{"id":2458,"date":"2011-12-21T20:36:00","date_gmt":"2011-12-21T19:36:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2458"},"modified":"2016-11-13T19:07:10","modified_gmt":"2016-11-13T18:07:10","slug":"en-la-casa-del-mundo-xxvi-driva-man-max-roach-1960","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/en-la-casa-del-mundo-xxvi-driva-man-max-roach-1960\/","title":{"rendered":"En "La casa del Mundo" (XXVI): "Driva’ Man" (Max Roach, 1960)"},"content":{"rendered":"
En el \u00faltimo programa del a\u00f1o 2011 en La Casa del Mundo<\/i> es el turno de\u00a0\u00abDriva’ Man\u00bb: la joya que abr\u00eda un disco cl\u00e1sico (We Insist! Freedom Now Suite<\/i>), obra de un maestro de la bater\u00eda (Max Roach<\/b>), y en el que tambi\u00e9n colaboraban la maravillosa cantante Abbey Lincoln<\/b>, Coleman Hawkins<\/b>, Julian Priester<\/b> y el trompetista desaparecido demasiado pronto (con poco m\u00e1s de 23 a\u00f1os)\u00a0Booker Little<\/b>.<\/div>\n

En esta ocasi\u00f3n, sustituyo el audio del programa por el v\u00eddeo con la interpretaci\u00f3n del tema en directo para una televisi\u00f3n belga en el a\u00f1o 1964.<\/p>\n

<\/div>\n

\u00a9 Pachi Tapiz, 2011<\/p>\n

\"\"<\/a><\/div>\n

We Insist! Freedom Now Suite<\/i>
\nMax Roach
\nCandid Records (1960)<\/p>\n

M\u00e1s sobre We Insist! Freedom Now Suite<\/i> en Tomajazz<\/b>:
\nIgnacio Fuentes<\/b> lo incluy\u00f3 entre los discos complementarios a la lista con las 25 grabaciones esenciales de la historia del jazz<\/i><\/a>
\nAdolphus van Tenzing<\/b> tambi\u00e9n\u00a0seleccion\u00f3 en su momento el disco para su secci\u00f3n Tomajazz Recomienda<\/i><\/a><\/p>\n

Posdata<\/b>: el audio del programa.<\/p>\n","protected":false},"excerpt":{"rendered":"

