{"id":2356,"date":"2012-04-17T23:00:00","date_gmt":"2012-04-17T21:00:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2356"},"modified":"2016-05-21T20:30:37","modified_gmt":"2016-05-21T18:30:37","slug":"off-topic-el-tema-del-rey","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/off-topic-el-tema-del-rey\/","title":{"rendered":"Off-Topic: El tema del rey"},"content":{"rendered":"
\"\"<\/a><\/div>\n

En 1740, Carl Philipp Emanuel Bach<\/b> (1714-1788), quinto hijo de Johann Sebastian<\/b>, accedi\u00f3 a la corte de Federico II el Grande<\/b>, monarca de Prusia, en cuyo palacio se ofrec\u00edan diariamente conciertos de c\u00e1mara. El rey, mel\u00f3mano, flautista y compositor, tuvo noticias del arte del viejo Bach <\/b>y quiso conocerlo. Tras mucho insistir, su hijo Carl <\/b>logr\u00f3 que aceptara la invitaci\u00f3n. Durante su estancia en Postdam, sede del palacio, y a solicitud del rey, Bach <\/b>prob\u00f3 todos los pianofortes Silbermann que el monarca ten\u00eda distrubuidos por las habitaciones y salones. Demostrando su capacidad creadora, durante el recorrido Bach <\/b>pidi\u00f3 al rey, de forma totalmente improvisada, una melod\u00eda para desarrollar una fuga. Bach <\/b>parti\u00f3 hacia Leipzig, y en agradecimiento a la atenci\u00f3n recibida compuso la Ofrenda Musical<\/i> bas\u00e1ndose en la melod\u00eda entregada por Federico II<\/b>. La obra, en la que Bach <\/b>desarrolla maravillosamente su arte, fue completada dos meses despu\u00e9s del encuentro y consta de dos ricercares, diez c\u00e1nones y una sonata. En el manuscrito, Bach anot\u00f3 como t\u00edtulo del primer ricercar \u00abRegis Iussu Cantio Et Reliqua Canonica Arte Absoluta\u00bb, que significa \u00abtema elaborado por el rey, y el resto desarrollado seg\u00fan el arte del canon\u00bb. La frase esconde un juego de palabras, un acr\u00f3stico: si encolumnamos las palabras de la frase, con las iniciales se forma una palabra en vertical; en este caso, justamente RICERCAR.<\/p><\/blockquote>\n

\u00a9 Javier Arbon\u00e9s. Mablo Milrud. La armon\u00eda es num\u00e9rica. M\u00fasica y matem\u00e1ticas<\/i>. RBA Editores. 2012<\/p>\n","protected":false},"excerpt":{"rendered":"

En 1740, Carl Philipp Emanuel Bach (1714-1788), quinto hijo de Johann Sebastian, accedi\u00f3 a la corte de Federico II el Grande, monarca de Prusia, en cuyo palacio se ofrec\u00edan diariamente conciertos de c\u00e1mara. El rey, mel\u00f3mano, flautista y compositor, tuvo noticias del arte del viejo Bach y quiso conocerlo. TrasContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[16099,16100],"class_list":["entry","author-pachi","post-2356","post","type-post","status-publish","format-standard","category-uncategorized","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":758,"url":"https:\/\/tomajazz.com\/web\/yonathan-avishai-bachir-mouhali-soledad-fresh-sound-world-jazz-043-2006\/","url_meta":{"origin":2356,"position":0},"title":"Yonathan Avishai & Bachir Mouhali – Soledad (Fresh Sound World Jazz 043- 2006)","author":"Autor1","date":"10 mayo, 2011","format":false,"excerpt":"\u00a0En esta nueva producci\u00f3n del sello Fresh Sound se vuelve a confirmar que una de las se\u00f1as de identidad del jazz es su versatilidad. En su crisol pueden resplandecer las m\u00fasicas originarias de cualquier rinc\u00f3n de este planeta. Para esta sesi\u00f3n se han juntado el pianista de origen israel\u00ed Jonathan\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/yabm_s1.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":39825,"url":"https:\/\/tomajazz.com\/web\/ciclo-de-conciertos-bach-el-jazz-y-la-improvisacion-fundacion-juan-march-madrid-noviembre-y-diciembre-de-2018-noticias\/","url_meta":{"origin":2356,"position":1},"title":"Ciclo de conciertos: Bach, el jazz y la improvisaci\u00f3n (Fundaci\u00f3n Juan March, Madrid. 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Joan Cort\u00e8s retrata a la chelista en INSTANTZZ","rel":"","context":"En \u00abLAC-Laboratori d\u2019Arts Contemplatives- 2025 (Llinars del Vall\u00e8s -Barcelona)\u00bb","block_context":{"text":"LAC-Laboratori d\u2019Arts Contemplatives- 2025 (Llinars del Vall\u00e8s -Barcelona)","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/especial-contenidos\/lac-laboratori-darts-contemplatives-2025\/"},"img":{"alt_text":"Anja Lechner \u201cBach-Abel-Hume\u201d (LAC-Laboratori d\u2019Arts Contemplatives- \/ Can Bordoi, 25-mayo-2025, Llinars del Vall\u00e8s -Barcelona-) Por Joan Cort\u00e8s [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] - Tomajazz - Anja Lechner \u201cBach-Abel-Hume\u201d actu\u00f3 en LAC-Laboratori d\u2019Arts Contemplatives- en Llinars del Vall\u00e8s (Barcelona), el 25 de mayo de 2025. 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