{"id":24586,"date":"2016-05-23T11:15:02","date_gmt":"2016-05-23T09:15:02","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=24586"},"modified":"2018-05-05T20:45:06","modified_gmt":"2018-05-05T18:45:06","slug":"lugares-miticos-en-la-historia-del-jazz-iii-teatro-apollo-connies-inn-harlem-opera-house-la-odisea-de-la-musica-afroamericana-051-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/lugares-miticos-en-la-historia-del-jazz-iii-teatro-apollo-connies-inn-harlem-opera-house-la-odisea-de-la-musica-afroamericana-051-podcast\/","title":{"rendered":"Lugares m\u00edticos en la historia del jazz (III): Teatro Apollo, Connie&#8217;s Inn, Harlem Opera House&#8230; La Odisea de la M\u00fasica Afroamericana (051) [Podcast]"},"content":{"rendered":"<p style=\"text-align: justify;\"><em>La Odisea de la M\u00fasica Afroamericana<\/em> es un programa de radio dirigido, presentado y producido por <strong>Luis Escalante Ozalla<\/strong>, autor del libro <a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1428418630&amp;sr=1-1&amp;keywords=y+se+hace+musica+al+andar+con+swing\" target=\"_blank\" rel=\"noopener\"><em>Y se hace m\u00fasica al andar con swing<\/em><\/a>.<\/p>\n<p style=\"text-align: justify;\">La entrega n\u00famero 51 de <em>La Odisea de la M\u00fasica Afroamericana<\/em>\u00a0<strong>Luis Escalante Ozalla <\/strong>contin\u00faa el repaso a lugares m\u00edticos del jazz tras los programas dedicados al <strong><a href=\"http:\/\/www.tomajazz.com\/web\/?p=24052\" target=\"_blank\">Savoy<\/a>\u00a0<\/strong>y al\u00a0<a href=\"http:\/\/www.tomajazz.com\/web\/?p=24181\" target=\"_blank\"><strong>Cotton Club<\/strong> y<strong> Harlem<\/strong><\/a>. El\u00a0<strong>Teatro Apollo<\/strong>, <strong>Connie&#8217;s Inn<\/strong>, <strong>Harlem Opera House<\/strong>, <strong>Barron Wilkin&#8217;s<\/strong>,\u00a0<strong>Mexico&#8217;s<\/strong>\u00a0o\u00a0<strong>Monette Moore&#8217;s Place <\/strong>son algunos de los locales cuya historia repasa <strong>Luis Escalante<\/strong>, acompa\u00f1ada por temas y m\u00fasicos cl\u00e1sicos: <strong>Benny Carter<\/strong>, <strong>Fletcher Henderson<\/strong>, <strong>Don Redman<\/strong>, <strong>Duke<\/strong> <strong>Ellington<\/strong>, <strong>Sarah<\/strong> <strong>Vaughan<\/strong>, <strong>Ben<\/strong> <strong>Webster<\/strong>, <strong>Billie<\/strong> <strong>Holiday<\/strong>, <strong>Louis<\/strong> <strong>Jordan<\/strong>, <strong>Art<\/strong> <strong>Tatum<\/strong> y <strong>Ella<\/strong> <strong>Fitzgerald<\/strong>.\u00a0Cierra el programa <strong>Pee Wee Ellis<\/strong>, mientras que la cantante <strong>Melissa Walker<\/strong> es quien lo abre.<\/p>\n<p><iframe id='audio_11619658' frameborder='0' allowfullscreen='' scrolling='no' height='200' src='http:\/\/www.ivoox.com\/player_ej_11619658_4_1.html?c1=62abe0' style='border:1px solid #EEE; box-sizing:border-box; width:100%;'><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><center><figure id=\"attachment_24587\" aria-describedby=\"caption-attachment-24587\" style=\"width: 600px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-24587\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/View_of_the_Apollo_Theatre_marquee_New_York_N.Y._between_1946_and_1948_William_P._Gottlieb_00141-600x589.jpg\" alt=\"Fotograf\u00eda del Apollo Theatre, Nueva York, tomada entre 1946 y 1948 por William P Gottlieb.\" width=\"600\" height=\"589\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/View_of_the_Apollo_Theatre_marquee_New_York_N.Y._between_1946_and_1948_William_P._Gottlieb_00141-600x589.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/View_of_the_Apollo_Theatre_marquee_New_York_N.Y._between_1946_and_1948_William_P._Gottlieb_00141-150x147.