{"id":2411,"date":"2012-02-15T00:00:00","date_gmt":"2012-02-14T23:00:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2411"},"modified":"2016-05-21T20:30:52","modified_gmt":"2016-05-21T18:30:52","slug":"en-bloque-jazz-jazz-jazz-ruta-66","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/en-bloque-jazz-jazz-jazz-ruta-66\/","title":{"rendered":"En bloque: Jazz Jazz Jazz (Ruta 66)"},"content":{"rendered":"<div><\/div>\n<p><\/p>\n<div><a href=\"http:\/\/1.bp.blogspot.com\/-nFE3FMa8dj4\/TzrPjmADAwI\/AAAAAAAAEFk\/M_AlPgtj880\/s1600\/Ruta+289.png\" imageanchor=\"1\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" border=\"0\" src=\"http:\/\/1.bp.blogspot.com\/-nFE3FMa8dj4\/TzrPjmADAwI\/AAAAAAAAEFk\/M_AlPgtj880\/s1600\/Ruta+289.png\" alt=\"\" title=\"\"><\/a><\/div>\n<div>\n<div><a href=\"http:\/\/1.bp.blogspot.com\/-aMEt0W1_pvQ\/TzrV98vP-cI\/AAAAAAAAEFs\/9XE4fH36A_s\/s1600\/jarrett+Rio.jpg\" imageanchor=\"1\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"200\" src=\"http:\/\/1.bp.blogspot.com\/-aMEt0W1_pvQ\/TzrV98vP-cI\/AAAAAAAAEFs\/9XE4fH36A_s\/s200\/jarrett+Rio.jpg\" width=\"200\" alt=\"\" title=\"\"><\/a><\/div>\n<p>Un buen concierto del pianista <b>Keith Jarrett<\/b> en solitario es toda una experiencia. <i>Rio<\/i> (ECM), grabado en la ciudad brasile\u00f1a en enero de 2011, lo muestra en plena forma. El doble CD, que incluye 15 improvisaciones, muestra a modo de recopilatorio los elementos que ha ido desarrollando a lo largo de su carrera: unas melod\u00edas llenas de un gran lirismo, su capacidad improvisadora, su maestr\u00eda al piano o su aproximaci\u00f3n al blues, todo ello acompa\u00f1ado por sus inseparables grititos.<\/p>\n<p><a href=\"http:\/\/1.bp.blogspot.com\/-9a6lFxFrxwE\/TzrWZlLZRgI\/AAAAAAAAEF8\/H6ubkvD2sN4\/s1600\/Jazz+Incorporated+Cover.jpg\" imageanchor=\"1\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"184\" src=\"http:\/\/1.bp.blogspot.com\/-9a6lFxFrxwE\/TzrWZlLZRgI\/AAAAAAAAEF8\/H6ubkvD2sN4\/s200\/Jazz+Incorporated+Cover.jpg\" width=\"200\" alt=\"\" title=\"\"><\/a><a href=\"http:\/\/2.bp.blogspot.com\/-M7Bsd7r70Bs\/TzrWLG-QgBI\/AAAAAAAAEF0\/-hHxta2ba9c\/s1600\/the+flail_smalls.jpg\" imageanchor=\"1\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"200\" src=\"http:\/\/2.bp.blogspot.com\/-M7Bsd7r70Bs\/TzrWLG-QgBI\/AAAAAAAAEF0\/-hHxta2ba9c\/s200\/the+flail_smalls.jpg\" width=\"200\" alt=\"\" title=\"\"><\/a>El <b>Smalls<\/b>, local neoyorkino por antonomasia, est\u00e1 publicando bajo el t\u00edtulo gen\u00e9rico de <i>Live at Smalls (Smalls Live)<\/i>, una colecci\u00f3n de grabaciones de jazz <i>mainstream<\/i> contempor\u00e1neo registradas en directo bajo su techo. Entre las \u00faltimas referencias destacan las de <b>The Flail<\/b>, quinteto con diez a\u00f1os a sus espaldas. Su directo de primera categor\u00eda cuenta con el aliciente de estar construido a partir de unas magn\u00edficas composiciones propias. El cuarteto <b>Jazz Incorporated<\/b> tambi\u00e9n se muestra potente en directo, aunque en su caso el repertorio combina el material propio con las versiones.<\/p>\n<div><a href=\"http:\/\/4.bp.blogspot.com\/-ji4RAMISGVQ\/TzrWhCrSDTI\/AAAAAAAAEGE\/cgmojnAlL8Q\/s1600\/archie+shepp_gemini.jpg\" imageanchor=\"1\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"179\" src=\"http:\/\/4.bp.blogspot.com\/-ji4RAMISGVQ\/TzrWhCrSDTI\/AAAAAAAAEGE\/cgmojnAlL8Q\/s200\/archie+shepp_gemini.jpg\" width=\"200\" alt=\"\" title=\"\"><\/a><\/div>\n<p>Al veterano saxofonista <b>Archie Shepp<\/b> se le suele entroncar en la corriente del <i>free jazz<\/i>, aunque hace d\u00e9cadas que su m\u00fasica presenta otros matices. En <b><i>Gemini<\/i><\/b> (Archie Ball), doble CD que recoge <i>The Reverse<\/i> (grabado en estudio en 2007) y Live in Souillac (2002), muestra la forma en que recoge la gran tradici\u00f3n de la m\u00fasica negra afro-americana. Junto al <i>free<\/i> conviven el soul, el blues, el gospel, la rendici\u00f3n a los cl\u00e1sicos del jazz, e incluso el calipso, el tango, y hasta el <i>rap<\/i> en compa\u00f1\u00eda de <b>Chuck D<\/b> de Public Enemy.