{"id":22510,"date":"2016-03-04T11:00:25","date_gmt":"2016-03-04T10:00:25","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=22510"},"modified":"2016-11-13T15:54:48","modified_gmt":"2016-11-13T14:54:48","slug":"vasil-hadzimanov-band-feat-david-binney-alive-2016-moonjune-records-2016","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/vasil-hadzimanov-band-feat-david-binney-alive-2016-moonjune-records-2016\/","title":{"rendered":"Vasil Hadzimanov Band feat. David Binney: Alive 2016 (Moonjune Records, 2016; CD)"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-22511\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/Vasil-Hadzimanov_Alive_MoonJune-Records_2016-200x200.jpg\" alt=\"Vasil Hadzimanov_Alive_MoonJune Records_2016\" width=\"200\" height=\"200\" title=\"\">Vasil Hadzimanov<\/strong> es una nueva apuesta de riesgo y compromiso del sello de <strong>Leonardo Pavkovic<\/strong>. El teclista y compositor serbio nos ofrece una suerte de composiciones que van desde la fusi\u00f3n, el jazz, el <em>rock <\/em>progresivo o la m\u00fasica \u00e9tnica. El haber sido grabado en directo le da un valor a\u00f1adido por su frescura y autenticidad.\u00a0Este <em>Alive<\/em> es su primer disco para Moonjune Records pero es el sexto en su carrera desde el lejano a\u00f1o 2001 con su \u00e1lbum <em>11 Razloga Za&#8230;<\/em> (OverJazz Records) al que sigui\u00f3 <em>Kafanki<\/em> (2003. OverJazz Records), <em>3 (Sega mu e majkata)<\/em> (2007. OverJazz Records), <em>\u017divota Mi<\/em> (2009. OverJazz Records), <em>Can You Dig It?<\/em> (2013. OverJazz Records).<\/p>\n<p style=\"text-align: justify;\">La inclusi\u00f3n del prestigioso saxo alto norteamericano <strong>David Binney<\/strong> le da un toque de distinci\u00f3n y riqueza de matices al sonido de la banda, algo que se muestra en el corte, \u201cNocturnal Joy\u201d, que sirve de pretexto para demostrar sus cualidades de improvisador a <em>capella<\/em>\u00a0 a modo de fuga.\u00a0Es en \u201cZulu\u201d donde la influencia r\u00edtmica de la Mahavishnu Orchestra aderezada de pinceladas \u00e9tnicas se ofrece de una manera m\u00e1s definida, y donde David Binney, vuelve a brillar con luz propia en un nuevo solo, complementado por el piano el\u00e9ctrico de Vasil Hadzimanov que recuerda a Chick Corea.\u00a0En \u201cDolazim\u201d el grupo abraza con fuerza los primeros discos de Weather Report o incluso al Miles Davis de <em>Bitches Brew<\/em> en un ejercicio de jazz progresivo de altura que se funde a ritmo lento con \u201cOdlazim\u201d y donde Vasil Hadzimanov se transforma en el Joe Zawinul del <em>Black Market<\/em>.<\/p>\n<p style=\"text-align: justify;\">Sin dejar de lado a Weather Report el sonido se hace m\u00e1s <em>funk<\/em> para mezclarse con el <em>jazz-rock<\/em> o la m\u00fasica \u00e9tnica en \u201cTovirafro\u201d.\u00a0La poes\u00eda nost\u00e1lgica y evocadora viene de la mano de la balada \u201cRazbolje Se Simsir List\u201d donde la apacible conversaci\u00f3n entre el piano ac\u00fastico de Vasil Hadzimanov y el saxo alto de David Binney alcanza uno de los momentos m\u00e1s intensos y turbadores de todo el disco.\u00a0\u00a0En \u201cUaiya\u201d David Binney vuela alto en una nueva demostraci\u00f3n de t\u00e9cnica y virtuosismo que da paso al bajo de <strong>Miroslav Tovirac<\/strong> con el acompa\u00f1amiento de <strong>Bojan Ivkovic<\/strong> en las percusiones.<\/p>\n<p style=\"text-align: justify;\">\u201cOtkrice Snova\u201d echa el cierre recordando al primigenio Santana, al Weather Report de <em>Night Passage<\/em> o al Chick Corea de Return To Forever. Sonido de teclados el\u00e9ctricos y <em>fender rhodes<\/em> de Vasil Hadzimanov y percusiones de Bojan Ivkovic que combinan con el saxo de David Binney.<\/p>\n<p style=\"text-align: right;\">\u00a9 Enrique Farelo, 2016<\/p>\n<p>Vasil Hadzimanov: <em>Alive 2016\u00a0<\/em><\/p>\n<p style=\"text-align: justify;\">M\u00fasicos: Vasil Hadzimanov (piano y teclados), David Binney (saxo alto), Branko Trijic (guitarra el\u00e9ctrica), Miroslav Tovirac (guitarra baja), Bojan Ivkovic (percusi\u00f3n y vocales) y Pedja Milutinovic (bater\u00eda)<\/p>\n<p style=\"text-align: justify;\">\u201cNocturnal Joy\u201d (Vasil Hadzimanov), \u201cZulu\u201d (V.H. Band), \u201cOdlazim\u201d (V.H. Band y David Binney), \u201cDolazim\u201d (Branko Trijic), \u201cTovirafro\u201d (Miroslav Tovirac), \u201cRazbolje Se Simsir List\u201d, (Z. Djezic) \u201cUaiya\u201d (Vasil Hadzimanov) y \u201cOtkrice Snova\u201d (V.H. Band).<\/p>\n<p style=\"text-align: justify;\">Grabado en directo en gira por Serbia en Octubre y noviembre de 2014<em>. <\/em>Moonjune Records, 2016.