{"id":22027,"date":"2016-01-25T11:00:35","date_gmt":"2016-01-25T10:00:35","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=22027"},"modified":"2018-05-05T20:45:45","modified_gmt":"2018-05-05T18:45:45","slug":"boogie-woogie-y-gospel-contemporaneo-la-odisea-de-la-musica-afroamericana-034-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/boogie-woogie-y-gospel-contemporaneo-la-odisea-de-la-musica-afroamericana-034-podcast\/","title":{"rendered":"Boogie-woogie y Gospel contempor\u00e1neo. La Odisea de la M\u00fasica Afroamericana (034) [Podcast]"},"content":{"rendered":"<p style=\"text-align: justify;\"><em>La Odisea de la M\u00fasica Afroamericana<\/em>. Programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro <a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1428418630&amp;sr=1-1&amp;keywords=y+se+hace+musica+al+andar+con+swing\" target=\"_blank\" rel=\"noopener\"><em>Y se hace m\u00fasica al andar con swing<\/em><\/a>.<\/p>\n<p style=\"text-align: justify;\">Doble raci\u00f3n de estilos musicales en el programa n\u00famero 34 de <em><strong>La Odisea de la M\u00fasica Afroamericana\u00a0<\/strong><\/em>de<strong>\u00a0<\/strong><strong>Luis Escalante<\/strong>. El programa comienza con un repaso al boogie-woogie de la mano de m\u00fasicos como <strong>Louis Jordan<\/strong> (anticipando lo que varios a\u00f1os m\u00e1s tarde tomar\u00eda la forma del <em>rock&#8217;n&#8217;roll<\/em>), dos gigantes como <strong>Lester Young<\/strong> y\u00a0<strong>Miles Davis<\/strong>, y <strong>Champion Jack Dupree<\/strong>, que sirve para introducir los\u00a0<em>barrelhouses<\/em>\u00a0y la m\u00fasica que desarroll\u00f3 en estos establecimientos. En la segunda parte del programa la m\u00fasica se centra en el gospel contempor\u00e1neo. Adem\u00e1s de escuchar a\u00a0<strong>Savannah Community Choir<\/strong>,\u00a0<strong>Georgia Mas Choir<\/strong> y a\u00a0<strong>Bertha \u00abChippie\u00bb Hill<\/strong>, sirve para tratar acerca de la figura del pianista\u00a0<strong>Thomas A. Dorsey<\/strong>, que tras iniciar su carrera con \u00e9xito en el blues, con sus ideas impuls\u00f3 el gospel en la d\u00e9cada de los a\u00f1os 30.\u00a0\u00a0Abren y cierran el programa <strong>Mary Stallings<\/strong> y\u00a0<strong>George Benson<\/strong>, respectivamente.<\/p>\n<p><iframe loading=\"lazy\" id=\"audio_10179571\" style=\"border: 1px solid #EEE; box-sizing: border-box; width: 100%;\" src=\"http:\/\/www.ivoox.com\/player_ej_10179571_4_1.html?c1=222b27\" width=\"300\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><center><figure id=\"attachment_22028\" aria-describedby=\"caption-attachment-22028\" style=\"width: 600px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-22028 size-large\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/Thomas-Dorsey-600x338.jpg\" alt=\"Thomas Dorsey\" width=\"600\" height=\"338\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/Thomas-Dorsey-600x338.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/Thomas-Dorsey-150x84.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/Thomas-Dorsey-200x113.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/Thomas-Dorsey-98x55.jpg 98w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/Thomas-Dorsey.jpg 720w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption id=\"caption-attachment-22028\" class=\"wp-caption-text\">Thomas A. Dorsey<\/figcaption><\/figure><\/center><\/p>\n<p>En el cap\u00edtulo 34 suena:<\/p>\n<ul style=\"text-align: center;\">\n<li style=\"text-align: left;\">\u201cThis Can\u00b4t Be Love\u201d Mary Stallings<\/li>\n<li style=\"text-align: left;\">\u201cChoo Choo Ch Boogie\u201d Louis Jordan<\/li>\n<li style=\"text-align: left;\">\u201cLester\u00b4s Be Bop Boogie\u201d Lester Young<\/li>\n<li style=\"text-align: left;\">\u201cBlue &amp; Boogie\u201d Miles Davis<\/li>\n<li style=\"text-align: left;\">\u201cThat\u00b4s All Right\u201d Champion Jack Dupree<\/li>\n<li style=\"text-align: left;\">\u201cOh Red\u201d Champion Jack Dupree<\/li>\n<li style=\"text-align: left;\">\u201cDo Lord\u201d Savannah Community Choir<\/li>\n<li style=\"text-align: left;\">\u201cHe Will Deliver\u201d Georgia Mass Choir<\/li>\n<li style=\"text-align: left;\">\u201cSome Cold Rainy Day\u201d Bertha \u00abChippie\u00bb Hill<\/li>\n<li style=\"text-align: left;\">\u201cJumping With The Symphony Sid\u201d George Benson<\/li>\n<\/ul>\n<p><center><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-18254\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/Luis-Escalante_Y-se-hace-musica-al-andar...