{"id":2278,"date":"2012-07-18T09:16:00","date_gmt":"2012-07-18T07:16:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2278"},"modified":"2016-11-13T17:20:57","modified_gmt":"2016-11-13T16:20:57","slug":"double-tandem-ken-vandermark-ab-baars-paal-nilssen-love-cement-pnl-2012","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/double-tandem-ken-vandermark-ab-baars-paal-nilssen-love-cement-pnl-2012\/","title":{"rendered":"Double Tandem (Ken Vandermark, Ab Baars, Paal Nilssen-Love): Cement (PNL, 2012)"},"content":{"rendered":"<div><\/div>\n<div style=\"text-align: justify;\"><b><a href=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/07\/PNL013.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-4711\" alt=\"PNL013\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/07\/PNL013.jpg\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/07\/PNL013.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/07\/PNL013-150x150.jpg 150w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a>Double Tandem<\/b>, el nombre del tr\u00edo formado por los saxofonistas y clarinetistas <b>Ken Vandermark <\/b>y <b>Ab Baars<\/b>, junto al baterista y percusionista <b>Paal Nilssen<\/b>&#8211;<b>Love<\/b>, parece m\u00e1s que apropiado. <b>Vandermark <\/b>y <b>Nilssen-Love <\/b>llevan colaborando desde hace ya unos cuantos a\u00f1os. Aparte de en varias formaciones de distinto tama\u00f1o, el grueso de este buen entendimiento toma la forma de sus discos en duo. Por otro lado, aunque no con tanta frecuencia, <b>Ken Vandermark <\/b>y <b>Ab Baars <\/b>han colaborado en distintas ocasiones y proyectos. Por tanto, los tres m\u00fasicos no son unos desconocidos. Algo que saben transmitir magn\u00edficamente en <i>Cement<\/i>, concierto grabado en directo en Cementen (Noruega). A lo largo de sus improvisaciones van apareciendo diferentes melod\u00edas que son precedidas o continuadas por momentos de cierta abstracci\u00f3n. En ellas los m\u00fasicos van participando en solitario, formando distintos d\u00faos y en tr\u00edo. Ello, unido a los diferentes timbres de los instrumentos de viento utilizados (adem\u00e1s de los saxos tenores se emplean clarinetes, y <b>Ab Baars<\/b> tambi\u00e9n utiliza la flauta de origen japon\u00e9s <i>shakuhachi<\/i>), crea una gran variedad sonora. Otro elemento crucial en el buen resultado final, adem\u00e1s de una duraci\u00f3n que no llega a los cincuenta minutos, es la din\u00e1mica de sus improvisaciones, ya que a lo largo de cada uno de los temas aparecen pasajes de cierta intensidad junto a otros m\u00e1s relajados.<\/div>\n<p>\u00a9 Pachi Tapiz, 2012<\/p>\n<p><span>Double Tandem (Ken Vandermark, Ab Baars, Paal Nilssen-Love): <\/span><i>Cement ****<\/i><\/p>\n<p>Ken Vandermark (saxo tenor, clarinete), Ab Baars (saxo tenor, clarinete, <i>shakuhachi<\/i>), Paal Nilssen-Love (bater\u00eda y percusi\u00f3n)<\/p>\n<p>\u00abMarl\u00bb 12:54, \u00abSkarn\u00bb 4:39, \u00abShale\u00bb 30:25<br \/>\nM\u00fasica compuesta por Ken Vandermark, Ab Baars, Paal Nilssen-Love<\/p>\n<p>Grabado en directo en concierto el 7 de septiembre de 2011 en Cementen, Stavanger, Noruega. Publicado en 2012 por PNL Records. PNL013. <a href=\"http:\/\/www.paalnilssen-love.com\/\" target=\"_blank\" rel=\"noopener\">www.paalnilssen-love.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Double Tandem, el nombre del tr\u00edo formado por los saxofonistas y clarinetistas Ken Vandermark y Ab Baars, junto al baterista y percusionista Paal Nilssen&#8211;Love, parece m\u00e1s que apropiado. Vandermark y Nilssen-Love llevan colaborando desde hace ya unos cuantos a\u00f1os. Aparte de en varias formaciones de distinto tama\u00f1o, el grueso de<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/double-tandem-ken-vandermark-ab-baars-paal-nilssen-love-cement-pnl-2012\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":4711,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,4313,5,1038,4758],"tags":[5320,12651,5319,12696,13,12415,15295,446,5138,31,5321,16099,77,16100],"class_list":["entry","author-pachi","post-2278","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-bun","category-grabaciones","category-contenidos","category-blogs","tag-ab-baars","tag-cd","tag-double-tandem","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-ken-vandermark","tag-paal-nilssen-love","tag-pachi-tapiz","tag-pnl-records","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/07\/PNL013.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":43692,"url":"https:\/\/tomajazz.com\/web\/hdo-511-paal-nilssen-love-y-ken-vandermark-en-muy-buenas-companias-podcast\/","url_meta":{"origin":2278,"position":0},"title":"HDO 511. Paal (Nilssen-Love) y Ken (Vandermark) en muy buenas compa\u00f1\u00edas [Podcast]","author":"Tomajazz","date":"7 junio, 2019","format":false,"excerpt":"Por\u00a0Pachi Tapiz. En HDO 511 escuchamos tres grabaciones que tienen por protagonistas a Paal Nilssen-Love y\/o Ken Vandermark: Jikan de Arashi (grupo integrado por Akira Sakata, Johan Berthling y Paal Nilssen-Love, y publicado por PNL Records); Screen Off (PNL Records) de Paal Nilssen-Love y Ken Vandermark; Scaffolding (Terp Records) de\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/06\/Collage_programa-0511_Paal-Ken-.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/06\/Collage_programa-0511_Paal-Ken-.