{"id":2315,"date":"2012-05-31T22:25:00","date_gmt":"2012-05-31T20:25:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2315"},"modified":"2016-05-21T20:30:25","modified_gmt":"2016-05-21T18:30:25","slug":"don-pullen-the-complete-remastered-recordings-on-black-saint-blue-note-cam-2012","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/don-pullen-the-complete-remastered-recordings-on-black-saint-blue-note-cam-2012\/","title":{"rendered":"Don Pullen: The Complete Remastered Recordings on Black Saint &amp; Blue Note (CAM, 2012)"},"content":{"rendered":"<div><a href=\"http:\/\/2.bp.blogspot.com\/-kQQAJ-Ac2lk\/T8fa9hCQkoI\/AAAAAAAAEyQ\/JtHIKKwlrzk\/s1600\/bxs1017_don_pullen.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft\" style=\"border: 0px;\" src=\"http:\/\/2.bp.blogspot.com\/-kQQAJ-Ac2lk\/T8fa9hCQkoI\/AAAAAAAAEyQ\/JtHIKKwlrzk\/s200\/bxs1017_don_pullen.jpg\" alt=\"\" width=\"200\" height=\"200\" border=\"0\" title=\"\"><\/a><\/div>\n<div style=\"text-align: justify;\">Los siete CD incluidos en la caja dedicada a <b>Don Pullen<\/b> dejan bien a las claras su grandeza como pianista. Muestran a un artista con un tremendo arsenal de recursos, un vers\u00e1til todo terreno. <i>Capricorn Rising <\/i>(1975) fue grabado a cuarteto junto al enorme <b>Sam Rivers<\/b>, <b>Alex Blake<\/b> y <b>Bobby Battle<\/b>. Si en la primera cara del LP su m\u00fasica transitaba por el <i>post-free<\/i> de la \u00e9poca, el mel\u00f3dico \u201cFall Out\u201d o el car\u00e1cter festivo de \u201cJoycie Girl\u201d mostraban otra cara bien distinta. <i>Warriors <\/i>(1978) es una sesi\u00f3n de <i>free-bop<\/i>\u00a0repartida en dos temas (\u201cWarriors Dance: Little Don\u201d -dividido en dos partes- y \u201cLand Of The Pharoahs\u201d) a cargo de <b>Pullen<\/b>, <b>Chico Freeman <\/b>(saxo tenor), <b>Fred Hopkins <\/b>(contrabajo) y nuevamente <b>Bobby Battle <\/b>(bater\u00eda). All\u00ed est\u00e1 lo que uno puede esperar de semejante formaci\u00f3n: buenas melod\u00edas y unos solos contundentes (adem\u00e1s de <b>Pullen<\/b>, atenci\u00f3n a <b>Hopkins <\/b>y <b>Battle <\/b>en la segunda parte de \u201cWarriors Dance\u201d). A lo largo de su carrera, del mismo modo que ocurri\u00f3 con <b>Cecil Taylor<\/b>, <b>Don Pullen <\/b>colabor\u00f3 con el <b>Art Ensemble Of Chicago<\/b>. En <i>Milano Strut<\/i> (1978) el pianista grab\u00f3 en d\u00fao con al percusionista <b>Famoudou Don Moye<\/b>. En <i>The Magic Triangle<\/i> (1979) a los dos m\u00fasicos se les uni\u00f3 el flautista, clarinetista y saxofonista <b>Joseph Jarman<\/b>. \u201cConversation\u201d, el tema que inicia <i>Milano Strut<\/i>, muestra un <i>free <\/i>descarado especialmente interactivo, aunque la propuesta cambia en los tres temas restantes a la espiritualidad de \u201cCommunication\u201d, la ligereza de \u201cMilano Strut\u201d, e incluso a la libre improvisaci\u00f3n en el inicio de \u201cCurve Element (for Giuseppi)\u201d. Algo similar ocurre en <i>The Magic Triangle<\/i>. La suavidad inicial de \u201cLonely Child\u201d sirve para que la melod\u00eda de <b>Joseph Jarman<\/b> se interne en los terrenos del free. \u201cJ.F.M. &#8211; 3 Way Blues\u201d de <b>Famoudou Don Moye <\/b>est\u00e1 compuesta