{"id":24162,"date":"2016-05-13T16:47:50","date_gmt":"2016-05-13T14:47:50","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=24162"},"modified":"2023-03-25T12:54:13","modified_gmt":"2023-03-25T11:54:13","slug":"hdo-112-joelle-leandre-his-voice-and-his-music-podcast-english","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/hdo-112-joelle-leandre-his-voice-and-his-music-podcast-english\/","title":{"rendered":"HDO 112. Jo\u00eblle L\u00e9andre: her voice and her music [Podcast] [English]"},"content":{"rendered":"<p>&nbsp;<\/p>\n<figure id=\"attachment_23889\" aria-describedby=\"caption-attachment-23889\" style=\"width: 399px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-23889\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Jll-Lndr-\u00a9Joan-Cort\u00e8s_16oct10_Frtrss-d-Slss-399x600.jpg\" alt=\"Jo\u00eblle Leandre. Forteresse de Salses. 2010-10-16. \u00a9 Joan Cort\u00e8s, 2016\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Jll-Lndr-\u00a9Joan-Cort\u00e8s_16oct10_Frtrss-d-Slss.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Jll-Lndr-\u00a9Joan-Cort\u00e8s_16oct10_Frtrss-d-Slss-100x150.jpg 100w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Jll-Lndr-\u00a9Joan-Cort\u00e8s_16oct10_Frtrss-d-Slss-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Jll-Lndr-\u00a9Joan-Cort\u00e8s_16oct10_Frtrss-d-Slss-37x55.jpg 37w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><figcaption id=\"caption-attachment-23889\" class=\"wp-caption-text\">Jo\u00eblle Leandre. Forteresse de Salses. 2010-10-16. \u00a9 Joan Cort\u00e8s, 2016<\/figcaption><\/figure>\n<p>The unique voice of <strong>Jo\u00eblle L\u00e9andre<\/strong> makes her one of the most important creative musician\u00a0in Europe. <strong>Pachi Tapiz<\/strong> interviews her in the <strong>HDO<\/strong> Tomajazz podcast. In this special release sounds\u00a0her voice and three of her last recordings:\u00a0<em>No Comment<\/em>\u00a0(bass solo, Fou Records); <em>Oakland \/ Lisboa<\/em>\u00a0(<strong>MMM Quartet<\/strong>, Rogue Art); and <em>Can You Hear Me?<\/em>\u00a0(<strong>Jo\u00eblle L\u00e9andre 10<\/strong>, Ayler Records).<\/p>\n<p style=\"text-align: right;\">Text: \u00a9 Pachi Tapiz, 2016<br \/>\nPhotography:\u00a0\u00a9 Joan Cort\u00e8s, 2016<\/p>\n<p><center><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-24164\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Joelle-Leandre_No-Comment_FOU-Records_2016.jpg\" alt=\"Digisleeve\" width=\"221\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Joelle-Leandre_No-Comment_FOU-Records_2016.jpg 394w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Joelle-Leandre_No-Comment_FOU-Records_2016-150x136.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Joelle-Leandre_No-Comment_FOU-Records_2016-200x181.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Joelle-Leandre_No-Comment_FOU-Records_2016-61x55.jpg 61w\" sizes=\"auto, (max-width: 221px) 100vw, 221px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-24165\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/MMM-Quartet_Oakland-Lisboa_Rogue-Art_2016-200x200.jpg\" alt=\"MMM Quartet_Oakland - Lisboa_Rogue Art_2016\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/MMM-Quartet_Oakland-Lisboa_Rogue-Art_2016-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/MMM-Quartet_Oakland-Lisboa_Rogue-Art_2016-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/MMM-Quartet_Oakland-Lisboa_Rogue-Art_2016-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/MMM-Quartet_Oakland-Lisboa_Rogue-Art_2016-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/MMM-Quartet_Oakland-Lisboa_Rogue-Art_2016-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/MMM-Quartet_Oakland-Lisboa_Rogue-Art_2016-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/MMM-Quartet_Oakland-Lisboa_Rogue-Art_2016.jpg 1500w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-24163\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Joelle-Leandre-10_Can-You-Hear-Me_Ayler-Records_2016-200x200.jpg\" alt=\"Joelle