{"id":2463,"date":"2011-12-14T00:00:00","date_gmt":"2011-12-13T23:00:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=2463"},"modified":"2016-05-21T20:31:06","modified_gmt":"2016-05-21T18:31:06","slug":"taylor-ho-bynum-sextet-apparent-distance-firehouse-12-records-2011","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/taylor-ho-bynum-sextet-apparent-distance-firehouse-12-records-2011\/","title":{"rendered":"Taylor Ho Bynum Sextet: Apparent Distance (Firehouse 12 Records, 2011)"},"content":{"rendered":"<div><a href=\"http:\/\/2.bp.blogspot.com\/-9cEP-tnUs8c\/TufNHepIMOI\/AAAAAAAADyo\/9UZF0m1wDbY\/s1600\/taylor+ho+bynum+sextet_apparent.gif\" imageanchor=\"1\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"200\" src=\"http:\/\/2.bp.blogspot.com\/-9cEP-tnUs8c\/TufNHepIMOI\/AAAAAAAADyo\/9UZF0m1wDbY\/s200\/taylor+ho+bynum+sextet_apparent.gif\" width=\"200\" alt=\"\" title=\"\"><\/a><\/div>\n<blockquote><p>\u201cOur eyes can fool us in judging size and distance, foreground and background, the very nature of objects in space. These illusory perspectives offer a surreal poetry that sometimes trascend physical reality\u201d<\/p><\/blockquote>\n<div>\u00a1Prueba conseguida! <b>Taylor Ho Bynum<\/b> supera con nota los objetivos que detalla en las notas de <i>Apparent Distance<\/i>. En primer lugar, difumina los l\u00edmites entre composici\u00f3n e improvisaci\u00f3n. Su grabaci\u00f3n sorprende al oyente no \u00fanicamente en lo relativo a la composici\u00f3n en s\u00ed (\u00abApparent Distance\u00bb es una suite en cuatro partes de apenas 45 minutos), sino tambi\u00e9n por la manera en que se disponen los solos (\u201cShift\u201d abre el CD con Ho Bynum en solitario) y los obligados; las partes m\u00e1s libres frente a las m\u00e1s <i>swingueantes<\/i> (que las hay y son sumamente contagiosas). Tambi\u00e9n logra mostrar sobradamente la brillantez de todos y cada uno de los integrantes de su nuevo sexteto. En \u00e9l repiten dos compa\u00f1eros: la soberbia <b>Mary Halvorson<\/b> y el baterista <b>Tomas Fujiwara<\/b>. En cuanto a las tres incorporaciones (<b>Bill Lowe<\/b> en tuba y tromb\u00f3n bajo, <b>Jim Hobbs<\/b> al saxo alto y <b>Ken Filiano<\/b>\u00a0en contrabajo), el corneta tiene una relaci\u00f3n art\u00edstica que viene de lejos con todos ellos. El resultado final y conjunto de todas esas magn\u00edficas intenciones, <i>Apparent Distance<\/i>, es uno de los discos m\u00e1s adictivos de 2011.<\/div>\n<p>\u00a9 Pachi Tapiz, 2011<br \/><a name=\"more\"><\/a><\/p>\n<p>Taylor Ho Bynum Sextet: <i>Apparent Distance <\/i><\/p>\n<p>Taylor Ho Bynum (corneta), Jim Hobbs (saxo alto), Bill Lowe (tromb\u00f3n bajo y tuba), Mary Halvorson (guitarra), Ken Filiano (contrabajo), Tomas Fujiwara (bater\u00eda)<\/p>\n<p>\u201cApparent Distance\u201d: \u201cPart I: Shift\u201d 4:29, \u201cPart II: Strike\u201d 9:00, \u201cPart III: Source\u201d 20:46, \u201cPart IV: Layer\u201d 8:56<br \/>Composici\u00f3n por Taylor Ho Bynum<\/p>\n<p>Grabado el 16 de mayo de 2011 en Firehouse 12, New Haven, Connecticut. Pubicado en 2011 por Firehouse 12 Records. FH12-04-01-014 <a href=\"http:\/\/firehouse12.com\/\" target=\"_blank\" rel=\"noopener\">http:\/\/firehouse12.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cOur eyes can fool us in judging size and distance, foreground and background, the very nature of objects in space. These illusory perspectives offer a surreal poetry that sometimes trascend physical reality\u201d \u00a1Prueba conseguida! Taylor Ho Bynum supera con nota los objetivos que detalla en las notas de Apparent Distance.<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/taylor-ho-bynum-sextet-apparent-distance-firehouse-12-records-2011\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5],"tags":[12651,12696,13,12415,15295,16099,77,16100],"class_list":["entry","author-pachi","post-2463","post","type-post","status-publish","format-standard","category-grabaciones","tag-cd","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2463","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=2463"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2463\/revisions"}],"predecessor-version":[{"id":23224,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/2463\/revisions\/23224"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=2463"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=2463"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=2463"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}