<\/p>\n<p><a href=\"http:\/\/3.bp.blogspot.com\/-6HWGv6ExrOo\/TzrWsAsAo6I\/AAAAAAAAEGM\/QkUAPouMj8E\/s1600\/bryanandthehaggards_stillaliveandkickindownthewalls_drm.jpg\" imageanchor=\"1\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"200\" src=\"http:\/\/3.bp.blogspot.com\/-6HWGv6ExrOo\/TzrWsAsAo6I\/AAAAAAAAEGM\/QkUAPouMj8E\/s200\/bryanandthehaggards_stillaliveandkickindownthewalls_drm.jpg\" width=\"200\" alt=\"\" title=\"\"><\/a>El quinteto <b>Bryan and the Haggards<\/b> contin\u00faa en <i>Still Alive and Kickin\u2019 Down the Walls<\/i> (Hot Cup) revisitando el legado de <b>Merle Haggard <\/b>en clave de jazz. Sin llegar al car\u00e1cter rompedor e iconoclasta de los <b>Mostly Other People Do the Killing<\/b> (cuarteto del que participan dos integrantes en este grupo), los <b>Haggards<\/b> muestran la verdad de la afirmaci\u00f3n de <b>Miles Davis<\/b> de que toda canci\u00f3n es susceptible de ser improvisada.<\/p>\n<div><\/div>\n<div>\n<a href=\"http:\/\/2.bp.blogspot.com\/-eiPdYWwYrBA\/TzrW3JtTTEI\/AAAAAAAAEGU\/CAFFQ1rGlrE\/s1600\/trovesi_coscia_offenbach.jpg\" imageanchor=\"1\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"200\" src=\"http:\/\/2.bp.blogspot.com\/-eiPdYWwYrBA\/TzrW3JtTTEI\/AAAAAAAAEGU\/CAFFQ1rGlrE\/s200\/trovesi_coscia_offenbach.jpg\" width=\"200\" alt=\"\" title=\"\"><\/a>La m\u00fasica del clarinetista italiano <b>Gianliugi Trovesi<\/b> es como m\u00ednimo muy divertida. En su \u00faltima grabaci\u00f3n, <i>Fr\u00e8re Jacques. Round about Offenbach<\/i> (ECM), se dedica en compa\u00f1\u00eda del acordeonista <b>Gianni Coscia<\/b> a repasar el legado del autor del celeb\u00e9rrimo \u00abCan Can\u00bb sin renunciar con sus improvisaciones al car\u00e1cter popular de su m\u00fasica.<\/div>\n<div><\/div>\n<div><a href=\"http:\/\/3.bp.blogspot.com\/-4WMpXmerGHM\/TzrXA_L1C5I\/AAAAAAAAEGc\/A-borJKGvq0\/s1600\/niescier_angelika.jpg\" imageanchor=\"1\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"179\" src=\"http:\/\/3.bp.blogspot.com\/-4WMpXmerGHM\/TzrXA_L1C5I\/AAAAAAAAEGc\/A-borJKGvq0\/s200\/niescier_angelika.jpg\" width=\"200\" alt=\"\" title=\"\"><\/a><\/div>\n<div><\/div>\n<p><a href=\"http:\/\/3.bp.blogspot.com\/-4WMpXmerGHM\/TzrXA_L1C5I\/AAAAAAAAEGc\/A-borJKGvq0\/s1600\/niescier_angelika.jpg\" imageanchor=\"1\" target=\"_blank\" rel=\"noopener\"><br \/><\/a><\/p>\n<div>\n<b>Angelika Niescier<\/b> es una saxofonista polaca que en <i>Quite Simple <\/i>(enja) muestra su enorme potencial en un tr\u00edo formado junto con los imprescindibles Tyshawn Sorey (bater\u00eda) y Thomas Morgan (contrabajo). Su jazz de corte contempor\u00e1neo, que mira sin miedo hacia las formas m\u00e1s libres, deja buena muestra de sus intenciones en los dos \u00fanicas composiciones que no son suyas: \u00abCongeniality\u00bb de Ornette Coleman y \u00ab69-0\u00bb de Anthony Braxton.<\/div>\n<p>\n<\/div>\n<p>\u00a9 Pachi Tapiz, 2012<\/p>\n<p>Publicado en la edici\u00f3n impresa de la revista <i><a href=\"http:\/\/www.ruta66.es\/\" target=\"_blank\" rel=\"noopener\">Ruta 66<\/a><\/i>. N\u00famero 289. Enero de 2012.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un buen concierto del pianista Keith Jarrett en solitario es toda una experiencia. Rio (ECM), grabado en la ciudad brasile\u00f1a en enero de 2011, lo muestra en plena forma. El doble CD, que incluye 15 improvisaciones, muestra a modo de recopilatorio los elementos que ha ido desarrollando a lo largo<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/en-bloque-jazz-jazz-jazz-ruta-66\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5],"tags":[12651,12696,13,12415,15295,16099,77,16100],"class_list":["entry","author-pachi","post-2411","post","type-post","status-publish","format-standard","category-grabaciones","tag-cd","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":101417,"url":"https:\/\/tomajazz.com\/web\/cesar-joaniquet-live-at-jazz-cava-2025\/","url_meta":{"origin":2411,"position":0},"title":"C\u00e8sar Joaniquet: Live at Jazz Cava (UnderPool