{"id":2408,"date":"2012-02-17T00:00:00","date_gmt":"2012-02-16T23:00:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2408"},"modified":"2017-12-28T20:45:42","modified_gmt":"2017-12-28T19:45:42","slug":"veteranos-en-la-brecha-xlviii-ahmad-jamal","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/veteranos-en-la-brecha-xlviii-ahmad-jamal\/","title":{"rendered":"Veteranos en la brecha XLVIII: Ahmad Jamal"},"content":{"rendered":"<div><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-34268 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/02\/ahmad_jamal_blue-moon_feb2012-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/02\/ahmad_jamal_blue-moon_feb2012-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/02\/ahmad_jamal_blue-moon_feb2012-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/02\/ahmad_jamal_blue-moon_feb2012-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/02\/ahmad_jamal_blue-moon_feb2012-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/02\/ahmad_jamal_blue-moon_feb2012.jpg 414w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/div>\n<div>Inconfundible. A pesar de sus m\u00e1s de ochenta a\u00f1os <b>Ahmad Jamal<\/b> sigue siendo un pianista inconfundible que est\u00e1 en una forma envidiable. As\u00ed lo demuestra en <i>Blue Moon<\/i>, su nuevo CD grabado en octubre de 2011, que adem\u00e1s sirve para inaugurar el cat\u00e1logo de <b>Jazz Village<\/b>, el nuevo sello dedicado al jazz de <b>Harmonia Mundi<\/b>. Interpretado en cuarteto, <b>Ahmad Jamal<\/b> est\u00e1 acompa\u00f1ado por el contrabajista <b>Reginald Veal<\/b>, el baterista <b>Herlin Riley<\/b> y el percusionista <b>Manolo Badrena<\/b>. En el disco interpretan tres temas propios de <b>Jamal <\/b>(\u00abAutumn Rain\u00bb, \u00abI Remember Italy\u00bb -toda una declaraci\u00f3n desde el principio- y \u00abMorning Mist\u00bb) y seis versiones (\u00abLaura\u00bb, una muy transformada \u00abBlue Moon\u00bb, \u00abWoody&#8217;n&#8217;You\u00bb de <b>Dizzy Gillespie<\/b>, \u00abInvitation\u00bb, \u00abGypsy\u00bb y \u00abThis Is The Life\u00bb). A lo largo de una hora larga, la forma de tocar del maestro y su forma de improvisar contin\u00faan siendo inconfundibles.<\/div>\n<p style=\"text-align: right;\">\n\u00a9 Pachi Tapiz, 2012<\/p>\n<p style=\"text-align: left;\">Ahmad Jamal. <i>Blue Moon. The New York Session<\/i>. Jazz Village. 2012<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Inconfundible. A pesar de sus m\u00e1s de ochenta a\u00f1os Ahmad Jamal sigue siendo un pianista inconfundible que est\u00e1 en una forma envidiable. As\u00ed lo demuestra en Blue Moon, su nuevo CD grabado en octubre de 2011, que adem\u00e1s sirve para inaugurar el cat\u00e1logo de Jazz Village, el nuevo sello dedicado<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/veteranos-en-la-brecha-xlviii-ahmad-jamal\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":34268,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,15517,1038],"tags":[1385,12651,12696,13,12415,15295,4772,31,16099,77,16100],"class_list":["entry","author-pachi","post-2408","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-textos","category-contenidos","tag-ahmad-jamal","tag-cd","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz-village","tag-pachi-tapiz","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/02\/ahmad_jamal_blue-moon_feb2012.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":12015,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-the-complete-1962-ahmad-jamal-at-the-blackhawk\/","url_meta":{"origin":2408,"position":0},"title":"Tomajazz recomienda&#8230; un CD: The Complete 1962 Ahmad Jamal At The Blackhawk","author":"Tomajazz","date":"12 mayo, 2014","format":false,"excerpt":"M\u00e1s de cincuenta a\u00f1os despu\u00e9s de su grabaci\u00f3n en directo entre el 31 de enero y el 2 de febrero en 1962 en\u00a0 The Blackhawk de San Francisco, la m\u00fasica que crearon Ahmad Jamal, Israel Crosby y Vernel Fournier contin\u00faa teniendo plena vigencia. Uno de los motivos, m\u00e1s all\u00e1 de\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/The-complete-1962-ahmda-jamal-at-the-blackhawk.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":31905,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-poinciana-ahmad-jamal-234\/","url_meta":{"origin":2408,"position":1},"title":"365 razones para amar el jazz: un tema. Poinciana (Ahmad Jamal) [234]","author":"Tomajazz","date":"22 agosto, 2017","format":false,"excerpt":"Un tema:\u00a0Ahmad Jamal: \"Poinciana\" (Nat Simon, Buddy Bernier) Seleccionado por\u00a0Juan Antonio Serrano Cervantes El tema se puede escuchar, por ejemplo, en\u00a0Ahmad Jamal\u00a0Poinciana\u00a0(Argo, 1963, grabado en 1958) interpretado en directo por\u00a0Ahmad Jamal, Israel Crosby, Vernel Fournier","rel":"","context":"En \u00ab*_Juan Antonio Serrano Cervantes\u00bb","block_context":{"text":"*_Juan Antonio Serrano Cervantes","link":"https:\/\/tomajazz.com\/web\/category\/juan-antonio-serrano-cervantes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Ahmad-Jamal_Poinciana.