{"id":23742,"date":"2016-04-22T18:20:20","date_gmt":"2016-04-22T16:20:20","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=23742"},"modified":"2016-11-13T21:49:12","modified_gmt":"2016-11-13T20:49:12","slug":"hdo-ivo-perelman-en-leo-records-101-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/hdo-ivo-perelman-en-leo-records-101-podcast\/","title":{"rendered":"HDO 101. Ivo Perelman en Leo Records [Podcast]"},"content":{"rendered":"<p style=\"text-align: justify;\">El saxofonista (y tambi\u00e9n pintor) <strong>Ivo Perelman<\/strong> contin\u00faa con su incansable actividad discogr\u00e1fica en <strong>Leo Records<\/strong>. En abril de 2016 publica cinco nuevas grabaciones que hacen que sean ya m\u00e1s de 25 referencias las publicadas en el sello dirigido por <strong>Leo Feigin<\/strong> en los \u00faltimos cinco a\u00f1os. En formato de d\u00fao (<em>Corpo<\/em> junto al pianista <strong>Matthew Shipp<\/strong>, <em>Blue<\/em> con el guitarrista <strong>Joe Morris<\/strong>, <em>The Hictchhiker<\/em> acompa\u00f1ado por el veterano vibrafonista <strong>Karl Berger<\/strong>), o en cuarteto (<em>Soul<\/em> con Shipp, <strong>Michael Bisio <\/strong>y <strong>Whit Dickey<\/strong>, <em>Breaking Point<\/em> secundado por <strong>Mat Maneri<\/strong>, Morris \u2013aqu\u00ed ejerciendo de contrabajista-, y <strong>Gerald Cleaver<\/strong>), la m\u00fasica se mueve por los terrenos de la libre improvisaci\u00f3n. Este es un terreno en el que el m\u00fasico brasile\u00f1o se mueve con una gran comodidad. A ello le ayuda el estar acompa\u00f1ado por media docena de m\u00fasicos (el \u00fanico con el que tiene una relaci\u00f3n menos asentada es con Berger), que han sido sus compa\u00f1eros en mil batallas. Libre improvisaci\u00f3n es aqu\u00ed a libertad para crear, para dejar paso a melod\u00edas, para variar la intensidad de la propuesta; para dejarse influenciar por el blues o melod\u00edas de car\u00e1cter infantil (\u00bfo es folkl\u00f3rico?); y tambi\u00e9n \u2013important\u00edsimo- para que la m\u00fasica no se extienda innecesariamente .<\/p>\n<p style=\"text-align: right;\">\u00a9 Pachi Tapiz, 2016<\/p>\n<p><strong>HDO <\/strong>es un <em>podcast <\/em>editado, producido y presentado por <strong>Pachi Tapiz<\/strong>.<br \/>\n<iframe id='audio_11260257' frameborder='0' allowfullscreen='' scrolling='no' height='200' src='http:\/\/www.ivoox.com\/player_ej_11260257_4_1.html?c1=bd5230' style='border:1px solid #EEE; box-sizing:border-box; width:100%;'><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><center><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-23747 alignnone\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Ivo-Perelman-with-Matthew-Shipp-Michael-Bisio-Whit-Dickey-_Soul_Leo-Records_2016-200x200.jpg\" alt=\"Ivo Perelman with Matthew Shipp Michael Bisio Whit Dickey _Soul_Leo Records_2016\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Ivo-Perelman-with-Matthew-Shipp-Michael-Bisio-Whit-Dickey-_Soul_Leo-Records_2016-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Ivo-Perelman-with-Matthew-Shipp-Michael-Bisio-Whit-Dickey-_Soul_Leo-Records_2016-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Ivo-Perelman-with-Matthew-Shipp-Michael-Bisio-Whit-Dickey-_Soul_Leo-Records_2016-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Ivo-Perelman-with-Matthew-Shipp-Michael-Bisio-Whit-Dickey-_Soul_Leo-Records_2016-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Ivo-Perelman-with-Matthew-Shipp-Michael-Bisio-Whit-Dickey-_Soul_Leo-Records_2016.jpg 354w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-23746 alignnone\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Ivo-Perelman-with-Mat-Maneri-Joe-Morris-Gerald-Cleaver_Breaking-Point_Leo-Records_2016-200x200.jpg\" alt=\"Ivo Perelman with Mat Maneri, Joe Morris, Gerald Cleaver_Breaking Point_Leo