_Crt\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/09_Ry-Lm-Nzmb_\u00a9Joan-Cort\u00e8s_26set15_SllUnn_Crt.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/09_Ry-Lm-Nzmb_\u00a9Joan-Cort\u00e8s_26set15_SllUnn_Crt-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/09_Ry-Lm-Nzmb_\u00a9Joan-Cort\u00e8s_26set15_SllUnn_Crt-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/09_Ry-Lm-Nzmb_\u00a9Joan-Cort\u00e8s_26set15_SllUnn_Crt-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/09_Ry-Lm-Nzmb_\u00a9Joan-Cort\u00e8s_26set15_SllUnn_Crt-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/09_Ry-Lm-Nzmb_\u00a9Joan-Cort\u00e8s_26set15_SllUnn_Crt-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">Un temario constituido por temas mel\u00f3dicos, de aparente sencillez y manifiesta desnudez, bien urdidos, de fino y elegante acabado, plasmados con gusto y sin artificios innecesarios. Un trabajo para un p\u00fablico amplio y receptivo.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21788\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/10_Ry-Lm-Nzmb_\u00a9Joan-Cort\u00e8s_26set15_SllUnn_Crt-600x399.jpg\" alt=\"10_Ry Lm Nzmb_(\u00a9Joan Cort\u00e8s)_26set15_SllUnn_Crt\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/10_Ry-Lm-Nzmb_\u00a9Joan-Cort\u00e8s_26set15_SllUnn_Crt.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/10_Ry-Lm-Nzmb_\u00a9Joan-Cort\u00e8s_26set15_SllUnn_Crt-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/10_Ry-Lm-Nzmb_\u00a9Joan-Cort\u00e8s_26set15_SllUnn_Crt-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/10_Ry-Lm-Nzmb_\u00a9Joan-Cort\u00e8s_26set15_SllUnn_Crt-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/10_Ry-Lm-Nzmb_\u00a9Joan-Cort\u00e8s_26set15_SllUnn_Crt-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/10_Ry-Lm-Nzmb_\u00a9Joan-Cort\u00e8s_26set15_SllUnn_Crt-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">Una actuaci\u00f3n que fue de menos a m\u00e1s, bien tramada y notables juegos vocales, con temas como \u201cLobelanga\u201d de desarrollo pausado, \u201cBekele\u201d de aire tradicional, o los r\u00edtmicos \u201cNsongela\u201d, \u201cNtoto\u201d con Massamba soplando dos botellines con agua, \u201cLusambu\u201d de cierto regusto <em>country<\/em>, sin olvidar la emotiva y reivindicativa \u201cLes obli\u00e9s du Kivu\u201d, tema dedicado a las violaciones de mujeres, desde los cuatro hasta los noventa a\u00f1os, perpetradas de forma masiva en esta parte del Congo. Tema que nos hizo recordar la exposici\u00f3n de Diana Zeyneb Alhindawi, \u201cLos juicios por violaciones en Minova\u201d, ganadora del premio \u201cVisa d\u2019or\u201d humanitario del CICR 2015.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21789\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/11_Ry-Lm-Nzmb_\u00a9Joan-Cort\u00e8s_26set15_SllUnn_Crt-600x399.jpg\" alt=\"11_Ry Lm Nzmb_(\u00a9Joan Cort\u00e8s)_26set15_SllUnn_Crt\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/11_Ry-Lm-Nzmb_\u00a9Joan-Cort\u00e8s_26set15_SllUnn_Crt.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/11_Ry-Lm-Nzmb_\u00a9Joan-Cort\u00e8s_26set15_SllUnn_Crt-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/11_Ry-Lm-Nzmb_\u00a9Joan-Cort\u00e8s_26set15_SllUnn_Crt-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/11_Ry-Lm-Nzmb_\u00a9Joan-Cort\u00e8s_26set15_SllUnn_Crt-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/11_Ry-Lm-Nzmb_\u00a9Joan-Cort\u00e8s_26set15_SllUnn_Crt-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/11_Ry-Lm-Nzmb_\u00a9Joan-Cort\u00e8s_26set15_SllUnn_Crt-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">En el tramo final rindieron un peque\u00f1o homenaje a la cantante Cesaria Evora con su camino a Sao Tom\u00e9.<\/p>\n<p style=\"text-align: justify;\">En las programaciones de las distintas ediciones del festival de la cebra (z\u00e8bre) rosellonesa se cuidan las actividades que se realizan al aire libre, a su vez entrelazadas con sus respectivos pique-niques (pinics).