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Ahmad-Jamal_Poinciana.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Ahmad-Jamal_Poinciana.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":1874,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-chamber-music-of-the-new-jazz-by-ahmad-jamal\/","url_meta":{"origin":2408,"position":2},"title":"Tomajazz recomienda&#8230; un CD: Chamber Music Of The New Jazz by Ahmad Jamal (Ahmad Jamal, 1955)","author":"Adolphus van Tenzing","date":"5 abril, 2010","format":false,"excerpt":"\"Toda mi inspiraci\u00f3n viene de Ahmad Jamal.\u00a0 Permanezco vivo hasta que saca otro disco\". La frase, pronunciada por Miles Davis a mediados de los cincuenta, tiene mucho sentido si confrontamos las primeras grabaciones de Jamal con la evoluci\u00f3n del quinteto hard-bop del trompetista. \u00c9ste no solo tom\u00f3 prestado gran parte\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2010\/04\/Chamber_Music_of_the_New_Jazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2010\/04\/Chamber_Music_of_the_New_Jazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2010\/04\/Chamber_Music_of_the_New_Jazz.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":73069,"url":"https:\/\/tomajazz.com\/web\/ahmad-jamal-in-memoriam\/","url_meta":{"origin":2408,"position":3},"title":"Ahmad Jamal In Memoriam","author":"Tomajazz","date":"17 abril, 2023","format":false,"excerpt":"El 16 de abril de 2023 el pianista Ahmad Jamal falleci\u00f3 a los 92 a\u00f1os de edad. En Tomajazz le dedicamos un peque\u00f1o recuerdo en palabres de Miles Davis y con una imagen de Joan Cort\u00e8s.","rel":"","context":"En \u00abArt\u00edculos...\u00bb","block_context":{"text":"Art\u00edculos...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/articulos\/"},"img":{"alt_text":"Ahmad Jamal In Memoriam - Tomajazz 9.0 - El 16 de abril de 2023 el pianista Ahmad Jamal falleci\u00f3 a los 92 a\u00f1os de edad. En Tomajazz le dedicamos un peque\u00f1o recuerdo en palabres de Miles Davis y con una imagen de Joan Cort\u00e8s.","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/04\/hmd-Jml-%C2%A9Joan-Cortes-04abr08-Fstvl-d-Jazz-Rs-Trrgn-Ahmad-Jamal-In-Memoriam.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":68877,"url":"https:\/\/tomajazz.com\/web\/ahmad-jamal-emerald-city-nights-2022\/","url_meta":{"origin":2408,"position":4},"title":"Ahmad Jamal: Emerald City Nights. Live at The Penthouse (Jazz Detective, 2022) Por Juan F. Trillo [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"8 diciembre, 2022","format":false,"excerpt":"Juan F. Trillo repasa la grabaci\u00f3n de Ahmad Jamal Emerald City Nights: Live at the Penthouse (Jazz Detective, 2022), que recoge grabaciones in\u00e9ditas hasta el momento recogidas entre 1963 y 1966.","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/12\/Vol_2_Cover_Ahmad_Jamal_LP_1965-1966web.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/12\/Vol_2_Cover_Ahmad_Jamal_LP_1965-1966web.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/12\/Vol_2_Cover_Ahmad_Jamal_LP_1965-1966web.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":34265,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-pianista-y-un-tema-ahmad-jamal-y-poinciana-363\/","url_meta":{"origin":2408,"position":5},"title":"365 razones para amar el jazz: un pianista y un tema. Ahmad Jamal y Poinciana [363]","author":"Tomajazz","date":"29 diciembre, 2017","format":false,"excerpt":"Un tema y un pianista: \"Poinciana\" y\u00a0Ahmad Jamal. Seleccionado y comentado por\u00a0Mariche Huertas de la C\u00e1mara\u00a0en su blog:\u00a0https:\/\/marichehuertas.wordpress.com\/2013\/10\/16\/poinciana\/ Fotograf\u00eda:\u00a0Ahmad Jamal en Keystone Korner, San Francisco 1980. Foto por Brian McMillen (Brianmcmillen) \/ contacto: brianmcmillen @ hotmail . com Usado con licencia\u00a0CC BY-SA 3.0","rel":"","context":"En \u00ab*_Mariche Huertas de la C\u00e1mara\u00bb","block_context":{"text":"*_Mariche Huertas de la C\u00e1mara","link":"https:\/\/tomajazz.com\/web\/category\/mariche-huertas-de-la-camara\/"},"img":{"alt_text":"365 razones para amar el jazz: un pianista y un tema. Ahmad Jamal y Poinciana [363] Ahmad Jamal KK Tomajazz 9.0 -","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/Ahmad_Jamal_KK.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2408","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2408"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2408\/revisions"}],"predecessor-version":[{"id":34270,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2408\/revisions\/34270"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/34268"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2408"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2408"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2408"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}