Records_2016\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Ivo-Perelman-with-Mat-Maneri-Joe-Morris-Gerald-Cleaver_Breaking-Point_Leo-Records_2016-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Ivo-Perelman-with-Mat-Maneri-Joe-Morris-Gerald-Cleaver_Breaking-Point_Leo-Records_2016-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Ivo-Perelman-with-Mat-Maneri-Joe-Morris-Gerald-Cleaver_Breaking-Point_Leo-Records_2016-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Ivo-Perelman-with-Mat-Maneri-Joe-Morris-Gerald-Cleaver_Breaking-Point_Leo-Records_2016-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Ivo-Perelman-with-Mat-Maneri-Joe-Morris-Gerald-Cleaver_Breaking-Point_Leo-Records_2016.jpg 354w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-23745 alignnone\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Ivo-Perelman-Matthew-Shipp_Corpo_Leo-Records_2016-200x200.jpg\" alt=\"Ivo Perelman - Matthew Shipp_Corpo_Leo Records_2016\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Ivo-Perelman-Matthew-Shipp_Corpo_Leo-Records_2016-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Ivo-Perelman-Matthew-Shipp_Corpo_Leo-Records_2016-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Ivo-Perelman-Matthew-Shipp_Corpo_Leo-Records_2016-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Ivo-Perelman-Matthew-Shipp_Corpo_Leo-Records_2016-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Ivo-Perelman-Matthew-Shipp_Corpo_Leo-Records_2016.jpg 354w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-23744 alignnone\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Ivo-Perelman-Karl-Berger_Hitchhiker_Leo-Records_2016-200x200.jpg\" alt=\"Ivo Perelman - Karl Berger_Hitchhiker_Leo Records_2016\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Ivo-Perelman-Karl-Berger_Hitchhiker_Leo-Records_2016-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Ivo-Perelman-Karl-Berger_Hitchhiker_Leo-Records_2016-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Ivo-Perelman-Karl-Berger_Hitchhiker_Leo-Records_2016-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Ivo-Perelman-Karl-Berger_Hitchhiker_Leo-Records_2016-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Ivo-Perelman-Karl-Berger_Hitchhiker_Leo-Records_2016.jpg 354w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-23743 alignnone\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Ivo-Perelman-Joe-Morris_Blue_Leo-Records_2016-200x200.jpg\" alt=\"Ivo Perelman - Joe Morris_Blue_Leo Records_2016\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Ivo-Perelman-Joe-Morris_Blue_Leo-Records_2016-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Ivo-Perelman-Joe-Morris_Blue_Leo-Records_2016-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Ivo-Perelman-Joe-Morris_Blue_Leo-Records_2016-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Ivo-Perelman-Joe-Morris_Blue_Leo-Records_2016-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Ivo-Perelman-Joe-Morris_Blue_Leo-Records_2016.jpg 354w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/center><strong>Los temas, los m\u00fasicos, las grabaciones<\/strong><\/p>\n<ul>\n<li>\u201cPart8\u201d, \u201cPart 6\u201d, \u201cPart 5\u201d<br \/>\nIvo Perelman \u2013 Matthew Shipp: <em>Corpo <\/em>(Leo Records, 2016)<\/li>\n<li>\u201cBlue\u201d, \u201cCrossword\u201d<br \/>\nIvo Perelman \u2013 Joe Morris: <em>Blue<\/em> (Leo Records, 2016)<\/li>\n<li>\u201cThe Shadow Path\u201d, \u201cThe Well of Memory\u201d, \u201cTwilight\u201d<br \/>\nIvo Perelman \u2013 Karl Berger: <em>The Hictchhiker <\/em>(Leo Records, 2016)<\/li>\n<li>\u201cSoul Crossing\u201d<br \/>\nIvo Perelman \u2013 Matthew Shipp \u2013 Michael Bisio \u2013 Whit Dickey: <em>Soul <\/em>(Leo Records, 2016)<\/li>\n<li>\u201cHarsh Moon\u201d, \u201cCatch 22\u201d<br \/>\nIvo Perelman \u2013 Mat Maneri \u2013 Joe Morris \u2013 Gerald Cleaver: <em>Breaking Point <\/em>(Leo Records, 