{"id":2357,"date":"2012-04-16T23:00:00","date_gmt":"2012-04-16T21:00:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2357"},"modified":"2016-05-21T20:30:38","modified_gmt":"2016-05-21T18:30:38","slug":"joe-mcphee-ingebrigt-haker-flaten-brooklyn-dna-clean-feed-2012","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/joe-mcphee-ingebrigt-haker-flaten-brooklyn-dna-clean-feed-2012\/","title":{"rendered":"Joe McPhee &#8211; Ingebrigt Haker Flaten: Brooklyn DNA (Clean Feed, 2012)"},"content":{"rendered":"<div><a href=\"http:\/\/4.bp.blogspot.com\/-sRVj6k8L6jk\/T4xlXnnTrpI\/AAAAAAAAEeM\/RRJ_Pe8Fyf4\/s1600\/mcphee-haker-flaten_brooklyn-dna.jpg\" imageanchor=\"1\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"200\" src=\"http:\/\/4.bp.blogspot.com\/-sRVj6k8L6jk\/T4xlXnnTrpI\/AAAAAAAAEeM\/RRJ_Pe8Fyf4\/s200\/mcphee-haker-flaten_brooklyn-dna.jpg\" width=\"200\" alt=\"\" title=\"\"><\/a><\/div>\n<div>\n<i>Brooklyn DNA<\/i> es un homenaje y reivindicaci\u00f3n del papel de Brooklyn en la historia del jazz. A d\u00fao, <b>Joe McPhee <\/b>e <b>Ingebrigt Haker Flaten<\/b>, realizan una sesi\u00f3n de jazz improvisado estructurada en piezas que a pesar de los t\u00edtulos no pretenden ser m\u00fasica program\u00e1tica, pero en las que sin embargo van apareciendo algunas referencias claras. Esto comienza a las pocas notas del inicio del CD con \u201cCrossing the Bridge\u201d que trae a la mente a <b>Sonny Rollins <\/b>y su grabaci\u00f3n <i>The Bridge<\/i>. La brevedad de los temas (las ocho improvisaciones apenas duran 40 minutos) gracias a la concisi\u00f3n de los dos m\u00fasicos, unido a la variedad de sonidos que aporta <b>Joe McPhee<\/b> (que utiliza adem\u00e1s de la trompeta de bolsillo los saxos alto y soprano) y a esas m\u00faltiples referencias que van apareciendo (la m\u00fasica se podr\u00eda calificar como improvisaci\u00f3n libre idiom\u00e1tica, con un aire cercano al jazz cl\u00e1sico), favorecen el resultado final. La grabaci\u00f3n pasa como un suspiro y deja con ganas de m\u00e1s.<\/div>\n<p>\u00a9 Pachi Tapiz, 2012<\/p>\n<p>Joe McPhee &#8211; Ingebrigt Haker Flaten: <i>Brooklyn DNA<\/i><\/p>\n<p>Joe McPhee (trompeta de bolsillo, saxos alto y soprano), Ingebrigt Haker Flaten (contrabajo)<\/p>\n<p>\u201cCrossing the Bridge\u201d, \u201cSpirit Cry\u201d, \u201cPutnam Central\u201d, \u201cBlue Coronet\u201d, \u201c214 Martense\u201d, \u201cEnoragt Maeckt Hagth\u201d, \u201cHere and Now\u201d<\/p>\n<p>Grabado el 13 de julio de 2011 en Systems Two de Brooklyn, Nueva York. Publicado en 2012 por Clean Feed Records. CF244CD <a href=\"http:\/\/www.cleanfeed-records.com\/\" target=\"_blank\" rel=\"noopener\">www.cleanfeed-records.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Brooklyn DNA es un homenaje y reivindicaci\u00f3n del papel de Brooklyn en la historia del jazz. A d\u00fao, Joe McPhee e Ingebrigt Haker Flaten, realizan una sesi\u00f3n de jazz improvisado estructurada en piezas que a pesar de los t\u00edtulos no pretenden ser m\u00fasica program\u00e1tica, pero en las que sin embargo<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/joe-mcphee-ingebrigt-haker-flaten-brooklyn-dna-clean-feed-2012\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[16099,16100],"class_list":["entry","author-pachi","post-2357","post","type-post","status-publish","format-standard","category-uncategorized","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2357","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2357"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2357\/revisions"}],"predecessor-version":[{"id":24402,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2357\/revisions\/24402"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2357"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2357"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2357"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}