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/06\/Collage_programa-0511_Paal-Ken-.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/06\/Collage_programa-0511_Paal-Ken-.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":24842,"url":"https:\/\/tomajazz.com\/web\/ken-vandermark-paal-nilssen-love-en-concierto-cafe-berlin-madrid-2016-06-06-noticias\/","url_meta":{"origin":2278,"position":1},"title":"Ken Vandermark &#8211; Paal Nilssen-Love en concierto (Caf\u00e9 Berlin, Madrid. 2016-06-06) [Noticias]","author":"Tomajazz","date":"5 junio, 2016","format":false,"excerpt":"Ken Vandermark & Paal Nilssen-Love presentan The Lions Have Eaten One Of The Guards Lunes 6 de junio de 2016. 21:00 Entradas: 12 euros anticipada \/ 20 euros taquilla Caf\u00e9 Berlin C\/Costanilla de los \u00c1ngeles, 20 Madrid http:\/\/berlincafe.es\/","rel":"","context":"En \u00ab*_Redacci\u00f3n\u00bb","block_context":{"text":"*_Redacci\u00f3n","link":"https:\/\/tomajazz.com\/web\/category\/redaccion\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Vandermark-Paal-Nilssen-Love_Cafe-Berlin_2016-06-06.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Vandermark-Paal-Nilssen-Love_Cafe-Berlin_2016-06-06.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Vandermark-Paal-Nilssen-Love_Cafe-Berlin_2016-06-06.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":2565,"url":"https:\/\/tomajazz.com\/web\/johannes-bauer-paal-nilssen-love-thomas-lehn-ken-vandermark-artifact-iti-live-in-st-johann-okka-disk-2010\/","url_meta":{"origin":2278,"position":2},"title":"Johannes Bauer, Paal Nilssen-Love, Thomas Lehn, Ken Vandermark: Artifact: iTi Live In St. Johann (Okka Disk, 2010)","author":"Tomajazz","date":"29 julio, 2011","format":false,"excerpt":"Otro de lo mismo. \u00bfQui\u00e9n no se ha hartado de ver en directo a un cuarteto formado por un saxofonista y clarinetista, un trombonista, un m\u00fasico m\u00e1s con sintetizadores anal\u00f3gicos (puro vintage, oiga) y, para rematar la banda, un baterista? Total, si al final se dedican a lo de siempre.\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/1.bp.blogspot.com\/-4oEiWY7FzvM\/TjFTh0yNlOI\/AAAAAAAADOo\/Sxf48xAozhw\/s200\/artifact_iti.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2169,"url":"https:\/\/tomajazz.com\/web\/lean-left-live-at-cafe-oto-unsounds-2012\/","url_meta":{"origin":2278,"position":3},"title":"Lean Left: Live at Caf\u00e9 Oto (unsounds, 2012)","author":"Tomajazz","date":"28 noviembre, 2012","format":false,"excerpt":"A lo largo de su carrera el grupo holand\u00e9s The Ex (afiliado inicialmente al punk all\u00e1 por sus inicios a finales de la d\u00e9cada de los setenta) ha tenido un contacto estrecho con m\u00fasicos y grupos de la potente escena libre improvisadora de su pa\u00eds. Por tanto no resulta extra\u00f1o\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"lean left","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/11\/lean-left.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":13393,"url":"https:\/\/tomajazz.com\/web\/lean-left-the-ex-guitars-meets-nilssen-love-vandermark-duo-live-at-area-sismica-unsounds-2014\/","url_meta":{"origin":2278,"position":4},"title":"Lean Left. The Ex Guitars meets Nilssen-Love \/ Vandermark Duo: Live at Area Sismica (unsounds, 2014)","author":"Tomajazz","date":"9 septiembre, 2014","format":false,"excerpt":"Lean Left tienen una trayectoria discogr\u00e1fica m\u00e1s que interesante. Con esta son ya cinco sus grabaciones en directo. No obstante, lo realmente notable es que con el tiempo no llegan el cansancio, la repetici\u00f3n, la ausencia de ideas, la p\u00e9rdida de entusiasmo, sino que por el contrario, con Live at\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/08\/Lean-Left_Live-at-Area-Sismica_Unsounds_2014.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":10955,"url":"https:\/\/tomajazz.com\/web\/los-sorteos-de-tomajazz-lean-left-the-ex-guitars-meet-nilssen-love-vandermark-duo-en-concierto-en-barcelona\/","url_meta":{"origin":2278,"position":5},"title":"Los sorteos de Tomajazz: Lean Left.The Ex Guitars Meet Nilssen-Love \/ Vandermark Duo en concierto en Barcelona","author":"Tomajazz","date":"11 marzo, 2014","format":false,"excerpt":"Gracias a Arco y Flecha en Tomajazz sorteamos una entrada doble para la actuaci\u00f3n de Lean Left (Ken Vandermark, Paal Nilssen-Love y los guitarristas del grupo holand\u00e9s The Ex,\u00a0Andy Moor y Terrie Ex) el pr\u00f3ximo 17 de marzo de 2014 en Barcelona en La [2] de Apolo. Para participar s\u00f3lo\u2026","rel":"","context":"En \u00ab*_Redacci\u00f3n\u00bb","block_context":{"text":"*_Redacci\u00f3n","link":"https:\/\/tomajazz.com\/web\/category\/redaccion\/"},"img":{"alt_text":"lean left","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/11\/lean-left.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2278","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2278"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2278\/revisions"}],"predecessor-version":[{"id":23389,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2278\/revisions\/23389"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/4711"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2278"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2278"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2278"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}