{"id":2340,"date":"2012-05-04T13:52:00","date_gmt":"2012-05-04T11:52:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2340"},"modified":"2016-05-21T20:30:33","modified_gmt":"2016-05-21T18:30:33","slug":"leido-visto-o-escuchado-manuel-beteta-sobre-el-americana","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/leido-visto-o-escuchado-manuel-beteta-sobre-el-americana\/","title":{"rendered":"Le\u00eddo, visto o escuchado: Manuel Beteta sobre el americana"},"content":{"rendered":"<div><a href=\"http:\/\/4.bp.blogspot.com\/-A7nkDSfpqLw\/T6I3WankxeI\/AAAAAAAAElM\/-U30NkIkQ6o\/s1600\/ruta66_293.jpg\" imageanchor=\"1\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"291\" src=\"http:\/\/4.bp.blogspot.com\/-A7nkDSfpqLw\/T6I3WankxeI\/AAAAAAAAElM\/-U30NkIkQ6o\/s320\/ruta66_293.jpg\" width=\"200\" alt=\"\" title=\"\"><\/a><\/div>\n<blockquote><p>Me estaba convirtiendo en un aficionado musicalmente conservador, amold\u00e1ndome a lo f\u00e1cil, a la m\u00fasica sin sobresaltos, y rechazaba frontalmente cualquier an\u00e1rquico sonido. Peor a\u00fan: el cuerpo me hab\u00eda pedido dejar de escuchar a <b>Cannonball Adderley<\/b>&#8230; y por ah\u00ed \u00a0no iba a pasar. Cualquiera sabe que, quieras o no, acabas en el jazz. Con sus l\u00edneas mel\u00f3dicas de serenas sonoridades, es la m\u00e1xima expresi\u00f3n art\u00edstica. El jazz es velocidad, interacci\u00f3n, pasi\u00f3n, exploraci\u00f3n, una forma de conjugar complejamente las formas y los tiempos musicales. La fusi\u00f3n perfecta entre la placidez y la vehemencia con una simple progresi\u00f3n de acordes.<\/p><\/blockquote>\n<p><b>Manuel Beteta<\/b> en la columna <i>Opini\u00f3n Invitada<\/i> \u00abEl americana es perjudicial para la salud\u00bb. <a href=\"http:\/\/www.ruta66.es\/\" target=\"_blank\" rel=\"noopener\"><i>Ruta 66<\/i><\/a>. N\u00famero 293. Mayo de 2012.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Me estaba convirtiendo en un aficionado musicalmente conservador, amold\u00e1ndome a lo f\u00e1cil, a la m\u00fasica sin sobresaltos, y rechazaba frontalmente cualquier an\u00e1rquico sonido. Peor a\u00fan: el cuerpo me hab\u00eda pedido dejar de escuchar a Cannonball Adderley&#8230; y por ah\u00ed \u00a0no iba a pasar. Cualquiera sabe que, quieras o no, acabas<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/leido-visto-o-escuchado-manuel-beteta-sobre-el-americana\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[16099,16100],"class_list":["entry","author-pachi","post-2340","post","type-post","status-publish","format-standard","category-uncategorized","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":4801,"url":"https:\/\/tomajazz.com\/web\/north-mississippi-allstars-1996-2008\/","url_meta":{"origin":2340,"position":0},"title":"North Mississippi Allstars. Renovando sin diluir la esencia (1996-2008) Por Manuel Beteta [Art\u00edculo]","author":"Tomajazz","date":"5 junio, 2012","format":false,"excerpt":"Manuel Beteta repasa en North Mississippi Allstars: Renovando sin diluir la esencia, la trayectoria del grupo que ha revitalizado el blues a partir del Hill Country Blues","rel":"","context":"En \u00abA Fondo\u00bb","block_context":{"text":"A Fondo","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/afondo\/"},"img":{"alt_text":"North Mississippi Allstars. Renovando sin diluir la esencia. 