{"id":2419,"date":"2012-02-03T00:00:00","date_gmt":"2012-02-02T23:00:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2419"},"modified":"2016-05-21T20:30:54","modified_gmt":"2016-05-21T18:30:54","slug":"leido-visto-o-escuchado-jaime-gonzalo-sobre-rahsaan-roland-kirk","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/leido-visto-o-escuchado-jaime-gonzalo-sobre-rahsaan-roland-kirk\/","title":{"rendered":"Le\u00eddo, visto o escuchado: Jaime Gonzalo sobre Rahsaan Roland Kirk"},"content":{"rendered":"
\"\"<\/a><\/div>\n

Domador de variados, e inventados, instrumentos de viento, este m\u00fasico ciego de imponente presencia y \u00e1nimo imbatible, leg\u00f3 al jazz cl\u00e1sico pasajes que a\u00fan no han sido descifrados.<\/p><\/blockquote>\n

Jaime Gonzalo<\/b>.
Art\u00edculo \u00abRoland Kirk<\/b>.\u00a0S\u00f3lo el infinito es permanente\u00bb. Ruta 66<\/a>. N\u00famero 290. Febrero de 2012.<\/p>\n","protected":false},"excerpt":{"rendered":"

Domador de variados, e inventados, instrumentos de viento, este m\u00fasico ciego de imponente presencia y \u00e1nimo imbatible, leg\u00f3 al jazz cl\u00e1sico pasajes que a\u00fan no han sido descifrados. Jaime Gonzalo.Art\u00edculo \u00abRoland Kirk.\u00a0S\u00f3lo el infinito es permanente\u00bb. Ruta 66. N\u00famero 290. Febrero de 2012.Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[16099,77,16100],"class_list":["entry","author-pachi","post-2419","post","type-post","status-publish","format-standard","category-uncategorized","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":102562,"url":"https:\/\/tomajazz.com\/web\/rahsaan-roland-kirk-seek-listen-1967-2025\/","url_meta":{"origin":2419,"position":0},"title":"Rahsaan Roland Kirk: Seek & Listen: Live at the Penthouse (Resonance Records; 1967; Publicaci\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"4 diciembre, 2025","format":false,"excerpt":"Seek & Listen: Live at the Penthouse (Resonance Records; 1967; Publicaci\u00f3n 2025) es una grabaci\u00f3n in\u00e9dita de Rahsaan Roland Kirk. Pachi Tapiz repasa la grabaci\u00f3n. Con Rahsaan Roland Kirk, Rahn Burton, Steve Novosel, Jimmy Hopps","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Rahsaan Roland Kirk: Seek & Listen: Live at the Penthouse (Resonance Records; 1967; Publicaci\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Seek & Listen: Live at the Penthouse (Resonance Records; 1967; Publicaci\u00f3n 2025) es una grabaci\u00f3n in\u00e9dita de Rahsaan Roland Kirk. Pachi Tapiz repasa la grabaci\u00f3n. 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The Inflated Tear (Roland Kirk) [146] [A New Perspective 11]","author":"Tomajazz","date":"26 mayo, 2017","format":false,"excerpt":"Una portada. The Inflated Tear (Roland Kirk. Atlantic, 1968). Fotograf\u00eda de Lee Friedlander. Seleccionado por Jos\u00e9 Luis Luna Rocafort. D\u00e9cima entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central. Con Roland Kirk,Ron Burton, Steve Novosel, Jimmy Hopps, Dick\u2026","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Roland-Kirk_The-Inflated-Tear_Atlantic_1969-e1495650691879.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Roland-Kirk_The-Inflated-Tear_Atlantic_1969-e1495650691879.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Roland-Kirk_The-Inflated-Tear_Atlantic_1969-e1495650691879.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":57520,"url":"https:\/\/tomajazz.com\/web\/jazzx5290-rahsaan-roland-kirk-i-say-a-little-prayer-volunteered-slavery-atlantic-1969-minipodcast-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":2419,"position":2},"title":"JazzX5#290. Rahsaan Roland Kirk: \u00abI Say A Little Prayer\u00bb [Volunteered Slavery (Atlantic, 1969)] [Minipodcast de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"2 octubre, 2021","format":false,"excerpt":"\"I Say A Little Prayer\", el cl\u00e1sico del soul, en la versi\u00f3n de Roland Kirk que aparec\u00eda en Voluntereed Slavery (Atlantic, 1969), suena en el minipodcast JazzX5 de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/JazzX5_290.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/JazzX5_290.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/JazzX5_290.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/JazzX5_290.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":101709,"url":"https:\/\/tomajazz.com\/web\/kirk-knuffke-window-2025\/","url_meta":{"origin":2419,"position":3},"title":"Kirk Knuffke: Window (Royal Potato Family; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"12 noviembre, 2025","format":false,"excerpt":"Window (Royal Potato Family; 2025) es lo nuevo del trompetista Kirk Knuffke. Carlos Lara repasa la grabaci\u00f3n. Con Kirk Knuffke, Stomu Takeishi, Bill Goodwin","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Kirk Knuffke: Window (Royal Potato Family; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz] - Tomajazz - Window (Royal Potato Family; 2025) es lo nuevo del trompetista Kirk Knuffke. Carlos Lara repasa la grabaci\u00f3n. Con Kirk Knuffke, Stomu Takeishi, Bill Goodwin","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Kirk-Knuffke-Window-Royal-Potato-Family-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Kirk-Knuffke-Window-Royal-Potato-Family-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Kirk-Knuffke-Window-Royal-Potato-Family-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Kirk-Knuffke-Window-Royal-Potato-Family-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":57313,"url":"https:\/\/tomajazz.com\/web\/jazzx5284-roy-haynes-quartet-moon-ray-out-of-the-afternoon-impulse-1962-minipodcast-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":2419,"position":4},"title":"JazzX5#284. Roy Haynes Quartet: \u00abMoon Ray\u00bb [Out of the Afternoon (Impulse!, 1962)] [Minipodcast de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"26 septiembre, 2021","format":false,"excerpt":"\"Moon Ray\", de la grabaci\u00f3n Out of the Afternoon (Impulse!, 1962), suena en JazzX5, el minipodcast de jazz de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/JazzX5_284.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/JazzX5_284.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/JazzX5_284.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/JazzX5_284.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":15543,"url":"https:\/\/tomajazz.com\/web\/leido-visto-o-escuchado-frank-zappa-jazz-la-musica-del-desempleo\/","url_meta":{"origin":2419,"position":5},"title":"Le\u00eddo, visto o escuchado. Frank Zappa: \u00abJazz: la m\u00fasica del desempleo\u00bb","author":"Tomajazz","date":"20 noviembre, 2014","format":false,"excerpt":"La primera vez que tocamos con Rahsaan Roland Kirk fue en el festival de jazz Boston Globe, en 1968. Despu\u00e9s de su actuaci\u00f3n, lo conoc\u00ed en el backstage y le dije que me gustaba mucho su m\u00fasica y que ser\u00eda un aut\u00e9ntico honor que tocara con nosotros a continuaci\u00f3n. Pese\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/11\/Frank-Zappa.-La-verdadera-historia-de-Frank-Zappa.-Malpaso.-2014.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2419","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2419"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2419\/revisions"}],"predecessor-version":[{"id":24424,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2419\/revisions\/24424"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2419"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2419"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2419"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}