{"id":23990,"date":"2016-05-04T17:45:21","date_gmt":"2016-05-04T15:45:21","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=23990"},"modified":"2016-11-13T17:08:19","modified_gmt":"2016-11-13T16:08:19","slug":"peter-brotzmann-en-buena-compania-por-triplicado-en-not-two-cd","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/peter-brotzmann-en-buena-compania-por-triplicado-en-not-two-cd\/","title":{"rendered":"Peter Br\u00f6tzmann: en buena compa\u00f1\u00eda por triplicado en Not Two [CD]"},"content":{"rendered":"

\"Bergman \"Peter \"Br\u00f6tzmann<\/center><\/p>\n

A sus 75 primaveras, el tremendo soplador alem\u00e1n Peter Br\u00f6tzmann<\/strong> sigue mostrando una m\u00e1s que notable actividad tanto en directo como en forma de grabaciones discogr\u00e1ficas. El sello polaco Not Two<\/strong> pone en circulaci\u00f3n tres grabaciones del padre del seminal Machine Gun <\/em>(Bro \u2013 FMP, 1968) en tres formatos distintos. Sin perder un \u00e1pice de su energ\u00eda, el encuentro con el trombonista Steve Swell y el baterista Paal Nilssen-Love y recogido en Krakow Nights<\/em> es una peque\u00f1a fiesta free<\/em> , grabada en febrero de 2015 en el club Alchemia de Krakovia ,con momentos arrebatadores. El 8 de noviembre de ese mismo a\u00f1o, en ese mismo club, se grababa Ears Are Filled With Wonder<\/em> con Br\u00f6tzmann <\/strong>junto a Heather Leigh<\/strong> (pedal steel guitar<\/em>). La m\u00fasica de Br\u00f6tzmann no se suele caracterizar (habitualmente, puesto que hay excepciones) precisamente por la suavidad: tampoco en este caso, puesto que los dos m\u00fasicos crean momentos de gran intensidad, en el caso de Leigh jugando con la rotundidad de su instrumento amplificado. La tercera referencia, Left<\/em>, no es una grabaci\u00f3n reciente, sino que nos lleva al a\u00f1o 1996 al Festival Internacional de Jazz de Molde (Noruega) para una actuaci\u00f3n en tr\u00edo con el pianista Borah Bergmann<\/strong> y el saxo alto Frode Gjerstad<\/strong> (toda una instituci\u00f3n del free jazz<\/em> n\u00f3rdico). Gjerstad almacen\u00f3 el DAT del concierto sin publicarlo, y es ahora cuando esta grabaci\u00f3n se pone en circulaci\u00f3n en homenaje a Bergmann, como un homenaje a su magn\u00edfica manera de entender el free<\/em> a las 88 teclas.<\/p>\n

\u00a9 Pachi Tapiz, 2016<\/p>\n

Br\u00f6tzmann \/ Swell \/ Nilssen-Love<\/strong>: Krakow Nights<\/em> (Not Two, 2016)
\nPeter Br\u00f6tzmann, Steve Swell, Paal Nilssen-Love<\/p>\n

Peter Br\u00f6tzmann \u2013 Heather Leigh<\/strong>: Ears Are Filled With Wonder<\/em> (Not Two, 2016)
\nPeter Br\u00f6tzmann , Heather Leigh<\/p>\n

Bergman \/ Br\u00f6tzmann \/ Gjerstad<\/strong>: Left<\/em> (Not Two, 2016)
\nBorah Bergman, Peter Br\u00f6tzmann, Frode Gjerstad<\/p>\n","protected":false},"excerpt":{"rendered":"