Leandre 10_Can You Hear Me_Ayler Records_2016\" width=\"200\" height=\"200\" title=\"\"><\/center><\/p>\n<p><iframe loading=\"lazy\" id=\"audio_11508371\" style=\"border: 1px solid #EEE; box-sizing: border-box; width: 100%;\" src=\"http:\/\/www.ivoox.com\/player_ej_11508371_4_1.html?c1=5783c7\" width=\"300\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<ul>\n<li><strong>Jo\u00eblle L\u00e9andre<\/strong>:\u00a0<em>No Comment<\/em> (Fou Records, 2016)<\/li>\n<li><strong>MMM Quartet<\/strong>:\u00a0<em>Oakland \/ Lisboa\u00a0<\/em>(RogueArt, 2016)<br \/>\nJo\u00eblle L\u00e9andre, Fred Frith, Alvin Curran, Urs Leimgruber<\/li>\n<li><strong>Jo\u00eblle L\u00e9andre 10<\/strong>:\u00a0<em>can you hear me?<\/em> (Ayler Records, 2016)<br \/>\nJo\u00eblle L\u00e9andre, Guillaume Aknine, Florian Satche, Jean-Brice Godet, Th\u00e9o Ceccaldi, Christiane Bopp, Jean-Luc Capozzo, S\u00e9verine Mortin, Alexandra Grimal, Valentin Ceccaldi<\/li>\n<\/ul>\n<h3>M\u00e1s informaci\u00f3n sobre Jo\u00eblle L\u00e9andre<\/h3>\n<p><a href=\"https:\/\/www.joelle-leandre.com\/\" target=\"_blank\" rel=\"noopener\">https:\/\/www.joelle-leandre.com\/<\/a><\/p>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?s=leandre&amp;submit=Search\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?s=leandre&amp;submit=Search<\/a><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"xfpjozGTVe\"><p><a href=\"https:\/\/tomajazz.com\/web\/joelle-leandre-o-de-como-llegar-a-la-improvisacion-mas-radical-desde-la-musica-clasica-por-pachi-tapiz\/\">Jo\u00eblle L\u00e9andre, o de c\u00f3mo llegar a la improvisaci\u00f3n m\u00e1s radical desde la m\u00fasica cl\u00e1sica. Por Pachi Tapiz<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"\u00abJo\u00eblle L\u00e9andre, o de c\u00f3mo llegar a la improvisaci\u00f3n m\u00e1s radical desde la m\u00fasica cl\u00e1sica. Por Pachi Tapiz\u00bb \u2014 Tomajazz\" src=\"https:\/\/tomajazz.com\/web\/joelle-leandre-o-de-como-llegar-a-la-improvisacion-mas-radical-desde-la-musica-clasica-por-pachi-tapiz\/embed\/#?secret=oyxOdsvt4a#?secret=xfpjozGTVe\" data-secret=\"xfpjozGTVe\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p style=\"text-align: right;\">\n","protected":false},"excerpt":{"rendered":"<p>The unique voice of Jo\u00eblle L\u00e9andre makes her one of the most important creative musician\u00a0in Europe. Pachi Tapiz interviews her in the HDO Tomajazz podcast.<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/hdo-112-joelle-leandre-his-voice-and-his-music-podcast-english\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":23889,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17853,17847,78,17048,15537,13298,17149,9,12814,15518,1038],"tags":[8892,9331,15962,13370,15480,1432,12651,15698,16005,12676,12790,16009,15304,16010,16004,16001,8779,12748,1713,12696,9960,13300,13299,15712,15713,15714,15316,15400,16008,13,15699,12415,15295,15773,15278,15862,10645,1041,5363,16003,16011,16007,960,15710,12513,9329,15307,15308,15309,31,12818,15310,15709,15711,15306,8318,16006,9962,16099,77,16100,5314,9961],"class_list":["entry","author-pachi","has-excerpt","post-24162","post","type-post","status-publish","format-standard","has-post-thumbnail","category-joan-cortes","category-pachi-tapiz","category-afondo","category-audioentrevistas-en-hdo","category-entrevistas","category-hablando-de-oidas-hdo","category-t02-2015-16","category-perfiles","category-podcast","category-sonidos","category-contenidos","tag-alexandra-grimal","tag-alvin-curran","tag-audio-entrevista","tag-audioblog","tag-audioentrevista","tag-ayler-records","tag-cd","tag-cd-de-jazz","tag-christiane-bopp","tag-critica","tag-entrevista","tag-entrevista-a-joelle-leandre","tag-entrevista-de-jazz","tag-entrevista-joelle-leandre","tag-florian-satche","tag-fou-records","tag-fred-frith","tag-free-improvisation","tag-free-jazz","tag-grabaciones","tag-guillaume-aknine","