{"id":23925,"date":"2004-02-01T21:23:32","date_gmt":"2004-02-01T20:23:32","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=23925"},"modified":"2022-08-25T18:26:52","modified_gmt":"2022-08-25T16:26:52","slug":"art-ensemble-of-chicago-the-meeting-pi-recordings-2004-cd","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/art-ensemble-of-chicago-the-meeting-pi-recordings-2004-cd\/","title":{"rendered":"Art Ensemble Of Chicago: The Meeting (Pi Recordings, 2004; CD)"},"content":{"rendered":"

\"ArtThe Meeting<\/strong><\/em> fue el segundo disco del Art Ensemble Of Chicago<\/strong> para el regreso a los estudios de grabaci\u00f3n en 2003. El trio original y superviviente homenaje\u00f3 al trompetista Lester Bowie<\/strong> en Tribute To Lester<\/strong><\/em> (ECM, 2003). A estos se uni\u00f3 Joseph Jarman<\/strong> (alejado del grupo desde el inicio de los a\u00f1os 90) en\u00a0The Meeting.<\/strong><\/em> En este caso, lejos de ser un homenaje, es una muestra del universo musical de esta veterana formaci\u00f3n (que iniciaba su discograf\u00eda en 1967 con People In Sorrow<\/em><\/strong>).<\/p>\n

El inicio es gozosamente hard-bopero<\/em> con reminiscencias Davisianas en forma de scat. Contin\u00faan los 19 minutos de It’s The Sign Of The Times<\/em>. All\u00ed los cuatro m\u00fasicos trabajan individualmente para concluir la pieza con su reuni\u00f3n en el trabajo musical conjunto. Tech Ritter and the Megabytes<\/em> y The Meeting<\/em>, compuestas ambas por Roscoe Mitchell<\/strong>, muestran un car\u00e1cter m\u00e1s cercano al de composiciones cerradas que a la libertad en la ejecuci\u00f3n caracter\u00edstica del grupo. Wind And Drum<\/em>, Amin Bidness<\/em> y The Trian To Io<\/em> son una muestra dela citada caracter\u00edstica, con todo tipo de percusiones, distintos ambientes sonoros y la interacci\u00f3n entre un aparente (e ilusorio) caos. Resalta la tranquilidad de la primera de las piezas citadas.<\/p>\n

El Art Ensemble<\/strong> ha vuelto, demostrando en sus grabaciones que contin\u00faan en plena forma creativa.<\/p>\n

\u00a9 Jos\u00e9 Francisco Tapiz, Tomajazz 2004<\/p>\n

Art Ensemble Of Chicago: the meeting<\/em><\/span>
\nM\u00fasicos:<\/strong> Roscoe Mitchell (piccolo, flauta, saxos sopranino, soprano, alto, tenor y bajo, percusi\u00f3n), Joseph Jarman (Flautas, clarinete, saxos sopranino, alto y tenor, bater\u00eda, percusiones e instrumentos variados), Malachi Favors Maghostut (contrabajo, percusi\u00f3n), Don Moye (Bater\u00eda, percusiones)
\nComposiciones:<\/strong> Hail We Now Sing Joy (J.Jarman) 6:40, It’s The Sign Of the Times (M.Favors) 18:55, Tech Ritter and the Megabytes (R.Mitchell) 4:28, Wind And Drum (AEOC) 11:16, The Meeting (R.Mitchell) 6:58, Amin Bidness (AEOC) 8:40, The Trian To Io (AEOC) 5:06
\nPI 07<\/p>\n","protected":false},"excerpt":{"rendered":"

The Meeting fue el segundo disco del Art Ensemble Of Chicago para el regreso a los estudios de grabaci\u00f3n en 2003. El trio original y superviviente homenaje\u00f3 al trompetista Lester Bowie en Tribute To Lester (ECM, 2003). A estos se uni\u00f3 Joseph Jarman (alejado del grupo desde el inicio deContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":23926,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17847,15747,5,9531,15517,1038],"tags":[15724,9264,15739,12651,15698,12676,5691,1713,12696,13,15699,12415,15295,15733,15710,15475,15307,15308,15309,31,6335,15306,7743,15740,77],"class_list":["entry","author-pachi","post-23925","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-especial-art-ensemble-of-chicago","category-grabaciones","category-especial-contenidos","category-textos","category-contenidos","tag-aeoc","tag-art-ensemble-of-chicago","tag-art-ensemble-of-chicago-the-meeting","tag-cd","tag-cd-de-jazz","tag-critica","tag-don-moye","tag-free-jazz","tag-grabaciones","tag-jazz","tag-jazz-cd","tag-jazz-en-espana","tag-jazz-en-espanol","tag-joseph-jarman","tag-la-actualidad-del-jazz-en-espana","tag-malachi-favors","tag-novedades-cd","tag-novedades-discograficas","tag-nuevas-ediciones","tag-pachi-tapiz","tag-pi-recordings","tag-resenas","tag-roscoe-mitchell","tag-the-meeting-art-ensemble-of-chicago","tag-tomajazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Art-Ensemble-Of-Chicago_The-Meeting_2004_Pi-Recordings.jpg","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/23925","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=23925"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/23925\/revisions"}],"predecessor-version":[{"id":65888,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/23925\/revisions\/65888"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/23926"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=23925"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=23925"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=23925"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}