por una marcha y termina con un potente <i>blues<\/i>. <b>Don Pullen <\/b>compuso los dos temas de la cara B: el <i>monkiano-a-la-free<\/i> \u201cHippy Dippy\u201d, dando a continuaci\u00f3n una lecci\u00f3n de pianismo enciclop\u00e9dico en \u201cWhat Was Ain\u2019t\u201d. En 1985 el <b>Don Pullen Quintet<\/b> (<b>Olu Dara<\/b> -trompeta-, <b>Donald Harrison<\/b> -saxo alto-, nuevamente <b>Fred Hopkins<\/b> y <b>Bobby Battle<\/b>, adem\u00e1s del propio <b>Pullen<\/b>) grababan <i>The Sixth Sense<\/i>. Un disco en el que hay <i>free-bop<\/i>, pero tambi\u00e9n referencias al <i>gospel <\/i>o a la m\u00fasica de New Orleans. En <i>Healing Force<\/i> (1976) y <i>Evidence Of Things Unseen<\/i> (1983) el pianista se enfrent\u00f3 en solitario al piano, saliendo triunfante. Sus armas conten\u00edan dosis de abstracci\u00f3n y lirismo, de melod\u00eda y libertad, de inspiraci\u00f3n en el jazz y en otras m\u00fasicas, de intensidad y de suavidad. El enorme \u201cHealing Force\u201d, \u201cTracey\u2019s Blues\u201d, \u201cEvidence Of Things Unseen\u201d, \u201cVictory Dance\u201d o \u201cIn The Beginning\u201d son algunas de las joyas contenidas en estos dos discos, hora y media de la que se recomienda no perderse un solo momento.<\/div>\n<p>\u00a9 Pachi Tapiz, 2012<\/p>\n<p>Don Pullen: <i>The Complete Remastered Recordings on Black Saint &amp; Blue Note<\/i>. CAM, 2012. BXS 1017. Distribuido por Harmonia Mundi Espa\u00f1a.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Los siete CD incluidos en la caja dedicada a Don Pullen dejan bien a las claras su grandeza como pianista. Muestran a un artista con un tremendo arsenal de recursos, un vers\u00e1til todo terreno. Capricorn Rising (1975) fue grabado a cuarteto junto al enorme Sam Rivers, Alex Blake y Bobby<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/don-pullen-the-complete-remastered-recordings-on-black-saint-blue-note-cam-2012\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":5565,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5,1038],"tags":[1478,1530,12651,5923,12696,13,12415,15295,2230,16099,77,16100],"class_list":["entry","author-pachi","post-2315","post","type-post","status-publish","format-standard","has-post-thumbnail","category-grabaciones","category-contenidos","tag-black-saint","tag-cam-jazz","tag-cd","tag-don-pullen","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-soul-note","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/05\/bxs1017_don_pullen1.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1861,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-city-gates-george-adamsdon-pullen-quartet-1983\/","url_meta":{"origin":2315,"position":0},"title":"Tomajazz recomienda&#8230; un CD: City Gates (George Adams\/Don Pullen Quartet, 1983)","author":"Adolphus van Tenzing","date":"16 noviembre, 2009","format":false,"excerpt":"Integrantes de una de las \u00faltimas bandas del mism\u00edsimo Charles Mingus en los setenta, el saxofonista George Adams y el pianista Don Pullen comandaron un inolvidable cuarteto completado por el contrabajista Cameron Brown y el bater\u00eda, tambi\u00e9n habitual de Mingus, Dannie Richmond. 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