En el \u00faltimo programa del a\u00f1o 2011 en La Casa del Mundo es el turno de\u00a0\u00abDriva’ Man\u00bb: la joya que abr\u00eda un disco cl\u00e1sico (We Insist! Freedom Now Suite), obra de un maestro de la bater\u00eda (Max Roach), y en el que tambi\u00e9n colaboraban la maravillosa cantante Abbey Lincoln, ColemanContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,4313,1038,4758],"tags":[16099,77,16100],"class_list":["entry","author-pachi","post-2458","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-bun","category-contenidos","category-blogs","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":59603,"url":"https:\/\/tomajazz.com\/web\/jazzx5368-abbey-lincoln-max-roach-coleman-hawkins-driva-man-we-insist-freedom-now-suite-candid-1960-minipodcast-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":2458,"position":0},"title":"JazzX5#368. Abbey Lincoln, Max Roach, Coleman Hawkins…: \u00abDriva’ Man\u00bb [We Insist! Freedom Now Suite (Candid, 1960)] [Minipodcast de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"19 diciembre, 2021","format":false,"excerpt":"El tema \"Driva' Man\" que abre la grabaci\u00f3n Freedom Now Suite (Candid, 1960) de Max Roach, es el tema que suena en la edici\u00f3n dominical de JazzX5. La voz de Abbey Lincoln o el saxo de Coleman Hawkins son algunos de los componentes de esta obra maestra. JazzX5 es un\u2026","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"JazzX5#368. Abbey Lincoln, Max Roach, Coleman Hawkins...: \"Driva' Man\" [We Insist! 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Freedom Now Suite (Max Roach, 1960)","author":"Adolphus van Tenzing","date":"17 agosto, 2010","format":false,"excerpt":"El 31 de agosto y 6 de septiembre de 2010 se cumpli\u00f3 el 50\u00ba aniversario de las dos sesiones de grabaci\u00f3n de We Insist! Freedom Now Suite del bater\u00eda Max Roach. Adolphus van Tenzing realiz\u00f3 un repaso a esta obra imprescindible en la historia del jazz, un fabuloso canto a\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Max Roach We Insist! Freedom Now Suite","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/04\/we-insist-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/04\/we-insist-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/04\/we-insist-1.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":18236,"url":"https:\/\/tomajazz.com\/web\/max-roach-y-abbey-lincoln-rezo-protesta-y-jazz-por-jesus-gonzalo\/","url_meta":{"origin":2458,"position":2},"title":"Max Roach y Abbey Lincoln: Rezo, protesta y jazz. Por Jes\u00fas Gonzalo","author":"Jes\u00fas Gonzalo","date":"12 mayo, 2015","format":"imagen","excerpt":"\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 A\u00f1o 0 \u00a0abriendo la d\u00e9cada de 1960 Los acontecimientos recientes de violencia racial en Baltimore nos llevan a recuperar dos obras que a principios de\u00a0los convulsos a\u00f1os 60 del pasado siglo tambi\u00e9n eran noticia. \u201cUn artista es un secretario\u2026 tomo nota de lo que\u2026","rel":"","context":"En \u00ab*_Jes\u00fas Gonzalo\u00bb","block_context":{"text":"*_Jes\u00fas Gonzalo","link":"https:\/\/tomajazz.com\/web\/category\/jesus-gonzalo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/04\/bc__6_.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/04\/bc__6_.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/04\/bc__6_.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/04\/bc__6_.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":31767,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-we-insist-max-roach-226\/","url_meta":{"origin":2458,"position":3},"title":"365 razones para amar el jazz: una portada. We Insist! (Max Roach) [226]","author":"Tomajazz","date":"14 agosto, 2017","format":false,"excerpt":"Una portada.\u00a0Max Roach: We Insist\/\u00a0(Candid, 1960) Seleccionado por\u00a0Juan Antonio Serrano Cervantes","rel":"","context":"En \u00ab*_Juan Antonio Serrano Cervantes\u00bb","block_context":{"text":"*_Juan Antonio Serrano Cervantes","link":"https:\/\/tomajazz.com\/web\/category\/juan-antonio-serrano-cervantes\/"},"img":{"alt_text":"We Insist! 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HDO 545 [Podcast de jazz]","author":"Tomajazz","date":"27 abril, 2022","format":false,"excerpt":"En 2022 el sello Candid Records ha comenzado a reeditar, remasterizadas, algunas de las perlas de su sello por pesos pesados del jazz y el blues como Charles Mingus, Max Roach, Abbey Lincoln, Otis Spann y Lightnin' Hopkins. En HDO 545 repasamos la historia del sello y escuchamos temas de\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Mingus, Roach, A.Lincoln, L.Hopnis, O.Spann... Candid Records. Reediciones 2022. Por Pachi Tapiz. 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The Giuseppi Logan Quintet. The Giuseppi Logan Quintet (Tompkins Square, 2010) \"Platform\". Chris Lightcap's Bigmouth. Deluxe (Clean Feed Records, 2010) \"Clich\u00e9s\". Steve Lacy Seven. Cliches (hatOLOGY, 1982. Ed.1999) [Efecto domin\u00f3] \"The Dumps\". Ideal Bread. Transmit Vol.\u2026","rel":"","context":"Entrada similar","block_context":{"text":"Entrada similar","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2458","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2458"}],"version-history":[{"count":5,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2458\/revisions"}],"predecessor-version":[{"id":24444,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2458\/revisions\/24444"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2458"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2458"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2458"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}