<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21790\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/12_Fnfr-d-Fstvl_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt-600x399.jpg\" alt=\"12_Fnfr d Fstvl_(\u00a9Joan Cort\u00e8s)_27set15_rmtg  St-Frrl_Crt\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/12_Fnfr-d-Fstvl_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/12_Fnfr-d-Fstvl_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/12_Fnfr-d-Fstvl_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/12_Fnfr-d-Fstvl_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/12_Fnfr-d-Fstvl_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/12_Fnfr-d-Fstvl_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">La jornada del domingo 27 de setiembre se inici\u00f3 a las 11 de la ma\u00f1ana, en la base de la Ermita de St. F\u00e9rreol (con una extensa y exquisita panor\u00e1mica).<br \/>\nEl primer encuentro musical de la jornada correspondi\u00f3 a la \u201cFanfare du festival\u201d. Fanfarria con una antig\u00fcedad de veinte a\u00f1os, de formaci\u00f3n variable, entre 35 y 55 m\u00fasicos, de edades bien diversas, procedentes de distintas formaciones y poblaciones del sur franc\u00e9s (Arles, Avignon, Nimes, Montpellier, Millau,\u2026., y Perpi\u00f1\u00e1n), con un resultado interesante y francamente emotivo (ser\u00e1 el ADN valenciano que lleva uno).<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21791\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/13_Fnfr-d-Fstvl_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt-600x399.jpg\" alt=\"13_Fnfr d Fstvl_(\u00a9Joan Cort\u00e8s)_27set15_rmtg  St-Frrl_Crt\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/13_Fnfr-d-Fstvl_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/13_Fnfr-d-Fstvl_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/13_Fnfr-d-Fstvl_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/13_Fnfr-d-Fstvl_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/13_Fnfr-d-Fstvl_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/13_Fnfr-d-Fstvl_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">Hab\u00edamos disfrutado, el d\u00eda anterior, de su deambular por el mercado sabatino de C\u00e8ret y posteriormente despu\u00e9s del picnic dominical, con composiciones y arreglos propios para la banda, bajo la direcci\u00f3n del compositor y tubista Daniel Malaverne (miembro de Palomar Trio).<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21792\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/14_L-Gngnch_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt-600x399.jpg\" alt=\"14_L Gngnch_(\u00a9Joan Cort\u00e8s)_27set15_rmtg St-Frrl_Crt\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/14_L-Gngnch_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/14_L-Gngnch_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/14_L-Gngnch_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/14_L-Gngnch_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/14_L-Gngnch_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/14_L-Gngnch_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">Despu\u00e9s del pre\u00e1mbulo matutino iniciamos nuestro recorrido musical, por un sendero circular, de relieve ligeramente accidentado, a lo largo del cual contamos con cinco breves paradas musicales, cada una de ellas con un miembro distinto del grupo La Ginguinche, con un repertorio desde est\u00e1ndares jazz\u00edsticos (guitarra y trompeta) hasta improvisaciones libres (violoncelo y percusi\u00f3n), pasando por un vals (acorde\u00f3n).<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21793\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/15_L-Gngnch_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt-399x600.jpg\" alt=\"15_L Gngnch_(\u00a9Joan Cort\u00e8s)_27set15_rmtg St-Frrl_Crt\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/15_L-Gngnch_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/15_L-Gngnch_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt-100x150.jpg 100w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/15_L-Gngnch_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/15_L-Gngnch_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt-37x55.jpg 37w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/p>\n<p style=\"text-align: justify;\">Despu\u00e9s de la peque\u00f1a actuaci\u00f3n de la \u201cfanfare\u201d post comida, fue el turno del quinteto La Guiquinche, un grupo totalmente desconocido para el que suscribe.