{"id":24181,"date":"2016-05-16T13:51:27","date_gmt":"2016-05-16T11:51:27","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=24181"},"modified":"2018-05-05T20:45:07","modified_gmt":"2018-05-05T18:45:07","slug":"lugares-miticos-en-la-historia-del-jazz-ii-cotton-club-y-harlem-la-odisea-de-la-musica-afroamericana-050-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/lugares-miticos-en-la-historia-del-jazz-ii-cotton-club-y-harlem-la-odisea-de-la-musica-afroamericana-050-podcast\/","title":{"rendered":"Lugares m\u00edticos en la historia del jazz (II): Cotton Club y Harlem. La Odisea de la M\u00fasica Afroamericana (050) [Podcast]"},"content":{"rendered":"<p style=\"text-align: justify;\"><em>La Odisea de la M\u00fasica Afroamericana<\/em> es un programa de radio dirigido, presentado y producido por <strong>Luis Escalante Ozalla<\/strong>, autor del libro <a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1428418630&amp;sr=1-1&amp;keywords=y+se+hace+musica+al+andar+con+swing\" target=\"_blank\" rel=\"noopener\"><em>Y se hace m\u00fasica al andar con swing<\/em><\/a>.<\/p>\n<p style=\"text-align: justify;\">La entrega n\u00famero 50\u00a0de <em>La Odisea de la M\u00fasica Afroamericana<\/em>\u00a0<strong>Luis Escalante Ozalla <\/strong>contin\u00faa el repaso a la historia del\u00a0<strong>Cotton Club<\/strong>, uno de los locales m\u00edticos en la historia del jazz. En este local se interpretaron\u00a0revistas de las que surgieron algunos cl\u00e1sicos del jazz, que suenan en el programa interpretados por grandes figuras como <strong>Oscar Peterson<\/strong> o\u00a0<strong>Duke Ellington<\/strong>, y grandes cantantes como <strong>Ethel Waters\u00a0<\/strong>e\u00a0<strong>Ivie Anderson<\/strong>. Tanto este local como el <strong>Savoy Ballroom <\/strong>(<a href=\"http:\/\/www.tomajazz.com\/web\/?p=24052\" target=\"_blank\">cuya historia se repas\u00f3 en el programa n\u00famero 59<\/a>), son el motivo perfecto para repasar la historia de <strong>Harlem<\/strong>. Suenan algunos temas relacionados con este lugar que tiene un lugar destacado en la historia del jazz: \u00abEhe Echoes of Harlem\u00bb, \u00abLullaby of Birdland\u00bb, \u00abJungle Nights in Harlem\u00bb o \u00abHarlem Rag\u00bb que fue uno de los primeros rags escritos por un afroamericano. Ilustra la entrada <a href=\"https:\/\/en.wikipedia.org\/wiki\/A_Great_Day_in_Harlem_(photograph)\" target=\"_blank\" rel=\"noopener\">la famosa fotograf\u00eda \u00ab<strong>A Great Day in Harlem<\/strong>\u00bb o \u00ab<strong>Harlem<\/strong> <strong>1958<\/strong>\u00bb del fot\u00f3grafo <\/a><strong><a href=\"https:\/\/en.wikipedia.org\/wiki\/A_Great_Day_in_Harlem_(photograph)\" target=\"_blank\" rel=\"noopener\">Art Kane<\/a>.<\/strong><\/p>\n<p><iframe loading=\"lazy\" id=\"audio_11534609\" style=\"border: 1px solid #EEE; box-sizing: border-box; width: 100%;\" src=\"http:\/\/www.ivoox.com\/player_ej_11534609_4_1.html?c1=0f0904\" width=\"300\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><center><\/p>\n<figure id=\"attachment_24182\" aria-describedby=\"caption-attachment-24182\" style=\"width: 600px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-24182\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Great_Day_in_Harlem-600x406.jpg\" alt=\"A Great Day in Harlem or Harlem 1958. Fotograf\u00eda por Art Kane.\" width=\"600\" height=\"406\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Great_Day_in_Harlem-600x406.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Great_Day_in_Harlem-150x102.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Great_Day_in_Harlem-200x135.