{"id":2225,"date":"2012-09-13T10:47:00","date_gmt":"2012-09-13T08:47:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2225"},"modified":"2016-11-13T17:20:50","modified_gmt":"2016-11-13T16:20:50","slug":"hoy-no-puedo-dejar-de-escuchar-hot-rats-frank-zappa","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/hoy-no-puedo-dejar-de-escuchar-hot-rats-frank-zappa\/","title":{"rendered":"Hoy no puedo dejar de escuchar: Hot Rats (Frank Zappa)"},"content":{"rendered":"<div><\/div>\n<div style=\"text-align: justify;\"><a href=\"http:\/\/bun.tomajazz.com\/2012\/09\/hoy-no-puedo-dejar-de-escuchar-king.html\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-12497\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2010\/11\/Frank-Zappa-Hot-Rats-200x192.jpg\" alt=\"Frank Zappa Hot Rats\" width=\"200\" height=\"192\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/11\/Frank-Zappa-Hot-Rats-200x192.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/11\/Frank-Zappa-Hot-Rats-150x144.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/11\/Frank-Zappa-Hot-Rats-57x55.jpg 57w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/11\/Frank-Zappa-Hot-Rats.jpg 500w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Una cosa<\/a> lleva a la otra, cada d\u00eda tiene su af\u00e1n. \u00bfNadie se ha preguntado qu\u00e9 es lo que le ocurri\u00f3 a\u00a0<b>Mr. Green Genes<\/b>? \u00bfCu\u00e1l fue su trayectoria vital? La respuesta est\u00e1 en el fabuloso <i>Hot Rats<\/i>, un disco recomendable de principio a fin: \u00abPeaches en Regalia\u00bb, \u00abWillie the Pimp\u00bb, \u00abSon of Mr. Green Genes\u00bb, \u00abLittle Umbrellas\u00bb, \u00abThe Gumbo Variations\u00bb, \u00abIt Must Be a Camel\u00bb. Contestan y desarrollan la respuesta a esa pregunta y a otras de semejante o incluso mayor importancia mr. <b>Zappa<\/b>\u00a0<i>itself <\/i>(\u00a1esas guitarras!), <b>Jean Luc-Ponty<\/b>, <b>Sugar Cane Harris<\/b> (\u00a1esos violines!), <b>Captain Beefheart <\/b>(inconfundible su voz), <b>Ian Underwood <\/b>(teclados, saxos, clarinete&#8230;), <b>John Guerin<\/b>, <b>Paul Humphrey<\/b>, <b>Ron Selico<\/b>, <b>Max Bennett <\/b>y <b>Shuggy Otis<\/b> (encargados de la bater\u00eda y el bajo).<\/div>\n<div><\/div>\n<div style=\"text-align: justify;\">No me resisto a reproducir lo que comentaba <b>El Pricto<\/b>, l\u00edder del <b>Filthy Habits Ensemble<\/b>, en el <b><a href=\"http:\/\/www.tomajazz.com\/perfiles\/pricto_psico-zappanalisis.htm\" target=\"_blank\">Psicozappan\u00e1lisis<\/a> <\/b>al que fue sometido en <b>Tomajazz<\/b>: \u00ab\u00bfA qui\u00e9n no le gusta \u201cPeaches In Regalia\u201d?, \u201cLittle Umbrellas\u201d tambi\u00e9n le qued\u00f3 incre\u00edble, aqu\u00ed est\u00e1n de los primeros experimentos de \u00abover-dubbing\u00bb en masa, y en el intermedio de \u201cUmbrellas\u201d se aplican de la manera m\u00e1s genial que te puedas imaginar. Yo he intentado reproducir este intermedio con Filthy, nos ha quedado muy natural, es contrapunto <i>zappiano <\/i>puro. Ha sido muy duro de transcribir y arreglar. \u201cIt Must Be A Camel\u201d es fascinante, sus armon\u00edas y melod\u00edas son verdaderos descubrimientos.