{"id":2293,"date":"2012-06-28T18:11:00","date_gmt":"2012-06-28T16:11:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2293"},"modified":"2016-11-13T17:21:07","modified_gmt":"2016-11-13T16:21:07","slug":"terrie-ex-paal-nilssen-love-hurgu-pnl-records-2011","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/terrie-ex-paal-nilssen-love-hurgu-pnl-records-2011\/","title":{"rendered":"Terrie Ex – Paal Nilssen-Love: Hurgu! (PNL Records, 2011)"},"content":{"rendered":"
<\/div>\n
\"PNL012\"<\/a>Escuchando a Terrie Ex<\/b>, guitarrista del grupo holand\u00e9s (inicialmente punk<\/i>) The Ex<\/b>, una pregunta que surge es la de qu\u00e9 significa ser un gran guitarrista. Esta pregunta es general, no est\u00e1 restringida a un estilo musical concreto. En Hurgu!<\/i>, su d\u00fao en estudio con Paal Nilssen-Love<\/b>, el punto de partida es su vertiente rockera<\/b>, que en compa\u00f1\u00eda del noruego acaba por terrenos de la libre improvisaci\u00f3n. En el caso de los primeros tres temas (\u00abHarar\u00bb, \u00abSt. George\u00bb, \u00abBadele\u00bb) se podr\u00eda calificar como idiom\u00e1tica, mientras que en \u00abMeta\u00bb (si se except\u00faa una cierta influencia \u00e9tnica, habitual en la m\u00fasica del grupo The Ex en los \u00faltimos a\u00f1os) se podr\u00eda calificar como no idiom\u00e1tica. La misma pregunta que surge sobre el guitarrista tambi\u00e9n podr\u00eda hacerse sobre el baterista y percusionista, aunque en este caso la respuesta pudiera ya estar dada a priori restringida a los terrenos de la libre improvisaci\u00f3n y el jazz dadas su discograf\u00eda e incesante actividad en distintos frentes. Este se adapta perfectamente a los requerimientos de su compa\u00f1ero, de modo que a lo largo de la mayor parte de la grabaci\u00f3n suena con una contundencia m\u00e1s propia del rock<\/i>, aunque cuando su trabajo es necesario para ir construyendo sonidos con estructuras menos definidas, sigue ejerciendo como una red perfecta que se entrelaza con el trabajo del guitarrista. Qu\u00e9 es ser un gran m\u00fasico. Qu\u00e9 es eso de la improvisaci\u00f3n libre. Qu\u00e9 es eso del \u00abrock inteligente\u00bb. Qu\u00e9 es Hurgu!<\/i> Preguntas, preguntas y m\u00e1s preguntas. Y de vez en cuando, tambi\u00e9n algunas respuestas a todas ellas.<\/div>\n

\u00a9 Pachi Tapiz, 2012<\/p>\n

Terrie Ex – Paal Nilssen-Love: Hurgu!<\/i> ****<\/span><\/p>\n

Terrie Ex (guitarra), Paal Nilssen-Love (bater\u00eda y percusi\u00f3n)<\/p>\n

\u00abHarar\u00bb, \u00abSt. George\u00bb, \u00abBedele\u00bb, \u00abMeta\u00bb
\nToda la m\u00fasica compuesta por Terrie Ex y Paal Nilssen-Love<\/p>\n

