{"id":2220,"date":"2012-09-19T10:00:00","date_gmt":"2012-09-19T08:00:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2220"},"modified":"2016-05-21T20:29:49","modified_gmt":"2016-05-21T18:29:49","slug":"nicole-mitchell-an_arche-new-music-ensemble-arc-of-o-for-improvisers-chamber-orchestra-electronics-rogueart-2012","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/nicole-mitchell-an_arche-new-music-ensemble-arc-of-o-for-improvisers-chamber-orchestra-electronics-rogueart-2012\/","title":{"rendered":"Nicole Mitchell & an_ARCHE New Music Ensemble: Arc of O For Improvisers, Chamber Orchestra & Electronics (RogueArt, 2012)"},"content":{"rendered":"
<\/div>\n
\"mitchell<\/a>Tres meses despu\u00e9s de estrenar \u00abArc of O\u00bb, compuesta por encargo del festival de Jazz de Chicago, Nicole Mitchell<\/b>\u00a0grababa esta composici\u00f3n en compa\u00f1\u00eda del grupo de c\u00e1mara polaco an_ARCHE New Music Ensemble<\/b>, los saxofonistas David Boykin<\/b> y Mwata Bowden<\/b>, y la violinista Ren\u00e9e Baker\u00a0<\/b>en el Made In Chicago Festival of Poznan<\/i>. A lo largo de sus seis partes la composici\u00f3n de la flautista ejerc\u00eda como lugar de\u00a0encuentro entre la m\u00fasica cl\u00e1sica y el jazz, entre la improvisaci\u00f3n y la composici\u00f3n. El grupo de c\u00e1mara sirvi\u00f3 de perfecto armaz\u00f3n sobre el que se fueron sucediendo las distintas improvisaciones, especialmente las de\u00a0Mitchell <\/b>(enorme flautista),\u00a0Boykin <\/b>y Bowden<\/b>, as\u00ed como del pianista del grupo de c\u00e1mara Krystof Dis<\/b>. Nuevamente resulta notable la capacidad de Nicole Mitchell<\/b> como compositora, algo de lo que ya hab\u00eda ido dejando muestra a lo largo de sus grabaciones. Las diferentes partes de \u00abArc of O\u00bb trasladan a ambientes jazzy<\/i>, a momentos funk <\/i>con un groove <\/i>irresistible, y sobre todo a pasajes de corte\u00a0cl\u00e1sico\u00a0contempor\u00e1neo, incluyendo un buen manejo de la tensi\u00f3n y el empleo de las disonancias. Algo que no es ni m\u00e1s ni menos que la puesta al d\u00eda del concepto musical de la AACM<\/b>, en este caso mediante la fusi\u00f3n con la m\u00fasica cl\u00e1sica. Completa la grabaci\u00f3n una gran versi\u00f3n de un cuarto de hora de duraci\u00f3n de \u00abAfrika Rising\u00bb, todo un cl\u00e1sico del repertorio de la jazzwoman<\/i>. Adaptado a la formaci\u00f3n que lo interpreta, incluye unos solos magn\u00edficos por parte de los dos saxofonistas, la flautista y el pianista, que son interpretados sobre los arrebatadores arreglos para el resto de la formaci\u00f3n, especialmente la secci\u00f3n de cuerdas.<\/div>\n

\u00a9 Pachi Tapiz, 2012<\/p>\n

Nicole Mitchell & an_ARCHE New Music Ensemble: Arc of O For Improvisers, Chamber Orchestra & Electronics \u00a0****<\/i><\/p>\n

Nicole Mitchell (flauta, voz, samples<\/i>, composici\u00f3n y conducci\u00f3n), Ren\u00e9e Baker (viol\u00edn), Mwata Bowden (saxo bar\u00edtono, clarinete bajo y clarinete), David Boykin (saxo tenor);
\nan_ARCHE New Music Ensemble: Rafal Zapala (electr\u00f3nica, percusi\u00f3n, organizador del proyecto), Krystof Dys (piano), Kuba Jankowiak (trompeta), Agnieszka Kowalczyk (violonchelo), Remigius Strzelczyk (viola), Pawel Szpura (bater\u00eda), Rafal Gubanski (clarinete), Kuba Klepczynski (tromb\u00f3n), Lukasz Krzeminski (oboe), Maciej Strzelecki (viol\u00edn), Ksaweri Wokcinski (contrabajo)<\/p>\n

\u201cArc of O\u201d (Partes I a VI), \u201cAfrika Rising\u201d
\nComposiciones por Nicole Mitchell<\/p>\n