\u00bb<\/div>\n<p style=\"text-align: right;\">\u00a9 Pachi Tapiz, 2012<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Una cosa lleva a la otra, cada d\u00eda tiene su af\u00e1n. \u00bfNadie se ha preguntado qu\u00e9 es lo que le ocurri\u00f3 a\u00a0Mr. Green Genes? \u00bfCu\u00e1l fue su trayectoria vital? La respuesta est\u00e1 en el fabuloso Hot Rats, un disco recomendable de principio a fin: \u00abPeaches en Regalia\u00bb, \u00abWillie the Pimp\u00bb,<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/hoy-no-puedo-dejar-de-escuchar-hot-rats-frank-zappa\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":12497,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,4313,1038,4758],"tags":[9449,126,6257,7998,9452,9451,9454,462,31,9455,9456,9457,9450,16099,16100],"class_list":["entry","author-pachi","post-2225","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-bun","category-contenidos","category-blogs","tag-captain-beefheart","tag-el-pricto","tag-filthy-habits-ensemble","tag-frank-zappa","tag-ian-underwood","tag-jean-luc-ponty","tag-john-guerin","tag-max-bennett","tag-pachi-tapiz","tag-paul-humphrey","tag-ron-selico","tag-shuggy-otis","tag-sucar-cane-harris","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2010\/11\/Frank-Zappa-Hot-Rats.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":835,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-hot-rats-frank-zappa-1970\/","url_meta":{"origin":2225,"position":0},"title":"Tomajazz recomienda&#8230; un disco: Hot Rats (Frank Zappa, 1970)","author":"Adolphus van Tenzing","date":"5 noviembre, 2010","format":false,"excerpt":"Aunque no se le pueda considerar propiamente como un m\u00fasico de jazz, lo cierto es que Frank Zappa y alguna de su m\u00fasica s\u00ed que tuvieron un cierto contacto con el jazz, al igual que le sucediera con otras m\u00fasicas, como la contempor\u00e1nea. Un buen ejemplo es Hot Rats. Grabado\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2010\/11\/Frank-Zappa-Hot-Rats.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":99253,"url":"https:\/\/tomajazz.com\/web\/frank-zappa-hot-rats-reed-lp-2025\/","url_meta":{"origin":2225,"position":1},"title":"Frank Zappa: Hot Rats (Bizarre Records; 1969. Reedici\u00f3n LP: Elemental Music; 2023) Por Pachi Tapiz [Cl\u00e1sicos atemporales]","author":"Tomajazz","date":"21 septiembre, 2025","format":false,"excerpt":"En Cl\u00e1sicos atemporales, el gran Frank Zappa: y Hot Rats (Bizarre Records; 1969. Reedici\u00f3n LP: Elemental Music; 2023). Pachi Tapiz repasa la grabaci\u00f3n. Participaron Frank Zappa, Ian Underwood, Captain Beefheart, Max Bennett, Shuggie Otis, John Guerin, Paul Humphrey, Ron Selico, Don \"Sugarcane\" Harris, Jean-Luc Ponty, Lowell George","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Frank Zappa: Hot Rats (Bizarre Records; 1969. Reedici\u00f3n LP: Elemental Music; 2023) Por Pachi Tapiz [Cl\u00e1sicos atemporales] - Tomajazz - En Cl\u00e1sicos atemporales, el gran Frank Zappa: y Hot Rats (Bizarre Records; 1969. Reedici\u00f3n LP: Elemental Music; 2023). Pachi Tapiz repasa la grabaci\u00f3n.","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/09\/Frank-Zappa-Hot-Rats-1969-reedicion-LP-Elemental-Music-2023-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/09\/Frank-Zappa-Hot-Rats-1969-reedicion-LP-Elemental-Music-2023-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/09\/Frank-Zappa-Hot-Rats-1969-reedicion-LP-Elemental-Music-2023-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/09\/Frank-Zappa-Hot-Rats-1969-reedicion-LP-Elemental-Music-2023-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":16115,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-king-kong-jean-luc-ponty-plays-the-music-of-frank-zappa-1969\/","url_meta":{"origin":2225,"position":2},"title":"Tomajazz recomienda&#8230; un CD: King Kong: Jean-Luc Ponty Plays the Music of Frank Zappa (1969)","author":"Adolphus van Tenzing","date":"29 diciembre, 2014","format":false,"excerpt":"Colaborador fundamental en algunos de los discos m\u00e1s celebrados\u00a0de Frank Zappa (su rutilante estreno tuvo lugar en el imprescindible Hot Rats de 1969), en ese mismo a\u00f1o\u00a0el violinista Jean-Luc Ponty grab\u00f3 en World Pacific Records, sello subsidiario de Blue Note, la obra con un t\u00edtulo tan expl\u00edcito como King Kong:\u00a0Jean-Luc\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/12\/Jean-Luc-Ponty_King-Kong_Blue-Note_1969.