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21794\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/16_L-Gngnch_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt-600x399.jpg\" alt=\"16_L Gngnch_(\u00a9Joan Cort\u00e8s)_27set15_rmtg St-Frrl_Crt\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/16_L-Gngnch_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/16_L-Gngnch_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/16_L-Gngnch_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/16_L-Gngnch_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/16_L-Gngnch_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/16_L-Gngnch_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">Ofrecieron una propuesta bien abierta y actual, remarcablemente formalizada, con un temario que oscil\u00f3 desde composiciones de aire popular, pero de conceptualizaci\u00f3n contempor\u00e1nea, valses y tangos, con influencias balc\u00e1nicas, hasta desgarros <em>free<\/em>, todo ello pasado por una paleta variada y colorista de formalizaci\u00f3n jazz\u00edstica. Temas de Dave Douglas, Louis Sclavis o de Marc Ducret (no en vano es el progenitor del violonchelista del grupo).<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21795\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/17_L-Gngnch_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt-399x600.jpg\" alt=\"17_L Gngnch_(\u00a9Joan Cort\u00e8s)_27set15_rmtg St-Frrl_Crt\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/17_L-Gngnch_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/17_L-Gngnch_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt-100x150.jpg 100w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/17_L-Gngnch_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/17_L-Gngnch_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt-37x55.jpg 37w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/p>\n<p style=\"text-align: justify;\">Terminaron la actuaci\u00f3n con la adaptaci\u00f3n exquisita de una mazorca. Un tema que se hizo muy popular en Francia durante la segunda guerra mundial, interpretado, como nos dijo el acordeonista, de forma muy \u201cchamalo\u201d.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-21796\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/18_L-Gngnch_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt-399x600.jpg\" alt=\"18_L Gngnch_(\u00a9Joan Cort\u00e8s)_27set15_rmtg St-Frrl_Crt\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/18_L-Gngnch_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/18_L-Gngnch_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt-100x150.jpg 100w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/18_L-Gngnch_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/18_L-Gngnch_\u00a9Joan-Cort\u00e8s_27set15_rmtg-St-Frrl_Crt-37x55.jpg 37w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/p>\n<p style=\"text-align: justify;\">Una grata sorpresa, tanto por la concepci\u00f3n de los temas expuestos como por la remarcable interpretaci\u00f3n. Uno de los conciertos destacables de esta edici\u00f3n, que por suerte no ha estado nada manca de ellos.