-con-swing-397x600.jpg\" alt=\"Luis Escalante_Y se hace musica al andar... con swing\" width=\"300\" height=\"453\" title=\"\"><\/a><\/center><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-18255 alignnone\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/comprar-en-amazon.gif\" alt=\"comprar en amazon\" width=\"90\" height=\"28\" title=\"\"><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La Odisea de la M\u00fasica Afroamericana. Programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. Doble raci\u00f3n de estilos musicales en el programa n\u00famero 34 de La Odisea de la M\u00fasica Afroamericana\u00a0de\u00a0Luis Escalante. El programa comienza con<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/boogie-woogie-y-gospel-contemporaneo-la-odisea-de-la-musica-afroamericana-034-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":22028,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"audio","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17834,13297,12814,15518,1038],"tags":[12820,13310,731,14858,12817,9095,13072,14207,12905,12816,13915,2004,14857,14859,16099,16100],"class_list":["entry","author-pachi","post-22027","post","type-post","status-publish","format-audio","has-post-thumbnail","category-luis-escalante-ozalla","category-la-odisea-de-la-musica-afroamericana","category-podcast","category-sonidos","category-contenidos","tag-bertha-chippie-hill","tag-champion-jack-dupree","tag-george-benson","tag-georgia-mass-choir","tag-la-odisea-de-la-musica-afroamericana","tag-lester-young","tag-lodlma","tag-louis-jordan","tag-luis-escalante","tag-luis-escalante-ozalla","tag-mary-stallings","tag-miles-davis","tag-savannah-community-choir","tag-thomas-a-dorsey","tag-toma-jazz","tag-tomajazz-toma-jazz","post_format-audio"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/Thomas-Dorsey.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":35796,"url":"https:\/\/tomajazz.com\/web\/las-cantantes-de-blues-en-los-anos-40-la-odisea-de-la-musica-afroamericana-139-podcast\/","url_meta":{"origin":22027,"position":0},"title":"Las cantantes de blues en los a\u00f1os 40 y 50 (I). La Odisea de la M\u00fasica Afroamericana (139) [Podcast]","author":"Tomajazz","date":"26 marzo, 2018","format":false,"excerpt":"Las cantantes de blues en los a\u00f1os 40 y 50 (I). 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La Odisea de la M\u00fasica Afroamericana (141) [Podcast]","author":"Tomajazz","date":"9 abril, 2018","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. El programa 141 de la Odisea de la M\u00fasica Afroamericana contin\u00faa\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Muddy_Waters.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Muddy_Waters.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Muddy_Waters.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Muddy_Waters.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Muddy_Waters.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Muddy_Waters.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":21875,"url":"https:\/\/tomajazz.com\/web\/los-grandes-del-boogie-woogie-la-odisea-de-la-musica-afroamericana-033-podcast\/","url_meta":{"origin":22027,"position":2},"title":"Los grandes del Boogie-woogie. 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Luis Escalante dedica el und\u00e9cimo cap\u00edtulo de La Odisea de la M\u00fasica Afroamericana al compositor Irving Berlin.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/07\/BerlinPortrait1.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/22027","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=22027"}],"version-history":[{"count":4,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/22027\/revisions"}],"predecessor-version":[{"id":22035,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/22027\/revisions\/22035"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/22028"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=22027"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=22027"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=22027"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}