{"id":2432,"date":"2012-01-19T23:10:00","date_gmt":"2012-01-19T22:10:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2432"},"modified":"2016-09-19T11:51:41","modified_gmt":"2016-09-19T09:51:41","slug":"ran-blake-solo-duo-with-david-knife-fabris-vilnius-noir-nobusiness-records-lp-2011","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/ran-blake-solo-duo-with-david-knife-fabris-vilnius-noir-nobusiness-records-lp-2011\/","title":{"rendered":"Ran Blake solo \/ duo with David \u201cKnife\u201d Fabris : Vilnius Noir (NoBusiness Records -LP-, 2011)"},"content":{"rendered":"<div><a href=\"http:\/\/4.bp.blogspot.com\/-484OhN89dUc\/TxiTj8Ivy6I\/AAAAAAAAD-I\/Uh7TwOjqHG4\/s1600\/vilnius-noir.jpg\" imageanchor=\"1\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"200\" src=\"http:\/\/4.bp.blogspot.com\/-484OhN89dUc\/TxiTj8Ivy6I\/AAAAAAAAD-I\/Uh7TwOjqHG4\/s200\/vilnius-noir.jpg\" width=\"200\" alt=\"\" title=\"\"><\/a><\/div>\n<div>Quiz\u00e1s sea exagerado afirmar que todo lo que toca <b>Ran Blake<\/b>, cual sanador, lo mejora. Quiz\u00e1s sea excesivo, pero es la impresi\u00f3n que queda escuchando sus \u00faltimos discos, bien sea acompa\u00f1ando a cantantes, bien sea en solitario y a d\u00fao con <b>David \u201cKnife\u201d Fabris<\/b> (formaci\u00f3n que visit\u00f3 el <b><a href=\"http:\/\/bun.tomajazz.com\/2011\/12\/la-no-edicion-de-2011-del-festival-de.html\" target=\"_blank\">Festival Internacional de Jazz de Sig\u00fcenza<\/a><\/b> en diciembre de 2010 en la que hasta ahora ha sido su \u00faltima edici\u00f3n). Esto vuelve a ser lo que sucede en <i>Vilnius Noir<\/i>, LP en edici\u00f3n limitada registrado en vivo en la Iglesia de Santa Catalina de Vilnius, la capital de Lituania. En los poco m\u00e1s de cuarenta minutos, la duraci\u00f3n can\u00f3nica de un <i>LP<\/i>, <b>Ran Blake<\/b> va interpretando temas en solitario entre los que se alternan d\u00faos con el guitarrista, quien incluso interpreta una pieza en solitario. Las composiciones son una mezcla heterog\u00e9nea en la que se encuentran composiciones del propio <b>Blake<\/b>, alg\u00fan tema tradicional, revisiones de cl\u00e1sicos de <b>George Russell<\/b>, <b>Duke Ellington<\/b>, <b>Michel Legrand<\/b> y <b>Antonio Carlos Jobim<\/b>\u00a0e incluso del mism\u00edsimo <b>Stevie Wonder<\/b>, junto a composiciones de <b>Joel Yennior<\/b>, <b>Peter Udell<\/b> o <b>Herman Yablokoff<\/b> y <b>Abraham Ellstein<\/b>. Lo que <b>Ran Blake<\/b> consigue, algo al alcance de muy pocos, es obtener nuevos matices, nuevas maneras de aproximarse a esos temas (algunos sumamente conocidos y versioneados), y crear un todo homog\u00e9neo en el que nada est\u00e1 de m\u00e1s, todo es necesario. <b>Ran Blake<\/b> no es un pianista explosivo, pero dentro de su aparente econom\u00eda es capaz de crear un universo propio como muy pocos m\u00fasicos son capaces.<\/div>\n<p>\u00a9 Pachi Tapiz, 2011<\/p>\n<p>Ran Blake solo \/ duo with David \u201cKnife\u201d Fabris : <i>Vilnius Noir<\/i> (NoBusiness Records -LP-, 2011)<br \/>Ran Blake  (piano), David \u00abKnife\u00bb Fabris (guitarra)<\/p>\n<p>\u00abVilna\u00bb (Alexander Olshansky) \/ \u00abTurning Point\u00bb (Joel Yennior), \u00abCry wolf\u00bb (Ran Blake), \u00abIn pursuit\u00bb (Jason Yeager), \u00abShlof mayn kind\u00bb (tradicional), \u00abJack&#8217;s blues\u00bb \/ \u00abstratusphunk\u00bb (George Russell), \u00abDriftwood\u00bb (Peter Udell, Tommy Goodman), \u00abSontagism\u00bb (Ran Blake), \u00abWatch what happens\u00bb (Michel Legrand) \/ \u00abPapirosn\u00bb (Herman Yablokoff, Abraham Ellstein), \u00abThursday\u00bb (Ran Blake), \u00abDesafinado\u00bb (Antonio Carlos Jobim), \u00abMy cherie amour\u00bb (Stevie Wonder), \u00abMood indigo\u00bb (Duke Ellington, Barney Bigard, Irving Mills)<\/p>\n<p>Grabado en directo el 10 de diciembre de 2010 en la Iglesia de Santa Catalina de Vilnius, Lituania. Publicado en 2011 por NoBusiness Records NBLP45. Edici\u00f3n limitada de 500 copias en formato LP.