<\/p>\n<p style=\"text-align: right;\">Texto y fotograf\u00edas: \u00a9 Joan Cort\u00e8s, 2016<\/p>\n","protected":false},"excerpt":{"rendered":"<p>27e Festival Jazz\u00e8bre D\u00e8capotable Sur La Corniche Fecha: Viernes, 11 de setiembre de 2015 Lugar: La Casa Musicale (Perpignan) Componentes: Arthur Daygue, guitarra, teclados, sampler y composiciones Vladimir Vilar-Mercader, saxos Marc Maffiolo, saxos Fabien Rimbaud, bater\u00eda, guitarra percutida y textos Brass Mask Fecha: Viernes, 25 de setiembre de 2015 Lugar:<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/27e-festival-jazzebre-i-11-27-de-setiembre-de-2015-francia\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":21783,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17853,4,15517,1038],"tags":[12603,14715,14716,14734,14720,14742,14730,14041,14738,14719,14737,5268,14735,14723,60,14740,14741,14743,1041,6503,14721,14739,14718,14744,14729,14726,14725,7729,14733,14731,14736,14724,14732,6834,14728,14727,16099,16100,14722,14717,14745],"class_list":["entry","author-pachi","post-21778","post","type-post","status-publish","format-standard","has-post-thumbnail","category-joan-cortes","category-conciertos","category-textos","category-contenidos","tag-voz","tag-27e-festival-jazzebre","tag-arthur-daygue","tag-ballou-canta","tag-brass-mask","tag-bruno-ducret","tag-ceret","tag-daniel-malavergne","tag-ermitage-de-st-ferreol","tag-fabien-rimbaud","tag-fanfare-du-festival","tag-francia","tag-fredy-massamba","tag-georges-crowley","tag-gerry-hemingway","tag-guilhem-verger","tag-guillaume-gardey-de-soos","tag-herve-duret","tag-joan-cortes","tag-jon-scott","tag-la-casa-musicale","tag-la-guiguinche","tag-marc-maffiolo","tag-maxime-rouayroux","tag-musee-dart-moderne","tag-nathaniel-cross","tag-nick-malcolm","tag-perpignan","tag-ray-lema","tag-ray-lema-nzimbu","tag-rodrigo-viana","tag-rory-simmons","tag-salle-de-lunion","tag-samuel-blaser","tag-samuel-blaser-gerry-hemingway","tag-theon-cross","tag-toma-jazz","tag-tomajazz-toma-jazz","tag-tomas-challenger","tag-vladimir-vilar-mercader","tag-x-decapotable-sur-la-corniche"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/05_Sml-Blsr-Grry-Hmngwy_26oct15_MAMC_27Jzzbr_Crt.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":100822,"url":"https:\/\/tomajazz.com\/web\/gautier-garrigue-37-jazzebre-2025\/","url_meta":{"origin":21778,"position":0},"title":"Gautier Garrigue 4t \u00abLa Travers\u00e9e\u00bb (37 Jazz\u00e8bre \/ Th\u00e9\u00e2tre Municipal, 2025-10-11 \/ Perpignan -France-) Por Joan Cort\u00e8s [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","author":"Tomajazz","date":"21 octubre, 2025","format":false,"excerpt":"Gautier Garrigue 4t \u00abLa Travers\u00e9e\u00bb actu\u00f3 en el 37 Jazz\u00e8bre 2025 en Perpignan -Francia-. Joan Cort\u00e8s lo retrata en INSTANTZZ. Actuaron Gautier Garrigue, Federico Cassagrande, Benjamin Moussay, Florent Nisse","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"Gautier Garrigue 4t \u00abLa Travers\u00e9e\u00bb (37 Jazz\u00e8bre \/ Th\u00e9\u00e2tre Municipal, 2025-10-11 \/ Perpignan -France-) Por Joan Cort\u00e8s [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] - Tomajazz - Gautier Garrigue 4t \u00abLa Travers\u00e9e\u00bb actu\u00f3 en el 37 Jazz\u00e8bre 2025 en Perpignan -Francia-. Joan Cort\u00e8s lo retrata en INSTANTZZ. Actuaron Gautier Garrigue, Federico Cassagrande, Benjamin Moussay, Florent Nisse\n","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/destacada-05-Gtr-Grrges-4t-Photo-By-Joan-Cortes-11ctb25-TM-37JF-Prpgnn.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/destacada-05-Gtr-Grrges-4t-Photo-By-Joan-Cortes-11ctb25-TM-37JF-Prpgnn.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/destacada-05-Gtr-Grrges-4t-Photo-By-Joan-Cortes-11ctb25-TM-37JF-Prpgnn.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":101142,"url":"https:\/\/tomajazz.com\/web\/clea-torales-jazzebre-2025\/","url_meta":{"origin":21778,"position":1},"title":"Cl\u00e9a Torales \u00abBalade au Mus\u00e9e\u00bb (37 Jazz\u00e8bre \/ Mus\u00e9e d\u2019Art Hyacinthe Rigaud, 2025-10-12 \/ Perpignan -France-) [6] Por Joan Cort\u00e8s [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","author":"Tomajazz","date":"30 octubre, 2025","format":false,"excerpt":"Cl\u00e9a Torales \u00abBalade au Mus\u00e9e\u00bb actu\u00f3 en el 37 Jazz\u00e8bre 2025 en Perpignan -Francia-. Joan Cort\u00e8s retrata el concierto en INSTANTZZ","rel":"","context":"En \u00ab37 Jazz\u00e8bre 2025\u00bb","block_context":{"text":"37 Jazz\u00e8bre 2025","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/especial-contenidos\/37-jazzebre-2025\/"},"img":{"alt_text":"Cl\u00e9a Torales \u00abBalade au Mus\u00e9e\u00bb (37 Jazz\u00e8bre \/ Mus\u00e9e d\u2019Art Hyacinthe Rigaud, 2025-10-12 \/ Perpignan -France-) [6] Por Joan Cort\u00e8s [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] - Tomajazz - Cl\u00e9a Torales \u00abBalade au Mus\u00e9e\u00bb actu\u00f3 en el 37 Jazz\u00e8bre 2025 en Perpignan -Francia-. Joan Cort\u00e8s retrata el concierto en INSTANTZZ","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/05-Cl-Trls-Joan-Cortes-12ctb25-MrHR-37Jzzbr-Prpgnn.