2016)<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>El saxofonista (y tambi\u00e9n pintor) Ivo Perelman contin\u00faa con su incansable actividad discogr\u00e1fica en Leo Records. En abril de 2016 publica cinco nuevas grabaciones que hacen que sean ya m\u00e1s de 25 referencias las publicadas en el sello dirigido por Leo Feigin en los \u00faltimos cinco a\u00f1os. En formato de<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/hdo-ivo-perelman-en-leo-records-101-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":23744,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,13298,17149,12814,15518,1038],"tags":[13370,12651,12676,12748,1249,12696,13300,13299,15712,15713,15714,15316,15400,6201,15532,15533,15534,15531,15535,13,12415,15295,15278,5486,960,8972,15710,15536,12513,1247,6200,13008,15307,15308,15309,31,12818,15310,15709,15711,15306,16099,77,16100,13408],"class_list":["entry","author-pachi","post-23742","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-hablando-de-oidas-hdo","category-t02-2015-16","category-podcast","category-sonidos","category-contenidos","tag-audioblog","tag-cd","tag-critica","tag-free-improvisation","tag-gerald-cleaver","tag-grabaciones","tag-hablando-de-oidas","tag-hdo","tag-hdo-el-podcast-de-jazz-de-pachi-tapiz","tag-hdo-el-podcast-de-pachi-tapiz","tag-hdo-hablando-de-oidas","tag-improvisacion","tag-improvisacion-libre","tag-ivo-perelman","tag-ivo-perelman-joe-morris","tag-ivo-perelman-karl-berger","tag-ivo-perelman-mat-maneri-joe-morris-gerald-cleaver","tag-ivo-perelman-matthew-shipp","tag-ivo-perelman-matthew-shipp-michael-bisio-whit-dickey","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz-podcast","tag-joe-morris","tag-jose-francisco-tapiz","tag-karl-berger","tag-la-actualidad-del-jazz-en-espana","tag-leo-feigin","tag-libre-improvisacion","tag-mat-maneri","tag-matthew-shipp","tag-michael-bisio","tag-novedades-cd","tag-novedades-discograficas","tag-nuevas-ediciones","tag-pachi-tapiz","tag-podcast","tag-podcast-de-jazz","tag-podcast-de-jazz-en-espana","tag-podcast-de-jazz-en-espanol","tag-resenas","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-whit-dickey"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Ivo-Perelman-Karl-Berger_Hitchhiker_Leo-Records_2016.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":26853,"url":"https:\/\/tomajazz.com\/web\/hdo-177-ivo-perelman-y-the-art-of-the-improv-trio-podcast\/","url_meta":{"origin":23742,"position":0},"title":"HDO 177. Ivo Perelman y The Art Of The Improv Trio [Podcast]","author":"Tomajazz","date":"13 octubre, 2016","format":false,"excerpt":"\u00a0 El saxofonista Ivo Perelman ha publicado los vol\u00famenes uno al seis de The Art Of The Improv Trio en el sello Leo Records. En HDO 177 escuchamos improvisaciones de todas y cada una de estas grabaciones. En ellas est\u00e1 acompa\u00f1ado por los bateristas Gerald Cleaver y Whit Dickey; Joe\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Ivo-Perelman-Karl-Berger-Gerald-Cleaver_The-Art-Of-The-Improv-Trio-Volume-1_Leo-Records_2016.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2163,"url":"https:\/\/tomajazz.com\/web\/ivo-perelman-tres-trios-en-leo-records\/","url_meta":{"origin":23742,"position":1},"title":"Ivo Perelman: tres tr\u00edos en Leo Records","author":"Tomajazz","date":"7 diciembre, 2012","format":false,"excerpt":"Ni una ni dos, sino son tres las grabaciones del saxofonista y pintor brasile\u00f1o Ivo Perelman publicadas en la tanda de novedades de Leo Records del pasado mes de noviembre de 2012. Tres nuevos escalones en una discograf\u00eda que en los \u00faltimos meses ha tomado un renovado impulso. En este\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/2.bp.blogspot.com\/-fIGNmdzplrg\/UMJClNNn5AI\/AAAAAAAAGOU\/VZ0YNOhV7zg\/s200\/perelman_the%2Bclairvoyant.