Records; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"5 noviembre, 2025","format":false,"excerpt":"Live at Jazz Cava (UnderPool Records; 2025) es la nueva grabaci\u00f3n de C\u00e8sar Joaniquet:. Carlos Lara repasa la grabaci\u00f3n. Con C\u00e8sar Joaniquet, Artur Tu\u017anik), Brice Soniano, Kasper Tom Christiansen","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"C\u00e8sar Joaniquet: Live at Jazz Cava (UnderPool Records; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz] - Tomajazz - Live at Jazz Cava (UnderPool Records; 2025) es la nueva grabaci\u00f3n de C\u00e8sar Joaniquet:. Carlos Lara repasa la grabaci\u00f3n. Con C\u00e8sar Joaniquet, Artur Tu\u017anik), Brice Soniano, Kasper Tom Christiansen","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Cesar-Joaniquet-Live-at-Jazz-Cava-UnderPool-Records-2025.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":102403,"url":"https:\/\/tomajazz.com\/web\/joachim-kuhn-echappee-2025\/","url_meta":{"origin":2411,"position":1},"title":"Joachim K\u00fchn: \u00c9chapp\u00e9e (Intakt Records; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"1 diciembre, 2025","format":false,"excerpt":"\u00c9chapp\u00e9e (Intakt Records; 2025) es la nueva grabaci\u00f3n en solitario de Joachim K\u00fchn. Carlos Lara repasa la grabaci\u00f3n","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Joachim K\u00fchn: \u00c9chapp\u00e9e (Intakt Records; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz] - Tomajazz - \u00c9chapp\u00e9e (Intakt Records; 2025) es la nueva grabaci\u00f3n en solitario de Joachim K\u00fchn. Carlos Lara repasa la grabaci\u00f3n","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Joachim-Kuhn-Echappee-Intakt-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Joachim-Kuhn-Echappee-Intakt-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Joachim-Kuhn-Echappee-Intakt-Records-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Joachim-Kuhn-Echappee-Intakt-Records-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Joachim-Kuhn-Echappee-Intakt-Records-2025-Tomajazz.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Joachim-Kuhn-Echappee-Intakt-Records-2025-Tomajazz.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":100192,"url":"https:\/\/tomajazz.com\/web\/fredis-jazz-band-vol-2-temps-record-2024-por-pachi-tapiz-grabacion-de-jazz\/","url_meta":{"origin":2411,"position":2},"title":"Fredi&#8217;s Jazz Band: Vol. #2 (Temps Record; 2024) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"8 octubre, 2025","format":false,"excerpt":"Vol. #2 (Temps Record; 2024) es el t\u00edtulo del nuevo doble CD de Fredi's Jazz Band. Pachi Tapiz repasa la grabaci\u00f3n","rel":"","context":"En \u00abTomajazz (la revista) al completo\u00bb","block_context":{"text":"Tomajazz (la revista) al completo","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/"},"img":{"alt_text":"Fredi's Jazz Band: Vol. #2 (Temps Record; 2024) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Vol. #2 (Temps Record; 2024) es el t\u00edtulo del nuevo doble CD de Fredi's Jazz Band.  Por Pachi Tapiz","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Fredi-s-Jazz-Band-vol-2-2024-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Fredi-s-Jazz-Band-vol-2-2024-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Fredi-s-Jazz-Band-vol-2-2024-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":103207,"url":"https:\/\/tomajazz.com\/web\/al-foster-live-at-smoke-2025\/","url_meta":{"origin":2411,"position":3},"title":"Al Foster: Live at Smoke (Smoke Sessions Records, 2025) Por Carlos Lara [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"7 enero, 2026","format":false,"excerpt":"Live at Smoke (Smoke Sessions Records, 2025) es una grabaci\u00f3n en directo de Al Foster, registrada unos meses antes de su fallecimiento. Carlos Lara la repasa. Con Al Foster, Chris Potter, Brad Mehldau, Joe Martin","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Al Foster: Live at Smoke (Smoke Sessions Records, 2025) Por Carlos Lara [Grabaci\u00f3n de jazz] - Tomajazz - Live at Smoke (Smoke Sessions Records, 2025) es una grabaci\u00f3n en directo de Al Foster, registrada unos meses antes de su fallecimiento. Carlos Lara la repasa. Con Al Foster, Chris Potter, Brad Mehldau, Joe Martin","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Al-Foster-Live-at-Smoke-Smoke-Sessions-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Al-Foster-Live-at-Smoke-Smoke-Sessions-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Al-Foster-Live-at-Smoke-Smoke-Sessions-Records-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Al-Foster-Live-at-Smoke-Smoke-Sessions-Records-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":102719,"url":"https:\/\/tomajazz.com\/web\/silvia-bolognesi-eric-mingus-is-that-jazz-2025\/","url_meta":{"origin":2411,"position":4},"title":"Silvia Bolognesi &#038; Eric Mingus: Is That Jazz? (Fonterossa Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"10 diciembre, 2025","format":false,"excerpt":"Is That Jazz? (Fonterossa Records; 2025) es el homenaje a Gil Scott-Heron realizado por Silvia Bolognesi y Eric Mingus. Pachi Tapiz repasa la grabaci\u00f3n","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Silvia Bolognesi & Eric Mingus: Is That Jazz? (Fonterossa Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Is That Jazz? (Fonterossa Records; 2025) es el homenaje aPor Pachi Tapiz","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Silvia-Bolognesi-and-Eric-Mingus-Is-That-Jazz-Fonterossa-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Silvia-Bolognesi-and-Eric-Mingus-Is-That-Jazz-Fonterossa-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Silvia-Bolognesi-and-Eric-Mingus-Is-That-Jazz-Fonterossa-Records-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Silvia-Bolognesi-and-Eric-Mingus-Is-That-Jazz-Fonterossa-Records-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":100684,"url":"https:\/\/tomajazz.com\/web\/anne-mette-iversen-marbles-2025\/","url_meta":{"origin":2411,"position":5},"title":"Anne Mette Iversen Ternion Q Expanded: Marbles (Brooklyn Jazz Underground Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"18 octubre, 2025","format":false,"excerpt":"Marbles (Brooklyn Jazz Underground Records; 2025) es la nueva grabaci\u00f3n de Anne Mette Iversen al frente del septeto Ternion Q Expanded. Pachi Tapiz repasa la grabaci\u00f3n. Con Percy Pursglove, Silke Eberhard, Julius Gawlik, Morris Kliphuis, Geoffroy De Masure, Anne Mette Iversen, Roland Schneider","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Anne Mette Iversen Ternion Q Expanded: Marbles (Brooklyn Jazz Underground Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Marbles (Brooklyn Jazz Underground Records; 2025) es la nueva grabaci\u00f3n de Anne Mette Iversen al frente del septeto Ternion Q Expanded. Pachi Tapiz repasa la grabaci\u00f3n. Con Percy Pursglove, Silke Eberhard, Julius Gawlik, Morris Kliphuis, Geoffroy De Masure, Anne Mette Iversen, Roland Schneider","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Anne-Mette-Iversen-Ternion-Q-Expanded-Marbles-Brooklyn-Jazz-Underground-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Anne-Mette-Iversen-Ternion-Q-Expanded-Marbles-Brooklyn-Jazz-Underground-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Anne-Mette-Iversen-Ternion-Q-Expanded-Marbles-Brooklyn-Jazz-Underground-Records-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Anne-Mette-Iversen-Ternion-Q-Expanded-Marbles-Brooklyn-Jazz-Underground-Records-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2411","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2411"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2411\/revisions"}],"predecessor-version":[{"id":23215,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2411\/revisions\/23215"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2411"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2411"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2411"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}