\u00a0<a href=\"http:\/\/nobusinessrecords.com\/\" target=\"_blank\" rel=\"noopener\">http:\/\/nobusinessrecords.com\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Quiz\u00e1s sea exagerado afirmar que todo lo que toca Ran Blake, cual sanador, lo mejora. Quiz\u00e1s sea excesivo, pero es la impresi\u00f3n que queda escuchando sus \u00faltimos discos, bien sea acompa\u00f1ando a cantantes, bien sea en solitario y a d\u00fao con David \u201cKnife\u201d Fabris (formaci\u00f3n que visit\u00f3 el Festival Internacional<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/ran-blake-solo-duo-with-david-knife-fabris-vilnius-noir-nobusiness-records-lp-2011\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[6637,16099,77,16100],"class_list":["entry","author-pachi","post-2432","post","type-post","status-publish","format-standard","category-uncategorized","tag-duke-ellington","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1876,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomieda-una-version-song-for-my-father-ran-blake-horace-is-blue-a-silver-noir-2000\/","url_meta":{"origin":2432,"position":0},"title":"Tomajazz Recomieda&#8230; una versi\u00f3n: \u00abSong For My Father\u00bb (Ran Blake Horace Is Blue: A Silver Noir, 2000)","author":"Adolphus van Tenzing","date":"29 marzo, 2010","format":false,"excerpt":"En el a\u00f1o 1999 el pianista Ran Blake grababa, tras haber impartido un curso sobre la m\u00fasica de Horace Silver en el New England Conservatory of Music, Horace Is Blue: A Silver Noir. En solitario mayormente, acompa\u00f1ado puntualmente por el guitarrista David \"Knife\" Fabris y el saxofonista James Merenda, recreaba\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2010\/03\/Ran-Blake-Horace-Is-Blue_A-Silver-Noir.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2010\/03\/Ran-Blake-Horace-Is-Blue_A-Silver-Noir.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2010\/03\/Ran-Blake-Horace-Is-Blue_A-Silver-Noir.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2010\/03\/Ran-Blake-Horace-Is-Blue_A-Silver-Noir.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2010\/03\/Ran-Blake-Horace-Is-Blue_A-Silver-Noir.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":22212,"url":"https:\/\/tomajazz.com\/web\/bill-frisell-ran-blake-y-david-krakauer-jazz-de-cine-hdo-0069-audioblog\/","url_meta":{"origin":2432,"position":1},"title":"Bill Frisell, Ran Blake y David Krakauer: \u00a1jazz de cine! HDO 0069 [Audioblog]","author":"Tomajazz","date":"3 febrero, 2016","format":false,"excerpt":"Tres propuestas basadas en m\u00fasica de cine en una nueva entrega de HDO. El guitarrista Bill Frisell con Whe You Wish Upon A Star (Okeh, 2016); el pianista Ran Blake en solitario (salvo unos momentos puntuales) con Chabrol Noir (Impulse!, 2016); y el clarinetista David Krakauer con The Big Picture\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/02\/WP_20160202_003-e1454450736489.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/02\/WP_20160202_003-e1454450736489.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/02\/WP_20160202_003-e1454450736489.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/02\/WP_20160202_003-e1454450736489.