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Great_Day_in_Harlem-81x55.jpg 81w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Great_Day_in_Harlem-445x300.jpg 445w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Great_Day_in_Harlem-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Great_Day_in_Harlem-120x80.jpg 120w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Great_Day_in_Harlem.jpg 653w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption id=\"caption-attachment-24182\" class=\"wp-caption-text\">A Great Day in Harlem o\u00a0Harlem 1958. Fotograf\u00eda por Art Kane.<\/figcaption><\/figure>\n<p><\/center><\/p>\n<p style=\"text-align: left;\">En el cap\u00edtulo 50\u00a0suenan:<\/p>\n<ul style=\"text-align: center;\">\n<li style=\"text-align: justify;\">\u201cThe Ballad Of Sweeney Todd\u201d Lea Delaria<\/li>\n<li style=\"text-align: justify;\">\u201cStormy Weather\u201d Ethel Waters<\/li>\n<li style=\"text-align: justify;\">\u201cStormy Weather\u201d Duke Ellington<\/li>\n<li style=\"text-align: justify;\">\u201cIll Wind\u201d Oscar Peterson<\/li>\n<li style=\"text-align: justify;\">\u201cDon\u00b4t Worry About Me\u201d Lou Donaldson<\/li>\n<li style=\"text-align: justify;\">\u201cTrucking\u201d Ivie Anderson<\/li>\n<li style=\"text-align: justify;\">\u201cMore Than You Know\u201d Lena Horne<\/li>\n<li style=\"text-align: justify;\">\u201cThe Echoes Of Harlem\u201d Roy Eldridge<\/li>\n<li style=\"text-align: justify;\">\u201cLullaby Of Birdland\u201d Ella Fitzgerald<\/li>\n<li style=\"text-align: justify;\">\u201cJungle Nights In Harlem\u201d Duke Ellington<\/li>\n<li style=\"text-align: justify;\">\u201cHarlem Rag\u201d Trebor Tichenor<\/li>\n<li style=\"text-align: justify;\">\u201cYou\u00b4re Fine\u201d Walter Wolfman Washington<\/li>\n<\/ul>\n<p><center><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-18254\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/Luis-Escalante_Y-se-hace-musica-al-andar...-con-swing-397x600.jpg\" alt=\"Luis Escalante_Y se hace musica al andar... con swing\" width=\"300\" height=\"453\" title=\"\"><\/a><\/center><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-18255 alignnone\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/comprar-en-amazon.gif\" alt=\"comprar en amazon\" width=\"90\" height=\"28\" title=\"\"><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La entrega n\u00famero 50 de La Odisea de la M\u00fasica Afroamericana Luis Escalante Ozalla contin\u00faa el repaso a la historia del Cotton Club, uno de los locales m\u00edticos en la historia del jazz. En este local se interpretaron revistas de las que surgieron algunos cl\u00e1sicos del jazz, que suenan en el programa interpretados por grandes figuras del jazz como Oscar Peterson o Duke Ellington, y grandes cantantes como Ethel Waters e Ivie Anderson. <span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/lugares-miticos-en-la-historia-del-jazz-ii-cotton-club-y-harlem-la-odisea-de-la-musica-afroamericana-050-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":24182,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17834,13297,12814,15518,1038],"tags":[16026,13370,15908,6637,735,16581,16579,16569,14495,16025,5360,10409,13,15375,12415,15295,15278,15710,12817,16580,16023,16024,13072,4904,15469,12905,12816,7031,12818,15310,15470,15709,15711,15650,16578,9051,12665,16568,16099,77,16100,13194,12997],"class_list":["entry","author-pachi","has-excerpt","post-24181","post","type-post","status-publish","format-standard","has-post-thumbnail","category-luis-escalante-ozalla","category-la-odisea-de-la-musica-afroamericana","category-podcast","category-sonidos","category-contenidos","tag-art-kane","tag-audioblog","tag-cotton-club","tag-duke-ellington","tag-ella-fitzgerald","tag-ella-fitzgerald-lady-ella","tag-ella-fitzgerald-queen-of-jazz","tag-ella-fitzgerald-the-first-lady-of-song","tag-ethel-waters","tag-harlem","tag-historia-del-jazz","tag-ivie-anderson