{"id":22621,"date":"2016-03-16T10:45:56","date_gmt":"2016-03-16T09:45:56","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=22621"},"modified":"2016-11-13T21:27:24","modified_gmt":"2016-11-13T20:27:24","slug":"maureen-choi-quartet-centro-cultural-coreano-madrid-2016-03-10","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/maureen-choi-quartet-centro-cultural-coreano-madrid-2016-03-10\/","title":{"rendered":"Maureen Choi Quartet (Centro Cultural Coreano, Madrid. 2016-03-10)"},"content":{"rendered":"<ul>\n<li>Fecha: jueves 10 de marzo de 2016.<\/li>\n<li>Lugar: Galer\u00eda Han-UL (Planta Baja) del Centro Cultural Coreano (Madrid).<\/li>\n<li>Grupo:<br \/>\nMaureen Choi Quartet<br \/>\nMaureen Choi: viol\u00edn<br \/>\nDaniel Garc\u00eda Diego: piano<br \/>\nMario Carrillo: contrabajo<br \/>\nMichael Olivera: bater\u00eda<\/li>\n<\/ul>\n<p><center><figure id=\"attachment_22567\" aria-describedby=\"caption-attachment-22567\" style=\"width: 600px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-22567\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/MAUREEN_CHOI_QUARTET_9926_CABANIJAZZ-600x400.jpg\" alt=\"Maureen Choi Quartet \u00a9 Sergio Cabanillas, 2016\" width=\"600\" height=\"400\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/MAUREEN_CHOI_QUARTET_9926_CABANIJAZZ.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/MAUREEN_CHOI_QUARTET_9926_CABANIJAZZ-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/MAUREEN_CHOI_QUARTET_9926_CABANIJAZZ-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/MAUREEN_CHOI_QUARTET_9926_CABANIJAZZ-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/MAUREEN_CHOI_QUARTET_9926_CABANIJAZZ-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/MAUREEN_CHOI_QUARTET_9926_CABANIJAZZ-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption id=\"caption-attachment-22567\" class=\"wp-caption-text\">Maureen Choi Quartet<br \/>\u00a9 Sergio Cabanillas, 2016<\/figcaption><\/figure><\/center><\/p>\n<p style=\"text-align: justify;\">Maureen Choi lidera con firmeza su cuarteto y lo hace vali\u00e9ndose de una t\u00e9cnica envidiable desde su viol\u00edn. No en vano su actuaci\u00f3n parti\u00f3 de ah\u00ed con un solo a <em>capella<\/em> que puso en danza \u201cGracias a la Vida\u201d. (Violeta Parra)<\/p>\n<p style=\"text-align: justify;\">Las bases estaban puestas desde el principio. <em>Latin jazz<\/em> s\u00ed, pero sin olvidar que Maureen Choi tiene una rigurosa formaci\u00f3n cl\u00e1sica iniciada a la tierna edad de dos a\u00f1os y que su progenitor fue un virtuoso de la guitarra cl\u00e1sica espa\u00f1ola.<\/p>\n<p style=\"text-align: justify;\">Con todos estos ingredientes y los que se fueron a\u00f1adiendo como el <em>tango<\/em>, la<em> samba<\/em>, la <em>bossa nova<\/em>, la<em> m\u00fasica afro-cubana y espa\u00f1ola<\/em>, y la ya mencionada <em>m\u00fasica culta<\/em>, el cuarteto ofreci\u00f3 un concierto de momentos brillantes que gust\u00f3 al numeroso p\u00fablico que abarrotaba la sala.<\/p>\n<p><center><figure id=\"attachment_22568\" aria-describedby=\"caption-attachment-22568\" style=\"width: 600px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-22568\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/MAUREEN_CHOI_9910_CABANIJAZZ-600x400.jpg\" alt=\"Maureen Choi \u00a9 Sergio Cabanillas, 2016\" width=\"600\" height=\"400\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/MAUREEN_CHOI_9910_CABANIJAZZ.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/MAUREEN_CHOI_9910_CABANIJAZZ-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/MAUREEN_CHOI_9910_CABANIJAZZ-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/MAUREEN_CHOI_9910_CABANIJAZZ-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/MAUREEN_CHOI_9910_CABANIJAZZ-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/MAUREEN_CHOI_9910_CABANIJAZZ-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption id=\"caption-attachment-22568\" class=\"wp-caption-text\">Maureen Choi<br \/>\u00a9 Sergio Cabanillas, 2016<\/figcaption><\/figure><\/center><\/p>\n<p style=\"text-align: justify;\">\u201cBolero del Alba\u201d, composici\u00f3n de la propia Maureen, supuso uno de los pasajes de mayor calado de todo el concierto. Este tema est\u00e1 incluido en el primer trabajo del cuarteto que lleva por t\u00edtulo <em>Ida y Vuelta<\/em> y ha sido publicado en el recientemente finalizado a\u00f1o 2015. Viol\u00edn solo al comienzo que conmovi\u00f3 a un beb\u00e9 con un sonoro gorgoteo en este <em>bolero <\/em>vestido de <em>nana<\/em> que fue transform\u00e1ndose en di\u00e1logos entre Daniel Garc\u00eda Diego y Maureen Choi en un par\u00e9ntesis entre el <em>neoclasicismo<\/em> de Mozart y el <em>barroquismo<\/em> de Vivaldi.