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2747,"url":"https:\/\/tomajazz.com\/web\/veteranos-en-la-brecha-xxxv-ran-blake\/","url_meta":{"origin":2432,"position":2},"title":"Veteranos en la brecha (XXXV): Ran Blake","author":"Tomajazz","date":"2 diciembre, 2010","format":false,"excerpt":"La carrera del pianista Ran Blake (1935) tiene dos vertientes. Por un lado est\u00e1 la del educador que desarroll\u00f3 su carrera durante casi cuarenta a\u00f1os en el New England Conservatory of Jazz, desde mediados de la d\u00e9cada de los a\u00f1os 60 hasta el a\u00f1o 2005. La otra faceta tiene que\u2026","rel":"","context":"Con 3 comentarios","block_context":{"text":"Con 3 comentarios","link":"https:\/\/tomajazz.com\/web\/veteranos-en-la-brecha-xxxv-ran-blake\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2473,"url":"https:\/\/tomajazz.com\/web\/ran-blake-dominique-eade-whirlpool-jazz-project-2011\/","url_meta":{"origin":2432,"position":3},"title":"Ran Blake &#8211; Dominique Eade: Whirlpool (Jazz Project, 2011)","author":"Tomajazz","date":"30 noviembre, 2011","format":false,"excerpt":"Tres de las \u00faltimas grabaciones de Ran Blake han sido d\u00faos en compa\u00f1\u00eda de cantantes: Out of the Shadows con Christine Correa, el prescindible Camera Obscura con Sara Serpa, y el \u00faltimo de todos, Whirlpool con Dominique Eade. En esas grabaciones, compuestas en gran parte por standards, una cantante al\u2026","rel":"","context":"En \u00abToma Jazz\u00bb","block_context":{"text":"Toma Jazz","link":"https:\/\/tomajazz.com\/web\/tag\/toma-jazz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/4.bp.blogspot.com\/-BjdZ-tjNfWE\/Tta7pweoJAI\/AAAAAAAADwE\/XjVpTHya5zY\/s200\/blake_eade_whirlpool.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2350,"url":"https:\/\/tomajazz.com\/web\/ran-blake-christine-correa-down-here-below-red-piano-records-2012\/","url_meta":{"origin":2432,"position":4},"title":"Ran Blake &#8211; Christine Correa: Down Here Below (Red Piano Records, 2012)","author":"Tomajazz","date":"23 abril, 2012","format":false,"excerpt":"Durante los \u00faltimos meses el pianista Ran Blake ha publicado discos en d\u00fao con varias cantantes: Sara Serpa (Camera Obscura), Dominique Eade (Whirlpool) y Christine Correa (Out of the Shadows). Si bien tanto las obras con Eade como con Correa eran m\u00e1s que notables, es con esta \u00faltima con la\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/2.bp.blogspot.com\/-A_XLSnVrGjM\/T5XRo0I9MqI\/AAAAAAAAEgw\/-f48DIDtC-Y\/s200\/ranblakechristinecorrea1.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":41932,"url":"https:\/\/tomajazz.com\/web\/hdo-494-ran-blake-jeanne-lee-ineditos-the-newest-sound-you-never-heard-1966-67-podcast\/","url_meta":{"origin":2432,"position":5},"title":"HDO 494. Ran Blake &#8211; Jeanne Lee in\u00e9ditos: The Newest Sound You Never Heard 1966-67 [Podcast]","author":"Tomajazz","date":"21 febrero, 2019","format":false,"excerpt":"Por\u00a0Pachi Tapiz. En\u00a0HDO 494\u00a0escuchamos una selecci\u00f3n de temas que aparecen en el CD doble e in\u00e9dito de\u00a0Ran Blake\u00a0(piano) y\u00a0Jeanne Lee\u00a0(voz), que se ha publicado en 2019 y que contiene 33 temas grabados en 1966 y 1967 con el t\u00edtulo\u00a0The Newest Sound You Never Heard. European Recordings 1966\/1967\u00a0(A Side Records -\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/02\/Collage_programa-0494-Ran-Blake-Jeanne-Lee-in%C3%A9ditos.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/02\/Collage_programa-0494-Ran-Blake-Jeanne-Lee-in%C3%A9ditos.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/02\/Collage_programa-0494-Ran-Blake-Jeanne-Lee-in%C3%A9ditos.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/02\/Collage_programa-0494-Ran-Blake-Jeanne-Lee-in%C3%A9ditos.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2432","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2432"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2432\/revisions"}],"predecessor-version":[{"id":24427,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2432\/revisions\/24427"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2432"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2432"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2432"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}