","tag-jazz","tag-jazz-clasico","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz-podcast","tag-la-actualidad-del-jazz-en-espana","tag-la-odisea-de-la-musica-afroamericana","tag-lady-ella","tag-lea-delaria","tag-lena-horne","tag-lodlma","tag-lou-donaldson","tag-luis-escalanta-ozalla","tag-luis-escalante","tag-luis-escalante-ozalla","tag-oscar-peterson","tag-podcast","tag-podcast-de-jazz","tag-podcast-de-jazz-clasico","tag-podcast-de-jazz-en-espana","tag-podcast-de-jazz-en-espanol","tag-podcast-de-swing","tag-queen-of-jazz","tag-roy-eldridge","tag-swing","tag-the-first-lady-of-song","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-trebor-tichenor","tag-walter-wolfman-washington"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Great_Day_in_Harlem.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":24586,"url":"https:\/\/tomajazz.com\/web\/lugares-miticos-en-la-historia-del-jazz-iii-teatro-apollo-connies-inn-harlem-opera-house-la-odisea-de-la-musica-afroamericana-051-podcast\/","url_meta":{"origin":24181,"position":0},"title":"Lugares m\u00edticos en la historia del jazz (III): Teatro Apollo, Connie&#8217;s Inn, Harlem Opera House&#8230; La Odisea de la M\u00fasica Afroamericana (051) [Podcast]","author":"Tomajazz","date":"23 mayo, 2016","format":false,"excerpt":"La entrega n\u00famero 51 de La Odisea de la M\u00fasica Afroamericana Luis Escalante Ozalla contin\u00faa el repaso a lugares m\u00edticos del jazz tras los programas dedicados al Savoy y al Cotton Club y Harlem. El Teatro Apollo, Connie\u2019s Inn, Harlem Opera House, Barron Wilkin\u2019s, Mexico\u2019s o Monette Moore\u2019s Place son\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/View_of_the_Apollo_Theatre_marquee_New_York_N.Y._between_1946_and_1948_William_P._Gottlieb_00141.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/View_of_the_Apollo_Theatre_marquee_New_York_N.Y._between_1946_and_1948_William_P._Gottlieb_00141.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/View_of_the_Apollo_Theatre_marquee_New_York_N.Y._between_1946_and_1948_William_P._Gottlieb_00141.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/View_of_the_Apollo_Theatre_marquee_New_York_N.Y._between_1946_and_1948_William_P._Gottlieb_00141.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":24758,"url":"https:\/\/tomajazz.com\/web\/ella-fitzgerald-i-la-odisea-de-la-musica-afroamericana-052-podcast\/","url_meta":{"origin":24181,"position":1},"title":"Ella Fitzgerald (I). La Odisea de la M\u00fasica Afroamericana (052) [Podcast]","author":"Tomajazz","date":"30 mayo, 2016","format":false,"excerpt":"En la entrega n\u00famero 52 de La Odisea de la M\u00fasica Afroamericana Luis Escalante Ozalla comienza un repaso a la carrera de Ella Fitzgerald, una de las voces imprescindibles de la historia del jazz.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"Ella Fitzgerald por Carl van Vetchen (1940)","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Ella-Fitzgerald-by-Carl-van-Vetchen.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":24835,"url":"https:\/\/tomajazz.com\/web\/ella-fitzgerald-ii-la-odisea-de-la-musica-afroamericana-053-podcast\/","url_meta":{"origin":24181,"position":2},"title":"Ella Fitzgerald (II). La Odisea de la M\u00fasica Afroamericana (053) [Podcast]","author":"Tomajazz","date":"6 junio, 2016","format":false,"excerpt":"En la entrega n\u00famero 53 de La Odisea de la M\u00fasica Afroamericana Luis Escalante Ozalla sigue con el repaso a la carrera de Ella Fitzgerald, que comenz\u00f3 en el cap\u00edtulo anterior. Esta fase de la carrera de la Fitzgerald sirve para escuchar m\u00fasica y para conocer a figuras importantes como\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella-Fitzgerald-November-1946.-Photography-by-William-P.