<\/p>\n<p><center><figure id=\"attachment_22565\" aria-describedby=\"caption-attachment-22565\" style=\"width: 400px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-22565\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/MARIO_CARRILLO_9885_CABANIJAZZ-400x600.jpg\" alt=\"Mario Carrillo \u00a9 Sergio Cabanillas, 2016\" width=\"400\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/MARIO_CARRILLO_9885_CABANIJAZZ.jpg 400w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/MARIO_CARRILLO_9885_CABANIJAZZ-100x150.jpg 100w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/MARIO_CARRILLO_9885_CABANIJAZZ-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/MARIO_CARRILLO_9885_CABANIJAZZ-37x55.jpg 37w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><figcaption id=\"caption-attachment-22565\" class=\"wp-caption-text\">Mario Carrillo<br \/>\u00a9 Sergio Cabanillas, 2016<\/figcaption><\/figure><\/center><\/p>\n<p style=\"text-align: justify;\">Piezas como \u201cNegra Presuntuosa\u201d (Andr\u00e9s Soto) son una demostraci\u00f3n m\u00e1s del virtuosismo de Maureen Choi, de sonido edulcorado, l\u00edrico, di\u00e1fano y cristalino que busca la belleza cl\u00e1sica y que se contrapone al sabor, el calor y el color de la interactuaci\u00f3n entre Mario Carrillo al bajo y las manos desnudas del cubano Michael Olivera a la bater\u00eda.<\/p>\n<p><center><figure id=\"attachment_22564\" aria-describedby=\"caption-attachment-22564\" style=\"width: 600px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-22564\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/DANIEL_GARCIA_9920_CABANIJAZZ-600x400.jpg\" alt=\"Daniel Garc\u00eda \u00a9 Sergio Cabanillas, 2016\" width=\"600\" height=\"400\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/DANIEL_GARCIA_9920_CABANIJAZZ.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/DANIEL_GARCIA_9920_CABANIJAZZ-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/DANIEL_GARCIA_9920_CABANIJAZZ-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/DANIEL_GARCIA_9920_CABANIJAZZ-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/DANIEL_GARCIA_9920_CABANIJAZZ-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/DANIEL_GARCIA_9920_CABANIJAZZ-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption id=\"caption-attachment-22564\" class=\"wp-caption-text\">Daniel Garc\u00eda<br \/>\u00a9 Sergio Cabanillas, 2016<\/figcaption><\/figure><\/center><\/p>\n<p style=\"text-align: justify;\">Para finalizar \u201cCapricho Espa\u00f1ol\u201d, del compositor rom\u00e1ntico ruso del siglo XIX Rimsky-Korsakov. Tema encarado desde la perspectiva del jazz, <em>Third Stream<\/em> o tercera corriente consistente en la mezcla entre \u00e9ste y la m\u00fasica cl\u00e1sica. Donde Chick Corea fue el sujeto el\u00edptico con pasajes de <em>My Spanish Heart<\/em>.<\/p>\n<p><center><figure id=\"attachment_22566\" aria-describedby=\"caption-attachment-22566\" style=\"width: 600px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-22566\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/MICHAEL_OLIVERA_9922_CABANIJAZZ-600x400.jpg\" alt=\"Michael Olivera \u00a9 Sergio Cabanillas, 2016\" width=\"600\" height=\"400\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/MICHAEL_OLIVERA_9922_CABANIJAZZ.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/MICHAEL_OLIVERA_9922_CABANIJAZZ-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/MICHAEL_OLIVERA_9922_CABANIJAZZ-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/MICHAEL_OLIVERA_9922_CABANIJAZZ-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/MICHAEL_OLIVERA_9922_CABANIJAZZ-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/MICHAEL_OLIVERA_9922_CABANIJAZZ-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption id=\"caption-attachment-22566\" class=\"wp-caption-text\">Michael Olivera<br \/>\u00a9 Sergio Cabanillas, 2016<\/figcaption><\/figure><\/center><\/p>\n<p style=\"text-align: justify;\">En resumen el mini-concierto fue un mestizaje de finas y trasparentes formas para acercar el jazz a un p\u00fablico menos avezado que disfrut\u00f3 sin duda de lo ofrecido.<\/p>\n<p style=\"text-align: right;\">Texto: \u00a9 Enrique Farelo, 2016<br \/>\nFotograf\u00edas: \u00a9 Sergio Cabanillas 2016<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Fecha: jueves 10 de marzo de 2016. Lugar: Galer\u00eda Han-UL (Planta Baja) del Centro Cultural Coreano (Madrid). Grupo: Maureen Choi Quartet Maureen Choi: viol\u00edn Daniel Garc\u00eda Diego: piano Mario Carrillo: contrabajo Michael Olivera: bater\u00eda Maureen Choi lidera con firmeza su cuarteto y lo hace vali\u00e9ndose de una t\u00e9cnica envidiable