A sus 75 primaveras, el tremendo soplador alem\u00e1n Peter Br\u00f6tzmann sigue mostrando una m\u00e1s que notable actividad tanto en directo como en forma de grabaciones discogr\u00e1ficas. El sello polaco Not Two pone en circulaci\u00f3n tres grabaciones del padre del seminal Machine Gun (Bro \u2013 FMP, 1968) en tres formatos distintos.Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":23991,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,15517,1038],"tags":[15803,15802,15797,15804,15799,15798,12651,15698,12676,12748,1713,14195,12696,15796,15316,15400,13,15699,12415,15295,15773,960,15710,12513,5343,15307,15308,15309,5138,31,5470,15806,15801,15800,15805,15306,450,16099,77,16100],"class_list":["entry","author-pachi","post-23990","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-textos","category-contenidos","tag-bergman-brotzmann-gjerstad","tag-bergman-brotzmann-gjerstad-left","tag-borah-bergman","tag-brotzmania","tag-brotzmann-swell-nilssen-love","tag-brotzmann-swell-nilssen-love-krakow-nights","tag-cd","tag-cd-de-jazz","tag-critica","tag-free-improvisation","tag-free-jazz","tag-frode-gjerstad","tag-grabaciones","tag-heather-leigh","tag-improvisacion","tag-improvisacion-libre","tag-jazz","tag-jazz-cd","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz-libre","tag-jose-francisco-tapiz","tag-la-actualidad-del-jazz-en-espana","tag-libre-improvisacion","tag-not-two","tag-novedades-cd","tag-novedades-discograficas","tag-nuevas-ediciones","tag-paal-nilssen-love","tag-pachi-tapiz","tag-peter-brotzmann","tag-peter-brotzmann-podcast","tag-peter-brotzmann-heather-leigh","tag-peter-brotzmann-heather-leigh-ears-are-filled-with-wonder","tag-podcast-de-peter-brotzmann","tag-resenas","tag-steve-swell","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Br\u00f6tzmann-Swell-Nilssen-Love_Krakow-Nights_Not-Two_2016.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":23996,"url":"https:\/\/tomajazz.com\/web\/hdo-brotzmania-0105-podcast\/","url_meta":{"origin":23990,"position":0},"title":"HDO 105. Br\u00f6tzmania [Podcast]","author":"Tomajazz","date":"4 mayo, 2016","format":false,"excerpt":"En HDO repasamos las tres \u00faltimas grabaciones de Peter Br\u00f6tzmann en el sello polaco Not Two: Br\u00f6tzmann \/ Swell \/ Nilssen-Love: Krakow Nights (Not Two, 2016); Peter Br\u00f6tzmann \u2013 Heather Leigh: Ears Are Filled With Wonder (Not Two, 2016); Bergman \/ Br\u00f6tzmann \/ Gjerstad: Left (Not Two, 2016). \u00a9 Pachi\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/IMG_4003_BROSMAN_LISBOA2011_recorte.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":47719,"url":"https:\/\/tomajazz.com\/web\/peter-brotzmann-heather-leigh-jazzmadrid19-festival-internacional-de-jazz-de-madrid-concierto\/","url_meta":{"origin":23990,"position":1},"title":"Peter Br\u00f6tzmann & Heather Leigh (JazzMadrid’19 – Festival Internacional de Jazz de Madrid) [Concierto]","author":"Tomajazz","date":"11 diciembre, 2019","format":false,"excerpt":"Roberto Garrc\u00eda (im\u00e1genes) y Coolcat (palabras), repasan la actuaci\u00f3n de Peter Br\u00f6tzmann - Heather Leigh en el Festival Internacional de Jazz de Madrid - JazzMadrid19: Peter Br\u00f6tzmann: flores en la trinchera","rel":"","context":"En \u00abConciertos...\u00bb","block_context":{"text":"Conciertos...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/conciertos\/"},"img":{"alt_text":"Peter Brotzmann por Sergio Cabanillas. 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El m\u00fasico sigue en activo y a plena m\u00e1quina, como demostr\u00f3 en su concierto en el Johnny el\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2010\/11\/peter_brotzmann_3274.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":82779,"url":"https:\/\/tomajazz.com\/web\/3-days-of-music-dedicated-to-peter-brotzmann\/","url_meta":{"origin":23990,"position":4},"title":"3 Days Of Music Dedicated To Peter Br\u00f6tzmann (8 al 10 de febrero de 2024. 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Una vez m\u00e1s es una grabaci\u00f3n en directo, una vez m\u00e1s son unos temas extensos (dos piezas por encima de los treinta minutos cada una) y una vez m\u00e1s aparecen por all\u00ed viejos conocidos en aventuras del saxofonista:\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"brotzmann-kondo-pupilo-nilssenlove_hairy-bones-739885.gif","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2009\/10\/brotzmann-kondo-pupilo-nilssenlove_hairy-bones-739885.gif.png?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/23990","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=23990"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/23990\/revisions"}],"predecessor-version":[{"id":23995,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/23990\/revisions\/23995"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/23991"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=23990"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=23990"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=23990"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}