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El retorno]","author":"Tomajazz","date":"11 agosto, 2011","format":false,"excerpt":"\"Brown Bag\"Boogaloo Joe JonesRight On, Brother!Prestige (1970)Seleccionado por Manuel Beteta","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"","src":"http:\/\/2.bp.blogspot.com\/-TYyCiDEDOac\/TjKaz1U6qyI\/AAAAAAAADP0\/soQ9qEwCRAQ\/s200\/Boogaloo%2BJoe%2BJones%2B-%2BRight%2BOn%2BBrother%2B%2528Prestige%252C%2B1970.bmp","width":350,"height":200},"classes":[]},{"id":103194,"url":"https:\/\/tomajazz.com\/web\/universos-paralelos-t31-p14-p15-2025-26\/","url_meta":{"origin":2340,"position":4},"title":"Universos Paralelos: final de a\u00f1o 2025 (UP.T.31 P.14 y 15) [Noticias de jazz]","author":"Tomajazz","date":"7 enero, 2026","format":false,"excerpt":"Universos Paralelos junto con su presentador, Sergio Cabanillas, se toma un descanso en enero de 2026. El programa finaliz\u00f3 diciembre de 2026 con sendos programas, incluyendo un programa extra el d\u00eda de Navidad #Noticiasdejazz","rel":"","context":"En \u00abUniversos Paralelos - UP\u00bb","block_context":{"text":"Universos Paralelos - UP","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/noticias-2\/universos-paralelos-up\/"},"img":{"alt_text":"Universos Paralelos: final de a\u00f1o 2025 (UP.T.31 P.14 y 15) [Noticias de jazz] - Tomajazz","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/00-destacada-Jorge-Cabadas-Algunas-Piezas-Inauditas-1080.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/00-destacada-Jorge-Cabadas-Algunas-Piezas-Inauditas-1080.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/00-destacada-Jorge-Cabadas-Algunas-Piezas-Inauditas-1080.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":104502,"url":"https:\/\/tomajazz.com\/web\/compania-manuel-linan-muerta-de-amor-flamencuras-2026\/","url_meta":{"origin":2340,"position":5},"title":"Compa\u00f1\u00eda Manuel Li\u00f1\u00e1n \u201cMuerta de Amor\u00bb (Teatre Auditori de Granollers -sala gran-, 2026-02-13 \/ Granollers -Barcelona-) Por Joan Cort\u00e8s [Flamencuras AKA INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","author":"Tomajazz","date":"21 marzo, 2026","format":false,"excerpt":"Compa\u00f1\u00eda Manuel Li\u00f1\u00e1n \u201cMuerta de Amor\" actu\u00f3 en el Teatre Auditori de Granollers el 13 de febrero de 2026. Joan Cort\u00e8s lo retrata en las Flamencuras de INSTANTZZ","rel":"","context":"En \u00abFlamencuras\u00bb","block_context":{"text":"Flamencuras","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/imagenes\/photoblogs\/flamencuras\/"},"img":{"alt_text":"Compa\u00f1\u00eda Manuel Li\u00f1\u00e1n \u201cMuerta de Amor\" (Teatre Auditori de Granollers -sala gran-, 2026-02-13 \/ Granollers -Barcelona-) Por Joan Cort\u00e8s [Flamencuras AKA INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] - Tomajazz - Compa\u00f1\u00eda Manuel Li\u00f1\u00e1n \u201cMuerta de Amor\" actu\u00f3 en el Teatre Auditori de Granollers el 13 de febrero de 2026. Joan Cort\u00e8s lo retrata en las Flamencuras de INSTANTZZ","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/03\/destacada-03-Mnl-Lnn-Photo-by-Joan-Cortes-13fbr26-Ttr-dtr-Grnllrs.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/03\/destacada-03-Mnl-Lnn-Photo-by-Joan-Cortes-13fbr26-Ttr-dtr-Grnllrs.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/03\/destacada-03-Mnl-Lnn-Photo-by-Joan-Cortes-13fbr26-Ttr-dtr-Grnllrs.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2340","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2340"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2340\/revisions"}],"predecessor-version":[{"id":24396,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2340\/revisions\/24396"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2340"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2340"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2340"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}