{"id":2312,"date":"2012-06-08T18:50:00","date_gmt":"2012-06-08T16:50:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2312"},"modified":"2016-05-21T20:30:24","modified_gmt":"2016-05-21T18:30:24","slug":"en-la-casa-del-mundo-xxxi-especial-bandas-sonoras-quincy-jones-shelly-manne-naked-city-dead-capo","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/en-la-casa-del-mundo-xxxi-especial-bandas-sonoras-quincy-jones-shelly-manne-naked-city-dead-capo\/","title":{"rendered":"En "La casa del Mundo" (XXXI): Especial Bandas Sonoras (Quincy Jones, Shelly Manne, Naked City, Dead Capo)"},"content":{"rendered":"
<\/div>\n
\"\"<\/a><\/div>\n
Melod\u00edas m\u00e1s que conocidas en el primer especial jazz\u00edstico en \u00abLa casa del Mundo\u00bb con versiones de temas de las pel\u00edculas\u00a0La Pantera Rosa<\/i> (\u00abPink Panter Theme\u00bb por Quincy Jones<\/b>), El nuevo caso del inspector Clouseau<\/i> (\u00abA Shot In The Dark\u00bb por Naked City<\/b>), Blade Runner<\/i> (\u00abBlade Runner (End Title)\u00bb por Dead Capo<\/b>), Hatari!<\/i>\u00a0(\u00abBaby Elephant Walk\u00bb por Quincy Jones<\/b> nuevamente) y de la serie de televisi\u00f3n\u00a0Peter Gunn<\/i>\u00a0(por Shelly Manne and His Men<\/b>). Si no fuera por la intromisi\u00f3n puntual de Vangelis<\/b>, casi podr\u00eda haber sido un especial sobre Henry Mancini<\/b>.<\/div>\n