tag-hablando-de-oidas","tag-hdo","tag-hdo-el-podcast-de-jazz-de-pachi-tapiz","tag-hdo-el-podcast-de-pachi-tapiz","tag-hdo-hablando-de-oidas","tag-improvisacion","tag-improvisacion-libre","tag-interview-joelle-leandre","tag-jazz","tag-jazz-cd","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz-libre","tag-jazz-podcast","tag-jean-brice-godet","tag-jean-luc-capozzo","tag-joan-cortes","tag-joelle-leandre","tag-joelle-leandre-10","tag-joelle-leandre-entrevista","tag-joelle-leandre-interview","tag-jose-francisco-tapiz","tag-la-actualidad-del-jazz-en-espana","tag-libre-improvisacion","tag-mmm-quartet","tag-novedades-cd","tag-novedades-discograficas","tag-nuevas-ediciones","tag-pachi-tapiz","tag-podcast","tag-podcast-de-jazz","tag-podcast-de-jazz-en-espana","tag-podcast-de-jazz-en-espanol","tag-resenas","tag-rogueart","tag-severine-mortin","tag-theo-ceccaldi","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-urs-leimgruber","tag-valentin-ceccaldi"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Jll-Lndr-\u00a9Joan-Cort\u00e8s_16oct10_Frtrss-d-Slss.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":29047,"url":"https:\/\/tomajazz.com\/web\/hdo-229-joelle-leandre-a-womans-work-ii-podcast\/","url_meta":{"origin":24162,"position":0},"title":"HDO 229. Jo\u00eblle L\u00e9andre: A Woman\u2019s Work (II) [Podcast]","author":"Tomajazz","date":"31 enero, 2017","format":false,"excerpt":"En HDO 229\u00a0contin\u00faa el repaso a la caja de 8 CD\u00a0a woman's work que en 2016 publicaba el sello\u00a0Not Two\u00a0para celebrar el 40\u00ba Aniversario de la actividad de la contrabajista\u00a0Jo\u00eblle L\u00e9andre en la improvisaci\u00f3n, que comenz\u00e1bamos en HDO 226. En este segundo programa se puede escuchar a esta artista en\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Jo%C3%ABlle-L%C3%A9andre_A-Womans-Work_Not-Two_2016_8CD.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":26449,"url":"https:\/\/tomajazz.com\/web\/hdo-166-improvisando-ayer-y-hoy-lazro-leandre-lewis-enfances-mcphee-flowers-leandre-ceccaldi-elastic-3x3-013-podcast\/","url_meta":{"origin":24162,"position":1},"title":"HDO 166. Improvisando ayer y hoy. Lazro &#8211; L\u00e9andre &#8211; Lewis \u00abEnfances\u00bb \/ McPhee \u00abFlowers\u00bb \/ L\u00e9andre &#8211; Ceccaldi \u00abElastic\u00bb. 3&#215;3 (013) [Podcast]","author":"Tomajazz","date":"22 septiembre, 2016","format":false,"excerpt":"La improvisaci\u00f3n libre tiene m\u00faltiples facetas. En la entrega 166 de HDO, se muestran algunas de ellas acudiendo a tres grabaciones publicadas en los \u00faltimos meses. En el programa suenan\u00a0Enfances (Fou Records, 2016) de Daunik Lazro,\u00a0Jo\u00eblle L\u00e9andre,\u00a0George Lewis que se grab\u00f3 en 1984, y que en parte hab\u00eda aparecido en\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/Jo%C3%ABlle-Leandre-Th%C3%A9o-C%C3%A9ccaldi_Elastic_Cipsela-Records_2016.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/Jo%C3%ABlle-Leandre-Th%C3%A9o-C%C3%A9ccaldi_Elastic_Cipsela-Records_2016.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/Jo%C3%ABlle-Leandre-Th%C3%A9o-C%C3%A9ccaldi_Elastic_Cipsela-Records_2016.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/Jo%C3%ABlle-Leandre-Th%C3%A9o-C%C3%A9ccaldi_Elastic_Cipsela-Records_2016.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/Jo%C3%ABlle-Leandre-Th%C3%A9o-C%C3%A9ccaldi_Elastic_Cipsela-Records_2016.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/Jo%C3%ABlle-Leandre-Th%C3%A9o-C%C3%A9ccaldi_Elastic_Cipsela-Records_2016.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":29076,"url":"https:\/\/tomajazz.com\/web\/hdo-230-joelle-leandre-a-womans-work-iii-tiger-trio-podcast\/","url_meta":{"origin":24162,"position":2},"title":"HDO 230. Jo\u00eblle L\u00e9andre: A Woman\u2019s Work (III) &#8211; Tiger Trio [Podcast]","author":"Tomajazz","date":"1 febrero, 2017","format":false,"excerpt":"En la entrega del 1 de febrero de 2017, HDO 230, finalizamos con el repaso sonoro a la caja de 8CD en Not Two A Woman's Work que comenzamos en HDO 226, y que continuamos en HDO 229. En esta tercera entrega (tal y como ocurr\u00eda en las dos anteriores),\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Jo%C3%ABlle-L%C3%A9andre_A-Womans-Work_Not-Two_2016_8CD.