-Gottlieb.-peq.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella-Fitzgerald-November-1946.-Photography-by-William-P.-Gottlieb.-peq.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella-Fitzgerald-November-1946.-Photography-by-William-P.-Gottlieb.-peq.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella-Fitzgerald-November-1946.-Photography-by-William-P.-Gottlieb.-peq.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":25005,"url":"https:\/\/tomajazz.com\/web\/ella-fitzgerald-iv-la-odisea-de-la-musica-afroamericana-055-podcast\/","url_meta":{"origin":24181,"position":3},"title":"Ella Fitzgerald (IV). La Odisea de la M\u00fasica Afroamericana (055) [Podcast]","author":"Tomajazz","date":"20 junio, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana llega al cuarto cap\u00edtulo dedicado a Ella Fitzgerald, The First Lady of Song. Con la cantante y su m\u00fasica como eje central, Luis Escalante va acerc\u00e1ndose a las figuras de otros m\u00fasicos y compostiores como Kurt Weill, Joe Pass, Oscar Peterson o Antonio Carlos\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/1024px-Ella_Fitzgerald__Joe_Pass_1974-e1466332743384.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/1024px-Ella_Fitzgerald__Joe_Pass_1974-e1466332743384.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/1024px-Ella_Fitzgerald__Joe_Pass_1974-e1466332743384.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":24889,"url":"https:\/\/tomajazz.com\/web\/ella-fitzgerald-iii-la-odisea-de-la-musica-afroamericana-054-podcast\/","url_meta":{"origin":24181,"position":4},"title":"Ella Fitzgerald (III). La Odisea de la M\u00fasica Afroamericana (054) [Podcast]","author":"Tomajazz","date":"13 junio, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. En la entrega n\u00famero 54 de La Odisea de la M\u00fasica Afroamericana\u00a0Luis Escalante Ozalla sigue repasando\u00a0la carrera de\u00a0Ella Fitzgerald. A\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella_Fitzgerald_1968.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella_Fitzgerald_1968.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella_Fitzgerald_1968.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella_Fitzgerald_1968.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":22450,"url":"https:\/\/tomajazz.com\/web\/los-gigantes-del-swing-iv-count-basie-la-odisea-de-la-musica-afroamericana-039-podcast\/","url_meta":{"origin":24181,"position":5},"title":"Los gigantes del Swing (IV): Count Basie y las\/los vocalistas. La Odisea de la M\u00fasica Afroamericana (039) [Podcast]","author":"Tomajazz","date":"29 febrero, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. Count Basie es el protagonista central de la entrega n\u00famero 39\u00a0de La Odisea de la M\u00fasica Afroamericana, tras aparecen en\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/02\/Count_Basie_Gottlieb_00471.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/02\/Count_Basie_Gottlieb_00471.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/02\/Count_Basie_Gottlieb_00471.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/02\/Count_Basie_Gottlieb_00471.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/24181","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=24181"}],"version-history":[{"count":4,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/24181\/revisions"}],"predecessor-version":[{"id":24198,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/24181\/revisions\/24198"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/24182"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=24181"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=24181"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=24181"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}