\u00a9 Pachi Tapiz, 2012<\/p>\n

<\/p>\n

\n
\"\"<\/a><\/div>\n
Quincy Jones. Strike Up The Band<\/i>. Mercury.1964<\/div>\n
<\/div>\n
\"\"<\/a><\/div>\n
Naked City. Naked City<\/i>. Elektra\/Nonesuch. 1989<\/div>\n
\"\"<\/a><\/div>\n
Shelly Manne & His Men. Play Peter Gunn<\/i>. Contemporary. 1959<\/div>\n
\"\"<\/a><\/div>\n
Dead Capo. Sale<\/i>. LoveMonk. 2012<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Melod\u00edas m\u00e1s que conocidas en el primer especial jazz\u00edstico en \u00abLa casa del Mundo\u00bb con versiones de temas de las pel\u00edculas\u00a0La Pantera Rosa (\u00abPink Panter Theme\u00bb por Quincy Jones), El nuevo caso del inspector Clouseau (\u00abA Shot In The Dark\u00bb por Naked City), Blade Runner (\u00abBlade Runner (End Title)\u00bb porContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4313,1038,1,4758],"tags":[16099,16100],"class_list":["entry","author-pachi","post-2312","post","type-post","status-publish","format-standard","category-bun","category-contenidos","category-uncategorized","category-blogs","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":4279,"url":"https:\/\/tomajazz.com\/web\/suenan-los-androides-con-tablas-de-surf-a-pilas-entrevista-a-javier-adan-dead-capo-entrevista-por-pachi-tapiz\/","url_meta":{"origin":2312,"position":0},"title":"\u00bfSue\u00f1an los androides con tablas de surf a pilas?. Entrevista a Javier Ad\u00e1n (Dead Capo). Entrevista por Pachi Tapiz","author":"Tomajazz","date":"1 septiembre, 2012","format":false,"excerpt":"En 2012 el grupo Dead Capo ha publicado\u00a0Sale\u00a0(LoveMonnk), su segundo CD, diez a\u00f1os despu\u00e9s de la publicaci\u00f3n deD\u00edscolo\u00a0. Por aqu\u00e9l entonces su irrupci\u00f3n en el panorama nacional supuso un soplo de aire fresco. A pesar de ello, y especialmente a pesar de que el grupo no ha cesado su actividad\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/01\/dc_jda_1.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2057,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-2-3-4-shelly-manne-1994\/","url_meta":{"origin":2312,"position":1},"title":"Tomajazz recomienda… un CD: 2-3-4 (Shelly Manne, 1994)","author":"Adolphus van Tenzing","date":"7 mayo, 2012","format":false,"excerpt":"Casi 20 a\u00f1os despu\u00e9s de haber grabado un legendario \"The Man I Love\" (1943), Shelly Manne se re\u00fane con Coleman Hawkins de nuevo en formato de cuarteto. Hank Jones y George Duvivier completan un grupo que tuvo una noche m\u00e1gica delante de los micr\u00f3fonos. Todos est\u00e1n sobresalientes, y los momentos\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Shelly Manne 2-3-4","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/05\/Shelly-Manne-2-3-4.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4367,"url":"https:\/\/tomajazz.com\/web\/dead-capo-sale-lovemonk-2012\/","url_meta":{"origin":2312,"position":2},"title":"Dead Capo – Sale (Lovemonk, 2012)","author":"Tomajazz","date":"15 septiembre, 2012","format":false,"excerpt":"Comentario:\u00a0El grupo madrile\u00f1o Dead Capo, tras quince a\u00f1os de andadura, sigue haciendo alarde de su independencia en el castigado panorama de la m\u00fasica creativa espa\u00f1ola. A pesar de su dilatada carrera, tan s\u00f3lo contaba con un trabajo editado,\u00a0D\u00edscolo\u00a0, del a\u00f1o 2002. Pero su reputaci\u00f3n se la ha ganado demostrando en\u2026","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/01\/dc_s.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/01\/dc_s.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/01\/dc_s.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/01\/dc_s.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":29157,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-setembro-brazilian-wedding-song-51\/","url_meta":{"origin":2312,"position":3},"title":"365 razones para amar el jazz: un tema. Setembro (Brazilian Wedding Song) [51]","author":"Tomajazz","date":"20 febrero, 2017","format":false,"excerpt":"Un tema. \"Setembro (Brazilian Wedding Song)\" (1980) M\u00fasica: Ivan Lins & Gilson Peranzetta Seleccionado por\u00a0Luis Escalante Ozalla. Quincy Jones:\u00a0Back On The Block\u00a0(Qwest Records - Warner Bros. Records, 1989). Sarah Vaughan, Take 6, Quincy Jones Band. Personal: Herbie Hancock, George Duke, Greg Phillinganes, Ian Prince, David Paich, Bruce Swedien, Paulinho Da\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Quincy-Jones_Back-On-The-Block_QWest-Records_1989.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Quincy-Jones_Back-On-The-Block_QWest-Records_1989.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Quincy-Jones_Back-On-The-Block_QWest-Records_1989.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":47952,"url":"https:\/\/tomajazz.com\/web\/cool-jazz-xviii-shelly-manne-la-odisea-de-la-musica-afroamericana-218-podcast\/","url_meta":{"origin":2312,"position":4},"title":"Cool Jazz (XVIII): Shelly Manne. La Odisea de la M\u00fasica Afroamericana (218) [Podcast]","author":"Tomajazz","date":"24 diciembre, 2019","format":false,"excerpt":"El baterista Shelly Manne es la figura pivotal en torno a la que gira el contenido del cap\u00edtulo 218 de La Odisea de la M\u00fasica Afroamericana de\u00a0Luis Escalante Ozalla.","rel":"","context":"En \u00abLa odisea de la m\u00fasica afroamericana\u00bb","block_context":{"text":"La odisea de la m\u00fasica afroamericana","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/la-odisea-de-la-musica-afroamericana\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/Shelly_Manne_William_P._Gottlieb_05981_peq.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/Shelly_Manne_William_P._Gottlieb_05981_peq.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/12\/Shelly_Manne_William_P._Gottlieb_05981_peq.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":39731,"url":"https:\/\/tomajazz.com\/web\/dinah-washington-ii-la-odisea-de-la-musica-afroamericana-168-podcast\/","url_meta":{"origin":2312,"position":5},"title":"Dinah Washington (II). La Odisea de la M\u00fasica Afroamericana (168) [Podcast]","author":"Tomajazz","date":"12 noviembre, 2018","format":false,"excerpt":"Por Luis Escalante Ozalla. La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. El cap\u00edtulo 168 de\u00a0La Odisea de la\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Dinah_Washington_1962.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Dinah_Washington_1962.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Dinah_Washington_1962.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Dinah_Washington_1962.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2312","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2312"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2312\/revisions"}],"predecessor-version":[{"id":3601,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2312\/revisions\/3601"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2312"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2312"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2312"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}