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":42398,"url":"https:\/\/tomajazz.com\/web\/hdo-496-joelle-leandre-y-su-strings-garden-podcast\/","url_meta":{"origin":24162,"position":3},"title":"HDO 496. Jo\u00eblle L\u00e9andre y su Strings Garden [Podcast]","author":"Tomajazz","date":"19 marzo, 2019","format":false,"excerpt":"Por\u00a0Pachi Tapiz. La contrabajista Jo\u00eblle L\u00e9andre ha publicado el triple CD Strings Garden (Listen Foudation!), que recoge tres conciertos en directo con el contrabajista Bernard Santacruz, el violonchelista Gaspar Claus y el violista - violinista Th\u00e9o Ceccaldi En HDO 496 escuchamos dos temas de cada uno de estos CD, que\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/03\/Collage_programa-0496-Joelle-Leandre-y-Strings-Garden.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/03\/Collage_programa-0496-Joelle-Leandre-y-Strings-Garden.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/03\/Collage_programa-0496-Joelle-Leandre-y-Strings-Garden.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/03\/Collage_programa-0496-Joelle-Leandre-y-Strings-Garden.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":28954,"url":"https:\/\/tomajazz.com\/web\/hdo-226-joelle-leandre-a-womans-work-i-podcast\/","url_meta":{"origin":24162,"position":4},"title":"HDO 226. Jo\u00eblle L\u00e9andre: A Woman&#8217;s Work (I) [Podcast]","author":"Tomajazz","date":"26 enero, 2017","format":false,"excerpt":"En el pasado a\u00f1o 2016 el sello polaco Not Two celebraba el 65 cumplea\u00f1os de la contrabajista Jo\u00eblle L\u00e9andre, una edad en la que la mayor\u00eda de trabajadores piensa en jubilarse, y sus 40 a\u00f1os en activo en la improvisaci\u00f3n, con la publicaci\u00f3n de la caja de 8 CD A\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Jo%C3%ABlle-L%C3%A9andre_A-Womans-Work_Not-Two_2016_8CD.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":24167,"url":"https:\/\/tomajazz.com\/web\/joelle-leandre-can-you-hear-me-no-comment-oaklandlisboa-cd\/","url_meta":{"origin":24162,"position":5},"title":"Jo\u00eblle L\u00e9andre: Can You Hear Me? &#8211; No Comment &#8211; Oakland\/Lisboa [CD]","author":"Tomajazz","date":"20 mayo, 2016","format":false,"excerpt":"La contrabajista\u00a0J\u00f6elle L\u00e9andre\u00a0cumple 65 a\u00f1os en 2016. Su carrera, que se extiende durante cuatro d\u00e9cadas,\u00a0contin\u00faa desarroll\u00e1ndose, incansable. A\u00f1o tras a\u00f1o su discograf\u00eda (que supera las 150 referencias), va aumentando gracias a la incorporaci\u00f3n de nuevas grabaciones. 2016 no es una excepci\u00f3n. La puesta en circulaci\u00f3n de nuevo del CD a\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Joelle-Leandre-10_Can-You-Hear-Me_Ayler-Records_2016-e1463082293784.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Joelle-Leandre-10_Can-You-Hear-Me_Ayler-Records_2016-e1463082293784.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Joelle-Leandre-10_Can-You-Hear-Me_Ayler-Records_2016-e1463082293784.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/24162","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=24162"}],"version-history":[{"count":6,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/24162\/revisions"}],"predecessor-version":[{"id":72588,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/24162\/revisions\/72588"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/23889"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=24162"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=24162"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=24162"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}