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/View_of_the_Apollo_Theatre_marquee_New_York_N.Y._between_1946_and_1948_William_P._Gottlieb_00141-200x196.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/View_of_the_Apollo_Theatre_marquee_New_York_N.Y._between_1946_and_1948_William_P._Gottlieb_00141-768x754.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/View_of_the_Apollo_Theatre_marquee_New_York_N.Y._between_1946_and_1948_William_P._Gottlieb_00141-56x55.jpg 56w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/View_of_the_Apollo_Theatre_marquee_New_York_N.Y._between_1946_and_1948_William_P._Gottlieb_00141-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/View_of_the_Apollo_Theatre_marquee_New_York_N.Y._between_1946_and_1948_William_P._Gottlieb_00141.jpg 1024w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption id=\"caption-attachment-24587\" class=\"wp-caption-text\">Fotograf\u00eda del Apollo Theatre, Nueva York, tomada entre 1946 y 1948 por William P Gottlieb.<\/figcaption><\/figure><\/center><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: left;\">En el cap\u00edtulo 50\u00a0suenan:<\/p>\n<ul style=\"text-align: center;\">\n<li style=\"text-align: justify;\">\u201cI\u00b4m Old Fashioned\u201d Melissa Walker<\/li>\n<li style=\"text-align: justify;\">\u201cI\u00b4ll Remember April\u201d Benny Carter<\/li>\n<li style=\"text-align: justify;\">\u201cHop Off\u201d Fletcher Henderson<\/li>\n<li style=\"text-align: justify;\">\u201cChant Of The Weed\u201d Don Redman<\/li>\n<li style=\"text-align: justify;\">\u201cThings Ain\u00b4t What They Used To Be\u201d Duke Ellington<\/li>\n<li style=\"text-align: justify;\">\u201cAfter You\u00b4ve Gone\u201d Sarah Vaughan<\/li>\n<li style=\"text-align: justify;\">\u201cMaking Whoopee\u201d Ben Webster<\/li>\n<li style=\"text-align: justify;\">\u201cDay In Day Out\u201d Billie Holiday<\/li>\n<li style=\"text-align: justify;\">\u201cIs You Is Or Is You Ain\u00b4T My Baby\u201d Louis Jordan<\/li>\n<li style=\"text-align: justify;\">\u201cTea For Two\u201d Art Tatum<\/li>\n<li style=\"text-align: justify;\">\u201cSt. Louis Blues\u201d Ella Fitzgerald<\/li>\n<li style=\"text-align: justify;\">\u201cNew Shift\u201d Pee Wee Ellis<\/li>\n<\/ul>\n<p><center><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-18254\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/Luis-Escalante_Y-se-hace-musica-al-andar...-con-swing-397x600.jpg\" alt=\"Luis Escalante_Y se hace musica al andar... con swing\" width=\"300\" height=\"453\" title=\"\"><\/a><\/center><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-18255 alignnone\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/comprar-en-amazon.gif\" alt=\"comprar en amazon\" width=\"90\" height=\"28\" title=\"\"><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La entrega n\u00famero 51 de La Odisea de la M\u00fasica Afroamericana Luis Escalante Ozalla contin\u00faa el repaso a lugares m\u00edticos del jazz tras los programas dedicados al Savoy y al Cotton Club y Harlem. El Teatro Apollo, Connie\u2019s Inn, Harlem Opera House, Barron Wilkin\u2019s, Mexico\u2019s o Monette Moore\u2019s Place son algunos de esos locales cuya historia se repasa  acompa\u00f1ada de la m\u00fasica de int\u00e9rpretes m\u00edticos. <span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/lugares-miticos-en-la-historia-del-jazz-iii-teatro-apollo-connies-inn-harlem-opera-house-la-odisea-de-la-musica-afroamericana-051-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":24587,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17834,13297,12814,15518,1038],"tags":[16123,13370,16120,16118,6637,16581,16579,16569,16119,5360,13,15375,12415,15295,15278,15710,12817,16580,13072,16124,15469,12905,12816,16121,16122,12818,15310,15470,15709,15711,15650,16578,16117,16568,16099,77,16100,9050],"class_list":["entry","author-pachi","has-excerpt","post-24586","post","type-post","status-publish","format-standard","has-post-thumbnail","category-luis-escalante-ozalla","category-la-odisea-de-la-musica-afroamericana","category-podcast","category-sonidos","category-contenidos","tag-apollo-theatre","tag-audioblog","tag-barron-wilkins","tag-connies-inn","tag-duke-ellington","tag-ella-fitzgerald-lady-ella","tag-ella-fitzgerald-queen-of-jazz","tag-ella-fitzgerald-the-first-lady-of-song","tag-harlem-opera-house","tag-historia-del-jazz","tag-jazz","tag-jazz-clasico","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jazz-podcast","tag-la-actualidad-del-jazz-en-espana","tag-la-odisea-de-la-musica-afroamericana","tag-lady-ella","tag-lodlma","tag-lugares-miticos-en-la-historia-del-jazz","tag-luis-escalanta-ozalla","tag-luis-escalante","tag-luis-escalante-ozalla","tag-mexicos","tag-monette-moores-place","tag-podcast","tag-podcast-de-jazz","tag-podcast-de-jazz-clasico","tag-podcast-de-jazz-en-espana","tag-podcast-de-jazz-en-espanol","tag-podcast-de-swing","tag-queen-of-jazz","tag-teatro-apollo","tag-the-first-lady-of-song","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-william-p-gottlieb"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/View_of_the_Apollo_Theatre_marquee_New_York_N.Y._between_1946_and_1948_William_P._Gottlieb_00141.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":24181,"url":"https:\/\/tomajazz.com\/web\/lugares-miticos-en-la-historia-del-jazz-ii-cotton-club-y-harlem-la-odisea-de-la-musica-afroamericana-050-podcast\/","url_meta":{"origin":24586,"position":0},"title":"Lugares m\u00edticos en la historia del jazz (II): Cotton Club y Harlem. La Odisea de la M\u00fasica Afroamericana (050) [Podcast]","author":"Tomajazz","date":"16 mayo, 2016","format":false,"excerpt":"La entrega n\u00famero 50 de La Odisea de la M\u00fasica Afroamericana Luis Escalante Ozalla contin\u00faa el repaso a la historia del Cotton Club, uno de los locales m\u00edticos en la historia del jazz. En este local se interpretaron revistas de las que surgieron algunos cl\u00e1sicos del jazz, que suenan en\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Great_Day_in_Harlem.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Great_Day_in_Harlem.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Great_Day_in_Harlem.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":24758,"url":"https:\/\/tomajazz.com\/web\/ella-fitzgerald-i-la-odisea-de-la-musica-afroamericana-052-podcast\/","url_meta":{"origin":24586,"position":1},"title":"Ella Fitzgerald (I). La Odisea de la M\u00fasica Afroamericana (052) [Podcast]","author":"Tomajazz","date":"30 mayo, 2016","format":false,"excerpt":"En la entrega n\u00famero 52 de La Odisea de la M\u00fasica Afroamericana Luis Escalante Ozalla comienza un repaso a la carrera de Ella Fitzgerald, una de las voces imprescindibles de la historia del jazz.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"Ella Fitzgerald por Carl van Vetchen (1940)","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Ella-Fitzgerald-by-Carl-van-Vetchen.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":25005,"url":"https:\/\/tomajazz.com\/web\/ella-fitzgerald-iv-la-odisea-de-la-musica-afroamericana-055-podcast\/","url_meta":{"origin":24586,"position":2},"title":"Ella Fitzgerald (IV). La Odisea de la M\u00fasica Afroamericana (055) [Podcast]","author":"Tomajazz","date":"20 junio, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana llega al cuarto cap\u00edtulo dedicado a Ella Fitzgerald, The First Lady of Song. Con la cantante y su m\u00fasica como eje central, Luis Escalante va acerc\u00e1ndose a las figuras de otros m\u00fasicos y compostiores como Kurt Weill, Joe Pass, Oscar Peterson o Antonio Carlos\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/1024px-Ella_Fitzgerald__Joe_Pass_1974-e1466332743384.