Grabado el 29 de noviembre de 2009 en Jottem Studio, Wormerveer, Holanda. Publicado en 2011 en PNL Records. PNL012\u00a0http:\/\/www.paalnilssenlove.com\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Escuchando a Terrie Ex, guitarrista del grupo holand\u00e9s (inicialmente punk) The Ex, una pregunta que surge es la de qu\u00e9 significa ser un gran guitarrista. Esta pregunta es general, no est\u00e1 restringida a un estilo musical concreto. En Hurgu!, su d\u00fao en estudio con Paal Nilssen-Love, el punto de partidaContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":4885,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,4313,5,1038,4758],"tags":[12651,12696,13,12415,15295,5138,31,5321,5488,16099,77,16100],"class_list":["entry","author-pachi","post-2293","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-bun","category-grabaciones","category-contenidos","category-blogs","tag-cd","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-paal-nilssen-love","tag-pachi-tapiz","tag-pnl-records","tag-terrie-ex","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/06\/PNL012.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":43692,"url":"https:\/\/tomajazz.com\/web\/hdo-511-paal-nilssen-love-y-ken-vandermark-en-muy-buenas-companias-podcast\/","url_meta":{"origin":2293,"position":0},"title":"HDO 511. Paal (Nilssen-Love) y Ken (Vandermark) en muy buenas compa\u00f1\u00edas [Podcast]","author":"Tomajazz","date":"7 junio, 2019","format":false,"excerpt":"Por\u00a0Pachi Tapiz. En HDO 511 escuchamos tres grabaciones que tienen por protagonistas a Paal Nilssen-Love y\/o Ken Vandermark: Jikan de Arashi (grupo integrado por Akira Sakata, Johan Berthling y Paal Nilssen-Love, y publicado por PNL Records); Screen Off (PNL Records) de Paal Nilssen-Love y Ken Vandermark; Scaffolding (Terp Records) de\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/06\/Collage_programa-0511_Paal-Ken-.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/06\/Collage_programa-0511_Paal-Ken-.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/06\/Collage_programa-0511_Paal-Ken-.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/06\/Collage_programa-0511_Paal-Ken-.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":48531,"url":"https:\/\/tomajazz.com\/web\/jazzx5176-large-unit-fendika-anbessa-ethiobraz-minipodcast\/","url_meta":{"origin":2293,"position":1},"title":"JazzX5#176. Large Unit Fendika: Anbessa (Ethiobraz) [Minipodcast]","author":"Tomajazz","date":"18 enero, 2020","format":false,"excerpt":"En JazzX5 176 escuchamos Anbessa del CD Ethiobraz de Large Unit Ethiobraz, la formaci\u00f3n del baterista Paal Nilssen-Love a la que se unieron para la grabaci\u00f3n m\u00fasicos brasile\u00f1os y et\u00edopes.","rel":"","context":"En \u00abPodcast\u00bb","block_context":{"text":"Podcast","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/01\/JazzX5_176.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/01\/JazzX5_176.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/01\/JazzX5_176.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/01\/JazzX5_176.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2169,"url":"https:\/\/tomajazz.com\/web\/lean-left-live-at-cafe-oto-unsounds-2012\/","url_meta":{"origin":2293,"position":2},"title":"Lean Left: Live at Caf\u00e9 Oto (unsounds, 2012)","author":"Tomajazz","date":"28 noviembre, 2012","format":false,"excerpt":"A lo largo de su carrera el grupo holand\u00e9s The Ex (afiliado inicialmente al punk all\u00e1 por sus inicios a finales de la d\u00e9cada de los setenta) ha tenido un contacto estrecho con m\u00fasicos y grupos de la potente escena libre improvisadora de su pa\u00eds. Por tanto no resulta extra\u00f1o\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"lean left","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/11\/lean-left.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":10955,"url":"https:\/\/tomajazz.com\/web\/los-sorteos-de-tomajazz-lean-left-the-ex-guitars-meet-nilssen-love-vandermark-duo-en-concierto-en-barcelona\/","url_meta":{"origin":2293,"position":3},"title":"Los sorteos de Tomajazz: Lean Left.The Ex Guitars Meet Nilssen-Love \/ Vandermark Duo en concierto en Barcelona","author":"Tomajazz","date":"11 marzo, 2014","format":false,"excerpt":"Gracias a Arco y Flecha en Tomajazz sorteamos una entrada doble para la actuaci\u00f3n de Lean Left (Ken Vandermark, Paal Nilssen-Love y los guitarristas del grupo holand\u00e9s The Ex,\u00a0Andy Moor y Terrie Ex) el pr\u00f3ximo 17 de marzo de 2014 en Barcelona en La [2] de Apolo. Para participar s\u00f3lo\u2026","rel":"","context":"En \u00ab*_Redacci\u00f3n\u00bb","block_context":{"text":"*_Redacci\u00f3n","link":"https:\/\/tomajazz.com\/web\/category\/redaccion\/"},"img":{"alt_text":"lean left","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/11\/lean-left.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":23706,"url":"https:\/\/tomajazz.com\/web\/hdo-paal-nilssen-love-his-voice-and-his-music-0100-podcast\/","url_meta":{"origin":2293,"position":4},"title":"HDO 100. Paal Nilssen-Love: his voice and his music [Podcast]","author":"Tomajazz","date":"21 abril, 2016","format":false,"excerpt":"Drummer Paal Nilssen-Love introduces three of his last recordings --Ana, Soul Stream, and Angular Mass-- in the HDO Tomajazz podcast. And after his voice, his music: we will listen to some pieces from each of these albums. Text: \u00a9 Pachi Tapiz, 2016 Photography:\u00a0\u00a9 Sera Mart\u00edn, 2016 \u00a0 Today in HDO:\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/IMG_4331.JPG-Paal-Nilsen-Lovewm.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/IMG_4331.JPG-Paal-Nilsen-Lovewm.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/IMG_4331.JPG-Paal-Nilsen-Lovewm.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":23554,"url":"https:\/\/tomajazz.com\/web\/paal-nilssen-love-ana-angular-mass-soul-stream-pnl-records-20156-cd\/","url_meta":{"origin":2293,"position":5},"title":"Paal Nilssen-Love: Ana \/ Angular Mass \/ Soul Stream (PNL Records, 2015\/6; CD)","author":"Tomajazz","date":"15 abril, 2016","format":false,"excerpt":"Ana (Large Unit), Angular Mass (Michiyo Yagi, Lasse Marhaug, Paal Nilssen-Love) y Soul Stream (los tres m\u00fasicos anteriores m\u00e1s Joe McPhee) son tres obras publicadas durante los \u00faltimos meses por el baterista Paal Nilssen-Love en su sello PNL Recordings, que sirven para mostrar los distintos derroteros por los que se\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Large-Unit_ANA_PNL-Records_2016.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Large-Unit_ANA_PNL-Records_2016.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Large-Unit_ANA_PNL-Records_2016.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Large-Unit_ANA_PNL-Records_2016.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2293","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2293"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2293\/revisions"}],"predecessor-version":[{"id":23398,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2293\/revisions\/23398"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/4885"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2293"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2293"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2293"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}