Grabado en directo el 2 de diciembre de 2010 en el Made In Chicago Festival of Poznan, en Poznan, Polonia. Publicado por RogueArt en 2012. ROG-041 www.roguart.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Tres meses despu\u00e9s de estrenar \u00abArc of O\u00bb, compuesta por encargo del festival de Jazz de Chicago, Nicole Mitchell\u00a0grababa esta composici\u00f3n en compa\u00f1\u00eda del grupo de c\u00e1mara polaco an_ARCHE New Music Ensemble, los saxofonistas David Boykin y Mwata Bowden, y la violinista Ren\u00e9e Baker\u00a0en el Made In Chicago Festival ofContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":4543,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4313,5,1038,4758],"tags":[12651,12696,13,12415,15295,16099,77,16100],"class_list":["entry","author-pachi","post-2220","post","type-post","status-publish","format-standard","has-post-thumbnail","category-bun","category-grabaciones","category-contenidos","category-blogs","tag-cd","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/09\/mitchell-arc-of-o.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":23929,"url":"https:\/\/tomajazz.com\/web\/art-ensemble-of-chicago-tribute-to-lester-homenaje-a-malachi-favors-moghostut-22-viii-1937-30-i-2004-ecm-2003-cd\/","url_meta":{"origin":2220,"position":0},"title":"Art Ensemble Of Chicago: Tribute To Lester (homenaje a Malachi Favors Moghostut 22-VIII-1937, 30-I-2004) (ECM, 2003; CD)","author":"Tomajazz","date":"31 enero, 2004","format":false,"excerpt":"Comentario: Tribute To Lester es el homenaje de los tres supervivientes de la \u00faltima formaci\u00f3n del Art Ensemble Of Chicago al trompetista Lester Bowie. Lejos de ser el t\u00edpico y t\u00f3pico tributo basado en \"composiciones de\", es un homenaje basado en \"composiciones para\". De este modo, a pesar de la\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Art Ensemble of Chicago_Tribute to Lester_ECM_2003","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Art-Ensemble-of-Chicago_Tribute-to-Lester_ECM_2003.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2882,"url":"https:\/\/tomajazz.com\/web\/nicole-mitchells-sonic-projections-emerald-hills-2010\/","url_meta":{"origin":2220,"position":1},"title":"Nicole Mitchell’s Sonic Projections: Emerald Hills (2010)","author":"Tomajazz","date":"13 mayo, 2010","format":false,"excerpt":"Sin grandes alharacas, poquito a poco, la flautista y compositora Nicole Mitchell sigue demostrando ser uno de los creadores m\u00e1s inquietos de Chicago. En 2010 estrena en forma de disco su nuevo proyecto Sonic Projections. Un cuarteto con Craig Taborn, David Boykin y Chad Taylor que a\u00f1ade una nueva senda\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":23937,"url":"https:\/\/tomajazz.com\/web\/especial-art-ensemble-of-chicago\/","url_meta":{"origin":2220,"position":2},"title":"Especial Art Ensemble Of Chicago","author":"Tomajazz","date":"2 mayo, 2016","format":false,"excerpt":"En Tomajazz recuperamos unas cuantas entrevistas, cr\u00edticas de discos y conciertos del Art Ensemble Of Chicago, grupo fundamental en el free jazz y en el movimiento en torno a la AACM de Chicago.","rel":"","context":"En \u00ab*_Redacci\u00f3n\u00bb","block_context":{"text":"*_Redacci\u00f3n","link":"https:\/\/tomajazz.com\/web\/category\/redaccion\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Art_Ensemble_of_Chicago_moers78.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Art_Ensemble_of_Chicago_moers78.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Art_Ensemble_of_Chicago_moers78.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Art_Ensemble_of_Chicago_moers78.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":23925,"url":"https:\/\/tomajazz.com\/web\/art-ensemble-of-chicago-the-meeting-pi-recordings-2004-cd\/","url_meta":{"origin":2220,"position":3},"title":"Art Ensemble Of Chicago: The Meeting (Pi Recordings, 2004; CD)","author":"Tomajazz","date":"1 febrero, 2004","format":false,"excerpt":"The Meeting fue el segundo disco del Art Ensemble Of Chicago para el regreso a los estudios de grabaci\u00f3n en 2003. El trio original y superviviente homenaje\u00f3 al trompetista Lester Bowie en Tribute To Lester (ECM, 2003). A estos se uni\u00f3 Joseph Jarman (alejado del grupo desde el inicio de\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Art Ensemble Of Chicago_The Meeting_2004_Pi Recordings","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Art-Ensemble-Of-Chicago_The-Meeting_2004_Pi-Recordings-200x196.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":23919,"url":"https:\/\/tomajazz.com\/web\/art-ensemble-of-chicago-heineken-39-jazzaldia-kursaal-san-sebastian-2004-07-24\/","url_meta":{"origin":2220,"position":4},"title":"Art Ensemble of Chicago (Heineken 39 Jazzaldia. Kursaal, San Sebasti\u00e1n. 2004-07-24)","author":"Tomajazz","date":"27 julio, 2004","format":false,"excerpt":"Art Ensemble Of Chicago Heineken 39 Jazzaldia. Jazz Band Ball. Fecha: 24 Julio 2004 Lugar: Auditorio del Centro Kursaal, , San Sebasti\u00e1n - Donosti, Guipuzcoa, Espa\u00f1a. Hora: 18:30 horas Asistencia: Casi lleno. Componentes: Famodou Don Moye (bater\u00eda, percusi\u00f3n, congas) Roscoe Mitchell (saxos, percusi\u00f3n) Joseph Jarman (saxos, flauta, percusi\u00f3n) Jaribu Shahid\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/clubdejazz\/conciertos\/aeoc_ss_donosti_2004_2.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":23933,"url":"https:\/\/tomajazz.com\/web\/art-ensemble-of-chicago-certain-blacks-phase-one-aec-with-fontella-bass-free-america-reed-2005-cd\/","url_meta":{"origin":2220,"position":5},"title":"Art Ensemble Of Chicago – Certain Blacks \/ Phase One \/ AEC with Fontella Bass (Free America, reed. 2005. CD)","author":"Tomajazz","date":"1 febrero, 2005","format":false,"excerpt":"\u00a0 \u00a0 Comentario: Great Black Music la del Art Ensemble Of Chicago en las tres primeras referencias de las reediciones de 2004 dentro de la serie Free America. A lo largo de estos tres discos este m\u00edtico grupo (todav\u00eda en activo) realiza un interesante recorrido por diferentes estilos de la\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/discos\/2005_02\/aeoc_certain_blacks.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2220","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2220"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2220\/revisions"}],"predecessor-version":[{"id":23372,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2220\/revisions\/23372"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/4543"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2220"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2220"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2220"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}