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":101489,"url":"https:\/\/tomajazz.com\/web\/50-anos-de-one-size-fits-all-de-frank-zappa\/","url_meta":{"origin":2225,"position":3},"title":"50 a\u00f1os de One Size Fits All de Frank Zappa. Por Carlos Lara [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"6 noviembre, 2025","format":false,"excerpt":"Carlos Lara rememora One Size Fits All del gran Frank Zappa en el 50\u00ba Aniversario de su publicaci\u00f3n","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"50 a\u00f1os de One Size Fits All de Frank Zappa. Por Carlos Lara [Grabaci\u00f3n de jazz] - Tomajazz - Carlos Lara repasa","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Frank-Zappa-One-Size-Fits-All.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Frank-Zappa-One-Size-Fits-All.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Frank-Zappa-One-Size-Fits-All.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":14235,"url":"https:\/\/tomajazz.com\/web\/jean-luc-ponty-sunday-walk-mps-1967-orig-2014-reed-digital\/","url_meta":{"origin":2225,"position":4},"title":"Jean-Luc Ponty: Sunday Walk (MPS. 1967 -orig-, 2014 -reed.digital)","author":"Tomajazz","date":"29 septiembre, 2014","format":false,"excerpt":"Sorprende la madurez de Jean-Luc Ponty, un joven de 25 a\u00f1os, en Sunday Walk. No son de extra\u00f1ar ni las comparaciones elogiosas que otros m\u00fasicos (violinistas incluidos) realizaron sobre su figura, ni tampoco su participaci\u00f3n en proyectos al lado de genios como Frank Zappa, o en algunos de los proyectos\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/Jean-Luc-Ponty_Sunday-Walk_MPS_1967.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/Jean-Luc-Ponty_Sunday-Walk_MPS_1967.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/Jean-Luc-Ponty_Sunday-Walk_MPS_1967.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":2228,"url":"https:\/\/tomajazz.com\/web\/hoy-no-puedo-dejar-de-escuchar-king-kong-frank-zappa\/","url_meta":{"origin":2225,"position":5},"title":"Hoy no puedo dejar de escuchar: &quot;King Kong&quot; (Frank Zappa)","author":"Tomajazz","date":"12 septiembre, 2012","format":false,"excerpt":"En todas sus variantes y variaciones. Del enorme Uncle Meat. Una obra (doble CD) con joyas como \"Mr. Green Genes\", \"Dog Breath, In the Year of the Plague\" y \"The Dog Breath Variations\", \"Uncle Meat\" (y sus variaciones), \"Nine Types of Industrial Pollution\" y \"Zolar Czakl\", la divertida \"Electric Aunt\u2026","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/1.bp.blogspot.com\/-td5hqGlDWMo\/UFBC_ESDZrI\/AAAAAAAAFac\/U4SdKezbW4k\/s200\/Front.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2225","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2225"}],"version-history":[{"count":4,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2225\/revisions"}],"predecessor-version":[{"id":12501,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2225\/revisions\/12501"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/12497"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2225"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2225"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2225"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}