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/05-Cl-Trls-Joan-Cortes-12ctb25-MrHR-37Jzzbr-Prpgnn.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/05-Cl-Trls-Joan-Cortes-12ctb25-MrHR-37Jzzbr-Prpgnn.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":58960,"url":"https:\/\/tomajazz.com\/web\/instantzz-helveticus-trio-33eme-festival-jazzebre-jazz-et-musiques-du-monde-theatre-municipal-perpignan-francia-2021-10-09-iv-v-galeria-fotografica-aka-fotoblog-de-jazz-impro-y\/","url_meta":{"origin":21778,"position":2},"title":"INSTANTZZ: Helveticus Trio (33\u00e8me Festival Jazz\u00e8bre -Jazz et Musiques du Monde-\/ Th\u00e9\u00e2tre Municipal, Perpignan -Francia-. 2021-10-09) (IV\/V) [Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] Por Joan Cort\u00e8s","author":"Tomajazz","date":"27 noviembre, 2021","format":false,"excerpt":"Helveticus Trio es el grupo protagonista de la cuarta entrega de Joan Cort\u00e8s en INSTANZZ dedicada al 33\u00e8me Festival Jazz\u00e8bre -Jazz et Musiques du Monde-\/ Th\u00e9\u00e2tre Municipal, celebrado en Perpignan, Francia.","rel":"","context":"En \u00abINSTANTZZ\u00bb","block_context":{"text":"INSTANTZZ","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/imagenes\/photoblogs\/instantzz\/"},"img":{"alt_text":"INSTANTZZ. Helveticus Trio. Daniel Humair - Samuel Blaser - Heiri K\u00e4nzig (33\u00e8me Festival Jazz\u00e8bre -Jazz et Musiques du Monde-\/ Th\u00e9\u00e2tre Municipal, Perpignan -Francia-. 2021-10-09)","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/05_Hlvtcs-Tr-Joan-Cortes_09oct21_33Jzzbr_Thtr-Mncpl_prpgnn.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/05_Hlvtcs-Tr-Joan-Cortes_09oct21_33Jzzbr_Thtr-Mncpl_prpgnn.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/05_Hlvtcs-Tr-Joan-Cortes_09oct21_33Jzzbr_Thtr-Mncpl_prpgnn.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":104421,"url":"https:\/\/tomajazz.com\/web\/francesco-bearzatti-federico-casagrande-2026\/","url_meta":{"origin":21778,"position":3},"title":"Francesco Bearzatti &#038; Federico Casagrande (Season Jazz\u00e8bre \/ Palais Consulaire CCI, 2026-02-10 \/ Perpignan -France-) Por Joan Cort\u00e8s [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","author":"Tomajazz","date":"16 marzo, 2026","format":false,"excerpt":"Francesco Bearzatti & Federico Casagrande actuaron en Season Jazz\u00e8bre en Perpignan, Francia, el 10 de febrero de 2026. Joan Cort\u00e8s lo retrata en INSTANTZZ","rel":"","context":"En \u00abINSTANTZZ\u00bb","block_context":{"text":"INSTANTZZ","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/imagenes\/photoblogs\/instantzz\/"},"img":{"alt_text":"Francesco Bearzatti & Federico Casagrande (Season Jazz\u00e8bre \/ Palais Consulaire CCI, 2026-02-10 \/ Perpignan -France-) Por Joan Cort\u00e8s [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] - Tomajazz - Francesco Bearzatti & Federico Casagrande actuaron en Season Jazz\u00e8bre en Perpignan, Francia, el 10 de febrero de 2026. Joan Cort\u00e8s lo retrata en INSTANTZZ","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/03\/destacada-03-Brztt-Csgrnd-Photo-By-Joan-Cortes-10fbr26-Ssn-Jzzbr-PC-CCI-Prpgnn.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/03\/destacada-03-Brztt-Csgrnd-Photo-By-Joan-Cortes-10fbr26-Ssn-Jzzbr-PC-CCI-Prpgnn.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/03\/destacada-03-Brztt-Csgrnd-Photo-By-Joan-Cortes-10fbr26-Ssn-Jzzbr-PC-CCI-Prpgnn.