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":30055,"url":"https:\/\/tomajazz.com\/web\/hdo-258-the-art-of-perelman-shipp-podcast\/","url_meta":{"origin":23742,"position":2},"title":"HDO 258. The Art Of Perelman &#8211; Shipp [Podcast]","author":"Tomajazz","date":"8 abril, 2017","format":false,"excerpt":"En marzo de 2017, el saxofonista\u00a0Ivo Perelman y el pianista\u00a0Matthew Shipp han publicado en el sello\u00a0Leo Records, los siete vol\u00famenes de su serie\u00a0The Art Of Perelman - Shipp en formato de d\u00fao, tr\u00edo y cuarteto, acompa\u00f1ados -cuando corresponde- por distintos m\u00fasicos como\u00a0William Parker,\u00a0Whit Dickey,\u00a0Michael Bisio,\u00a0Andrew Cyrille y\u00a0Bobby Kapp. En\u00a0hdo 258\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Ivo-Perelman-Matthew-Shipp_The-Art-Of-Perelman-Shipp_Vol-6_Saturn.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":32874,"url":"https:\/\/tomajazz.com\/web\/hdo-331-ivo-perelman-en-leo-records-una-vez-mas-y-que-siga-podcast\/","url_meta":{"origin":23742,"position":3},"title":"HDO 331. Ivo Perelman en Leo Records&#8230; una vez m\u00e1s (\u00a1y que siga!) [Podcast]","author":"Tomajazz","date":"24 octubre, 2017","format":false,"excerpt":"Una vez m\u00e1s, el sello brit\u00e1nico Leo Records publica en un mes un pu\u00f1ado de referencias lideradas por el saxofonista Ivo Perelman. Tras publicar las series The Art Of The Improv Trio y The Art Of Perelman Shipp, la discogr\u00e1fica dirigida por Leo Feigin publica en octubre de 2017 media\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Perelman-Shipp_Live-In-Brussels_Leo-Records_2017.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2405,"url":"https:\/\/tomajazz.com\/web\/ivo-perelman-joe-morris-gerald-cleaver-family-ties-leo-records-2012\/","url_meta":{"origin":23742,"position":4},"title":"Ivo Perelman \/ Joe Morris \/ Gerald Cleaver: Family Ties (Leo Records, 2012)","author":"Tomajazz","date":"22 febrero, 2012","format":false,"excerpt":"En 2011 el saxofonista y pintor brasile\u00f1o Ivo Perelman publicaba en Leo Records The Hour of the Star a nombre de su nuevo cuarteto, integrado por el pianista Matthew Shipp, el contrabajista Joe Morris y el baterista Gerald Cleaver. Fue el inicio de un proyecto en el que Perelman va\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"perelman_family ties","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/02\/perelman_family-ties.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2641,"url":"https:\/\/tomajazz.com\/web\/matthew-shipp-en-buenas-companias-cosmic-lieder-sama-live-in-moscow-the-hour-of-the-star\/","url_meta":{"origin":23742,"position":5},"title":"Matthew Shipp: en buena(s) compa\u00f1\u00eda(s): Cosmic Lieder \/ SaMa Live in Moscow \/ The Hour Of the Star","author":"Tomajazz","date":"15 abril, 2011","format":false,"excerpt":"Solo o acompa\u00f1ado, Matthew Shipp es uno de los pianistas m\u00e1s interesantes de la actualidad. Durante los \u00faltimos meses son varios los discos publicados en los que aparece con distintos acompa\u00f1antes.\u00a0 Cosmic Lieder (AUM Fidelity) es un disco en d\u00fao junto al joven saxofonista Darius Jones, que tan buen sabor\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"shipp_enbuenacompany","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/04\/shipp_enbuenacompany.gif?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/23742","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=23742"}],"version-history":[{"count":4,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/23742\/revisions"}],"predecessor-version":[{"id":24143,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/23742\/revisions\/24143"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/23744"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=23742"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=23742"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=23742"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}