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/1024px-Ella_Fitzgerald__Joe_Pass_1974-e1466332743384.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/1024px-Ella_Fitzgerald__Joe_Pass_1974-e1466332743384.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":24835,"url":"https:\/\/tomajazz.com\/web\/ella-fitzgerald-ii-la-odisea-de-la-musica-afroamericana-053-podcast\/","url_meta":{"origin":24586,"position":3},"title":"Ella Fitzgerald (II). La Odisea de la M\u00fasica Afroamericana (053) [Podcast]","author":"Tomajazz","date":"6 junio, 2016","format":false,"excerpt":"En la entrega n\u00famero 53 de La Odisea de la M\u00fasica Afroamericana Luis Escalante Ozalla sigue con el repaso a la carrera de Ella Fitzgerald, que comenz\u00f3 en el cap\u00edtulo anterior. Esta fase de la carrera de la Fitzgerald sirve para escuchar m\u00fasica y para conocer a figuras importantes como\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella-Fitzgerald-November-1946.-Photography-by-William-P.-Gottlieb.-peq.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella-Fitzgerald-November-1946.-Photography-by-William-P.-Gottlieb.-peq.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella-Fitzgerald-November-1946.-Photography-by-William-P.-Gottlieb.-peq.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella-Fitzgerald-November-1946.-Photography-by-William-P.-Gottlieb.-peq.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":24889,"url":"https:\/\/tomajazz.com\/web\/ella-fitzgerald-iii-la-odisea-de-la-musica-afroamericana-054-podcast\/","url_meta":{"origin":24586,"position":4},"title":"Ella Fitzgerald (III). La Odisea de la M\u00fasica Afroamericana (054) [Podcast]","author":"Tomajazz","date":"13 junio, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. En la entrega n\u00famero 54 de La Odisea de la M\u00fasica Afroamericana\u00a0Luis Escalante Ozalla sigue repasando\u00a0la carrera de\u00a0Ella Fitzgerald. A\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella_Fitzgerald_1968.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella_Fitzgerald_1968.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella_Fitzgerald_1968.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella_Fitzgerald_1968.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":22450,"url":"https:\/\/tomajazz.com\/web\/los-gigantes-del-swing-iv-count-basie-la-odisea-de-la-musica-afroamericana-039-podcast\/","url_meta":{"origin":24586,"position":5},"title":"Los gigantes del Swing (IV): Count Basie y las\/los vocalistas. La Odisea de la M\u00fasica Afroamericana (039) [Podcast]","author":"Tomajazz","date":"29 febrero, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. Count Basie es el protagonista central de la entrega n\u00famero 39\u00a0de La Odisea de la M\u00fasica Afroamericana, tras aparecen en\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/02\/Count_Basie_Gottlieb_00471.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/02\/Count_Basie_Gottlieb_00471.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/02\/Count_Basie_Gottlieb_00471.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/02\/Count_Basie_Gottlieb_00471.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/24586","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=24586"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/24586\/revisions"}],"predecessor-version":[{"id":24590,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/24586\/revisions\/24590"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/24587"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=24586"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=24586"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=24586"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}