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":101216,"url":"https:\/\/tomajazz.com\/web\/omar-sosa-souad-asla-jazzebre-2025\/","url_meta":{"origin":21778,"position":4},"title":"Omar Sosa &#038; Souad Asla \u201cSahravane\u201d (37 Jazz\u00e8bre \/ L\u2019Archipel, 12-octubre-2025, Perpignan -France-) [7] Por Joan Cort\u00e8s [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","author":"Tomajazz","date":"1 noviembre, 2025","format":false,"excerpt":"Omar Sosa & Souad Asla \u201cSahravane\u201d actuaron enJazz\u00e8bre 2025 de Perpignan, Francia. Joan Cort\u00e8s lo retrata en INSTANTZZ. Actuaron Omar Sosa, Souad Asla, Csaba Palota\u00ef, Aziza Tahri, Mabrouka Brik, Gustavo Ovalles, Rabla Boughazi, Sabrina Cheddad","rel":"","context":"En \u00ab37 Jazz\u00e8bre 2025\u00bb","block_context":{"text":"37 Jazz\u00e8bre 2025","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/especial-contenidos\/37-jazzebre-2025\/"},"img":{"alt_text":"Omar Sosa & Souad Asla \u201cSahravane\u201d (37 Jazz\u00e8bre \/ L\u2019Archipel, 12-octubre-2025, Perpignan -France-) [7] Por Joan Cort\u00e8s [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] - Tomajazz - Omar Sosa & Souad Asla \u201cSahravane\u201d actuaron enJazz\u00e8bre 2025 de Perpignan, Francia. Joan Cort\u00e8s lo retrata en INSTANTZZ. Actuaron Omar Sosa, Souad Asla, Csaba Palota\u00ef, Aziza Tahri, Mabrouka Brik, Gustavo Ovalles, Rabla Boughazi, Sabrina Cheddad\n","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/destacada-11-mr-Ss-Ds-sl-Photo-by-Joan-Cortes-12ctb25-rchpl-37Jzzbr-Prpgnn.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/destacada-11-mr-Ss-Ds-sl-Photo-by-Joan-Cortes-12ctb25-rchpl-37Jzzbr-Prpgnn.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/destacada-11-mr-Ss-Ds-sl-Photo-by-Joan-Cortes-12ctb25-rchpl-37Jzzbr-Prpgnn.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":101040,"url":"https:\/\/tomajazz.com\/web\/le-discobole-orchestra-jazzebre-2025\/","url_meta":{"origin":21778,"position":5},"title":"Le Discobole Orchestra invit\u00e9 Christine Salem \u00abKaf\u00e9 Gry\u00e9\u00bb (37 Jazz\u00e8bre \/ Th\u00e9\u00e2tre Municipal, 2025-10-11 \/ Perpignan -France-) [5] Por Joan Cort\u00e8s [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","author":"Tomajazz","date":"28 octubre, 2025","format":false,"excerpt":"Le Discobole Orchestra invit\u00e9 Christine Salem \u00abKaf\u00e9 Gry\u00e9\u00bb actu\u00f3 en el 37 Jazz\u00e8bre el 11 de octubre de 2025. Joan Cort\u00e8s lo retrata en INSTANTZZ","rel":"","context":"En \u00ab37 Jazz\u00e8bre 2025\u00bb","block_context":{"text":"37 Jazz\u00e8bre 2025","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/especial-contenidos\/37-jazzebre-2025\/"},"img":{"alt_text":"Le Discobole Orchestra invit\u00e9 Christine Salem \u00abKaf\u00e9 Gry\u00e9\u00bb (37 Jazz\u00e8bre \/ Th\u00e9\u00e2tre Municipal, 2025-10-11 \/ Perpignan -France-) [5] Por Joan Cort\u00e8s [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] - Tomajazz - Le Discobole Orchestra invit\u00e9 Christine Salem \u00abKaf\u00e9 Gry\u00e9\u00bb actu\u00f3 en el 37 Jazz\u00e8bre el 11 de octubre de 2025. Joan Cort\u00e8s lo retrata en INSTANTZZ","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/destacada-11-L-Dscbl-rchstr-Photo-By-Joan-Cortes-11ctb25-37Jzzbr-TM-Prpgnn-.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/destacada-11-L-Dscbl-rchstr-Photo-By-Joan-Cortes-11ctb25-37Jzzbr-TM-Prpgnn-.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/destacada-11-L-Dscbl-rchstr-Photo-By-Joan-Cortes-11ctb25-37Jzzbr-TM-Prpgnn-.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/21778","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=21778"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/21778\/revisions"}],"predecessor-version":[{"id":21797,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/21778\/revisions\/21797"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/21783"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=21778"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=21778"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=21778"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}