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Vasil Hadzimanov es una nueva apuesta de riesgo y compromiso del sello de Leonardo Pavkovic. El teclista y compositor serbio nos ofrece una suerte de composiciones que van desde la fusi\u00f3n, el jazz, el rock progresivo o la m\u00fasica \u00e9tnica. El haber sido grabado en directo le da un valor<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/vasil-hadzimanov-band-feat-david-binney-alive-2016-moonjune-records-2016\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":22511,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17848,5,15517,1038],"tags":[15082,15084,12651,6861,304,12696,13,12415,15295,15710,6008,15083,5991,15085,16099,77,16100,15081,15087,15086],"class_list":["entry","author-pachi","post-22510","post","type-post","status-publish","format-standard","has-post-thumbnail","category-enrique-farelo","category-grabaciones","category-textos","category-contenidos","tag-bojan-ivkovic","tag-branko-trijic","tag-cd","tag-david-binney","tag-enrique-farelo","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-la-actualidad-del-jazz-en-espana","tag-leonardo-pavkovic","tag-miroslav-tovirac","tag-moonjune-records","tag-pedja-milutinovic","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-vasil-hadzimanov","tag-vasil-hadzimanov-band","tag-vasil-hadzimanov-band-feat-david-binney"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/Vasil-Hadzimanov_Alive_MoonJune-Records_2016-e1457038317192.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":42984,"url":"https:\/\/tomajazz.com\/web\/vasil-hadzimanov-band-lines-in-sand-moonjune-records-2019-grabacion\/","url_meta":{"origin":22510,"position":0},"title":"Vasil Hadzimanov Band: Lines in Sand (Moonjune Records 2019) [Grabaci\u00f3n]","author":"Tomajazz","date":"19 abril, 2019","format":false,"excerpt":"Por\u00a0Enrique Farelo. Es como el latido de un coraz\u00f3n pausado, es como el sonido de un pulsar espiritual y m\u00e1gico de profundo sentimiento ar\u00e1bigo-flamenco encarnado en la voz de Bojan Ivkovic. As\u00ed comienza Lines In Sand con la pieza hom\u00f3nima, causando impresiones de calado profundo. 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Enrique Farelo repasa esta grabaci\u00f3n.","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Jaume de Viala: Calidoscopi Embruixat (auto-producido 2023) Por Enrique Farelo [Grabaci\u00f3n de jazz] - Tomajazz 9.0 - Jaume de Viala ha publicado  Calidoscopi Embruixat (auto-producido 2023). Enrique Farelo repasa esta grabaci\u00f3n.","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/04\/Jaume-de-Viala-Calidoscopi-Embruixat-auto-producido-2022-CDReview.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/04\/Jaume-de-Viala-Calidoscopi-Embruixat-auto-producido-2022-CDReview.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/04\/Jaume-de-Viala-Calidoscopi-Embruixat-auto-producido-2022-CDReview.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":103372,"url":"https:\/\/tomajazz.com\/web\/mark-wingfield-the-gathering-2024-vrsn-2026\/","url_meta":{"origin":22510,"position":5},"title":"Mark Wingfield: The Gathering (MoonJune Records; 2024) Por Enrique Farelo [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"12 enero, 2026","format":false,"excerpt":"The Gathering (MoonJune Records; 2024) es la grabaci\u00f3n de Mark Wingfield rese\u00f1ada por Enrique Farelo. Con Mark Wingfield, Gary Husband, Asaf Sirkis, Tony Levin, Percy Jones","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"Mark Wingfield: The Gathering (MoonJune Records; 2024) Por Enrique Farelo [Grabaci\u00f3n de jazz] - Tomajazz - The Gathering (MoonJune Records; 2024) es la grabaci\u00f3n de Mark Wingfield rese\u00f1ada por Enrique Farelo. Con Mark Wingfield, Gary Husband, Asaf Sirkis, Tony Levin, Percy Jones\n","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Mark-Wingfield-The-Gathering-MoonJune-Records-2024.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Mark-Wingfield-The-Gathering-MoonJune-Records-2024.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Mark-Wingfield-The-Gathering-MoonJune-Records-2024.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Mark-Wingfield-The-Gathering-MoonJune-Records-2024.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/22510","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=22510"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/22510\/revisions"}],"predecessor-version":[{"id":22690,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/22510\/revisions\/22690"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/22511"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=22510"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=22510"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=22510"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}