desde<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/maureen-choi-quartet-centro-cultural-coreano-madrid-2016-03-10\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":22568,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17848,17850,4,15517,1038],"tags":[15139,6616,304,15140,13,12415,15295,15710,13131,13128,13129,5119,187,16099,77,16100],"class_list":["entry","author-pachi","post-22621","post","type-post","status-publish","format-standard","has-post-thumbnail","category-enrique-farelo","category-sergio-cabanillas","category-conciertos","category-textos","category-contenidos","tag-centro-cultural-coreano-madrid","tag-daniel-garcia","tag-enrique-farelo","tag-galeria-han-ul-centro-cultural-coreano-madrid","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-la-actualidad-del-jazz-en-espana","tag-mario-carrillo","tag-maureen-choi","tag-maureen-choi-quartet","tag-michael-olivera","tag-sergio-cabanillas","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/MAUREEN_CHOI_9910_CABANIJAZZ.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":18818,"url":"https:\/\/tomajazz.com\/web\/maureen-choi-musica-de-ida-y-vuelta-jazz-en-la-calle-2015-iv\/","url_meta":{"origin":22621,"position":0},"title":"Maureen Choi: m\u00fasica de Ida y Vuelta (Jazz en la Calle 2015 IV)","author":"Tomajazz","date":"24 junio, 2015","format":"image","excerpt":"La violinista Maureen Choi al frente de su cuarteto ser\u00e1 la protagonista del cuarto y \u00faltimo concierto del ciclo Jazz en la Calle 2015, que al igual que los anteriores, tendr\u00e1 lugar en la Ciudadela de Pamplona el viernes 26 de junio a las 20:00. Nacida en Michigan, Estados Unidos,\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/06\/maureen-choi-cafe-central-e1435000534128.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/06\/maureen-choi-cafe-central-e1435000534128.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/06\/maureen-choi-cafe-central-e1435000534128.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":86747,"url":"https:\/\/tomajazz.com\/web\/alexis-alonso-con-mauren-choi-2024-05-nws\/","url_meta":{"origin":22621,"position":1},"title":"Alexis Alonso Quartet con Mauren Choi \u00abHypenosis\u00bb (24 y 25 de mayo de 2024. 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Lugar: Galer\u00eda Han-ul (Planta Baja) del Centro Cultural Coreano (Madrid). Grupo: Jo Young Deok Trio Jo Young-Deok: guitarra el\u00e9ctrica Park Ji Woong: contrabajo Choi Yoseph: bater\u00eda. 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Por Enrique Farelo [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"24 febrero, 2023","format":false,"excerpt":"Errabal Jazz 3 es la tercera entrega del especial de Enrique Farelo dedicado a ese sello discogr\u00e1fico. En esta entrega repasa las grabaciones de Gaur, Aldapeko basque latin jazz, Ander Garc\u00eda y Haizea Martiartu.","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"Collage Errabal Jazz 3","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/02\/Collage-Errabal-Jazz-3.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/02\/Collage-Errabal-Jazz-3.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/02\/Collage-Errabal-Jazz-3.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/02\/Collage-Errabal-Jazz-3.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":19494,"url":"https:\/\/tomajazz.com\/web\/xviii-festival-de-jazz-ciudad-de-toledo-16-al-20-de-septiembre-de-2015-noticias\/","url_meta":{"origin":22621,"position":5},"title":"XVIII Festival de Jazz Ciudad de Toledo (16 al 20 de septiembre de 2015) [Noticias]","author":"Tomajazz","date":"7 septiembre, 2015","format":"image","excerpt":"Entre el 16 y el 20 de septiembre de 2015tendr\u00e1n lugar los conciertos del XVIII Festival de Jazz Ciudad de Toledo. Durante esos d\u00edas actuar\u00e1n en la Plaza del Ayuntamiento a las 22:00 los siguientes artistas: Andreas Prittwitz \"Looking Back over the Renaissance\", el grupo local Amable Rodr\u00edguez Tr\u00edo y\u2026","rel":"","context":"En \u00ab*_Redacci\u00f3n\u00bb","block_context":{"text":"*_Redacci\u00f3n","link":"https:\/\/tomajazz.com\/web\/category\/redaccion\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/XVIII-Festival-Jazz-Toledo.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/XVIII-Festival-Jazz-Toledo.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/XVIII-Festival-Jazz-Toledo.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/XVIII-Festival-Jazz-Toledo.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/22621","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=22621"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/22621\/revisions"}],"predecessor-version":[{"id":22622,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/22621\/revisions\/22622"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/22568"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=22621"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=22621"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=22621"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}