{"id":2426,"date":"2012-01-26T00:00:00","date_gmt":"2012-01-25T23:00:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2426"},"modified":"2016-05-21T20:30:57","modified_gmt":"2016-05-21T18:30:57","slug":"stone-quartet-live-at-vision-festival-ayler-records-2012","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/stone-quartet-live-at-vision-festival-ayler-records-2012\/","title":{"rendered":"Stone Quartet: Live at Vision Festival<\/em> (Ayler Records, 2012)"},"content":{"rendered":"
<\/div>\n
\"stoneEl Stone Quartet<\/b> s\u00f3lo se puede calificar como super grupo, ya que sus integrantes son cuatro primeras figuras, a saber: la pianista Marilyn Crispell<\/b>, la contrabajista Jo\u00eblle L\u00e9andre<\/b>, el violista Mat Maneri<\/b> y finalmente el trompetista Roy Campbell<\/b>. En los poco m\u00e1s de cuarenta minutos que duran sus dos improvisaciones en la edici\u00f3n de 2010 del Vision Festival neoyorkino los cuatro artistas desarrollan su m\u00fasica interactuando de tal modo que a lo largo de la grabaci\u00f3n se escuchan todas las posibles formaciones que se pueden generar a partir de un cuarteto, incluyendo los distintos solos, d\u00faos y tr\u00edos. En el primero de los temas, de 32 minutos, el liderazgo va pasando de unos m\u00fasicos a otros continuamente. Este se inicia con un d\u00fao con el contrabajo y la viola, y tras la intervenci\u00f3n de los cuatro m\u00fasicos son el trompetista y la pianista quienes protagonizan un nuevo d\u00fao. A partir de all\u00ed surgen, evolucionan y desaparecen todas las posibles asociaciones, en las que los m\u00fasicos desarrollan y van pas\u00e1ndose el testigo de una m\u00fasica que es en general tranquila, a pesar de alg\u00fan aumento puntual de la intensidad. Hay pocas sorpresas en cuanto a las participaciones individuales. A Crispell<\/b> se la escucha desgranar sus habituales casacadas l\u00edricas de notas. L\u00e9andre <\/b>muestra su intensidad habitual, y como no podr\u00eda ser de otro modo, se la escucha puntualmente cantar mientras improvisa. Roy Campbell<\/b> hace uso de su tono pausado y tambi\u00e9n de sus l\u00edneas largas y agudas, mientras que Mat Maneri<\/b> es plenamente reconocible. La segunda improvisaci\u00f3n tiene una estructura muy diferente de la primera. Roy Campbell<\/b>, que la inicia en solitario, es su espina dorsal, quien de alg\u00fan modo lleva la voz cantante. A lo largo de los poco menos de diez minutos los cuatro m\u00fasicos van creando una m\u00fasica llena de una calma nerviosa.<\/div>\n

\u00a9 Pachi Tapiz, 2012<\/p>\n

Stone Quartet: Live at Vision Festival <\/i>
\nJo\u00eblle L\u00e9andre (contrabajo), Roy Campbell (trompeta y flauta), Marilyn Crispell (piano), Mat Maneri (viola)<\/p>\n

\u00abVision One\u00bb 32:20, \u00abVision Two\u00bb 9:20
\nTodos los temas improvisados por Jo\u00eblle L\u00e9andre, Roy Campbell, Marilyn Crispell y Mat Maneri<\/p>\n

Grabado el 28 de junio de 2010 en Vision Festival, Abrons Arts Center, Nueva York, Estados Unidos. Publicado en 2012 por Ayler Records. aylCD-124 www.ayler.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

El Stone Quartet s\u00f3lo se puede calificar como super grupo, ya que sus integrantes son cuatro primeras figuras, a saber: la pianista Marilyn Crispell, la contrabajista Jo\u00eblle L\u00e9andre, el violista Mat Maneri y finalmente el trompetista Roy Campbell. En los poco m\u00e1s de cuarenta minutos que duran sus dos improvisacionesContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":12325,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5,1038],"tags":[1432,12651,12696,13,12415,15295,5363,6744,1247,5327,9343,16099,77,16100],"class_list":["entry","author-pachi","post-2426","post","type-post","status-publish","format-standard","has-post-thumbnail","category-grabaciones","category-contenidos","tag-ayler-records","tag-cd","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-joelle-leandre","tag-marilyn-crispell","tag-mat-maneri","tag-roy-campbell","tag-stone-quartet","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2012\/01\/stone-quartet.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":40346,"url":"https:\/\/tomajazz.com\/web\/hdo-482-leo-records-marilyn-crispell-ivo-perelman-hank-roberts-mat-maneri-podcast\/","url_meta":{"origin":2426,"position":0},"title":"HDO 482. Leo Records: Marilyn Crispell, Ivo Perelman, Hank Roberts, Mat Maneri… [Podcast]","author":"Tomajazz","date":"7 diciembre, 2018","format":false,"excerpt":"Por\u00a0Pachi Tapiz. 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Su carrera, que se extiende durante cuatro d\u00e9cadas,\u00a0contin\u00faa desarroll\u00e1ndose, incansable. A\u00f1o tras a\u00f1o su discograf\u00eda (que supera las 150 referencias), va aumentando gracias a la incorporaci\u00f3n de nuevas grabaciones. 2016 no es una excepci\u00f3n. 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HDO (0010) [Audioblog]","author":"Tomajazz","date":"16 septiembre, 2015","format":"image","excerpt":"La francesa Jo\u00eblle L\u00e9andre es una gigante del contrabajo, una primer\u00edsima figura de la escena de la libre improvisaci\u00f3n. Su actividad es la de \"a busy musician\" (en sus propias palabras), tanto en forma de actuaciones como de grabaciones. En este apartado, en los pr\u00f3ximos meses ver\u00e1 la publicaci\u00f3n de\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/WP_20150915_002-e1442353376998.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/WP_20150915_002-e1442353376998.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/WP_20150915_002-e1442353376998.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/WP_20150915_002-e1442353376998.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/WP_20150915_002-e1442353376998.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":103037,"url":"https:\/\/tomajazz.com\/web\/leila-duclos-quartet-alternatilla-2025\/","url_meta":{"origin":2426,"position":4},"title":"Le\u00efla Duclos Quartet (9\u00ba Alternatilla Jazz Festival 2025. 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Resulta llamativo que aunque en estas referencias sus compa\u00f1eros van\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/07\/Buckner-Leandre-Mitchell-Flowing-Stream.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2426","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2426"}],"version-history":[{"count":4,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2426\/revisions"}],"predecessor-version":[{"id":12339,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2426\/revisions\/12339"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/12325"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2426"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2426"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2426"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}